What is the connection between philosophy as studied in universities and those general views of man and reality which are commonly considered "philosophy"? Through his attempt to rediscover this connection, Craig offers a view of philosophy and its history since the early 17th century. Craig discusses the two contrary visions of man's essential nature that dominated this period--one portraying man as made in the image of God and required to resemble him as closely as possible, the other depicting man as the autonomous creator of his own environment and values--and uses this context to clarify previously opaque textual detail. Illustrating how general concepts embodied by philosophical thought can be embodied in other media--especially literary--the author brings together disparate disciplines; he also reveals striking similarities between Anglo-American and certain 20th-century continental European lines of thought.
Three superpowers, one wall on the brink of collapse, two weeks to make sure it does... It is the early 1980s, and Berlin and Germany are on the cusp of reunification. A new treaty is made to pull down the Berlin Wall, and the end of the Cold War is in sight. But when politician Wolfgang Zimmerman, the architect of the treaty, is exposed as a Soviet agent, everything is thrown into chaos. For espionage veteran Kenneth Aubrey and British agent Patrick Hyde, the world is suddenly full of clues that don't match up. The ‘evidence’ against Zimmerman seems to have been planted, but by whom? British Intelligence suspects that China is heavily involved. The Cold War ending in Europe could mean Russian troops redeployed from East Germany to the China–Russian border... So when a Chinese defector is hauled from Hong Kong harbour, trading information for asylum, Aubrey suddenly has a lead. In six months Aubrey could crack the defector. But he doesn't have months, he has just two weeks. Two weeks to save the reunification, and foil Operation Jade Tiger... Deception, political intrigue and heart-racing action run throughout this chilling espionage thriller by Craig Thomas, perfect for fans of Tom Clancy and Len Deighton.
An examination of Herbert Marcuse’s political claim for the aesthetic dimension, focusing on defamiliarization as a means of developing radical sensibility. In Uncommon Sense, Craig Leonard argues for the contemporary relevance of the aesthetic theory of Herbert Marcuse—an original member of the Frankfurt School and icon of the New Left—while also acknowledging his philosophical limits. His account reinvigorates Marcuse for contemporary readers, putting his aesthetic theory into dialogue with antiracist and anti-capitalist activism. Leonard emphasizes several key terms not previously analyzed within Marcuse’s aesthetics, including defamiliarization, anti-art, and habit. In particular, he focuses on the centrality of defamiliarization—a subversion of common sense that can be a means to the development of what Marcuse refers to as “radical sensibility.” Leonard brings forward Marcuse’s claim that the aesthetic dimension is political because of its refusal to operate according to the repressive common sense that establishes and maintains relationships dictated by advanced capitalism. For Marcuse, defamiliarization is at the center of the aesthetic dimension, offering the direct means of stimulating its political potential. Leonard expands upon Marcuse’s aesthetics by drawing on the work of Sylvia Wynter, going beyond Marcuse’s predominantly European and patrilineal intellectual framework—while still retaining his aesthetic theory’s fundamental characteristics—toward a human dimension requiring decolonial, feminist, antiracist, and counterpoetic perspectives.
Relying on the author’s established expertise in rhetoric and political communication, this book re-contextualizes Romantic rhetorical theory from the late 18th and early 19th centuries to provide a foundation for a Neo-Romantic rhetorical theory for our own time. In the process, it uses a unique methodology to correct misconceptions about the rhetorical theories of many writers. Using a dialectical approach, the early chapters trace Romanticism through its opposition to the industrial revolution and the Enlightenment, back through Humanism and its opposition to Scholasticism, to its roots in St. Augustine’s writing. These chapters include a revisionist analysis of the church’s treatment of Galileo in the course of showing how difficult it was for scientific study to be accepted in Scholastic circles. The study goes on to argue that Jean-Jacques Rousseau, David Hume, and Edmund Burke were bridge figures to the Romantic Era. This move throws new light on exemplary painters, composers, writers and orators of the Romantic Era, who are examined in chapters eight and nine. Chapter ten focuses on Percy Bysshe Shelley and his development of the rhetorical poem, and thereby provides a new genre in the Romantic catalogue. Chapter Eleven turns to the Romantic rhetorical theories of Hugh Blair and Thomas De Quincey to empower those seeking to save the environment. The concluding chapter then synthesizes their theories with relevant contemporary rhetorical theories thereby constructing a Neo-Romantic theory for our own time. In the process, the book links the Romantics’ love of nature to the current environmental crisis.
