The Yawning Sun is a collection of inspirational poems and illustrations that draw from literature, psychology, philosophy, and theology to point us to the uncommon wisdom of living in the light of unconditional love.
The Yawning Sun is a collection of inspirational poems and illustrations that draw from literature, psychology, philosophy, and theology to point us to the uncommon wisdom of living in the light of unconditional love.
For centuries, dating back to the time of the Native Americans, the fertile soils and the bountiful bays and salt marshes of the Delmarva Peninsula have fed its people well. Over the generations, its food culture has become intertwined with the history of the people who call this land home. Food determined where people lived, how they traveled, how their economy functioned and how they celebrated and shared the products of soil and salt water. Local writer and photographer Curtis Badger narrates this history with recipes based on seasonal bounty.
Composers, arrangers, conductors, session musicians, and executives worked in easy listening and scoring, complicating an academic focus that lionizes film music while ignoring or deriding easy listening. This book documents easy listening’s connections with film music, an aspect overlooked in academic and popular literature. Fueled by the rise of the LP and home entertainment, easy listening became the largest midcentury commercial music market, generating more actual income for the record business than 7- inch singles. Easy listening roped in subgenres including classical, baroque, jazz, Latin, Polynesian, "exotica," rock, Broadway, and R&B, appropriated and reinterpreted just as they were for cinema. Easy listening provided opportunities in orchestral music for conservatory- trained composers. Major film composers such as Henry Mancini and Michel Legrand had a prodigious output of easy listening albums. Critics fault easy listening for structural racisms, overlooking its evolution and practitioners. Easy listening helped destabilize a tripartite record business that categorized product as race records, old time records, or general popular music. Charlie Parker’s with Strings records altered the direction of jazz, profoundly influencing other performers, encouraging bold crosspollinations, and making money. The influence of technology and historical contexts of music for work and leisure are explored. Original interviews and primary sources will fascinate scholars, historians, and students of cinema, television, film scoring, and midcentury popular music.
My Elegant Barnyard tells the tale of Bernard Steele, a restless twenty one year old, who, despite being in love with life, cannot help but notice a disenchantment growing within himself. The world he beholds around him is one of superficial, shallow commercialism, and it appalls him, because it conflicts with the America he grew up believing in, an image which he still carries with him, refusing to relinquish. Having grown up on a farm in a small town in Oregon, Bernard was raised to believe that integrity and masculinity were virtues, that with a strong back and good work ethic, a man could make something of himself. His childhood is shrouded in memories of fourth of July parades and picnics, of high school football games and lazy drives through the mountains above his town. His adolescence was filled with freedom and idealism, with faith in God, his neighbors, and in his country. However, times have changed, and Bernard now finds himself in a time when its no longer cool to believe in America. Bernard realizes that his generation is something that he wants nothing to do with. All around him he sees turtleneck wearing pseudo-intellectuals and cyber space cafes. He sees cell phones and portable pocket internets, and it all seems so strange and wrong to him. The thought of becoming one of them frightens him, and he vows to pursue another way. This theme, of Bernard searching for his America, sets the stage for the entire book, and yet it is only one of the many themes which pervade the novel. Another dilemma which haunts Bernard throughout the course of the book is his quest to discover himself. Bernard, being twenty one years old, finds himself in that awkward stage where he is no longer a boy and yet is not ready to become an adult. Desire and morality battle each other inside his heart as he strives to unearth the man inside himself. Beneath all of this, there is also the tale of the young mans relentless quest to make it as a writer. Having turned his back on college and institutionalized learning, Bernard now faces the fear of becoming common, of slipping into a minimum wage lethargy and disappearing forever. Determined to make his voice heard, longing to carve out an identity in the seemingly indifferent world, Bernard embarks upon the daunting task of writing the great American novel. And yet there is more. There is also an adventurous side to Bernard, a hungry, lusting, wild side, that is not only willing to try everything on his search for enlightenment, but is insistent upon it. Bernard shamelessly pulls the reader into his world of sexual encounters, drug experimentation, and overall web of debauchery, but he does so in such an innocent, honest, straightforward fashion, that the reader can not help but feel compassion for him, even if his actions are sometimes disgraceful. Through out his adventures, Bernard wanders searchingly through some dark and unpleasant territory, but this only adds depth to his character, and thereby makes him more real, more likable. All of these themes, as crucial as they are to the book, are only underlying plots which supply a foundation for the surface story to unfold. On the exterior My Elegant Barnyard is an adventure story, a tale of a young man traveling from Maui to his small home town in Oregon. Bernard flies, wanders, and hitch-hikes his way home, leading the reader from seedy bars in L.A to the cabs of strange and lonely truck drivers. From the broken down diners along the highways of California to the forests of the Pacific northwest. Through Bernards eyes, the reader comes to view an America which is seldom seen these days. An America of vast beauty and wild terrain, of rolling hills and endless freeways, of truck-stops at dawn and psychedelic topless bars. Will Bernard make it home to Oregon, and what awaits him there if he does? Will he discover the path to manhood, or will his own identity always remain a mystery to him? Will he receive enlig
