Reggie Lewis was on the verge of superstar status in the National Basketball Association when he died suddenly of a heart condition at the age of 27. He had made his first All-Star appearance, and he was the leader and team captain of the Boston Celtics. Reggie was far more than an accomplished basketball player, he was an outstanding young man, warm, caring and generous.
Dream killers, ditch diggers, backstabbers...we’ve all had them in our lives. And even though we’d rather avoid them at all costs, God has plans for them—and for us. Joseph (of the coat of many colors) had a life full of these interlopers, from the brothers who wanted to murder him and sold him into slavery, to the conniving wife of his master, Potiphar. Though some might think God abandoned Joseph to these betrayers, Interlopers: The Difficult People and Life Experiences That Prepare Us for Greater helps us understand that God uses such interlopers to transform us and prepare us for greater destinies, just as he did for Joseph, leading us from the pit to the palace while changing us in ways we could never imagine. This book balances nicely the hard truths, suggesting what we need to do to be better and to keep ourselves in the best shape for the paths God has set out for us, along with encouragement for how to do so. It will be an enjoyable addition to the libraries of those looking for encouragement through their struggles and for ways they can actively improve their lives by “simply” changing their views about their struggles.
Do you ever think where you fit in this life? God has a perfect way of using imperfect people, though sometimes it is not seen until we remember the past and open our hearts to the future. Why would God want to use such a broken, imperfect person like me? Journey back with me to the memories that help mold the person of today. These will encourage us to finish strong, serving Christ in the future; make your mission field to be in reach of where ever you are today.
From a point in his life where nothing was working right, having been diagnosed with suffering from depression Craig found himself at a crossroad in his life. Following some inner guidance he travelled to America seeking answers to his out of control life. This is the story of how he ended up in that state and the adventure that became this story as he stumbled through life trying to heal his woe's.
I've long found writing scratches places just out of reach somewhere in my psyche. Amazingly, I often have friends, acquaintances, even total strangers tell me my words somehow scratch hard to reach places for them as well. Each of our lives is a wondrous tapestry in the making. The most satisfying experience I have is seeing people embrace God's plan for them, to begin to see something beautiful emerge from all the disjointed knots and loose end of their often severely troubled lives. I've collected a number of my own knots and threads here, often frayed ends becoming part of the tapestry of my life. Some dark. Some brilliant. Some fuzzy. Some gold. I trust all will become something beautiful in the end.
From the author of Why Travel Matters, the tools you need to bridge cultures and countries. Adjusting to a new culture and getting along with the local people challenge everyone who lives and works abroad. Whether in business, diplomacy, education, or as a long-term visitor abroad, anyone can be blind-sided by a lack of international knowledge and experience and be caught at a disadvantage. In this completely revised and expanded edition of the classic The Art of Crossing Cultures, Craig Storti shows what it takes to encounter a new culture head-on and succeed. This one-of-a-kind guidebook to bridging the cultural divide - with more than 50,000 copies sold worldwide - incorporates a stellar sampling of the writings of some of the world's greatest writers, poets and observers of the human condition. Through the vivid perceptions and words of such literary legends as Noel Coward, Graham Greene, Rudyard Kipling, E. M. Forster, Mark Twain, Evelyn Waugh, and others, Storti paints an intimate portrait of the personal challenges of adjusting to another culture: anticipating differences, managing the temptation to withdraw, and gradually adjusting expectations of behaviour to fit reality. This timely new edition focuses special attention on how to deal with country and culture shock and includes many new examples of cross-cultural misunderstandings - particularly in business. Storti breaks new ground with his easy-to-understand model of cultural adjustment and tips on how to master the process and develop adaptive strategies - the heart of the cross-cultural experience.
Genesis I believe you make the world a better place from within for reality starts with thought. Thought without guidance of a pure heart creates sadness. So many people are sad. Rich people, poor people, people who lost their dreams blaming the world they created in their minds. I came into this world with a smile and a passion, but too stubborn to realize what the real battle is. I am beginning to understand some things after all these years. And I have suffered for giving up on my dreams and betraying my moral fabric. Nevermore. I believe I have some insights through my poems from personal tragedy, indiscretions, refocus, and newfound faith. There is something intrinsic to the American Dream, to doing what is right in your heart despite the harsh words permeating our world. Everyone wants to pursue their dreams within the quiet embrace of innocence. This is what Return to Innocence is all about and a hopeful inspiration for you.
Close readings of ostensibly “blank” works—from unprinted pages to silent music—that point to a new understanding of media. In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau's Orphée to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg's Erased De Kooning Drawing to the artist Nick Thurston's erased copy of Maurice Blanchot's The Space of Literature (in which only Thurston's marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage's 4'33”, Dworkin links Cage's composition to Rauschenberg's White Paintings, Ken Friedman's Zen for Record (and Nam June Paik's Zen for Film), and other works, offering also a “guide to further listening” that surveys more than 100 scores and recordings of “silent” music. Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space.
The thirteenth Longmire novel from the New York Times bestselling author of Land of Wolves Sheriff Walt Longmire is enjoying a celebratory beer after a weapons certification at the Wyoming Law Enforcement Academy when a younger sheriff confronts him with a photograph of twenty-five armed men standing in front of a Challenger steam locomotive. It takes him back to when, fresh from the battlefields of Vietnam, then-deputy Walt accompanied his mentor Lucian to the annual Wyoming Sheriff's Association junket held on the excursion train known as the Western Star, which ran the length of Wyoming from Cheyenne to Evanston and back. Armed with his trusty Colt .45 and a paperback of Agatha Christie's Murder on the Orient Express, the young Walt was ill-prepared for the machinations of twenty-four veteran sheriffs, let alone the cavalcade of curious characters that accompanied them. The photograph—along with an upcoming parole hearing for one of the most dangerous men Walt has encountered in a lifetime of law enforcement—hurtles the sheriff into a head-on collision of past and present, placing him and everyone he cares about squarely on the tracks of runaway revenge.
