In February 2008, Alicia Crawley got the phone call every parent dreads: two of her children had been in a car accident. Her son, Jonathan, was fine, but by the time Alicia arrived at the scene minutes later, her sixteen-year-old daughter, Lauren, had died. In the days that followed, Alicia, who until then had had a vibrant relationship with Jesus Christ, was plunged into the dark pit of grief, unable even to feel Gods presence. His seeming silence left her spiritually paralyzed. Alicia barely recognized herself or her life, but she kept going to Gods word, seeking comfort, understanding, and purpose. She came to realize that He had never left her but that she hadnt been able to hear Him over the roar of her pain. Deeply thoughtful, honest, and unafraid to ask difficult questions, Alicia shares here what she learned about suffering, about heaven, and about listening to and trusting God. Although support groups, individual therapy, and medication can all help at a time of profound loss, Wonderful Counselor assures us that the Holy Spirit is the ultimate source of wisdom and healing. For Alicia, turning to God provided more than comfort; it oriented her family toward the future and toward opportunities to reach the lost and broken around them in ways and in places they never could have imagined. Surrendering their beloved Lauren took on meaning they never thought possible. Guided by the Spirit, they have allowed her legacy to become one of hope and joy.
In this profoundly innovative book, Ashon T. Crawley engages a wide range of critical paradigms from black studies, queer theory, and sound studies to theology, continental philosophy, and performance studies to theorize the ways in which alternative or “otherwise” modes of existence can serve as disruptions against the marginalization of and violence against minoritarian lifeworlds and possibilities for flourishing. Examining the whooping, shouting, noise-making, and speaking in tongues of Black Pentecostalism—a multi-racial, multi-class, multi-national Christian sect with one strand of its modern genesis in 1906 Los Angeles—Blackpentecostal Breath reveals how these aesthetic practices allow for the emergence of alternative modes of social organization. As Crawley deftly reveals, these choreographic, sonic, and visual practices and the sensual experiences they create are not only important for imagining what Crawley identifies as “otherwise worlds of possibility,” they also yield a general hermeneutics, a methodology for reading culture in an era when such expressions are increasingly under siege.
Ridge Mason’s world was just a remote and secluded corner of Northwest Tennessee that lay barricaded between a mighty river and a beautiful lake. Yet it knew no boundaries. Only moments after taking his first breath, Ridge suffered the most devastating loss a child could ever experience – the death of his mother. Yet it presented no barriers to him. His father and uncle, by contributing equally to his rearing, made sure of that. As a young man, Ridge’s life on the enchanting body of water had become so rich and colourful that he thought he could never be torn from it. But when the beautiful and alluring Madelyn Fleming entered his world, it was suddenly turned upside down. The unusual and complicated situation this created, forced Ridge to abandon the only place on Earth where he ever wanted to live, in order to save the one he loved. Fearing he would never be able to return home again, Ridge was almost torn apart by his insatiable love for Madelyn and the lake that never stopped beckoning him. When it appeared that only a miracle could appease the two opposing forces, that’s exactly what happened.
All study of the origins of social institutions must be based on what ethnology can tell us of the psychology of the lower races and on the primitive conceptions of human relations which are thus established. It is only in early modes of thought that we can find the explanation of ceremonies and systems which originated in primitive society; and, if ceremony and system are the concrete forms in which human relations are expressed, an examination, ethnological and psychological, of human relations, is indispensable for enquiry into human institutions.
Author Ira Pope is a firm believer that all people can overcome their temptations, no matter what they are, if they have a strong and passionate faith in Jesus Christ. Knowing the purpose and the background of temptation equips us to more completely and permanently overcome. If it was as easy as "just don't do it", no one today would be suffering due to the consequences of self-indulgence associated with overeating, drug and alcohol substance abuse, hyper-sexual deviance, gambling, internet lusts, and all other addictions and snares of the enemy
This book provides a much-needed sociological account of the social world of the English prison officer, making an original contribution to our understanding of the inner life of prisons in general and the working lives of prison officers in particular. As well as revealing how the job of the prison officer - and of the prison itself - is accomplished on a day-to-day basis, the book explores not only what prison officers do but also how they feel about their work. In focusing on how prison officers feel about their work this book makes a number of interesting revelations - about the essentially domestic nature of much of the work they do, about the degree of emotional labour invested in it and about the performance nature of many of the day-to-day interactions between officers and prisoners. Finally, the book follows the prison officer home after work, showing how the prison can spill over into their home lives and family relationships. Based on extensive ethnographic fieldwork in different types of prisons (including interviews with prison officers' wives and children as well as prison officers themselves), this book will be essential reading for all those with an interest in how prisons and organisations more generally operate in practice.
