Border Town Blood is a contemporary horror novel in three acts. "But I'm not really into horror," you may say. Well, Border Town Blood is like an excellent submarine sandwich (or a po' boy for my friends in the Deep South); there is something in it for everyone: horror, fantasy, romance, inspiration and even a little comic relief tossed in for good measure. Border Town Blood is set in a geographically accurate Fort Smith. I have always believed that fear thrives on the familiar. Television programs like The Twilight Zone were much more frightening and disturbing for their real world setting. Sure having a homicidal alien chasing someone around a spaceship is scary; but having a horde of zombies rise from the cemetery you drive past every day at dusk is terrifying! In Border Town Blood, I have taken great pains to describe local geography and local businesses exactly where they are. To paraphrase the great American storyteller Louis L'Amour, if I tell you there's a water hole somewhere, if you follow my directions, you will end up with a cool drink. Of course, it has been necessary to fictionalize most of the names of the businesses and people, but there is still a barbecue place where Nealson's stands, a record storage business where Centralized Record Storage stands and, as of January 2009, the Mallalieu Church still stands right where Ellis left it. I am confident that Mayor Ray Baker would love to have the fans of Border Town Blood visit Fort Smith and spend a day or two driving around on a Border Town Blood tour. Border Town Blood is based on actual historic events and authentic Native American mythology. Many of today's most successful television programs brag that their stories are "ripped from the headlines." Border Town Blood takes that premise and stands it on its head. The stories in Border Town Blood are ripped from the history books. The Trail of Tears is one of the most shameful events in our country's history. The carnival atmosphere of the public hangings in 19th Century Fort Smith were probably more raucous than I portray them. The multiple waves of refugees and displaced persons referenced by Alice Harvey were actual events. In the forties, Camp Chaffee was a German prisoner of war camp. Fort Chaffee was the Middle American staging ground for fifty-one thousand Hmong, Indochinese, and Vietnamese men, women and children in the seventies; and in the eighties over twenty-five thousand Cuban refugees passed through Fort Smith. Over ten thousand refugees from Hurricane Katrina were housed in Fort Chaffee in 2005. What is so special about Fort Smith that, time and again, the disenfranchised and the footloose end up here? Border Town Blood poses an answer to that and many other questions. Native American mythology is a rich and largely untapped seedbed of tales and legends. Border Town Blood borrows a few of these myths and weaves them into a tapestry that is rooted in history and flies high in the firmament of modern imagination. Tsul Kalu and Jumlin are genuine figures in Native American pantheons. Shapeshifters, dreamwalkers and warriors mighty enough to slay gods are part and parcel of Native American oral tradition. Border Town Blood tells its story through the eyes of those experiencing the action. Unlike the bird's eye view of many third-person novels or the solo inside-out view of a first-person narrative, Border Town Blood puts you the reader inside the heads and hearts of the stories' characters. You get to know the characters, their feelings and their motivations through their own eyes: unvarn
Short stories by the author of the cult favorite "Border Town Blood." Six variations on the theme of thresholds, gateways, mirrors and alternate universes. The stories run the gamut through science fiction, contemporary fantasy and horror. Are you ready to cross over?
The Presidents and the Pastime draws on Curt Smith’s extensive background as a former White House presidential speechwriter to chronicle the historic relationship between baseball, the “most American” sport, and the U.S. presidency. Smith, who USA TODAY calls “America’s voice of authority on baseball broadcasting,” starts before America’s birth, when would‑be presidents played baseball antecedents. He charts how baseball cemented its reputation as America’s pastime in the nineteenth century, such presidents as Lincoln and Johnson playing town ball or giving employees time off to watch. Smith tracks every U.S. president from Theodore Roosevelt to Donald Trump, each chapter filled with anecdotes: Wilson buoyed by baseball after suffering disability; a heroic FDR saving baseball in World War II; Carter, taught the game by his mother, Lillian; Reagan, airing baseball on radio that he never saw—by “re-creation.” George H. W. Bush, for whom Smith wrote, explains, “Baseball has everything.” Smith, having interviewed a majority of presidents since Richard Nixon, shares personal stories on each. Throughout, The Presidents and the Pastime provides a riveting narrative of how America’s leaders have treated baseball. From Taft as the first president to throw the “first pitch” on Opening Day in 1910 to Obama’s “Go Sox!” scrawled in the guest register at the National Baseball Hall of Fame in 2014, our presidents have deemed it the quintessentially American sport, enriching both their office and the nation.