The American Revolution was not only a revolution for liberty and freedom, it was also a revolution of ethics, reshaping what colonial Americans understood as "honor" and "virtue." As Craig Bruce Smith demonstrates, these concepts were crucial aspects of Revolutionary Americans' ideological break from Europe and shared by all ranks of society. Focusing his study primarily on prominent Americans who came of age before and during the Revolution—notably John Adams, Benjamin Franklin, Thomas Jefferson, and George Washington—Smith shows how a colonial ethical transformation caused and became inseparable from the American Revolution, creating an ethical ideology that still remains. By also interweaving individuals and groups that have historically been excluded from the discussion of honor—such as female thinkers, women patriots, slaves, and free African Americans—Smith makes a broad and significant argument about how the Revolutionary era witnessed a fundamental shift in ethical ideas. This thoughtful work sheds new light on a forgotten cause of the Revolution and on the ideological foundation of the United States.
Wilhelm Loehe is one of the most significant nineteenth-century figures for North American church life and mission, whose influence continues into the present. Loehe is unique for joining together aspects of the Christian life often held to be antithetical: worship and mission, orthodoxy and pietism, evangelical proclamation and diakonia, and theological imagination and practical skill in administration. Already in the nineteenth century Loehe contributed a vital principle for advancing ecumenical understanding: the idea of “open questions.” When the church confesses core teachings as one, there does not need to be agreement on all secondary matters in order to live together in church fellowship. This book explores Loehe’s historical activity as a pastor, as a supporter of mission in North America, as an organizer (together with Friedrich Bauer) of theological education in North America, and as a founder of deaconess institutions in Neuendettelsau, Germany, that still exist today. The central themes represented by Loehe not only constitute a matrix that has significance for the church and its mission today but also constitute an agenda for the church of the future.
Covering both the theoretical and practical aspects of critical care,Irwin & Rippe’s Intensive Care Medicine, Ninth Edition, provides state-of-the-art, evidence-based knowledge for specialty physicians and non-physicians practicing in the adult intensive care environment. Drs. Craig M. Lilly, Walter A. Boyle, and Richard S. Irwin, along with a team of expert contributing authors and education expert, William F. Kelly, offer authoritative, comprehensive guidance from an interprofessional, collaborative, educational, and scholarly perspective, encompassing all adult critical care specialties.
A fresh and sympathetic interpretation of Robert Southey's changing social and political ideas, shedding new light on contemporary thought. Like William Wordsworth and Samuel Taylor Coleridge, Robert Southey has been remembered not just as a romantic poet but also as a political apostate. In the 1790s he was fired by enthusiasm for the French Revolution, and was knownas a radical and a republican. By the 1820s, however, he was not only the poet laureate, but a fierce conservative who opposed the reform of Church and State. Yet at the same time his reactionary politics were mixed with anxietyabout the effects of industrialisation and the growth of poverty, leading some commentators to view him as a precursor of socialism and collectivism. This book charts the development of Southey's social and political ideas inorder to throw light on the problems generated by the concept of 'romantic apostasy'. It draws on his poetry, histories, journalism and letters to show that his intellectual evolution was more complex than has previously been thought. In so doing it touches on numerous themes: theological politics, national character, the 'social question', providence and history, questions of race, empire and civilisation as well as the nature of republicanism and the evolution of conservatism. As such it is an important contribution towards the wider understanding of the intellectual aftermath of the French Revolution in Britain. DAVID M. CRAIG is a lecturer in History at the University ofDurham.
Remember When All You Wanted Was Your MTV? The perfect gift for the music fan or child of the eighties in your life. Named One of the Best Books of 2011 by NPR – Spin - USA Today – CNBC - Pitchfork - The Onion - The Atlantic - The Huffington Post – VEVO - The Boston Globe - The San Francisco Chronicle Remember the first time you saw Michael Jackson dance with zombies in "Thriller"? Diamond Dave karate kick with Van Halen in "Jump"? Tawny Kitaen turning cartwheels on a Jaguar to Whitesnake's "Here I Go Again"? The Beastie Boys spray beer in "(You Gotta) Fight for Your Right (To Party)"? Axl Rose step off the bus in "Welcome to the Jungle"? It was a pretty radical idea-a channel for teenagers, showing nothing but music videos. It was such a radical idea that almost no one thought it would actually succeed, much less become a force in the worlds of music, television, film, fashion, sports, and even politics. But it did work. MTV became more than anyone had ever imagined. I Want My MTV tells the story of the first decade of MTV, the golden era when MTV's programming was all videos, all the time, and kids watched religiously to see their favorite bands, learn about new music, and have something to talk about at parties. From its start in 1981 with a small cache of videos by mostly unknown British new wave acts to the launch of the reality-television craze with The Real World in 1992, MTV grew into a tastemaker, a career maker, and a mammoth business. Featuring interviews with nearly four hundred artists, directors, VJs, and television and music executives, I Want My MTV is a testament to the channel that changed popular culture forever.
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