A “provocative reconstruction of John F. Kennedy’s ‘five-year campaign’ for the White House” (The New Yorker), beginning with his bold, failed attempt to win the vice presidential nomination in 1956 and culminating when he plotted his way to the presidency and changed the way we nominate and elect presidents. John F. Kennedy and his young warriors invented modern presidential politics. They turned over accepted wisdom that his Catholicism was a barrier to winning an election. They hired Louis Harris to become the first presidential pollster. They twisted arms and they charmed. They turned the traditional party inside out. They invented The Missile Gap in the Cold War and out-glamoured Richard Nixon in the TV debates. Now “Thomas Oliphant and Curtis Wilkie, both veteran political journalists, retell the story of this momentous campaign, reminding us of now forgotten details of Kennedy’s path to the White House” (The Wall Street Journal). The authors have examined more than 1,600 oral histories at the John F. Kennedy library; they’ve interviewed surviving sources, including JFK’s sister Jean Smith, and they draw on their own interviews with insiders including Ted Sorensen and Arthur Schlesinger, Jr. From the start of the campaign in 1955, “The Road to Camelot brings much new insight to an important playbook that has echoed through the campaigns of other presidential aspirants as disparate as Barack Obama and Donald Trump. The authors take us step by step on the road to the Kennedy victory, leaving us with an appreciation for the maniacal attention to detail of both the candidate and his brother Robert, the best campaign manager in American political history” (The Washington Post). “A must-read for fans of presidential history” (USA TODAY), this is “an excellent chronicle of JFK’s innovations, his true personality, and how close he came to losing” (Kirkus Reviews, starred review).
Writing as a newspaper reporter for nearly forty years, Curtis Wilkie covered eight presidential campaigns, spent years in the Middle East, and traveled to a number of conflicts abroad. However, his memory keeps turning home and many of his most treasured stories transpire in the Deep South. He called his native Mississippi, “the gift that keeps on giving.” For Wilkie, it represented a trove of rogues and racists, colorful personalities and outlandish politicians who managed to thrive among people otherwise kind and generous. Assassins, Eccentrics, Politicians, and Other Persons of Interest collects news dispatches and feature stories from the author during a journalism career that began in 1963 and lasted until 2000. As a young reporter for the Clarksdale Press Register, he wrote many articles that dealt with the civil rights movement, which dominated the news in the Mississippi Delta during the 1960s.Wilkie spent twenty-six years as a national and foreign correspondent for the Boston Globe. One of the original “Boys on the Bus” (the title of a best-selling book about journalists covering the 1972 presidential campaign), he later wrote extensively about the winning races of two southern Presidents, Jimmy Carter and Bill Clinton. Wilkie is known for stories reported deeply, rife with anecdotes, physical descriptions, and important background details. He writes about the notorious, such as the late Hunter S. Thompson, as well as more anonymous subjects whose stories, in his hands, have enduring interest. The anthology collects pieces about several notable southerners: Ross Barnett; Byron De La Beckwith and Sam Bowers; Billy Carter; Edwin Edwards and David Duke; Trent Lott; and Charles Evers. Wilkie brings a perceptive eye to people and events, and his eloquent storytelling represents some of the best journalistic writing.
Dixie is a political and social history of the South during the second half of the twentieth century told from Curtis Wilkie's perspective as a white man intimately transformed by enormous racial and political upheavals. Wilkie's personal take on some of the landmark events of modern American history is as engaging as it is insightful. He attended Ole Miss during the rioting in the fall of 1962, when James Meredith became the first African American to enroll in the school. After graduation, Wilkie worked in Clarksdale, Mississippi, where he met Aaron Henry, a local druggist and later the prominent head of the Mississippi NAACP. He covered the Mississippi Freedom Summer of 1964 and the Mississippi Freedom Democratic Party challenge at the national convention in Atlantic City, and he was a member of the biracial insurgent Democratic delegation from Mississippi seated in place of Governor John Bell Williams's delegation at the 1968 convention in Chicago. Wilkie followed Jimmy Carter's campaign for the presidency, becoming friends with Billy Carter; he covered Bill Clinton's election in 1992 and was witness to the South's startling shift from the Democratic Party to the GOP; and finally, he was there when Byron De La Beckwith was convicted for the murder of civil rights leader Medgar Evers thirty-one years after the fact. Wilkie had left the South in 1969 in the wake of the violence surrounding the civil rights movement, vowing never to live there again. But after traveling the world as a reporter, he did return in 1993, drawn by a deep-rooted affinity to the region of his youth. It was as though he rejoined his tribe, a peculiar civilization bonded by accent and mannerisms and burdened by racial anxiety. As Wilkie writes, Southerners have staunchly resisted assimilation since the Civil War, taking an almost perverse pride in their role as "spiritual citizens of a nation that existed for only four years in another century." Wilkie endeavors to make sense of the enormous changes that have typified the South for more than four decades. Full of beauty, humor, and pathos, Dixie is a story of redemption -- for both a region and a writer.