This book describes experiences of Black people who lived throughout the Mississippi RiverBayou Lafourche Region of South Louisiana during the period 18751975. These writings cover four parishes (counties) including Saint James, Ascension, Assumption and Lafourche. This area of Louisiana is steeped in American history, beginning in 1803 with the Louisiana Purchase. The regions uniqueness is revealed as we reflect on the Great Depression and the economy, the area and its people, the cuisine, health and home remedies, folklore (customs, fads, and superstitions), homesteads and family life, the three Rs and secondhand books, the music of our lives, our hometown heroes and their participation in the defense of our country starting with the Revolutionary War through the Vietnam War, and much more.
The second edition of Emergency and Trauma Care for Nurses and Paramedics provides the most up-to-date and comprehensive coverage of clinical procedures and issues encountered in contemporary emergency care in Australia and New Zealand. Written by leading academics and clinicians, this fully revised and updated edition follows the patient’s journey from pre-hospital retrieval to definitive care. With a strong focus on multidisciplinary care, this evidence-based emergency and trauma resource will appeal to pre-hospital care providers, rural, remote and urban emergency nurses and allied health professionals, as well as disaster management and interfacility transport staff. Essential concepts are covered in a logical order, commencing with: An introduction to emergency professions and professional issues Clinical and health systems Patient presentations ordered by body system as well as toxicology, envenomation, ocular, environmental emergencies and unique population groups Major trauma assessment and management and end-of-life care information and considerations. Emergency and Trauma Care for Nurses and Paramedics 2e continues to be the pre-eminent resource for students preparing to enter the emergency environment and for clinicians seeking a greater understanding of multidisciplinary care from retrieval through to rehabilitation. A cultural safety approach is included throughout - addressing cultural diversity, beliefs and values and focusing on Aboriginal and Torres Strait Islander health and Mãori health Essentials outline the main points addressed in each chapter Practice tips throughout assist with communication skills, procedures and assessment Case studies are supported by questions and answers to encourage active learning New online resources available on Evolve, including over 30 new case studies with paramedic-specific questions. Highlighted skills - cross references to the Clinical Skills chapter throughout text Over 30 new case studies Patient journey from pre-hospital and emergency-specific case studies Critical thinking questions at the end of chapters Chapter 35 Obstetric emergencies now includes 'Supporting a normal birth'.
The city of St. Louis is known for its African American citizens and their many contributions to the culture within its borders, the country, and the world. Images of Modern America: African American St. Louis profiles some of the events that helped shape St. Louis from the 1960s to the present. Tracing key milestones in the city's history, this book attempts to pay homage to those African Americans who sacrificed to advance fair socioeconomic conditions for all. In the closing decades of the Great Migration north, the civil rights movement was taking place nationally; simultaneously, St. Louis's African Americans were organizing to exert political power for greater control over their destiny. Protests, voter registration, and elections to public office opened new doors to the city's African Americans. It resulted in the movement for fairness in hiring practices and the expansion of the African American presence in sports, education, and entertainment.
Elijah Muhammad's Nation of Islam came to America's attention in the 1960s and 1970s as a radical separatist African American social and political group. But the movement was also a religious one. Edward E. Curtis IV offers the first comprehensive examination of the rituals, ethics, theologies, and religious narratives of the Nation of Islam, showing how the movement combined elements of Afro-Eurasian Islamic traditions with African American traditions to create a new form of Islamic faith. Considering everything from bean pies to religious cartoons, clothing styles to prayer rituals, Curtis explains how the practice of Islam in the movement included the disciplining and purifying of the black body, the reorientation of African American historical consciousness toward the Muslim world, an engagement with both mainstream Islamic texts and the prophecies of Elijah Muhammad, and the development of a holistic approach to political, religious, and social liberation. Curtis's analysis pushes beyond essentialist ideas about what it means to be Muslim and offers a view of the importance of local processes in identity formation and the appropriation of Islamic traditions.
