This book offers the first full analysis of the Social Democratic Federation's (SDF's) history and is essential reading for historians of the Labour Movement.The SDF was the pioneer of the Socialist revival in the 1880s, Britain's first avowedly Marxist party and an important component of the Communist Party of Great Britain. As such, it represents a crucial strand in late nineteenth- and twentieth-century English political history.Although critical, Dr Crick dismisses the stereotype of a sectarian and dogmatic organization attempting to force a foreign ideology onto an unreceptive audience. Blending the national picture with a detailed study of the party in Lancashire and Yorkshire, he reveals an organization whose members contributed far more to the formation of local politics than is generally realized. They produced a generation of working-class militants, pioneered forms of social protest and made available for the first time in English a number of Marxist classics.
This book offers the first full analysis of the Social Democratic Federation's (SDF's) history and is essential reading for historians of the Labour Movement.The SDF was the pioneer of the Socialist revival in the 1880s, Britain's first avowedly Marxist party and an important component of the Communist Party of Great Britain. As such, it represents a crucial strand in late nineteenth- and twentieth-century English political history.Although critical, Dr Crick dismisses the stereotype of a sectarian and dogmatic organization attempting to force a foreign ideology onto an unreceptive audience. Blending the national picture with a detailed study of the party in Lancashire and Yorkshire, he reveals an organization whose members contributed far more to the formation of local politics than is generally realized. They produced a generation of working-class militants, pioneered forms of social protest and made available for the first time in English a number of Marxist classics.
Ferguson's own autobiography was a great bestseller on its publication in 1999. But Fergie's book told the story through only one pair of eyes. Now, Michael Crick, acclaimed biographer of Jeffrey Archer, writes the first fully rounded, independent portrait of Sir Alex. From his roots as a Govan trade unionist to the current peaks of world football, Crick applies the same forensic skills he applied to his study of the disgraced Tory peer. Through hundreds of interviews with those who've known and worked with Sir Alex, and delving back through the archives, Michael Crick explores the money and the politics of football, the bust-ups, the fights, and those memorable moments of glory. Charismatic and charming, volcanic and ruthless, searingly ambitious and astonishingly successful. What makes Sir Alex Ferguson tick? How did this complex character become the most successful manager in British football, producing -- first at Aberdeen and now at Manchester United -- two of the most prolific trophy-grabbing machines in the modern game? THE BOSS is essential reading not just for Manchester United fans and football followers in general, but for anyone interested in the skills of successful management.
Mel Brooks is often regarded as one of Hollywood's funniest men, thanks to such highly successful films as The Producers, Blazing Saddles, and Young Frankenstein. His films do have a tendency to turn out much like the jokes that comprise them--hit-or-miss, one minute shoot-the-moon brilliant and the next minute well short of laughs. This work provides a thorough synopsis and thematic analysis for each of his twelve films along with complete cast and production credits: The Producers (1968), The Twelve Chairs (1970), Blazing Saddles (1974), Young Frankenstein (1974), Silent Movie (1976), High Anxiety (1977), History of the World--Part 1 (1981), To Be or Not to Be (1983), Spaceballs (1987), Life Stinks (1991), Robin Hood: Men in Tights (1993), and Dracula: Dead and Loving It (1995).
Sir David Butler pioneered the science of elections, transforming the way we analyse election results. In 1945, aged only twenty, Butler was the first to turn British constituency results into percentages, and thereby founded the science of psephology. Appearing as an expert on Britain's first TV election night in 1950, he promoted the idea of 'swing' to explain gains and losses to the public. Later, he invented the BBC's popular Swingometer, which is still used today. He has publicly analysed every British general election since the Second World War, and done more than anyone to transform TV coverage of elections, with a style that combined authority and showmanship with his phenomenal memory for facts and figures. First summoned by Churchill for polling advice when he was only twenty-five, David Butler got to know most of Britain's senior post-war politicians and has acted as a highly influential voice behind the scenes. He wrote dozens of books and taught scores of leading figures in politics and the media around the world, building a huge international reputation which regularly took him to America, Australia and India. Award-winning TV correspondent Michael Crick has known David Butler for forty years. In Sultan of Swing, based on interviews with Butler himself, his friends, family and colleagues, and with access to many previously unseen papers, Crick chronicles the long and energetic life of the greatest analyst of British elections – a story that weaves its way through post-war history with surprises, colour and humour.