The seventeenth novel in the beloved New York Times bestselling Longmire series When Lolo Long's niece Jaya begins receiving death threats, Tribal Police Chief Long calls on Absaroka County Sheriff Walt Longmire along with Henry Standing Bear as lethal backup. Jaya "Longshot" Long is the phenom of the Lame Deer Lady Stars High School basketball team and is following in the steps of her older sister, who disappeared a year previously, a victim of the scourge of missing Native Woman in Indian Country. Lolo hopes that having Longmire involved might draw some public attention to the girl's plight, but with this maneuver she also inadvertently places the good sheriff in a one-on-one with the deadliest adversary he has ever faced in both this world and the next.
Relying on the author’s established expertise in rhetorical theory and political communication, this book re-contextualizes Romantic rhetorical theory in the late 18th and early 19th centuries to provide a foundation for a Neo-Romantic rhetorical theory for our own time. In the process, it uses a unique methodology to correct misconceptions about many Romantic writers. The methodology of the early chapters uses a dialectical approach to trace Romanticism and its opposition, the Enlightenment, back through Humanism and its opposition, Scholasticism, to St. Augustine. These chapters include a revisionist analysis of the church’s treatment of Galileo in the course of showing how difficult it was for scientific study to be accepted in the academic world. The study also re-conceptualizes Jean-Jacques Rousseau, David Hume, and Edmund Burke as bridge figures to the Romantic Era instead of as Enlightenment figures. This move throws new light on the major artists of the Romantic Era, who are examined in chapters seven and eight. Chapter nine focuses on Percy Bysshe Shelley and his development of the rhetorical poem, and thereby provides a new genre in the Romantic catalogue. Chapter ten uses the foregoing to analyse and reconceptualize the rhetorical theories of Hugh Blair and Thomas De Quincey. The concluding chapter then synthesizes their theories with relevant contemporary rhetorical theories thereby constructing a Neo-Romantic theory for our own time. In the process, this book links the Romantics’ love of nature to the current environmental crisis.
In a book written during the First World War, Thomas Mann wrote that political activity was alien to the German spirit and that "in fact the political element was absent from the German concept of education." The Politics of the Unpolitical demonstrates the essential unreliability of this generalization by focusing on the political activity of ten of Germany's most widely respected writers in the period from the French Revolution to the founding of the Bismarck Reich in 1871. Gordon A. Craig's book shows how Goethe, Schiller, Heinrich von Kleist, Wilhelm von Humboldt, Holderlin, and Heine were fascinated by the political issues of their day and reacted either by entering public service or threw themselves into efforts to change society for the better. In his study of ten of Germany's most important intellectuals Craig, focuses on their political views and activities and argues that they were not, in fact, representatives of the genre of the "unpolitical German.
Over the last two decades Canadian drama has emerged as an important presence in international theatre. In The Buried Astrolabe Craig Walker offers a critical introduction to contemporary Canadian playwriting, providing a context for the study of Canadian drama and showing how it developed from Western European philosophical, literary, and dramatic traditions.
The rock era is over, according to one pop music expert. Another laments that rock music is "metamorphosed into the musical wallpaper of ten thousand lifts, hotel foyers, shopping centers, airport lounges, and television advertisements that await us in the 1990s." Whatever its current role and significance in Anglo-American society, popular music has been and remains a tremendous social and cultural force in many parts of the world. This book explores the connections between popular music genres and politics in Southeast Asia, with particular emphasis on Indonesia, the Philippines, Thailand, Malaysia, and Singapore.
