God’s Welcome: A Co-Creative Vision of the Spiritual Exercises of St. Ignatius for Women By: Cynthia Byers Walter While remaining true to the original Spiritual Exercises of St. Ignatius, God’s Welcome presents the exercises in a more dialogical format that respects the range of experience of twenty-first century seekers. Conceived as a response to the issues women typically face when making the Exercises, this book appeals to anyone interested in a deeper, co-creative, and cooperative relationship with God through Jesus Christ. Using the Ignatian pattern of a daily discipline of prayer, God’s Welcome takes the seeker through a journey of about nine months, in which spiritual growth is informed not only by Holy Scripture, but by the scripture of daily life and experience.
God’s Welcome: A Co-Creative Vision of the Spiritual Exercises of St. Ignatius for Women By: Cynthia Byers Walter While remaining true to the original Spiritual Exercises of St. Ignatius, God’s Welcome presents the exercises in a more dialogical format that respects the range of experience of twenty-first century seekers. Conceived as a response to the issues women typically face when making the Exercises, this book appeals to anyone interested in a deeper, co-creative, and cooperative relationship with God through Jesus Christ. Using the Ignatian pattern of a daily discipline of prayer, God’s Welcome takes the seeker through a journey of about nine months, in which spiritual growth is informed not only by Holy Scripture, but by the scripture of daily life and experience.
In Finding Truth in Fiction, two media psychologists reveal that there's much more to our desire to seek out stories in film, TV, and books than simple diversion - fiction can help us find truth in our real lives. Whether you consider yourself a fan of popular media or whether you find yourself thinking of a particular fictional scene for inspiration, you are not alone. Though some assume that interest in a fictional world is a sign of psychological trouble, the authors enthusiastically disagree. Because story worlds are simulations of our social world, we use them to make sense of our experiences and even decide what kind of people we want to be. This makes fiction far from trivial. By exploring our relationship with fictional stories and characters, the authors will examine how we create mental models in our minds so we can understand stories and characters and how we differentiate between the identities of characters and the actors who play them. What story arcs, such as the hero's journey, are we drawn to again and again? How do the moments that strike us as important in a story change as we age and move through different stages in our life? Delving into these questions and many more, the authors conclude that being a fan is not just healthy, it's human.
The Oxford Handbook of Canadian Literature provides a broad-ranging introduction to some of the key critical fields, genres, and periods in Canadian literary studies. The essays in this volume, written by prominent theorists in the field, reflect the plurality of critical perspectives, regional and historical specializations, and theoretical positions that constitute the field of Canadian literary criticism across a range of genres and historical periods. The volume provides a dynamic introduction to current areas of critical interest, including (1) attention to the links between the literary and the public sphere, encompassing such topics as neoliberalism, trauma and memory, citizenship, material culture, literary prizes, disability studies, literature and history, digital cultures, globalization studies, and environmentalism or ecocriticism; (2) interest in Indigenous literatures and settler-Indigenous relations; (3) attention to multiple diasporic and postcolonial contexts within Canada; (4) interest in the institutionalization of Canadian literature as a discipline; (5) a turn towards book history and literary history, with a renewed interest in early Canadian literature; (6) a growing interest in articulating the affective character of the "literary" - including an interest in affect theory, mourning, melancholy, haunting, memory, and autobiography. The book represents a diverse array of interests -- from the revival of early Canadian writing, to the continued interest in Indigenous, regional, and diasporic traditions, to more recent discussions of globalization, market forces, and neoliberalism. It includes a distinct section dedicated to Indigenous literatures and traditions, as well as a section that reflects on the discipline of Canadian literature as a whole.
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