This book contains a series of tutorial essays on polarization mode dispersion (PMD) by the leading experts in the field. It starts with an introductory review of the basic concepts and continues with more advanced topics, including a thorough review of PMD mitigation techniques. Topics covered include mathematical representation of PMD, how to properly model PMD in numerical simulations, how to accurately measure PMD and other related polarization effects, and how to infer fiber properties from polarization measurements. It includes discussions of other polarization effects such as polarization-dependent loss and the interaction of PMD with fiber nonlinearity. It additionally covers systems issues like the impact of PMD on wavelength division multiplexed systems. This book is intended for research scientists or engineers who wish to become familiar with PMD and its system impacts. This book covers controversial questions — like the best way to represent PMD — from the perspective of several different experts, giving both the beginner and the advanced reader a balanced view of these questions.
“Masterful . . . an epic tale of backbiting, shady deal-making, and greed [that] reads like a John Grisham novel.”—The Wall Street Journal A real-life legal thriller as timeless as a Greek tragedy, tracing the downfall of one of America’s most famous lawyers and exposing the dark side of Southern politics—from the author of When Evil Lived in Laurel Dickie Scruggs was arguably the most successful plaintiff’s lawyer in America. A brother-in-law of former U.S. Senate majority leader Trent Lott, Scruggs made a fortune taking on mass tort lawsuits against Big Tobacco and the asbestos industries. He was hailed by Newsweek as a latter-day Robin Hood and was portrayed in the movie The Insider as a dapper aviator-lawyer. Scruggs’s legal triumphs rewarded him lavishly, and his success emboldened both his career maneuvering and his influence in Southern politics—but at a terrible cost, culminating in his spectacular fall, when he was convicted for conspiring to bribe a Mississippi state judge. Based on extensive interviews, transcripts, and FBI recordings never made public, The Fall of the House of Zeus uncovers the Washington legal games and power politics: the swirl of fixed cases, blocked investigations, judicial tampering, and a zealous prosecution that would eventually ensnare not only Scruggs but his own son, Zach, in the midst of their struggle with insurance companies over Hurricane Katrina damages. Featuring Trent Lott and Jim Biden, brother of then-Senator Joe Biden, in supporting roles, with cameos by John McCain, Al Gore, and other Washington insiders, Curtis Wilkie’s account of this uniquely American tragedy reveals the seedy underbelly of institutional power.
This book contains a thorough and balanced series of dialogues introducing key topics in philosophy of religion, such as: the existence and nature of God, the problem of evil, religious pluralism, the nature of religious experience, immortality, and the meaning of life. A realistic cast of characters in a natural setting engages in a series of thought-provoking conversations; the dialogue format of these conversations captures typical student attitudes and questions concerning religious belief; allows comparison of important themes throughout the dialogues; encourages the interjection of insights, observations, questions, and objections; and introduces related points when they would naturally arise, instead of relegating them to a later chapter. As well as presenting a detailed and probing discussion, each dialogue includes a list of key terms, a set of study questions, and a bibliography - all of which make this an excellent text for courses in philosophy of religion and introductory philosophy classes.
At first glance, Ellie Brown appears to be a typical, rather awkward teenager from a stable lower-middle-class family living in a small town in Maine. But as the readers get to know Ellie better, they will find she is dealing with issues at home that are deeply affecting her. Her dad is a hardworking construction worker who dotes on Ellie; however, her mom harbors jealously toward Ellie because of her relationship with her dad. Her mom's emotional abuse takes its toll on Ellie's self-esteem. As a result, Ellie's attempts to prove her mom wrong about her and her efforts to find love in all the wrong places leads her to make progressively poor choices in friends and boyfriends. Through it all, Michael Miller, a Christian boy she has virtually grown up with, remains her steadfast supporter, though Ellie fails to recognize him as such. As Ellie's life choices plummet her lower and lower into dangerous situations, Michael watches from a distance and tries to protect her whenever he can or whenever she lets him.