Jessie grew up with an abusive father, while Amber was a happy teen in a well-to-do neighborhood. Their families were once friends, but when Jessie rapes Amber, everything changes. Due to the assault, Jessie ends up in prison, but he does not sit idly by. Instead, he orchestrates his father's murder and plots revenge on Amber's family. Amber, meanwhile, moves to California where she learns to heal and escape the events of her past. When Jessie is released, he begins an inheritance-funded journey that takes him to Italy and ultimately to California where he reunites with Amber. However, something has changed--namely, Jessie's appearance. Due to the five years that have passed and Jessie's face lift intended to alter his appearance, Amber has no idea that her new love interest is the boy who attacked her. Jessie wants revenge on Amber and her family, but he also must hide from the men he hired to kill his father who now want much more than initially discussed. He is dedicated to the hunt, having spent years incarcerated obsessing over his vengeance. Amber begins to realize the truth about Jessie, and good struggles to prevail over evil as two broken families learn that when things are not as they appear, they might just kill you.
The Truth in Fiction is a collection of eighteen short stories written and collated over the last ten years. Many of them are stories written about the streets of London, the cities of Europe and locations as far afield as the mountains around Wanaka in the South Island of New Zealand. Some of these stories are narrated by the central character, whereby we listen to his or her appreciation of events, and the remainder are told in the third person, where the reader is invited to draw his or her own conclusions from the tale. In ‘A Prodigious Epiphany for Padraig’, written in Santiago de Compostela at the end of walking the Camino de Santiago, we meet Padraig O’Rahilly as he passes the evening enjoying the fiesta of the literary heroes of Galicia and during which he confesses to his young guide the motivations for his pilgrimage to the city. In ‘Geneva’, a young UNHCR lawyer, waiting for his flight to be called, is approached by a timid Iranian refugee, who asks the lawyer to record in a journal the strange tale of how he has come to be in the city. Finally, ‘I Know’ tells the story of two women who meet for the first time at a wake and come to realise they both knew the recently departed rather better than many of those who have come to pay their respects. The topics of each story vary between those of love and loss, coincidence, taking gentle pokes at social prejudice and how it is that the harsher lessons of life are often those most valuable... The Truth in Fiction will appeal to fans of short stories, and those who enjoy travelling.
This book describes patterns of behavior that collectively allow universities to exchange knowledge more effectively with industry, accelerate innovation and eventually contribute to economic development. These are based on the effective practices of leading and ambitious universities around the world that the authors have benchmarked, and the personal experiences of the authors in a number of international institution building projects, including those of MIT. The authors provide guidance that is globally applicable, but must be locally adapted. The approach is first to describe the context in which universities act as engines of economic development, and then present a set of effective practices in four domains: education, research, innovation, and supporting practices. Each of these domains has three to six practices, and each practice is presented in a similar template, with an abstract, a rationale and description, key actions and one or two mini-case studies. The practices are summarized by integrative case studies. The book: Focuses on a globally adaptable set of effective practices, complemented by case studies, that can enhance universities’ contribution to economic development, based on an integrated view of education, research and innovation; Presents effective practices and broader insights that come from real global experience, spelled out in templates and explained by cases; Includes tangible resources for university leaders, policy makers and funders on how to proceed.
The Flexible New Way to Enjoy Raw Desserts! In this book, Chef Amber Shea revolutionizes raw desserts with easy substitutions and baking options. This innovative dessert cookbook is filled with recipes for scrumptious raw cakes, cookies, brownies, pies, puddings, candies, pastries, and frozen treats. The recipes are free of dairy, eggs, gluten, wheat, soy, corn, refined grains, refined sugars, yeast, starch, and other nutrient-poor ingredients and allow substitutions and variations for a non-raw kitchen. Many recipes are free of grains, oils, nuts, and added sugars as well. Ideal for beginners as well as seasoned raw foodists, the book is jam-packed with delicious, healthy-yet-indulgent treats that include: Confetti Birthday Cake Pecan Shortbread Cookies Baklava Blondies Tuxedo Cheesecake Brownies Deep-Dish Caramel Apple Pie Cashew Butter Cups Summer Fruit Pizza Several recipes include oven-baking options, and the rest of them are no-bake! This companion book to Practically Raw is filled with full-color photos throughout and provides nutritional data, pantry guide, tips, variations, substitutions, and helpful icons with each recipe. If you-re looking for delicious and vibrant dessert recipes with maximum flavor and nutrition, then you'll love Practically Raw Desserts.
