As leaders in the faith community, the parish staff are to guide the faithful to embrace their baptismal call to make Christ tangibly present in the world. To support them in this work, this e-book presents an examination of the communal nature of baptism by author Stephen S. Wilbricht, CSC, concrete examples from pastoral ministers of ways discipleship is lived out, and seven short prayer services that reflect on aspects of baptism.
This book is aimed at helping readers better understand the Spanish tax system. For this purpose, a set of exercises and practical cases are included. The authors, with over 20 years of teaching and professional experience, want to offer with this book a practical vision and examples of our tax system to help citizens understand the different taxes they must face. A detailed view of the personal income tax is also included. The ultimate goal is for users to understand the Spanish tax system and to learn/ solve practical personal income tax cases based on information provided by the Tax Agency (tax data) and additional information of which only the taxpayer is aware. Together with the personal income tax settlements, a number of practical cases have also been included, showing how the different incomes can be taxed. However, it intends to go one step beyond the simple knowledge of the tax assessment mechanics. Thus, along with the case studies of personal income tax clearance, already settled statements have been included in order for users, placed in the role of a Tax Inspector, to detect the mistakes that the citizen may have made when making their own statement. This activity helps acquire a better knowledge of the tax. Together with this, tax advice and planning, which are common practices that seek for citiizens to make optimal economic decisions to reduce their tax debt as much as possible, within the law, have been included in the book through a case-by-case approach where a number of possible alternatives are proposed.
Despite the growing literary scholarship on Chicana writers, few, if any, studies have exhaustively explored themes of motherhood, maternity, and mother-daughter relationships in their novels. When discussions of motherhood and mother-daughter relationships do occur in literary scholarship, they tend to mostly be a backdrop to a larger conversation on themes such as identity, space, and sexuality, for example. Mother-daughter relationships have been ignored in much literary criticism, but this book reveals that maternal relationships are crucial to the study of Chicana literature; more precisely, examining maternal relationships provides insight to Chicana writers' rejection of intersecting power structures that otherwise silence Chicanas and women of color. This book advances the field of Chicana literary scholarship through a discussion of Chicana writers' efforts to re-write the script of maternity outside of existing discourses that situate Chicana mothers as silent and passive and the subsequent mother-daughter relationship as a source of tension and angst. Chicana writers are actively engaged in the process of re-writing motherhood that resists the image of the static, disempowered Chicana mother; on the other hand, these same writers engage in broad representations of Chicana mother-daughter relationships that are not merely a source of conflict but also a means in which both mothers and daughters may achieve subjectivity. While some of the texts studied do present often conflicted relationships between mothers and their daughters, the novels do not comfortably accept this script as the rule; rather, the writers included in this study are highly invested in re-writing Chicana motherhood as a source of empowerment even as their works present strained maternal relationships. Chicana writers have challenged the pervasiveness of the problematic virgin/whore binary which has been the motif on which Chicana womanhood/motherhood has been defined, and they resist the construction of maternity on such narrow terms. Many of the novels included in this study actively foreground a conscious resistance to the limiting binaries of motherhood symbolized in the virgin/whore split. The writers critically call for a rethinking of motherhood beyond this scope as a means to explore the empowering possibilities of maternal relationships. This book is an important contribution to the fields of Chicana/Latina and American literary scholarship.
Shape memory alloys have become in the past decades a well established research subject. However, the complex relations between properties and structure have created a continuously growing interest for a deeper insight all this time. The complexity of relationships between structure and properties is mostly related to the fact that strong ?multidimensional? interactions are taking place: from the early studies focusing on the thermal and/or mechanical induced phase transformations to the more recent findings on the magnetically induced structural changes. On the other hand, these singular behavioral characteristics have driven a great industrial interest due to the innovative aspects that the applications of shape memory alloys may provide. This makes this subject a highly attractive source of continuous studies, ranging from basics crystallography and thermodynamics to mechanical analysis and electrical and magnetic properties characterization. In this book, a group of recent studies is compiled focusing on a wide range of topics from processing to the relationship between the structure and properties, as well as new applications.
While scholarship on Caribbean women’s literature has grown into an established discipline, there are not many studies explicitly connected to the maternal subject matter, and among them only a few book-length texts have focalized motherhood and maternity in writings by Caribbean women. Reading/Speaking/Writing the Mother Text: Essays on Caribbean Women’s Writing encourages a crucial dialogue surrounding the state of motherhood scholarship within the Caribbean literary landscape, to call for attention on a theme that, although highly visible, remains understudied by academics. While this collection presents a similar comparative and diasporic approach to other book-length studies on Caribbean women’s writing, it deals with the complexity of including a wider geographical, linguistic, ethnic and generic diversity, while exposing the myriad ways in which Caribbean women authors shape and construct their texts to theorize motherhood, mothering, maternity, and mother-daughter relationships.
While scholarship on Caribbean women’s literature has grown into an established discipline, there are not many studies explicitly connected to the maternal subject matter, and among them only a few book-length texts have focalized motherhood and maternity in writings by Caribbean women. Reading/Speaking/Writing the Mother Text: Essays on Caribbean Women’s Writing encourages a crucial dialogue surrounding the state of motherhood scholarship within the Caribbean literary landscape, to call for attention on a theme that, although highly visible, remains understudied by academics. While this collection presents a similar comparative and diasporic approach to other book-length studies on Caribbean women’s writing, it deals with the complexity of including a wider geographical, linguistic, ethnic and generic diversity, while exposing the myriad ways in which Caribbean women authors shape and construct their texts to theorize motherhood, mothering, maternity, and mother-daughter relationships.