Enormously readable...excellent' Dominic Sandbrook, Sunday Times 'A superb piece of thorough journalism' David Aaronovitch, The Times Nigel Farage is arguably one of the most influential British politicians of the 21st century. His campaign to take the UK out of the EU began as a minority and extreme point of view, but in June 2016 it became the official policy of the nation after a divisive referendum. In Michael Crick's brilliant new biography, One Party After Another, we find out how he did it, despite never once managing to get elected to Parliament. Farage left public school at the age of 16 to go and work in the City, but in the 1990s he was drawn into politics, joining UKIP. Ironically, it was the electoral system for the European Parliament that gave him access to a platform, and he was elected an MEP in 1999. His everyman persona, combined with a natural ability as a maverick and outspoken performer on TV, ensured that he garnered plenty of media attention. His message resonated in ways that rattled the major parties - especially the Conservatives - and suddenly the UK's membership of the EU was up for debate. Controversy was never far away, with accusations of racism against the party and various scandals. But, having helped secure the referendum, Farage was largely sidelined by the successful official Brexit campaign. When Parliament struggled to find a way to leave, Farage created the Brexit Party to ensure Britain did eventually leave the EU early in 2020. Crick's compelling new study takes the reader into the heart of Farage's story, assessing his methods, uncovering remarkable hidden details and builds to an unmissable portrait of one of the most controversial characters in modern British politics.
This book is a short account of the history of the doctrine, practices, and institutions of democracy, from Ancient Greece and Rome, through the American, French and Russian revolutions, and its varieties and conditions in the modern world. It argues that democracy is a necessary but not a sufficient condition for good government, and that ideas of the rule of law, and of human rights, and the claims and liberties of groups within society must often limit the will of democratic majorities.
Rhetorical Public Speaking: Civic Engagement in the Digital Age, Third Edition offers students an innovative approach to public speaking by employing the rhetorical canon as a means of constructing artful speech in a multi-mediated environment. It provides a foundation to guide students in understanding, constructing, and delivering messages that address matters of public concern. This edition features contemporary as well as historical examples to highlight key concepts and show how rhetoric works in practice. Each chapter includes speech excerpts, summaries, and exercises for review and retention. Students of public speaking are encouraged to employ their new skills as engaged citizens of society.
When it was originally published in 1984, Michael Crick's treatise on the Militant tendency was widely acclaimed as a masterly work of investigative journalism, and although the rise of Jeremy Corbyn can be attributed more to the phenomenon of 'Corbynmania' than to hard-left entrism, to some within the party, Crick's ground-breaking book must seem like a lesson from history. Updated and expanded, Crick explores the origins, organisation and aims of Militant, the secret Trotskyite organisation that operated clandestinely within the Labour Party, edging out adversaries at grass-roots level and recruiting people to its own ranks, which, at its peak in the mid-1980s, swelled to around 8,000 members. Whilst eventually most of its leaders were expelled, it caused damaging rifts within the party and closed the door to Downing Street for almost a generation.
This book examines Commedia dell'Arte as a performative genre, and one that should be analysed through the framework of dramaturgy and dramaturgical practice. This volume examines the way Commedia has been explored in the twentieth and twenty-first centuries, and details its reinventors’ dramaturgic approaches, both focusing in on specific examples such as Jacques Lecoq, Dario Fo and Antonio Fava, and also suggesting how modern discoveries may aid the study of historical performance practice. It also discusses how audiences read and receive masks; the relationship between the different masked and unmasked roles; the range of performance activities that come under the umbrella term ‘improvisation’; the performative construction of a role performed ‘live’ from a scenario; the role of language and embodied locality in performance; and the performative relationship between performative commedia and literary tragicomedy. Its focus is dramaturgy, and so it may be read both as a text describing various theatrical practices from 1946 onwards and as a way of creating one’s own contemporary Commedia practice. It is an important read for any student or scholar of Commedia dell'Arte and theatre historians grappling with the status of this unique and influential performance form.