The crypto wars have raged for half a century. In the 1970s, digital privacy activists prophesied the emergence of an Orwellian State, made possible by computer-mediated mass surveillance. The antidote: digital encryption. The U.S. government warned encryption would not only prevent surveillance of law-abiding citizens, but of criminals, terrorists, and foreign spies, ushering in a rival dystopian future. Both parties fought to defend the citizenry from what they believed the most perilous threats. The government tried to control encryption to preserve its surveillance capabilities; privacy activists armed citizens with cryptographic tools and challenged encryption regulations in the courts. No clear victor has emerged from the crypto wars. Governments have failed to forge a framework to govern the, at times conflicting, civil liberties of privacy and security in the digital age—an age when such liberties have an outsized influence on the citizen–State power balance. Solving this problem is more urgent than ever. Digital privacy will be one of the most important factors in how we architect twenty-first century societies—its management is paramount to our stewardship of democracy for future generations. We must elevate the quality of debate on cryptography, on how we govern security and privacy in our technology-infused world. Failure to end the crypto wars will result in societies sleepwalking into a future where the citizen–State power balance is determined by a twentieth-century status quo unfit for this century, endangering both our privacy and security. This book provides a history of the crypto wars, with the hope its chronicling sets a foundation for peace.
Philosophers know suicide primarily as an ethical problem. But in Expression and Survival, Craig Greenman argues that, when it comes to suicide, the standard ethical approach may do more harm than good. He develops instead an aesthetic approach, arguing that art–making it or experiencing it–can help a suicidal person survive. Drawing on the work of philosophers and artists, as well as his own experiences, Greenman guides the reader through the landscape to which many suicidal people feel condemned. He traces the problem back to antagonism–we harm others and they harm us–and argues that art, broadly construed, can help us survive it. The result will be of interest to ethicists, aestheticians, social and political philosophers, therapists, and anyone who has ever struggled with suicide. Also included in this volume are two essays, “Writing and Ambivalence” and “What Is Philosophy?”
Modern literary culture depended on the medium of the print book. Today, with the advent of digital technologies, it is far from apparent that print is, or should be, the vehicle of choice for contemporary writers. Print has been placed in relief, as the book becomes a site of experimentation with new platforms for writing. Among Latin American countries, none has been as crucial player in the world of print as Argentina. Argentine presses were the channel for many of the great modern literary experiments in Latin America. As such, it comes as no surprise that today, when those same presses have been gobbled up by transnational media conglomerates and digital technologies abound, Argentine writers would be attentive to the shifting media of literature. Late Book Culture in Argentina chronicles that shift. Epplin offers readings of some of the most innovative Argentine writers and collective projects of recent years: Osvaldo Lamborghini, C�sar Aira, the cardboard publishing house Elo�sa Cartonera, the poetry project Estaci�n Pringles, Sergio Chejfec, and Pablo Katchadjian. This corpus provides a lens through which to understand the numerous experiments with literary formats in Argentina today. These experiments take on a number of forms?digital, artisanal, and collective?and they provide the ferment for some of Argentina's most audacious contemporary literature. As such they deserve critical attention and theoretical examination.