“Masterful . . . an epic tale of backbiting, shady deal-making, and greed [that] reads like a John Grisham novel.”—The Wall Street Journal A real-life legal thriller as timeless as a Greek tragedy, tracing the downfall of one of America’s most famous lawyers and exposing the dark side of Southern politics—from the author of When Evil Lived in Laurel Dickie Scruggs was arguably the most successful plaintiff’s lawyer in America. A brother-in-law of former U.S. Senate majority leader Trent Lott, Scruggs made a fortune taking on mass tort lawsuits against Big Tobacco and the asbestos industries. He was hailed by Newsweek as a latter-day Robin Hood and was portrayed in the movie The Insider as a dapper aviator-lawyer. Scruggs’s legal triumphs rewarded him lavishly, and his success emboldened both his career maneuvering and his influence in Southern politics—but at a terrible cost, culminating in his spectacular fall, when he was convicted for conspiring to bribe a Mississippi state judge. Based on extensive interviews, transcripts, and FBI recordings never made public, The Fall of the House of Zeus uncovers the Washington legal games and power politics: the swirl of fixed cases, blocked investigations, judicial tampering, and a zealous prosecution that would eventually ensnare not only Scruggs but his own son, Zach, in the midst of their struggle with insurance companies over Hurricane Katrina damages. Featuring Trent Lott and Jim Biden, brother of then-Senator Joe Biden, in supporting roles, with cameos by John McCain, Al Gore, and other Washington insiders, Curtis Wilkie’s account of this uniquely American tragedy reveals the seedy underbelly of institutional power.
One of NPR's Best Books of the Year Finalist for the 2022 Edgar Award for Best Fact Crime The inside story of how a courageous FBI informant helped to bring down the KKK organization responsible for a brutal civil rights–era killing. By early 1966, the work of Vernon Dahmer was well known in south Mississippi. A light-skinned Black man, he was a farmer, grocery store owner, and two-time president of the Forrest County chapter of the NAACP. He and Medgar Evers founded a youth NAACP chapter in Hattiesburg, and for years after Evers’s assassination Dahmer was the chief advocate for voting rights in a county where Black registration was shamelessly suppressed. This put Dahmer in the crosshairs of the White Knights, with headquarters in nearby Laurel. Already known as one of the most violent sects of the KKK in the South, the group carried out his murder in a raid that burned down his home and store. A year before, Tom Landrum, a young, unassuming member of a family with deep Mississippi roots, joined the Klan to become an FBI informant. He penetrated the White Knights’ secret circles, recording almost daily journal entries. He risked his life, and the safety of his young family, to chronicle extensively the clandestine activities of the Klan. Veteran journalist Curtis Wilkie draws on his exclusive access to Landrum’s journals to re-create these events—the conversations, the incendiary nighttime meetings, the plans leading up to Dahmer’s murder and its erratic execution—culminating in the conviction and imprisonment of many of those responsible for Dahmer’s death. In riveting detail, When Evil Lived in Laurel plumbs the nature and harrowing consequences of institutional racism, and brings fresh light to this chapter in the history of civil rights in the South—one with urgent implications for today.