Examining novelists, bloggers, and other creators of new media, this study focuses on autobiography by American black women since 1980, including Audre Lorde, Jill Nelson, and Janet Jackson. As Curtis argues, these women used embodiment as a strategy of drawing the audience into visceral identification with them and thus forestalling stereotypes.
Reveals how Christian colorblindness expanded white evangelicalism and excluded Black evangelicals In the decades after the civil rights movement, white Americans turned to an ideology of colorblindness. Personal kindness, not systemic reform, seemed to be the way to solve racial problems. In those same decades, a religious movement known as evangelicalism captured the nation’s attention and became a powerful political force. In The Myth of Colorblind Christians, Jesse Curtis shows how white evangelicals’ efforts to grow their own institutions created an evangelical form of whiteness, infusing the politics of colorblindness with sacred fervor. Curtis argues that white evangelicals deployed a Christian brand of colorblindness to protect new investments in whiteness. While black evangelicals used the rhetoric of Christian unity to challenge racism, white evangelicals repurposed this language to silence their black counterparts and retain power, arguing that all were equal in Christ and that Christians should not talk about race. As white evangelicals portrayed movements for racial justice as threats to Christian unity and presented their own racial commitments as fidelity to the gospel, they made Christian colorblindness into a key pillar of America’s religio-racial hierarchy. In the process, they anchored their own identities and shaped the very meaning of whiteness in American society. At once compelling and timely, The Myth of Colorblind Christians exposes how white evangelical communities avoided antiracist action and continue to thrive today.
Dr. Rimmerman, a noted cardiologist, explains how patients can make the cardiologists job easier while increasing the benefit to themselves by making the office visit as efficient as possible.
This book, in three parts, describes three phases in the development of the modern theory and calculation of the Moon's motion. Part I explains the crisis in lunar theory in the 1870s that led G.W. Hill to lay a new foundation for an analytic solution, a preliminary orbit he called the "variational curve." Part II is devoted to E.W. Brown's completion of the new theory as a series of successive perturbations of Hill's variational curve. Part III describes the revolutionary developments in time-measurement and the determination of Earth-Moon and Earth-planet distances that led to the replacement of the Hill–Brown theory in 1984.
Writing as a newspaper reporter for nearly forty years, Curtis Wilkie covered eight presidential campaigns, spent years in the Middle East, and traveled to a number of conflicts abroad. However, his memory keeps turning home and many of his most treasured stories transpire in the Deep South. He called his native Mississippi, “the gift that keeps on giving.” For Wilkie, it represented a trove of rogues and racists, colorful personalities and outlandish politicians who managed to thrive among people otherwise kind and generous. Assassins, Eccentrics, Politicians, and Other Persons of Interest collects news dispatches and feature stories from the author during a journalism career that began in 1963 and lasted until 2000. As a young reporter for the Clarksdale Press Register, he wrote many articles that dealt with the civil rights movement, which dominated the news in the Mississippi Delta during the 1960s.Wilkie spent twenty-six years as a national and foreign correspondent for the Boston Globe. One of the original “Boys on the Bus” (the title of a best-selling book about journalists covering the 1972 presidential campaign), he later wrote extensively about the winning races of two southern Presidents, Jimmy Carter and Bill Clinton. Wilkie is known for stories reported deeply, rife with anecdotes, physical descriptions, and important background details. He writes about the notorious, such as the late Hunter S. Thompson, as well as more anonymous subjects whose stories, in his hands, have enduring interest. The anthology collects pieces about several notable southerners: Ross Barnett; Byron De La Beckwith and Sam Bowers; Billy Carter; Edwin Edwards and David Duke; Trent Lott; and Charles Evers. Wilkie brings a perceptive eye to people and events, and his eloquent storytelling represents some of the best journalistic writing.