Ultimately these cross purposes brought disaster, pulling a fatally weak and woefully unprepared Ottoman state into a global war, and unleashing vicious, internal ethnic repression that brought it defeat and dismemberment. The diaries and official reports of German spy and propagandist Curt Prufer - translated here into English in their entirety for the first time - chronicle the complexities of the fragile Ottoman-German alliance from the perspective of a participant. Much like fellow soldier-scholar T.E. Lawrence, Prufer and his colleagues tried to steal the loyalties of the Muslim subjects of the opposing sides. The book explores these episodes of sabotage, subversion and subterfuge - from managing spies to preparing for the attack on the Suez Canal in 1915 - and in the process sheds light onto the ways World War I played out across the Middle East. Complemented throughout by in-depth and meticulously researched footnotes, this primary source collection is an invaluable addition to the extant corpus of late Ottoman and World War I historical documents.
This unique resource will be an enormous aid and impetus to Churchill studies. It lists over 600 works, with annotations, and includes sections listing an additional 5,900 entries covering book reviews, significant articles, and chapters from books. Separate author and title indexes will allow the user to locate specific entries. The book's aim is to direct students, researchers, and bibliophiles to the entire corpus of works about Churchill.
Funny, moving, and each one a diamond in the rough of the American consciousness, the essays in this book are the ultimate baseball conversation that pays homage to the perfect sport, in this perfect companion for all our personal baseball journeys. For some people baseball means a memory-of a certain dusty ball field on a certain summer day, or the first time they walked into a major league park and saw the perfect emerald playing field. For some, baseball means one heartbreaking or heroic moment. And for others, it means a father, a friend, or an old flame who shared a game for a day or for a lifetime. To create this marvelous book, more than 150 writers, athletes, celebrities, politicians, presidents, and pundits were asked what baseball means to them. The answers came back with richness, wonder, insight, and poetry. A fascinating portrait of baseball's beautiful nuances, What Baseball means to me marks the greatest collection of original essays ever written about the game. Accompanied by more than 200 classic baseball photographs, the voices in this book bring alive the game in all its venues-in the past and present, in wartime and hard times, in Cuba, in Wrigley Field or Yankee Stadium. We meet players in a different light: including Paul Molitor returning a baseball to a trusting boy named Dan Jansen, Derek Jeter as depicted by his dad, the Toledo Mud Hens as seen through the eyes of Christine Brennan, and Pedro Martinez talking about baseball as a way of life in his native Dominican Republic. Most of all, we meet ordinary Americans, like the kids Rudy Giuliani grew up with in Brooklyn, or the man in Philadelphia who transforms himself for every home game from mild-mannered Tom Burgoyne to the Phillie Phanatic.
The cumulative effect is overwhelming. Eleanor Roosevelt was right: Hoover’s FBI was an American gestapo." —Newsweek Shocking, grim, frightening, Curt Gentry’s masterful portrait of America’s top policeman is a unique political biography. From more than 300 interviews and over 100,000 pages of previously classified documents, Gentry reveals exactly how a paranoid director created the fraudulent myth of an invincible, incorruptible FBI. For almost fifty years, Hoover held virtually unchecked public power, manipulating every president from Franklin D. Roosevelt to Richard Nixon. He kept extensive blackmail files and used illegal wiretaps and hidden microphones to destroy anyone who opposed him. The book reveals how Hoover helped create McCarthyism, blackmailed the Kennedy brothers, and influenced the Supreme Court; how he retarded the civil rights movement and forged connections with mobsters; as well as insight into the Watergate scandal and what part he played in the investigations of President John F. Kennedy and Martin Luther King Jr.
