Effective Security Management, Seventh Edition teaches practicing security professionals how to build their careers by mastering the fundamentals of good management. Charles Sennewald and Curtis Baillie bring common sense, wisdom and humor to this bestselling introduction to security management. For both new and experienced security managers, this resource is the classic book on the topic.
Effective Security Management, Seventh Edition teaches practicing security professionals how to build their careers by mastering the fundamentals of good management. Charles Sennewald and Curtis Baillie bring common sense, wisdom and humor to this bestselling introduction to security management. For both new and experienced security managers, this resource is the classic book on the topic. - Provides a new chapter on problem-solving, a critical skillset for effective security management - Includes expanded coverage of international topics, cases and examples - Features contributions from leading security experts
The Scholarship of Teaching and Learning: A Guide for Scientists, Engineers, and Mathematicians shows college and university faculty members how to draw on their disciplinary knowledge and teaching experience to investigate questions about student learning. It takes readers all the way through the inquiry process beginning with framing a research question and selecting a research design, moving on to gathering and analyzing evidence, and finally to making the results public. Numerous examples are provided at each stage, many from published studies of teaching and learning in science, engineering, or mathematics. At strategic points, short sets of questions prompt readers to pause and reflect, plan, or act. These questions are derived from the authors' experience leading many workshops in the United States and Canada on how to do the scholarship of teaching and learning (SoTL). The taxonomy of SoTL questions-What works? What is? What could be?-that emerged from the SoTL studies undertaken by scholars in the Carnegie Academic for the Scholarship of Teaching and Learning serves as a framework at many stages of the inquiry process. The book addresses the issue of evaluating and valuing this work, including implications for junior faculty who wish to engage in SoTL. The authors explain why SoTL should be of interest to STEM (science, technology, engineering, and mathematics) faculty at all types of higher education institutions, including faculty members active in traditional STEM research. They also give their perspective on the benefits of SoTL to faculty, to their institutions, to the academy, and to students.
In three huge volumes George Curtis Waldo jr. has amassed a wealth of information on the beautiful town of Bridgeport, Connecticut. Volume one spans the settlement of the town, its governments, military and educational history and much more. It also includes chapters on the evolution of nearby Stratford and Fairfield. Volumes two and three contain hundreds of biographical sketches of the most prominent men and women of these towns, offering an almost flawless overview of the most important Connecticut people. These three volumes are treasure chests for everyone interested in the history of Connecticut and/or genealogical sources thereof.
A mother who cannot face her future. A daughter who cannot escape her past. Lady Elisabeth Kerr is a keeper of secrets. A Highlander by birth and a Lowlander by marriage, she honors the auld ways, even as doubts and fears stir deep within her. Her husband, Lord Donald, has secrets of his own, well hidden from the household, yet whispered among the town gossips. His mother, the dowager Lady Marjory, hides gold beneath her floor and guilt inside her heart. Though her two abiding passions are maintaining her place in society and coddling her grown sons, Marjory’s many regrets, buried in Greyfriars Churchyard, continue to plague her. One by one the Kerr family secrets begin to surface, even as bonny Prince Charlie and his rebel army ride into Edinburgh in September 1745, intent on capturing the crown. A timeless story of love and betrayal, loss and redemption, flickering against the vivid backdrop of eighteenth-century Scotland, Here Burns My Candle illumines the dark side of human nature, even as hope, the brightest of tapers, lights the way home.
This first scholarly account of the Church of England in Upper Canada makes a substantial contribution to an understanding of the religious, political and intellectual development of British North America. The author examines the church's role as the colony's officially "established" church, the Anglican clergy's response to political reverses, and the eventual theological divisions among the clergy.
A Prodigal Hero…A Perilous Journey Home The Scottish Lowlands, Summer 1790 Jamie McKie is determined to return to his ancestral home in Glen Trool and claim his inheritance—a harrowing journey that will test the depth of his courage and the strength of his sword. Haunted by a shameful past and wrestling with an uncertain future, Jamie must outwit his devious Uncle Lachlan and confront the two men he most fears: Evan, the brother whose inheritance he stole, and Alec, the father whom he blatantly deceived. Jamie faces a perilous journey of the heart as well: Two sisters each stake a tender claim on his affections. Quiet, gentle Leana is the mother of his firstborn. Her spirited younger sister, Rose, is expecting his second child. Honor and duty prevail but not without heartache, as Jamie prepares to fight for all he holds dear.