A rich, vibrant portrait—the most intimate and telling yet of this complex man considered by many to be the actor’s actor. Spencer Tracy’s image on-screen was that of a self-reliant man whose sense of rectitude toward others was matched by his sense of humor toward himself. Whether he was Father Flanagan of Boys Town, Clarence Darrow of Inherit the Wind, or the crippled war veteran in Bad Day at Black Rock, Tracy was forever seen as a pillar of strength. His full name was Spencer Bonaventure Tracy. He was called “The Gray Fox” by Frank Sinatra; other actors called him the “The Pope.” “The best goddamned actor I’ve ever seen!”—George M. Cohan In his several comedy roles opposite Katharine Hepburn (Woman of the Year and Adam’s Rib among them) or in Father of the Bride with Elizabeth Taylor, Tracy was the sort of regular American guy one could depend on. Now James Curtis, acclaimed biographer of Preston Sturges (“Definitive” —Variety), James Whale, and W. C. Fields (“By far the fullest, fairest, and most touching account . . . we have yet had. Or are likely to have” —Richard Schickel, The New York Times Book Review, cover review), gives us the life of one of the most revered screen actors of his generation. Curtis writes of Tracy’s distinguished career, his deep Catholicism, his devoted relationship to his wife, his drinking that got him into so much trouble, and his twenty-six-year-long bond with his partner on-screen and off, Katharine Hepburn. Drawing on Tracy’s personal papers and writing with the full cooperation of Tracy’s daughter, Curtis tells the rich story of the brilliant but haunted man at the heart of the legend. We see him from his boyhood in Milwaukee; given over to Dominican nuns (“They drill that religion in you”); his years struggling in regional shows and stock (Tracy had a photographic memory and an instinct for inhabiting a character from within); acting opposite his future wife, Louise Treadwell; marrying and having two children, their son, John, born deaf. We see Tracy’s success on Broadway, his turning out mostly forgettable programmers with the Fox Film Corporation, and going to Metro-Goldwyn-Mayer and getting the kinds of roles that had eluded him in the past—a streetwise priest opposite Clark Gable in San Francisco; a screwball comedy, Libeled Lady; Kipling’s classic of the sea, Captains Courageous. Three years after arriving at MGM, Tracy became America’s top male star. We see how Tracy embarked on a series of affairs with his costars . . . making Northwest Passage and Dr. Jekyll and Mr. Hyde, which brought Ingrid Bergman into his life. By the time the unhappy shoot was over, Tracy, looking to do a comedy, made Woman of the Year. Its unlikely costar: Katharine Hepburn. We see Hepburn making Tracy her life’s project—protecting and sustaining him in the difficult job of being a top-tier movie star. And we see Tracy’s wife, Louise, devoting herself to studying how deaf children could be taught to communicate orally with the hearing and speaking world. Curtis writes that Tracy was ready to retire when producer-director Stanley Kramer recruited him for Inherit the Wind—a collaboration that led to Judgment at Nuremberg, It’s a Mad Mad Mad Mad World, and Tracy’s final picture, Guess Who’s Coming to Dinner . . . A rich, vibrant portrait—the most intimate and telling yet of this complex man considered by many to be the actor’s actor.
In this unflinching, dramatic adventure, modern-day wildland firefighters and cattle rustlers struggle for survival in a changing western landscape. Braiding the stories of two firefighters (Morgan and Jeremy) and an abrasive laundromat custodian turned cattle-rustling grandmother (Jacklynn), This Here Is Devil’s Work is a fiery ride through the small towns of Nevada and Montana and the rugged expanse that connects them. A twelve-year veteran of the fireline, Morgan believes he knows what his teenage half-brother (Jeremy) needs to do to shrug off boyhood: spend a single season fighting forest fires to earn money for auto mechanic school. But when Jeremy joins the Ruby Mountain Hotshots and earns the respect and admiration of their fire boss (Bailey), Morgan must battle his own demons before they destroy him. Meanwhile, life hasn’t been easy on Jacklynn—she longs to escape the small town in Montana where she has lived her whole life and reunite with her daughter and grandson in Tucson. Jacklynn wants to make up for a lifetime of missteps by protecting the boy and making sure her daughter stays on course. On the same day that an attractive stranger waltzes into her life, an opportunity for life-changing money presents itself in the form of a dozen pregnant heifers. The only trouble is, they aren’t hers—not yet, anyway. Morgan and Jacklynn’s paths cross when lightning ignites a blaze in the untamed Montana wilderness, and their choices force each other into the fury. Set against the backdrop of wildfires raging across the West and the firefighters who continue to put their lives on the line, This Here Is Devil’s Work explores how love and loneliness can sour, and how they can eventually lead to desperate and self-destructive acts even for those people we consider heroic.
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