A richly illustrated history of the first cross-country auto trips exposes the role of these well-publicized jaunts in changing the way the public felt about this new technology. (Transportation)
The Philological Quarterly's annual bibliographies of modern studies in English neoclassical literature, published originally from 1961 to 1970, are reproduced in two volumes. Readers will find the same features that distinguished earlier compilations in the series: inclusive listing of significant works published in each year (including sections on the historical and cultural background as well as literature), authoritative reviews of important works, critical comments, and a full index that is in itself an indispensable reference tool. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This biography of Aldo Leopold follows him from his childhood as a precocious naturalist to his profoundly influential role in the development of conservation and modern environmentalism in the United States. This edition includes a new preface by author Curt Meine and an appreciation by acclaimed Kentucky writer and farmer Wendell Berry.
In the face of personal and global suffering, is it possible to live with hope rather than despair? Join psychiatrist, speaker, and award-winning author Curt Thompson as he shows us how God transforms our grief into a lasting peace that surpasses all understanding. Suffering is a defining reality of life. Yet so many of us are so focused on avoiding discomfort that we've never learned how to actually suffer. But what if we could move from anxiety to durable hope? In The Deepest Place, Thompson invites us to explore how the Apostle Paul's experience of love, secure attachment, and the deeply felt sense of God's abiding presence carried him through the challenges he faced--and how it can help us not just survive, but flourish in the presence of suffering. Combining scripture with his own professional insight, Thompson helps us discover that: Suffering can increase our sense of security rather than our fears Hope is something we form in community Faith can grow out of anger, cynicism, and doubt Perseverance changes our brain and reshapes our imagination Listening to our bodies helps us find new hope in loss As Thompson reminds us, those who have suffered greatly, including the Apostle Paul, are able to see their stories with a new understanding of God's presence and unfailing love. Let The Deepest Place show you how to do the same.
In this book, Curt Hersey explores the history of U.S. media, demonstrating how news parody has entertained television audiences by satirizing political and social issues and offering a lighthearted take on broadcast news. Despite shifts away from broadcast and cable delivery, comedians like Samantha Bee, Michael Che, and John Oliver continue this tradition of delivering topical humor within a newscast format. In this history of the television news parody genre, Hersey critically engages with the norms and presentational styles of television journalism at the time of their production. News parody has increasingly become part of the larger journalistic field, with viewers often turning to this parodic programming as a supplement and corrective to mainstream news sources. Beginning in the 1960s with the NBC program That Was the Week That Was, the history of news parody is analyzed decade by decade by focusing on presidential and political coverage, as well as the genre’s critiques of television network and cable journalism. Case studies include Saturday Night Live’s “Weekend Update;” HBO’s Not Necessarily the News; Comedy Central’s original Daily Show, The Daily Show with Jon Stewart, and The Colbert Report; and HBO’s Last Week Tonight with John Oliver. Scholars of media history, political communication, and popular culture will find this book particularly useful.
How do you deal with your fears? Or do you? Are you one of the multitudes of persons whose fears do the dealing? Have you ever taken the trouble to get to know the most common and yet, perhaps, the least understood animal emotion? Take a little trip through these pages. You may find that fear isn't quite the enemy imagined. You may find that it's actually a valuable companion that requires proper exercise... not exorcism. Kurt Vonnegut wrote, "We are what we pretend to be". Could it really be that simple? If we pretend to be unafraid, could our fears just melt away? As one of the leading writers of the Victorian era, Mary Ann Evans (more widely known as George Eliot), is often credited with once having said, "It is never too late to be who you might have been." What will you pretend to be?Paperback available from LULU.com.
