The last fifteen years have been a period of dramatic change, both in the world at large and within the fields of ecology and conservation. The end of the Cold War, the dot-com boom and bust, the globalizing economy, and the attacks of September 11, among other events and trends, have reshaped our worldview and the political environment in which we find ourselves. At the same time, emerging knowledge, needs, and opportunities have led to a rapid evolution in our understanding of the scientific foundations and social context of conservation. Correction Lines is a new collection of essays from one of our most thoughtful and eloquent writers on conservation, putting these recent changes into perspective and exploring the questions they raise about the past, present, and future of the conservation movement. The essays explore interrelated themes: the relationship between biological and social dimensions; the historic tension between utilitarian and preservationist approaches; the integration of varied cultural perspectives; the enduring legacy of Aldo Leopold; the contrasts and continuities between conservation and environmentalism; the importance of political reform; and the need to "retool" conservation to address twentyfirst-century realities. Collectively the essays assert that we have reached a critical juncture in conservation—a "correction line" of sorts. Correction Lines argues that we need a more coherent and comprehensive account of the past if we are to understand our present circumstances and move forward under unprecedented conditions. Meine brings together a deep sense of history with powerful language and compelling imagery, yielding new insights into the origins and development of contemporary conservation. Correction Lines will help us think more clearly about the forces that have changed, and are changing, conservation, and inspire us to address current realities and future needs.
This biography of Aldo Leopold follows him from his childhood as a precocious naturalist to his profoundly influential role in the development of conservation and modern environmentalism in the United States. This edition includes a new preface by author Curt Meine and an appreciation by acclaimed Kentucky writer and farmer Wendell Berry.
This biography of Aldo Leopold follows him from his childhood as a precocious naturalist to his profoundly influential role in the development of conservation and modern environmentalism in the United States. This edition includes a new preface by author Curt Meine and an appreciation by acclaimed Kentucky writer and farmer Wendell Berry.
The last fifteen years have been a period of dramatic change, both in the world at large and within the fields of ecology and conservation. The end of the Cold War, the dot-com boom and bust, the globalizing economy, and the attacks of September 11, among other events and trends, have reshaped our worldview and the political environment in which we find ourselves. At the same time, emerging knowledge, needs, and opportunities have led to a rapid evolution in our understanding of the scientific foundations and social context of conservation. Correction Lines is a new collection of essays from one of our most thoughtful and eloquent writers on conservation, putting these recent changes into perspective and exploring the questions they raise about the past, present, and future of the conservation movement. The essays explore interrelated themes: the relationship between biological and social dimensions; the historic tension between utilitarian and preservationist approaches; the integration of varied cultural perspectives; the enduring legacy of Aldo Leopold; the contrasts and continuities between conservation and environmentalism; the importance of political reform; and the need to "retool" conservation to address twentyfirst-century realities. Collectively the essays assert that we have reached a critical juncture in conservation—a "correction line" of sorts. Correction Lines argues that we need a more coherent and comprehensive account of the past if we are to understand our present circumstances and move forward under unprecedented conditions. Meine brings together a deep sense of history with powerful language and compelling imagery, yielding new insights into the origins and development of contemporary conservation. Correction Lines will help us think more clearly about the forces that have changed, and are changing, conservation, and inspire us to address current realities and future needs.
Why produce another biography of Wagner? There are a number of answers to this question. In the first place, the archives are being opened and new documents are appearing all the time. Dr von Westernhagen, a scholar who has devoted his life to Wagner, has produced the only general biography on this scale which is truly up-to-date in making use of this fresh archive material. In the second place, there is a need for a biography which focuses on Wagner's artistic achievements. In recent years Wagner has become a 'problematic' figure, largely because recent biographies have concentrated on his anti-Semitism, his egoism and his sexual life, and have presented the picture of an implausible scoundrel who by chance also wrote some music dramas. Westernhagen's approach is much more positive: his starting point is the importance and the supreme greatness of Wagner's artistry. This is therefore a positive biography, which combines an appropriate largeness of scale with factual accuracy and familiarity with the source documents. Dr von Westernhagen quotes extensively from letters and diaries to throw light, for example, on Wagner's relationship with Cosima, his idea of emigrating to America, his estrangement from Nietzsche (and the way this was later wilfully misrepresented by Nietzsche's sister, Elisabeth), and the later years as they are reflected in the so-called Brown Book, a notebook for the years 1865-82 which Wagner kept for Cosima and which was first published only in 1975. The author has also consulted the composition exercises which Wagner wrote in his teens for his teacher Theodor Weinlig, and the contents of the composer's Dresden library help to establish what were the early intellectual influences upon him. This biography concentrates on the nature of Wagner's art, its development, its achievement: the way, for instance, that Wagner was able to keep many projects in mind simultaneously, all of them dovetailing into one another with an inexorable logic. Particularly useful features of this study are the appendices which include a chronological summary of Wagner's life, a complete list of his musical and literary compositions and an up-to-date bibliography. This is a definitive biography which will stand beside Newman's classic work as an indispensable reference book for all future studies of Wagner, and a judicious account for those approaching this fascinating life story for the first time." --Dust jacket.
THE MOUNTAINS WERE SILENT... He was handsome, shrewd, lustful—a scoundrel who would do anything for money. She was beautiful, innocent, lonely—and she possessed a fortune... Alina would not be the first woman Royal Ludovici had pretended to love—but she might be the first with whom his practiced deceit would fail...For, unscrupulous as he was, Royal now found himself confronted by forces greater than his own insatiable greed. And they were teaching Royal, for the first time, that in the end a man can betray only himself...
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.