Artists’ Film offers a lucid, accessible account of artists’ unique contribution to the art of the moving image in the twentieth and early twenty-first centuries. International in scope and accessibly written by a renowned authority on the subject, Artists’ Film is an introductory guide to the exciting and expanding field of artists’ film and an alternative history of the moving image, chronicling artists’ ever-evolving fascination with filmmaking from the early twentieth century to now. From early pioneers to key artists of today, writer and curator David Curtis offers a vivid account of the many creators who have been inspired by the cinematic medium and who have felt compelled to interpret and respond to it in their own way. In doing so, Curtis discusses these artists’ widely differing achievements, aspirations, theories, and approaches. Featuring over four hundred international moving-image makers and drawing on examples from across the arts, including experimental film, video, installation, and multimedia, this generously illustrated account offers an incomparable introduction to this continually evolving art form. A perfect read for anyone with an interest in the intersection of contemporary art and film.
First Published in 2002, Visual Words provides a unique and interdisciplinary evaluation of the relationship between images and words in this period.Victorian England witnessed a remarkable growth in literacy culminating in the new literary nationalism that emerged at the beginning of the twentieth century. Each chapter explores a different aspect of this relationship: the role of Dickens as the heroic author, the book as an iconic object, the growing graphic presence of the text, the role of the graphic trace, the ’Sister Arts/ pen and pencil’ tradition, and the competition between image and word as systems of communication. Examining the impact of such diverse areas as advertising, graphic illustration, narrative painting, frontispiece portraits, bibliomania, and the merchandising of literary culture, Visual Words shows that the influence of the ’Sister Arts’ tradition was more widespread and complex than has previously been considered. Whether discussing portraits of authors, the uses of iconography in Ford Madox Brown’s painting Work, or examining why the British Library was equipped with false bookcases for doors, Gerard Curtis looks at artistic and literary culture from an art historical and ’object’ perspective to gain a better understanding of why some Victorians called their culture ’hieroglyphic’.
New York Times bestseller SHE LOST EVERYTHING SHE LOVED. HE HAD EVERYTHING SHE NEEDED. BUT COULD SHE FIND THE COURAGE TO TRUST HIM? Stepping from a battered coach on a rainy April eve, newly widowed Elisabeth Kerr must begin again, without husband or title, property or fortune. She is unafraid of work and gifted with a needle, but how will she stitch together the tattered remnants of her life? And who will mend her heart, torn asunder by betrayal and deception? Elisabeth has not come to Selkirk alone. Her mother-in-law, Marjory Kerr, is a woman undone, having buried her husband, her sons, and any promise of grandchildren. Dependent upon a distant cousin with meager resources, Marjory dreads the future almost as much as she regrets the past. Yet joy still comes knocking, and hope is often found in unexpected places. Then a worthy hero steps forward, rekindling a spark of hope. Will he risk his reputation to defend two women labeled as traitors to the Crown? Or will a wealthy beauty, untainted by scandal, capture his affections? The heartrending journey of the Kerr women comes to a glorious finish in Mine Is the Night, a sparkling gem of redemption and restoration set in eighteenth-century Scotland.
In the 1880s, the well-connected young Englishman William B. Close and his three brothers, having bought thousands of acres of northwest Iowa prairie, conceived the idea of enticing sons of Britain’s upper classes to pursue the life of the landed gentry on these fertile acres. “Yesterday a wilderness, today an empire”: their bizarre experiment, which created a colony for people “of the better class” who were not in line to inherit land but whose fathers would set them up in farming, flourished in Le Mars, Iowa (and later in Pipestone, Minnesota), with over five hundred youths having a go at farming. In Gentlemen on the Prairie, Curtis Harnack tells the remarkable story of this quite unusual chapter in the settling of the Midwest. Many of these immigrants had no interest in American citizenship but enjoyed or endured the challenging adventure of remaining part of the empire while stranded on the plains. They didn’t mix socially with other Le Mars area residents but enjoyed such sports as horse racing, fox hunts, polo, and an annual derby followed by a glittering grand ball. Their pubs were named the House of Lords, the House of Commons, and Windsor Castle; the Prairie Club was a replica of a London gentlemen’s club, an opera house attracted traveling shows, and their principal hotel was Albion House. In St. George’s Episcopal Church, prayers were offered for the well-being of Queen Victoria. Problems soon surfaced, however, even for these well-heeled aristocrats. The chief problem was farm labor; there was no native population to exploit, and immigrant workers soon bought their own land. Although sisters might visit the colonists and sometimes marry one of them, appropriate female companionship was scarce. The climate was brutal in its extremes, and many colonists soon sold their acres at a profit and moved to countries affiliated with Britain. When the financial depression in the early 1890s lowered land values and made agriculture less profitable, the colony collapsed. Harnack skillfully draws upon the founder’s “Prairie Journal,” company ledgers, and other records to create an engaging, engrossing story of this quixotic pioneering experiment. f
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