Why produce another biography of Wagner? There are a number of answers to this question. In the first place, the archives are being opened and new documents are appearing all the time. Dr von Westernhagen, a scholar who has devoted his life to Wagner, has produced the only general biography on this scale which is truly up-to-date in making use of this fresh archive material. In the second place, there is a need for a biography which focuses on Wagner's artistic achievements. In recent years Wagner has become a 'problematic' figure, largely because recent biographies have concentrated on his anti-Semitism, his egoism and his sexual life, and have presented the picture of an implausible scoundrel who by chance also wrote some music dramas. Westernhagen's approach is much more positive: his starting point is the importance and the supreme greatness of Wagner's artistry. This is therefore a positive biography, which combines an appropriate largeness of scale with factual accuracy and familiarity with the source documents. Dr von Westernhagen quotes extensively from letters and diaries to throw light, for example, on Wagner's relationship with Cosima, his idea of emigrating to America, his estrangement from Nietzsche (and the way this was later wilfully misrepresented by Nietzsche's sister, Elisabeth), and the later years as they are reflected in the so-called Brown Book, a notebook for the years 1865-82 which Wagner kept for Cosima and which was first published only in 1975. The author has also consulted the composition exercises which Wagner wrote in his teens for his teacher Theodor Weinlig, and the contents of the composer's Dresden library help to establish what were the early intellectual influences upon him. This biography concentrates on the nature of Wagner's art, its development, its achievement: the way, for instance, that Wagner was able to keep many projects in mind simultaneously, all of them dovetailing into one another with an inexorable logic. Particularly useful features of this study are the appendices which include a chronological summary of Wagner's life, a complete list of his musical and literary compositions and an up-to-date bibliography. This is a definitive biography which will stand beside Newman's classic work as an indispensable reference book for all future studies of Wagner, and a judicious account for those approaching this fascinating life story for the first time." --Dust jacket.
This treatise defines humane to mean that which is natural to human beings. It then suggests that much of the economic activity and many of the structures of modern business are inhumane. In response to this possibility, the book examines the nature of the humane in society and business and reviews the literature, beliefs, and standards of human behavior that would lead to the growth of a truly humane economy. Questions are raised about the virtue of current structure and practice. A strikingly positive proposition underlies the critique: new entrepreneurial ventures are by their nature humane. The way to make the economy and the practice of business more humane is not to encourage a routinized script of business ethics but instead to permit entrepreneurs to follow their desire to create and to build. This desire is natural to human beings and therefore deeply humane.
Desire and beauty go hand in hand. But both our craving to be known and our ability to create beauty have been marred by shame and trauma, collapsing our imagination for what God has for us. Weaving together neuroscience and spiritual formation, psychiatrist Curt Thompson presents a powerful picture of what it means to be human.
Its existence is known only by the effects of its action.' Author Curt Riess on what happens when an organisation goes underground. Written in 1944, thus contemporary to the events of the Second World War and Nazi Germany, The Nazis Go Underground describes how the Nazis planned and organised their descent into the underground as early as 1943. At this stage of the war, the situation for the Third Reich looked grim. With Bormann and Himmler as its architects, the Nazi party would go underground and prepare for World War III from the shattered ruins of Berlin. German generals were anxious to get the war over. They knew the war was futile, would end in total defeat and questioned Hitler's suicidal military tactics. Survival as an institution, as a political force, for them, was essential. The Nazis concocted a system by which they would continue to have close contacts with members of the aboveground legitimate government after the end of the war. They would make sure to have some of their men, dependable ones, remaining in the official apparatus of the government, to be able to coordinate operations and policies. It was therefore believed that Nazi Germany could once more rise from the ashes after defeat in the Second World War. Written and researched by an acclaimed Jewish Berlin journalist who fled Nazi Germany for the US, Curt Riess was in the position with his experience and contacts within the Third Reich to expose their underground movement. Conspiracy theory or historical fact, The Nazis Go Underground questions in incredible detail on how Hitler's operatives organised such a mammoth undertaking and since that day of 16 May 1943 may have already prepared for World War III.