“Masterful . . . an epic tale of backbiting, shady deal-making, and greed [that] reads like a John Grisham novel.”—The Wall Street Journal A real-life legal thriller as timeless as a Greek tragedy, tracing the downfall of one of America’s most famous lawyers and exposing the dark side of Southern politics—from the author of When Evil Lived in Laurel Dickie Scruggs was arguably the most successful plaintiff’s lawyer in America. A brother-in-law of former U.S. Senate majority leader Trent Lott, Scruggs made a fortune taking on mass tort lawsuits against Big Tobacco and the asbestos industries. He was hailed by Newsweek as a latter-day Robin Hood and was portrayed in the movie The Insider as a dapper aviator-lawyer. Scruggs’s legal triumphs rewarded him lavishly, and his success emboldened both his career maneuvering and his influence in Southern politics—but at a terrible cost, culminating in his spectacular fall, when he was convicted for conspiring to bribe a Mississippi state judge. Based on extensive interviews, transcripts, and FBI recordings never made public, The Fall of the House of Zeus uncovers the Washington legal games and power politics: the swirl of fixed cases, blocked investigations, judicial tampering, and a zealous prosecution that would eventually ensnare not only Scruggs but his own son, Zach, in the midst of their struggle with insurance companies over Hurricane Katrina damages. Featuring Trent Lott and Jim Biden, brother of then-Senator Joe Biden, in supporting roles, with cameos by John McCain, Al Gore, and other Washington insiders, Curtis Wilkie’s account of this uniquely American tragedy reveals the seedy underbelly of institutional power.
Writing as a newspaper reporter for nearly forty years, Curtis Wilkie covered eight presidential campaigns, spent years in the Middle East, and traveled to a number of conflicts abroad. However, his memory keeps turning home and many of his most treasured stories transpire in the Deep South. He called his native Mississippi, “the gift that keeps on giving.” For Wilkie, it represented a trove of rogues and racists, colorful personalities and outlandish politicians who managed to thrive among people otherwise kind and generous. Assassins, Eccentrics, Politicians, and Other Persons of Interest collects news dispatches and feature stories from the author during a journalism career that began in 1963 and lasted until 2000. As a young reporter for the Clarksdale Press Register, he wrote many articles that dealt with the civil rights movement, which dominated the news in the Mississippi Delta during the 1960s.Wilkie spent twenty-six years as a national and foreign correspondent for the Boston Globe. One of the original “Boys on the Bus” (the title of a best-selling book about journalists covering the 1972 presidential campaign), he later wrote extensively about the winning races of two southern Presidents, Jimmy Carter and Bill Clinton. Wilkie is known for stories reported deeply, rife with anecdotes, physical descriptions, and important background details. He writes about the notorious, such as the late Hunter S. Thompson, as well as more anonymous subjects whose stories, in his hands, have enduring interest. The anthology collects pieces about several notable southerners: Ross Barnett; Byron De La Beckwith and Sam Bowers; Billy Carter; Edwin Edwards and David Duke; Trent Lott; and Charles Evers. Wilkie brings a perceptive eye to people and events, and his eloquent storytelling represents some of the best journalistic writing.
John F. Kennedy and his young warriors invented modern presidential politics. They turned over accepted wisdom that his Catholicism was a barrier to winning an election and plotted a successful course to that constituency. They hired Louis Harris -- a polling entrepreneur -- to become the first presidential pollster. They twisted arms and they charmed. They lined up party bosses, young enthusiasts, and fellow Catholics and turned the traditional party inside out. The last-minute invitation to Lyndon B. Johnson for vice president in 1956 surprised them only because they had failed to notice that he wanted it. They invented The Missile Gap in the Cold War and out-glamoured Richard Nixon in the TV debates. Now journalists Tom Oliphant and Curtis Wilkie provide the most comprehensive account, based on a depth of personal reporting, interviews, and archives. The authors have examined more than 1,600 oral histories at the John F. Kennedy library; they've interviewed surviving sources, including JFK's sister Jean Smith, and they draw on their own interviews with insiders including Ted Sorensen and Arthur Schlesinger, Jr. From the start of the campaign in 1955 when his father tried to persuade President Johnson to run with JFK as his running mate, The Road to Camelot reveals him as a tough, shrewd political strategist who kept his eye on the prize.