Modern critics and contemporary readers familiar with the field of Whitman criticism may find surprising an analysis of the structure of Leaves of Grass that concerns itself with Whitman as the poet-prophet and the identification of Whitman (or of his persona in the poem) with Christ. Early twentieth-century criticism has tended to exalt the early Whitman at the expense of the later one and to regard as poetically inferior the image of the national and democratically prophetic Whitman as expressed in the later editions. Thomas Edward Crawley, in full knowledge of the contemporary currents of Whitman criticism, chooses to revert to this older view, through which he sheds new light on Whitman’s artistic achievement. The basic premise of this study is that Walt Whitman’s Leaves of Grass is a unified work, lyrical, yet epic in quality, design, and spirit. Crawley’s purpose is to demonstrate the basis of this unity: its origin and operation and the nature of its realization. He demonstrates that an aesthetically maturing Whitman, in this work, was finally able to harmoniously bring together his individual and social subject matter. Crawley defines the unifying spirit of Leaves of Grass in terms of Whitman’s concept of the poet-prophet and the poet-reader relationship. This concept is conveyed primarily through the development of the Christ- symbol, the dominant image in the poem. Through a careful analysis of Whitman’s handling of the simultaneous development of the poet-prophet and the nation, his masterful fusion of the personal element and the national element, an understanding of the complex structure of Leaves of Grass emerges. Crawley presents an analysis of Whitman’s final and carefully arrived at grouping of the lyrics in the 1881 edition according to a definite, distinguishable pattern—a pattern revealed in Whitman’s use of allusions, in his transitional poems and passages, and, most important, in his thematic handling of imagery. The cumulative effect of these devices is emphasized. The organic development of Leaves of Grass, made possible by Whitman’s faith in and careful adherence to his concept of the organic theory of art, is substantiated. Crawley concludes his analysis with a detailed examination of the growth of Leaves of Grass as reflected in the various editions leading up to the 1881 volume, the last to be revised and published by Whitman.
A book of poetry expressing thoughts, feelings and emotions of one’s life. Be it personal or reflective. In this book you will read verses of landscape, country, love, sadness, bitterness, loss, grief, self and happiness. All the sentiments of a woman living, working and experiencing her life as a girlfriend, wife, daughter, friend, aunt and mother.
Some people grow up with silver spoons firmly planted in their mouths. But others have to teethe on life and its misfortunes. Meet Clare de Fontroy, poet, journalist, underground warrior, civil rights activist, mother, lover and most assuredly, no owner of a silver spoon. She is a woman who has witnessed history being carved out of daily lives of ordinary people, as well as those of the rich and famous. Her letters from Paris comprise and narrative about America's past, as well as its future.
Power of Words, voices of poetry is a tribute to the 2011 winners of the Poetry matters Literary Prize. The poets range from middle and high school students,adults and seniors. Their voices hail from as far away as Australia, to all regions of the U.S. Experience the thoughts of some of the newest voices to the world of poetry.
From the Irish village of Castlewarren in the 1850s to Lanesboro, Minnesota, The Irish Rebel follows the life of Edward Ruth. A story of survival, love, war, and life fashioned around a historical framework, this fictionalized account portrays the hardships of Ireland and provides a glimpse of the American Civil War through the eyes of an immigrant. Based on writings from his great-great-grandfather's journey, author Peter L. Crawley has portrayed Ruth's struggle to extricate himself from the bogs of starvation and cultural ambivalence to make a name for himself as a dentist in his new country, while he tries to prove himself worthy for the hand of one Irish maiden. The journey takes him from Ireland during "The Times of Troubles," with England's insensitive colonial policies, to the American Civil War and Morgan's Raiders, led by the infamous John Hunt Morgan. The Irish Rebel tells the tale of the striking similarity between the American Civil War and England's disgraceful disavowal of Irish Home Rule. This novel provides a vivid account of that historical period as portrayed by one who has Gaelic blood in him as well as a sentimental dose of unflappable Irish wit.
The House Next Door tells the story of a dysfunctional family seprated by more than thirty years, dealing with a dark secret that threatens national security. Scott Keen, a reporter, details the action in this love lost, love found again thriller. This is the first of the Scott Keen trilogy.
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