Bernard Crick's mastery of the political essay is matched by few, if any, modern political writers. This new collection demonstrates the wide range of his writing with characteristically bold, argumentative and witty pieces on British identity, on the Northern Irish peace process, on New Labour, on Shaw, Berlin, Laski and Arendt, and on the present state of political writing. It will enlighten, provoke and amuse readers keen to engage with political ideas and arguments current at the turn of the millennium.
An examination of how intellectuals and artists conceptualized rhetoric as a medium of power in a dynamic age of democracy and empire In Rhetoric and Power, Nathan Crick dramatizes the history of rhetoric by explaining its origin and development in classical Greece beginning the oral displays of Homeric eloquence in a time of kings, following its ascent to power during the age of Pericles and the Sophists, and ending with its transformation into a rational discipline with Aristotle in a time of literacy and empire. Crick advances the thesis that rhetoric is primarily a medium and artistry of power, but that the relationship between rhetoric and power at any point in time is a product of historical conditions, not the least of which is the development and availability of communication media. Investigating major works by Homer, Heraclitus, Aeschylus, Protagoras, Gorgias, Thucydides, Aristophanes, Plato, Isocrates, and Aristotle, Rhetoric and Power tells the story of the rise and fall of classical Greece while simultaneously developing rhetorical theory from the close criticism of particular texts. As a form of rhetorical criticism, this volume offers challenging new readings to canonical works such as Aeschylus's Persians, Gorgias's Helen, Aristophanes's Birds, and Isocrates's Nicocles by reading them as reflections of the political culture of their time. Through this theoretical inquiry, Crick uses these criticisms to articulate and define a plurality of rhetorical genres and concepts, such as heroic eloquence, tragicomedy, representative publicity, ideology, and the public sphere, and their relationships to different structures and ethics of power, such as monarchy, democracy, aristocracy, and empire. Rhetoric and Power thus provides a foundation for rhetorical history, criticism, and theory that draws on contemporary research to prove again the incredible richness of the classical tradition for contemporary rhetorical scholarship and practice.
An innovative approach to Dewey's view of rhetoric as art, revealing an "ontology of becoming" In Democracy and Rhetoric, Nathan Crick articulates from John Dewey's body of work a philosophy of rhetoric that reveals the necessity for bringing forth a democratic life infused with the spirit of ethics, a method of inquiry, and a sense of beauty. Crick relies on rhetorical theory as well interdisciplinary insights from philosophy, history, sociology, aesthetics, and political science as he demonstrates that significant engagement with issues of rhetoric and communication are central to Dewey's political philosophy. In his rhetorical reading of Dewey, Crick examines the sophistical underpinnings of Dewey's philosophy and finds it much informed by notions of radical individuality, aesthetic experience, creative intelligence, and persuasive advocacy as essential to the formation of communities of judgment. Crick illustrates that for Dewey rhetoric is an art situated within a complex and challenging social and natural environment, wielding influence and authority for those well versed in its methods and capable of experimenting with its practice. From this standpoint the unique and necessary function of rhetoric in a democracy is to advance minority views in such a way that they might have the opportunity to transform overarching public opinion through persuasion in an egalitarian public arena. The truest power of rhetoric in a democracy then is the liberty for one to influence the many through free, full, and fluid communication. Ultimately Crick argues that Dewey's sophistical rhetorical values and techniques form a naturalistic "ontology of becoming" in which discourse is valued for its capacity to guide a self, a public, and a world in flux toward some improved incarnation. Appreciation of this ontology of becoming—of democracy as a communication-driven work in progress—gives greater social breadth and historical scope to Dewey's philosophy while solidifying his lasting contributions to rhetoric in an active and democratic public sphere.
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