This long-awaited edition brings together for the first time 366 letters, cards and telegrams exchanged between Craig and his patron the cosmopolitan Count Kessler. An important primary source, illuminated by Dr Newman's commentary, it focuses on three areas of particular importance: - 1. Craig's artistic ideas and the spread of his influence through exhibitions and books; proposals are developed for work with Otto Brahm, Eleonora Duse, Max Reinhardt, Henry van de Velde, Eduard Verkade, Leopold Jessner, Dyaghilev, Beerbohm Tree, C. B. Cochran, and others. 2. Kessler's Cranach Press Hamlet with wood-engraved illustrations by Craig; this is a landmark in the history of twentieth-century book design and printing whose genesis is now fully revealed in these letters and amplified with reproductions of eighteen trial page proofs. 3. The relationship between an artist and his patron. Exceptionally detailed indexes are an additional feature of this book
G.W.F. Hegel is without doubt one of the most important and influential thinkers in the whole history of philosophy. Covering all the key concepts of his work, Starting with Hegel provides an accessible introduction to this significant thinker. Thematically structured, the book leads the reader through a thorough overview of the development of Hegel's thought. Craig B. Matarrese shows how the questions that guided his early writings in fact shaped his entire career and thereby offers a more thorough understanding of the roots of his philosophical concerns. Providing coverage of the full range of Hegel's ideas, the book offers detailed examinations of all his key texts, including The Phenomenology of Spirit and The Philosophy of Right. Crucially the book introduces the major thinkers and events that proved influential in the development of Hegel's thought, including Kant, Schiller, Fichte, Schelling, the French Revolution, the Enlightenment, and romanticism.
A new novel in the beloved New York Times bestselling Longmire series. What if you woke up lying in the middle of the street in the infamous town of Fort Pratt, Montana, where thirty young Native boys perished in a tragic 1896 boarding-school fire? What if every person you encountered in that endless night was dead? What if you were covered in blood and missing a bullet from the gun holstered on your hip? What if there was something out there in the yellowed skies, along with the deceased and the smell of ash and dust, something the Northern Cheyenne refer to as the Éveohtsé-heómėse, the Wandering Without, the Taker of Souls? What if the only way you know who you are is because your name is printed in the leather sweatband of your cowboy hat, and what if it says your name is Walt Longmire . . . but you don’t remember him? In Hell and Back, the eighteenth installment of the Longmire series, author Craig Johnson takes the beloved sheriff to the very limits of his sanity to do battle with the most dangerous adversary he’s ever faced: himself.
They have given mankind unique triumphs in science, literature, philosophy, music, and art. They have also produced Hitler and the Holocaust. They are romantic and conservative, idealistic and practical, proud and insecure, ruthless and good-natured. They are, in short, the Germans. In this definitive history, Professor Gordon A. Craig, one of the world’s premier authorities on Germany, comes to grips with the complex paradoxes at the heart of the German identity. His masterly study explores the roots of many contemporary institutions in German history and closely examines such topics as religion, money, Germans and Jews, women, professors and students, romantics, literature and society, soldiers, Berlin, and the German language. Craig also discusses the events surrounding the fall of the Berlin Wall and the German reunification, while offering invaluable insights into Germany’s pivotal role in world affairs for over a century.
This in-depth exploration uses individual portraits to show what parents face as they love and care for their mentally ill children and cope with how the mental health system has failed them. The Surgeon General has identified children's mental illness as a national problem that creates a burden of suffering so serious as to be considered a health crisis. Yet, what it means to be the parent of a mentally ill child has not been adequately considered—until now. Parenting Mentally Ill Children: Faith, Caring, Support, and Survival captures the essence of caring for these youngsters, providing resources and understanding for parents and an instructive lesson for society. Author Craig Winston LeCroy uses in-depth interviews to chronicle the experiences of parents of mentally ill children as they attempt to survive each day, obtain needed help, and reach out for support, and he lets them share their misunderstood emotions of shame, anger, fear, guilt, and powerlessness in the face of stigma from professionals, family, and friends. The book concludes with a critical appraisal of the social policies that must be implemented to help—and the reasons we should feel obligated to initiate them.
How would you like to read and meditate on a book that was designed to inspire you to live fully in the present. A book that reinforces faith, hope, and love from a Catholic and Christian perspective. A perspective that is inebriated with sacramental life and God's covenant arrangements. A book that regards life like it a bold adventure. A book that is filled with promise and hope, and supports and encourages you all the way.
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