Ruling by Schooling Quebec provides a rich and detailed account of colonial politics from 1760 to 1841 by following repeated attempts to school the people. This first book since the 1950s to investigate an unusually complex period in Quebec’s educational history extends the sophisticated method used in author Bruce Curtis’s double-award-winning Politics of Population. Drawing on a mass of archival material, the study shows that although attempts to govern Quebec by educating its population consumed huge amounts of public money, they had little impact on rural ignorance: while near-universal literacy reigned in New England by the 1820s, at best one in three French-speaking peasant men in Quebec could sign his name in the insurrectionary decade of the 1830s. Curtis documents educational conditions on the ground, but also shows how imperial attempts to govern a tumultuous colony propelled the early development of Canadian social science. He provides a revisionist account of the pioneering investigations of Lord Gosford and Lord Durham.
A rich, vibrant portrait—the most intimate and telling yet of this complex man considered by many to be the actor’s actor. Spencer Tracy’s image on-screen was that of a self-reliant man whose sense of rectitude toward others was matched by his sense of humor toward himself. Whether he was Father Flanagan of Boys Town, Clarence Darrow of Inherit the Wind, or the crippled war veteran in Bad Day at Black Rock, Tracy was forever seen as a pillar of strength. His full name was Spencer Bonaventure Tracy. He was called “The Gray Fox” by Frank Sinatra; other actors called him the “The Pope.” “The best goddamned actor I’ve ever seen!”—George M. Cohan In his several comedy roles opposite Katharine Hepburn (Woman of the Year and Adam’s Rib among them) or in Father of the Bride with Elizabeth Taylor, Tracy was the sort of regular American guy one could depend on. Now James Curtis, acclaimed biographer of Preston Sturges (“Definitive” —Variety), James Whale, and W. C. Fields (“By far the fullest, fairest, and most touching account . . . we have yet had. Or are likely to have” —Richard Schickel, The New York Times Book Review, cover review), gives us the life of one of the most revered screen actors of his generation. Curtis writes of Tracy’s distinguished career, his deep Catholicism, his devoted relationship to his wife, his drinking that got him into so much trouble, and his twenty-six-year-long bond with his partner on-screen and off, Katharine Hepburn. Drawing on Tracy’s personal papers and writing with the full cooperation of Tracy’s daughter, Curtis tells the rich story of the brilliant but haunted man at the heart of the legend. We see him from his boyhood in Milwaukee; given over to Dominican nuns (“They drill that religion in you”); his years struggling in regional shows and stock (Tracy had a photographic memory and an instinct for inhabiting a character from within); acting opposite his future wife, Louise Treadwell; marrying and having two children, their son, John, born deaf. We see Tracy’s success on Broadway, his turning out mostly forgettable programmers with the Fox Film Corporation, and going to Metro-Goldwyn-Mayer and getting the kinds of roles that had eluded him in the past—a streetwise priest opposite Clark Gable in San Francisco; a screwball comedy, Libeled Lady; Kipling’s classic of the sea, Captains Courageous. Three years after arriving at MGM, Tracy became America’s top male star. We see how Tracy embarked on a series of affairs with his costars . . . making Northwest Passage and Dr. Jekyll and Mr. Hyde, which brought Ingrid Bergman into his life. By the time the unhappy shoot was over, Tracy, looking to do a comedy, made Woman of the Year. Its unlikely costar: Katharine Hepburn. We see Hepburn making Tracy her life’s project—protecting and sustaining him in the difficult job of being a top-tier movie star. And we see Tracy’s wife, Louise, devoting herself to studying how deaf children could be taught to communicate orally with the hearing and speaking world. Curtis writes that Tracy was ready to retire when producer-director Stanley Kramer recruited him for Inherit the Wind—a collaboration that led to Judgment at Nuremberg, It’s a Mad Mad Mad Mad World, and Tracy’s final picture, Guess Who’s Coming to Dinner . . . A rich, vibrant portrait—the most intimate and telling yet of this complex man considered by many to be the actor’s actor.