Despite the growing literary scholarship on Chicana writers, few, if any, studies have exhaustively explored themes of motherhood, maternity, and mother-daughter relationships in their novels. When discussions of motherhood and mother-daughter relationships do occur in literary scholarship, they tend to mostly be a backdrop to a larger conversation on themes such as identity, space, and sexuality, for example. Mother-daughter relationships have been ignored in much literary criticism, but this book reveals that maternal relationships are crucial to the study of Chicana literature; more precisely, examining maternal relationships provides insight to Chicana writers' rejection of intersecting power structures that otherwise silence Chicanas and women of color. This book advances the field of Chicana literary scholarship through a discussion of Chicana writers' efforts to re-write the script of maternity outside of existing discourses that situate Chicana mothers as silent and passive and the subsequent mother-daughter relationship as a source of tension and angst. Chicana writers are actively engaged in the process of re-writing motherhood that resists the image of the static, disempowered Chicana mother; on the other hand, these same writers engage in broad representations of Chicana mother-daughter relationships that are not merely a source of conflict but also a means in which both mothers and daughters may achieve subjectivity. While some of the texts studied do present often conflicted relationships between mothers and their daughters, the novels do not comfortably accept this script as the rule; rather, the writers included in this study are highly invested in re-writing Chicana motherhood as a source of empowerment even as their works present strained maternal relationships. Chicana writers have challenged the pervasiveness of the problematic virgin/whore binary which has been the motif on which Chicana womanhood/motherhood has been defined, and they resist the construction of maternity on such narrow terms. Many of the novels included in this study actively foreground a conscious resistance to the limiting binaries of motherhood symbolized in the virgin/whore split. The writers critically call for a rethinking of motherhood beyond this scope as a means to explore the empowering possibilities of maternal relationships. This book is an important contribution to the fields of Chicana/Latina and American literary scholarship.
Joaquín Sorolla (born in Valencia 1863 - died in Cercedilla 1923) is one of the most successful Spanish painters ever. He was a genius in capturing the essence of the scene he was painting. He was a master of light. Joaquín Sorolla loved his wife and his family. He painted them all the time. He lived in the time when photography was being invented and commercialized. Sorolla created a virtual family album with his wonderful paintings. He invited us to see and share his happiness. Sorolla was not shy about his family as many of his contemporaries were. He sold many paintings that showed his family, especially his daughter María was a favorite with the public, and Sorolla jokingly called María the breadwinner of the family. He wanted us to share his view of the ideal family as he shared his view of a great and united Spain. Sorolla painted dogs and a cat as pets, as part of the family, superbly catching their soul and character.
Joaquín Sorolla (born in Valencia 1863 - died in Cercedilla 1923) is one of the most successful Spanish painters ever. He was a genius in capturing the essence of the scene he was painting. Joaquín Sorolla was a proud Catholic that believed in Christian values like hard work, providing for your descendants and mercy. Sorolla painted many religious work but is better known for his wonderful beach scenes full of light, his intense portraits and breathtaking landscapes. He lived while photography was being invented and popularized. Some of his breathtaking beach scenes show how he was familiar with and employed similar techniques as the photographer. His landscapes are a great introduction to Spanish history.
The Adventures of a Swordsman: First Volume relates the story full of mystery and adventure of a bandit who fights for justice, who faces the difficulties happened in his way from the feared governors and commanders who follow their interests treading even over the bodies and blood of the innocent ones. The action happens in a small picturesque village of Nueva Granada, a region of South America, the village being a colony of the Spanish Empire very rich on those times. The novel is fully documented regarding the perfume of that epoch set down a long time ago about which the children study only in the history booksthe eighteen century.
Sorolla was deeply interested in the history and future of Spain. His landscapes can be seen as direct commentary to the subject matter in the landscape paintings. We travel with Sorolla generally from North to South Joaquin Sorolla (born in Valencia 1863-died in Cercedilla 1923) is one of the most successful Spanish painters ever. He was a genius in capturing the essence of the scene he was painting. He lived while photography was being invented and popularized. Some of his breathtaking landscapes show how he was familiar with and employed similar techniques as the photograph. His landscapes are a great introduction to Spanish history. In the course of preparing for his grand masterpiece The Vision of Spain, which hangs in the Hispanic Society of America, Sorolla visited many places of Spain. Here he painted types of people and local dress which made up his vision of Spain, diverse and colorful yet united. Joaquin Sorolla painted many landscapes. Some of the landscapes are recordings like photographs. Others are exercises and development of his talent and technique. It is possible to follow his development as a master of impressionist painting by comparing landscapes by the year of completion. Sorolla only became better with age and maturity.
Although politicians discuss Latino immigration by the numbers, there is another side to the impact of immigrants: their influence on the culture and lifestyle of the countries they enter. Cristina Benitez, founder of Lazos Latinos, focuses her book on the positive influences that Latinos have on their new country, from culture to the high value Latinos place on their family relationships. Readers will come away with a better understanding of how to craft marketing messages that resonate with Latino customers. With a foreword by Henry Cisneros, and insights from 20 Latino experts, Latinization helps exlpain why Latino culture is here to stay.
Has its close connections with academe enriched or diminished Philippine literature in English? Are there alternatives to academe as literary arbiters? How do contemporary Filipino women writers "perform" the modern wonder tale? These are some of the questions that Hidalgo asks in her latest book.
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