In recent years there has been much interest in collective memory and commemoration. It is often assumed that when nations celebrate a historic day, they put aside the divisions of the present to recall the past in a spirit of unity. As Billig and Marinho show, this does not apply to the Portuguese parliament's annual celebration of 25 April 1974, the day when the dictatorship, established by Salazar and continued by Caetano, was finally overthrown. Most speakers at the ceremony say little about the actual events of the day itself; and in their speeches they continue with the partisan politics of the present as combatively as ever. To understand this, the authors examine in detail how the members of parliament do politics within the ceremony of remembrance; how they engage in remembering and forgetting the great day; how they use the low rhetoric of manipulation and point-scoring, as well as high-minded political rhetoric. The book stresses that the members of the audience contribute to the meaning of the ceremony by their partisan displays of approval and disapproval. Throughout, the authors demonstrate that, to uncover the deeper meanings of political rhetoric, it is necessary to take note of significant absences. The Politics and Rhetoric of Commemoration illustrates how an in-depth case-study can be invaluable for understanding wider processes. The authors are not content just to uncover unnoticed features of the Portuguese celebration. They use the particular example to provide original insights about the rhetoric of celebrating and the politics of remembering, as well as throwing new light onto the nature of party political discourse.
In recent years there has been much interest in collective memory and commemoration. It is often assumed that when nations celebrate a historic day, they put aside the divisions of the present to recall the past in a spirit of unity. As Billig and Marinho show, this does not apply to the Portuguese parliament's annual celebration of 25 April 1974, the day when the dictatorship, established by Salazar and continued by Caetano, was finally overthrown. Most speakers at the ceremony say little about the actual events of the day itself; and in their speeches they continue with the partisan politics of the present as combatively as ever. To understand this, the authors examine in detail how the members of parliament do politics within the ceremony of remembrance; how they engage in remembering and forgetting the great day; how they use the low rhetoric of manipulation and point-scoring, as well as high-minded political rhetoric. The book stresses that the members of the audience contribute to the meaning of the ceremony by their partisan displays of approval and disapproval. Throughout, the authors demonstrate that, to uncover the deeper meanings of political rhetoric, it is necessary to take note of significant absences. The Politics and Rhetoric of Commemoration illustrates how an in-depth case-study can be invaluable for understanding wider processes. The authors are not content just to uncover unnoticed features of the Portuguese celebration. They use the particular example to provide original insights about the rhetoric of celebrating and the politics of remembering, as well as throwing new light onto the nature of party political discourse.
Do you know who was the first woman elected Federal Deputy? Did you know that a Female Republican Party has already existed? And what was the first Brazilian state to authorize the first female vote? These facts and curiosities from the history of the women's suffrage and their fight for political rights are told in this book written in a simple and accessible language by historian and professor Teresa Cristina Novaes. Highlighting notable women who marked an era and still inspire generations, such as Bertha Lutz, Carlota Queirós, Celina Guimarães, Josefina Álvares de Azevedo, Júlia Barbosa, Leolinda Daltro and Nísia Floresta, the author revisits the key moments in which the ideas of female participation in politics were debated by the Legislative Branch. The Women’s Vote in Brazil is a work on democracy and civil courage that invites women to continue to fight, resist, raise their voices and make themselves heard. Translated by Ana Lúcia Henrique Teixeira Gomes, Evan Benjamin Douthit and Morgana Aparecida de Matos.
This resource is an interesting look at how European culture, particularly European music, related to the social and cultural experiences of the residents of ninteenth-century Rio de Janeiro. The focus is on how Cariocas (residents of Rio de Janeiro) responded to and often imitated different musical styles imported from Europe. After introducing the local musical setting and showing how musical life in imperial Rio de Janeiro reflected Parisian models, the author discusses the importation of operatic repertory, the use of German classical music as the basis of an elite social class, the role of European music in Brazilian theater, and finally, the emergence of a "national" music. Overall, this study reveals European music as a powerful force in the internal processes of political, cultural, social, and ethnic negotiations during the 19th century government of Emperor Pedro II. Musicologists, Latin American historians, and anyone with an interest in urban studies will find much of interest in this book.