First published in 1988, the present volume contains the texts of papers read at a three-day Colloquium on bronzeworking centres in Western Asia from 1000 BC until the beginning of the Achaemenian period in 539 BC, which was held in the British Museum in July 1986. Each paper has been revised in the light of the discussion which followed it. The Colloquium was organized by Dr J E Curtis on behalf of the Department of Western Asiatic Antiquities and forms the first in a series which it is hoped will be held annually.
This study reconstructs, analyses and re-evaluates the programme of influential mathematical thinker David Hilbert, presenting it in a different light.
New edition of an established, well-regarded, and evidence-based resource on the subject of renal nursing Greek and Latin Roots of Medical and Scientific Terminologies explains the Greek and Latin origins of the roots, prefixes, and suffixes of terms used in “med-speak,” the specialized language of medicine, science, and healthcare. By presenting medical terms in their historical context, this innovative textbook discusses relevant aspects of ancient Greek and Roman medical theories and practices while teaching students to apply principles of word analysis, synthesis, and pronunciation. Clear and accessible chapters—organized around the modern categories of body systems—contain thorough explanations of ancient medico-scientific culture, etymological notes, images, tables of vocabulary, and a range of exercises designed to increase student comprehension and retention. Divided into two units, the text first introduces the historical background of ancient Greek medicine and describes the principles of analyzing, constructing, pronouncing, and spelling medical terms. It then discusses Latin and Greek grammar and modern nomenclature in medicine, natural sciences, chemistry, and pharmacy. The second unit teaches the Greek and Latin prefixes, suffixes, roots, eponyms, and loan words relevant to the systems of the body: integumentary, musculoskeletal, circulatory, respiratory, nervous, endocrine, digestive, urinary and reproductive systems. Allowing instructors to teach medical terminology as a true classical civilizations course, this unique volume: Features the history of ancient Greek medicine and explains the ancient Greek and Latin origins of medical terms and how they came to have their current meaning Covers the loan words, eponyms, and the components of basic medico-scientific terms, providing topical tables of commonly used prefixes, suffixes, and roots Includes a list of common abbreviations and symbols used in medico-scientific writing Teaches abbreviated Latin grammatical paradigms necessary for anatomical taxonomy Uses a programmed learning approach that features numerous activities and exercises, including analyzing and constructing terms, interpreting passages from medical notes and scientific journals, and identification and spelling questions Linking medical terms to the history, literature, and mythology of ancient culture, Greek and Latin Roots of Medical and Scientific Terminologies is an ideal introductory textbook for college-level medical terminology courses, particularly those taught by Classicists.
“Breaks new ground in its examination of the role of newspaper reporting during the police hunt for the first notorious serial killer.”—Reviews in History Press coverage of the 1888 mutilation murders attributed to Jack the Ripper was of necessity filled with gaps and silences, for the killer remained unknown and Victorian journalists had little experience reporting serial murders and sex crimes. This engrossing book examines how fourteen London newspapers—dailies and weeklies, highbrow and lowbrow—presented the Ripper news, in the process revealing much about the social, political, and sexual anxieties of late Victorian Britain and the role of journalists in reinforcing social norms. L. Perry Curtis surveys the mass newspaper culture of the era, delving into the nature of sensationalism and the conventions of domestic murder news. Analyzing the fourteen newspapers—two of which emanated from the East End, where the murders took place—he shows how journalists played on the fears of readers about law and order by dwelling on lethal violence rather than sex, offering gruesome details about knife injuries but often withholding some of the more intimate details of the pelvic mutilations. He also considers how the Ripper news affected public perceptions of social conditions in Whitechapel. “The apparently motiveless violence of the Whitechapel killings denied journalists a structure, and it is the resulting creativity in news reporting that L Perry Curtis Jr describes. His impressive book makes a genuine contribution to 19th-century history in a way that books addressing the banal question of the identity of the Ripper do not.”—The Guardian
