Massinger’s Italy: Re-Imagining Italian Culture in the Plays of Philip Massinger offers the first book-length account of the pervasive influence of Italian culture on the canon of Philip Massinger, one of the most successful playwrights of the post-Shakespearean period. This volume explores the relationships between Massinger and Italian literary, dramatic and intellectual culture in the larger context of Anglo-Italian cultural exchanges. The book investigates the influence of Italian culture, considering Massinger’s engagement and appropriation of Italian texts, dramatic and political theories and ideas related to the country and his use of Italy as a setting. Massinger’s Italy offers a fresh and unexpected perspective on the development of Anglo-Italian discourse on the early modern English stage, showing to what extent Massinger contributed to the myth of Italy and to the circulation of Italian culture and shedding light on the complex system of Anglo-Italian interconnections within the corpus of Massinger’s plays as well as with the works of Shakespeare and his contemporaries.
The book investigates the issue of multilingualism in the Caroline age through the lens of Richard Bromes theatre. It analyses Bromes multilingual representation of early modern London between 1625 and 1642, a multilingual and cosmopolitan city, a pole of attraction, a crossroads of religious, linguistic, political, and cultural experiences in a national and European context. The interaction between English and foreign languages has always been a sort of obsession for early modern England but, in this specific period, its role becomes increasingly important: interpreting this delicate, and unjustly labelled as decadent, phase of English drama through the lens of multilingualism generates a new perspective on the social dynamics, and on contemporary political events in domestic and foreign politics, while casting new light on a relatively neglected playwright. Taking a multifaceted approach, the book discusses the recourse to three types of language found in Bromes plays, namely modern languages other than English, classical languages, and dialects, and explores the relationship between the use of one or more languages in a play and the contemporary early modern context. The book also analyses the implications of such use, since it allowed the playwright to dramatize social dynamics, while commenting on contemporary political events in England.
Massinger’s Italy: Re-Imagining Italian Culture in the Plays of Philip Massinger offers the first book-length account of the pervasive influence of Italian culture on the canon of Philip Massinger, one of the most successful playwrights of the post-Shakespearean period. This volume explores the relationships between Massinger and Italian literary, dramatic and intellectual culture in the larger context of Anglo-Italian cultural exchanges. The book investigates the influence of Italian culture, considering Massinger’s engagement and appropriation of Italian texts, dramatic and political theories and ideas related to the country and his use of Italy as a setting. Massinger’s Italy offers a fresh and unexpected perspective on the development of Anglo-Italian discourse on the early modern English stage, showing to what extent Massinger contributed to the myth of Italy and to the circulation of Italian culture and shedding light on the complex system of Anglo-Italian interconnections within the corpus of Massinger’s plays as well as with the works of Shakespeare and his contemporaries.
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