Over the last fifty years women's employment has increased markedly throughout developed countries. Women of younger generations are much more likely than their mothers and grandmothers to enter the labour market and stay in it after they marry and have children. Are these changes due only to changes in women's investments and preferences, or also to the opportunities and constraints within which women form their choices? Have women with higher and lower educational and occupational profiles combined family responsibilities with paid work differently? And have their divisions changed? With an innovative approach, this book compares Italy and Great Britain, investigating transformations in women's transitions in and out of paid work across four subsequent birth cohorts, from the time they leave full-time education up to their 40s. It provides a comprehensive discussion of demographic, economic and sociological theories and contains large amounts of information on changes over time in the two countries, both in women's work histories and in the economic, institutional and cultural context in which they are embedded. By comparing across both space and time, the book makes it possible to see how different institutional and normative configurations shape women's life courses, contributing to help or hinder the work-family reconciliation and to reduce or reinforce inequalities. Women in and out of paid work will be valuable reading for students, academics, professionals, policy makers and anyone interested in women's studies, work-family reconciliation, gender and class inequalities, social policy and sociology.
Comparing the situation in Italy and the UK, this is an exploration of the increasing entry of women into the labour market, and their tendency to remain there after having children.
Joaquín Sorolla (born in Valencia 1863 - died in Cercedilla 1923) is one of the most successful Spanish painters ever. He was a genius in capturing the essence of the scene he was painting. In Joaquín Sorolla Portraits 3 1911 -1920 Sorolla paints still paints many important portraits although in the course of preparing for his grand masterpiece "The Vision of Spain", which hangs in the Hispanic Society of America, he did not have the same amount of time available. Sorolla also indulged in painting gardens as relaxation from the gigantic "The Vision of Spain" project. The portraits provide a deep and interesting look into both American and Spanish society in this period. In his early years Sorolla often showed social realism, in his culmination period showed the increasingly wealthy sitters that came to him and in his final period he is a celebrated portraitist of rich Americans and a cultural and political elite in Spain.
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