He was the consummate designer of film architecture on a grand scale, influenced by German expressionism and the work of the great European directors. He was known for his visual flair and timeless innovation, a man who meticulously preplanned the color and design of each film through a series of continuity sketches that made clear camera angles, lighting, and the actors’ positions for each scene, translating dramatic conventions of the stage to the new capabilities of film. Here is the long-awaited book on William Cameron Menzies, Hollywood’s first and greatest production designer, a job title David O. Selznick invented for Menzies’ extraordinary, all-encompassing, Academy Award–winning work on Gone With the Wind (which he effectively co-directed). It was Menzies—winner of the first-ever Academy Award for Art Direction, jointly for The Dove (1927) and Tempest (1928), and who was as well a director (fourteen pictures) and a producer (twelve pictures)—who changed the way movies were (and still are) made, in a career that spanned four decades, from the 1920s through the 1950s. His more than 120 films include Rosita (1923), Things to Come (1936), Foreign Correspondent (1940), Kings Row (1942), Mr. Lucky (1943), The Pride of the Yankees (1943), For Whom the Bell Tolls (1943), Address Unknown (1944), It’s a Wonderful Life (1947), Invaders from Mars (1953), and Around the World in 80 Days (1956). Now, James Curtis, acclaimed film historian and biographer, writes of Menzies’ life and work as the most influential designer in the history of film. His artistry encompassed the large, scenic drawings of Douglas Fairbanks’ The Thief of Bagdad (1924), which created a new standard for beauty on the screen and whose exotic fairy-tale sets are still regarded as pure genius. (“I saw The Thief of Bagdad when it first came out,” said Orson Welles—he was, at the time, a nine-year-old boy. “I’ll never forget it.”) Curtis writes of Menzies’ design and supervision of John Barrymore’s Beloved Rogue (1927), a film that remains a masterpiece of craft and synthesis, one of the most distinctive pictures to emerge from Hollywood’s waning days of silent films, and of his extraordinary, opulent appointments for Gone With the Wind (1939). It was Menzies who defined and solidified the role of art director as having overall control of the look of the motion picture, collaborating with producers like David O. Selznick and Samuel Goldwyn; with directors such as D. W. Griffith, Raoul Walsh, Alfred Hitchcock, Lewis Milestone, and Frank Capra. And with actors as varied as Ingrid Bergman, W. C. Fields, Cary Grant, Clark Gable, John Barrymore, Barbara Stanwyck, Ronald Reagan, Gary Cooper, Vivien Leigh, Carole Lombard, Mary Pickford, Gloria Swanson, and David Niven. Interviewing colleagues, actors, directors, friends, and family, and with full access to the William Cameron Menzies family collection of original artwork, correspondence, scrapbooks, and unpublished writing, Curtis brilliantly gives us the path-finding work of the movies’ most daring and dynamic production designer: his evolution as artist, art director, production designer, and director. Here is a portrait of a man in his time that makes clear how the movies were forever transformed by his startling, visionary work. (With 16 pages of color illustrations, and black-and-white photographs throughout.)
This book brings together work from leading researchers to present the most recent advances in research on metallothionein. This protein interests toxicologists because it is thought that metallothionein protects against metal toxicity and possibly against oxidative stress. It is of interest to pharmacologists because modification of metallothionein levels might have a role in cancer chemotherapy. Nutritionists have an interest in this protein because it appears to be a major storage protein for zinc. Biochemists and molecular biologists will be interested in the mechanisms of regulation of this protein because it is extremely inducible.
Ready to Teach: The Strange Case of Dr Jekyll and Mr Hyde' is a compendium of background reading, subject knowledge, resources and classroom strategies to support the teaching of Stevenson's gothic tale of morality, murder and science. Using a combination of pedagogical theory, research and work from other Victorian writers of the time, the book helps to prepare, develop or deepen the teaching of the text in the classroom. As part of the Ready to Teach series, each chapter contains lesson-by-lesson essays and commentaries that enhance subject knowledge on key areas of the text alongside fully resourced lessons reflecting current and dynamic best practice. The book also offers an introduction and exploration of Victorian society as seen in the novel but also how other writers of that time presented similar themes or ideas. Literature is never created in a vacuum and Ready to Teach: The Strange Case of Dr Jekyll and Mr Hyde explores how text reflects its Victorian context and what other writers were doing at that time. 'Ready to Teach: The Strange Case of Dr Jekyll and Mr Hyde' has a level of duality like Doctor Jekyll himself. On one level, the book provides an exploration for the text for people new to teaching it. On another level, the book provides new ideas or ways of seeing things for the established teacher. A perfect addition for your CPD bookcase.