Voices of the Game Curt Smith is “…the voice of authority on baseball broadcasting.” ―USA Today #1 New Release in Photography, Baseball Statistics , Photo Essays, and Photojournalism In this second in a series of Baseball Hall of Fame books, celebrate the larger-than-life role played by radio and TV baseball announcers in enhancing the pleasure of our national pastime. Commemorate the 100th anniversary of baseball broadcasting. The first baseball game ever broadcast on radio was on August 5, 1921 by Harold Wampler Arlin, a part-time baseball announcer on Pittsburgh’s KDKA, America’s first commercially licensed radio station. The Pirates defeated the Phillies 8-5. An insider’s view of baseball. Now you can own Memories from the Microphone and experience baseball from author Curt Smith. He has spent much of his life covering baseball radio and TV, and previously authored baseball books including the classic Voices of The Game. Relive baseball’s storied past through the eyes of famed baseball announcers. Organized chronologically, Memories from the Microphone charts the history of baseball broadcasting. Enjoy celebrated stories and personalities that have shaped the game―from Mel Allen to Harry Caray, Vin Scully to Joe Morgan, Ernie Harwell to Red Barber. Also discover: • Images from the Baseball Hall of Fame’s matchless archive • A multi-layered narrative exploring cultural, technological, and economic trends that changed fans’ experience of the game • Anecdotes and quotes from Curt Smith’s original research • Interviews with broadcast greats • Little-known stories, such as Ronald Reagan calling games for WHO Des Moines in the 1930s • Accounts of diversity in baseball broadcasting, including the TV coverage of Joe Morgan and earlier Hispanic pioneers Buck Canel and Rafael (Felo) Ramirez • A special section devoted to the Ford C. Frick Award and inductees since its inception in 1978 Also read the first in the series of Baseball Hall of Fame books Picturing America’s Pastime.
No good deed goes unpunished. Last Halloween, in the basement of an abandoned church, Detective Sergeant Ellis Morgan, his girlfriend Alice Harvey and her surrogate father Daniel Graycloud faced off with a pack of Cursed were-creatures led by the ancient Lord of the Hunt Tsul Kalu with the fate of Fort Smith in the balance. When the dust settled the Cursed were defeated, Tsul Kalu lay dead and Ellis became the first godslayer in centuries. Now, from the spilled blood of an old god rises a new-or perhaps old-terror that stalks the mid-winter nights of Fort Smith. Women and girls are disappearing without a trace; eerie little men are seen prowling around town and an ancient darkness is gathering. Physically maimed and emotionally disturbed, can Ellis step into the gap once again and save Fort Smith from a fate worse than death? What parts do a disgraced evangelist, a sociopathic assassin, and an imaginary friend play? And just where is Alice? The Border Town Blood story that began in Blood and Tears continues in Blood and Shadows.
Fort Smith, a frontier city in western Arkansas, lives under the shadow of a curse that threatens the lives of its citizens. The city provides the setting for a tragic yet historic tale of the Trail of Tears during 1838-1839. Homicide detective sergeant Ellis Morgan faces a pack of blood-thirsty were-creatures and their leader--one of the old gods, a living curse made flesh.
This updated edition of a NEW YORK TIMES best seller includes a final chapter, which chronicles the last years of his life and examines his enduring legacy. Included are quotes and tributes from many of golf's greats such as Byron Nelson and a perceptive assessment of the life and legend of the man who may have been the greatest golfer ever-Ben Hogan.
How Women Can Beat Terrorism presents a compelling plan for helping billions of men, women and children living in poverty while at the same time, making the Western world less prone to a multitude of terrorist attacks.
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