Optical coherence tomography angiography (OCTA) is a non-invasive technique for imaging the microvasculature of the retina and the choroid. The advent of OCTA has allowed ophthalmologists to identify new pathologies, recognise new syndromes, and organise disorders with new classifications. This atlas provides clinicians with state-of-the-art principles of clinical OCTA imaging, helping them interpret and understand the features of the angiographic images. Following the success of the first edition (9789351528999) published in 2015, this second edition has been fully revised, with all chapters rewritten and new topics added to provide the very latest advances in the field. New knowledge about existing diseases and new disorders are described in depth, and operating principles, clinical applications, and future developments are explained thoroughly by the pioneers of the technology. The first part of the atlas covers the basic principles of OCT angiography, methods and technology, image interpretation, vascular anatomy of the retina, and clinical applications. Part two provides a general update on current research into OCT angiography in various retinal, choroid and anterior chamber disorders. The third and final part of the book describes future clinical applications and implications of next generation devices. This new edition is an invaluable guide for ophthalmologists and trainees for use in everyday practice.
Brazil is a racialized country. Its social history is recorded in the spaces occupied by the colonial invasion, the domination of native peoples, slavery and European immigration. Walking through this large territory, it is clear that this story has imprinted marks on the land, colonized bodies and minds, which translates and is updated daily in relationships, in the purposeful invisibility of a part of the population. Everyone participates in this system, black, white and non-white, and it is essential that this is known. The racist ideology, propagating ideas of inferiority and subordination of certain peoples, crosses everyone, although from different places and experiences, and oppressed peoples (black and indigenous) suffer immensely from the consequences of social inequalities, leading to physical and psychological illness. The white race enjoys opportunities, but exempts itself from responsibility in an unfair system. The African diaspora portrayed in this book, "Black Eyes Crossed the Sea", reveals the impact of the psychic effects caused by racism and its consequences in inter and intrapsychic relations, singularly in black people. The theme is a call with the intention of sensitizing professionals from different areas of knowledge to understand what is inscribed in addition to skin color. It is a statement where everyone needs to recognize and review themselves. It is a door that opens in the hope of elaborating and transforming thinking about values, colonialist beliefs, and a possible emancipation. Going through the theoretical bases of therapeutic action, based on Wilhelm Reich's corporal analysis, on Alexander Lowen's Bioenergetics, on David Boadella's Biosynthesis, on Frantz Fanon and Neusa Santos Souza's psychoanalysis and on Pichon Riviére's operative group, the corporal work is highlighted, stage of individual and collective history with a view to this transforming place. Not only starting from verbalization, but having the body as a protagonist, home to joy, suffering and trauma. A group experience is also shown in the encounter of black bodies, a place for exchanging reflections and experiences in relation to blackness and whiteness, which over time proved to be affirmative in the strengthening of identity. In the words recorded here, it is stated how vital it is for institutions that aim to transmit knowledge to review themselves so as not to reproduce behaviors that lead to inequalities, injustices, suffering and illness. This book is about believing, fraternal value, respect, caring for yourself and others, so that you can have better days for everyone.
Interpreting Bone Lesions and Pathology for Forensic Practice presents a concise description of the necessary steps for the differential diagnosis of disease and trauma on skeletal remains. Information obtained from the pathological reactions of bone can be fundamental for forensic dilemmas, ranging from identification to understanding trauma. The book's authors aim to provide reliable tools for the appropriate interpretation of lesions on bone through macroscopic, radiological, histological and biomolecular analyses on skeletal remains. Provides tools for the proper interpretation of bone pathology and lesions Presents content that is based on modern and documented case studies Includes bone pathological reactions that are crucial for interpreting trauma
Ana Cristina Cesar (1952-1983) has posthumously become one of Brazil’s best known avant-garde poets. After her suicide in 1983, her innovative, mythic, and dreamlike poetry has greatly influenced subsequent generations of writers. At Your Feet was originally published as a poetic sequence and later became part of a longer hybrid work— sometimes prose, sometimes verse—documenting the life and mind of a forcefully active literary woman. Cesar, who also worked internationally as a journalist and translator, often found inspiration in the writings of other poets, among them Emily Dickinson, Armando Freitas Filho, and Gertrude Stein. Her innovative writing has been featured in Sun and Moon’s classic anthology Nothing the Sun Could Not Explain—20 Contemporary Brazilian Poets (2000). Poet Brenda Hillman and her mother Helen Hillman (a native speaker of Portuguese) worked with Brazilian poet Sebastião Edson Macedo and translator/editor Katrina Dodson to render as faithfully as possible the intricately layered poems of this legendary writer. At Your Feet includes both the English translation and original Portuguese.
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