Exuberantly written reference presents a kaleidoscopic panorama of clothing styles worn in period covering the last years of George III to latter part of Victoria's reign. Charming descriptions and illustrations of such authentic outfits as a French court dress (1818), Garibaldi shirt (1861), and evening dress (1865). 200 black-and-white, 27 color illustrations.
Beneath the cultural peaks of Ancient Greece lay the basic agricultural economy that made civilization possible. This book studies Greek country life from its earliest beginnings to the recent past, revealing a sequence of geological, geographical, cultural, and economic images spanning some 50,000 years of human settlement and land use.
In 1843 William Wordsworth dictated invaluable notes on his life's work to his friend Isabella Fenwick. In 1993 Jared Curtis published his invaluable edition of these notes (which are not included in The Prose Works of William Wordsworth). This revised and corrected edition of The Fenwick Notes was published 2008. To receive a free accompanying Ebook please send proof of purchase of the paperback to Humanities-Ebooks. Please note that while colour is used in the preview, as in the ebook, the print in the paperback is black and white.
The history of the education of African American children in one Alabama town is reconstructed over a period of 100 years, from the First Reconstruction period to the Second Reconstruction period (Governor George Wallace's stand in the schoolhouse door). Lessons learned from this case study, in addition to 15 years of desegregated education in the community, provides a perspective for educational policymakers to consider, as they attempt to plan effective schools in the 21st century for all children in America. Many have viewed segregated schools for African American students as dens of educational pathology with poor teachers and administrators, poorly operated academic programs and activities, dilapidated school buildings, and scarce resources. Until the last two decades, little had been written about the internal functioning of these schools or the positive impact of their efforts from the perspective of their students, families, teachers, or administrators. Despite being underfunded, understaffed, and issued second-hand books and equipment, this school and community worked together, as did many other African American schools and communities, to create effective schooling for children. This study addresses four major questions: (1) What kinds of educational experiences did teachers and principals view as important for the successful education of African American children? (2) How did the school interact with parents and the community? (3) How did the educational environment change when African American children began attending desegregated schools? (4) What can we learn from this successful school for African American children as well as their experiences in the desegregated setting that will provide a perspective for educational policymakers as we plan effective schools for all children in this country? The findings from this case study present a perspective on which educational policymakers can build as we plan caring, nurturing, and equitable learning environments for children in schools in all communities.
Originally published in 1947 and presenting the famed poet-novelist against the background of contemporary thought and society, Harvey Curtis Webster shows that Hardy's later works give consistent evidence of hope; that pervasive pessimism was by no means the keynote of Hardy's thought. On a Darkling Plain traces the evolution of Hardy's thought, from faith, through disillusionment, to a cautious belief in the ultimate progress of man.
The Wordsworth Crossword Companion incorporates many special features: Clear guidance on how to recognize and work out anagrams and how to decipher cryptic clues. Thousands of synonym entries arranged in order of the number of letters in every word, e.g. fault n (3) bug; (4) flaw, lack, spot; (5) blame, error, taint, (6) defect; (7) absence, blemish, failing, frailty, mistake; (8) weakness; (10) deficiency, inadequacy; (11) shortcoming; (14) responsibility; over 30,000 synonyms.
The most Ornamental FOREIGN PLANTS, cultivated in the Open Ground, the Green-House, and the Stove, are accurately represented in their natural Colours, their Names, Class, Order, Generic and Specific Characters, according to the celebrated LINNÆUS; their Places of Growth, and Times of Flowering: TOGETHER WITH THE MOST APPROVED METHODS OF CULTURE. - Intended for the Use of GARDENERS AND EVERYONE, as wish to become scientifically acquainted with the Plants they cultivate.
Forensic mental health assessment (FMHA) has grown into a specialization informed by research and professional guidelines. This series presents up-to-date information on the most important and frequently conducted forms of FMHA. The 19 topical volumes address best approaches to practice for particular types of evaluation in the criminal, civil, and juvenile/family areas. Each volume contains a thorough discussion of the relevant legal and psychological concepts, followed by a step-by-step description of the assessment process from preparing for the evaluation to writing the report and testifying in court. Volumes include the following helpful features: Boxes that zero in on important information for use in evaluations Tips for best practice and cautions against common pitfalls Highlighting of relevant case law and statutes Separate list of assessment tools for easy reference Helpful glossary of key terms for the particular topic In making recommendations for best practice, authors consider empirical support, legal relevance, and consistency with ethical and professional standards. These volumes offer invaluable guidance for anyone involved in conducting or using forensic evaluations. This book considers those legal, ethical and assessment issues that arise when forensic mental health professionals are asked to evaluate the capacity of adults to make independent decisions about the management of their personal and financial affairs. As our population ages, the competence of those who are elderly and mentally infirmed may be challenged more and more frequently, and this book will be an invaluable resource for those involved in assessing that competence.
Will keep you reading long into the night. I absolutely loved it.' Lesley Kara, author of The Rumour 'Absolutely outstanding.' Lauren North, author of The Perfect Betrayal ________________________________ Jenny has just given birth to the baby she's always wanted. She's never been this happy. Her husband, Leo, knows this baby girl can't be his. He's never felt so betrayed. The same night, a vulnerable young woman, Hannah, wakes to find her newborn lifeless beside her. She's crazed with grief. When chance throws Hannah into Leo's path, they make a plan that will have shattering consequences for all of them. Years later, a sixteen-year-old girl reads an article in a newspaper, and embarks on a journey to uncover the truth about herself. But what she learns will put everything she has ever known - and her own life - in grave danger. Because some people will go to desperate lengths to protect the secrets their lives are built on . . . ________________________________ 'As always, Emma Curtis's clever skilful writing keeps the reader racing through the pages.' Jane Corry, author of My Husband's Wife 'A blood-chilling scenario that set my heart racing . . . Emma Curtis is the queen of the unputdownable thriller.' Nuala Ellwood, author of Day of the Accident ***** READERS CAN'T STOP TALKING ABOUT KEEP HER QUIET 'Lots of twists and turns, suspense and heart-stopping moments' 'The type of book that you GENUINELY can't put down' 'Emma Curtis just gets better all the time' 'This book will suck you right in and you won't want to stop reading' 'With each page I turned the intensity of this psychological thriller increased' *Don't miss Emma Curtis's gripping latest thriller, Invite Me In, coming in July 2021*
International Law in the U.S. Legal System provides a wide-ranging overview of how international law intersects with the domestic legal system within the United States, and points out various unresolved issues and areas of controversy. Curtis Bradley covers all of the principal forms of international law: treaties, decisions and orders of international institutions, customary international law, and jus cogens norms. He also explores a number of issues that are implicated by the intersection of U.S. law and international law, such as foreign sovereign immunity, international human rights litigation, war powers, extradition, and extraterritoriality. This book highlights recent decisions and events relating to the topic (including decisions and events arising out of the war on terrorism), while also taking into account relevant historical materials, including materials relating to the U.S. Constitutional founding. Written by one of the most cited international law scholars in the United States, the book is a resource for lawyers, law students, legal scholars, and judges from around the world.
In 1972, in an attempt to elevate the stature of the "crime novel," influential crime writer and critic Julian Symons cast numerous Golden Age detective fiction writers into literary perdition as "Humdrums," condemning their focus on puzzle plots over stylish writing and explorations of character, setting and theme. This volume explores the works of three prominent British "Humdrums"--Cecil John Charles Street, Freeman Wills Crofts, and Alfred Walter Stewart--revealing their work to be more complex, as puzzles and as social documents, than Symons allowed. By championing the intrinsic merit of these mystery writers, the study demonstrates that reintegrating the "Humdrums" into mystery genre studies provides a fuller understanding of the Golden Age of detective fiction and its aftermath.
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