Carson McCullough has given his career to a singular pursuit--putting out a small daily newspaper that keeps his employees engaged and his hometown informed. But as time and technology conspire against him, Carson's Argus-Dispatch is shuttered by an owner with a different view of its future. Stung by the abrupt end of his career and burdened by regret and grudges, Carson and his one true companion, a yellow Lab named Hector, set out on a road trip. As the miles pile up and Carson erratically drives into the residue of past decisions and the consequences of current actions, he confronts questions of love, faith, self-worth, and, perhaps most pressing, whether he can redefine himself after his identity is stripped away. In his seventh novel, Craig Lancaster (600 Hours of Edward, The Fallow Season of Hugo Hunter) returns to the broad themes of his award-winning work and goes deeper yet, straight into the heart and mind of a good man who has lost his way and is struggling against himself to set things right.
A championship basketball coach caught between his team, his family and the rabid partisans in his town. A traveling salesman consigned to a late-night bus ride. A prison inmate stripped of everything but his pride. A teenage runaway. Mismatched lovers. In his debut collection of short fiction, award-winning novelist Craig Lancaster returns to the terrain of his Montana home and takes on the notion of separation in its many forms - from comfort zones, from ideas, from people, from security, from fears. These ten stories delve into small towns and big cities, into love and despair, into what drives us and what scares us, peeling back the layers of our humanity with every pag
Change keeps stalking Edward Stanton. He and his new wife, Sheila, have retreated to his small house in Montana after an unsuccessful attempt at operating a motel in Colorado. That failure has left wounds, especially for Sheila, and now they face a bigger challenge: pregnancy and impending parenthood. Edward begins penning notes to the child (ever precise, he refers to the gestating being as "Cellular Stanton") as he navigates married life with Sheila, who is unhappy and unfulfilled in Montana; a work partnership with his friend Scott Shamwell, whose own life is teetering; and the emergence of a long-buried family secret and the effect of this revelation on his relationship with his overbearing mother. Even as Edward's world expands, he must confront questions about who to let in, how much to give, the very definition of family, the fragility of hope, and the expanses of love. The latest from bestselling author Craig Lancaster (600 Hours of Edward, Edward Adrift, The Summer Son) revisits a beloved character. Whether this is your introduction to Edward Stanton or you've been following him right along, you're sure to fall in love with this extraordinarily ordinary man and his family and friends.
In The Angelic Mother and the Predatory Seductress, Ashley Craig Lancaster examines how converging political and cultural movements helped to create dualistic images of southern poor white female characters in Depression-era literature. While other studies address the familial and labor issues that challenged female literary characters during the 1930s, Lancaster focuses on how the evolving eugenics movement reinforced the dichotomy of altruistic maternal figures and destructive sexual deviants. According to Lancaster, these binary stereotypes became a new analogy for hope and despair in America's future and were well utilized by Depression-era politicians and authors to stabilize the country's economic decline. As a result, the complexity of women's lives was often overlooked in favor of stock characters incapable of individuality. Lancaster studies a variety of works, including those by male authors William Faulkner, Erskine Caldwell, and John Steinbeck, as well as female novelists Mary Heaton Vorse, Myra Page, Grace Lumpkin, and Olive Tilford Dargan. She identifies female stereotypes in classics such as To Kill a Mockingbird and in the work of later writers Dorothy Allison and Rick Bragg, who embrace and share in a poor white background. The Angelic Mother and the Predatory Seductress reveals that these literary stereotypes continue to influence not only society's perception of poor white southern women but also women's perception of themselves.
In one of the most unique and powerfully realized debut novels of the decade, Craig Holden creates a page-turning drama that is both emotionally shattering and harrowingly plausible. When a fatally burned victim is brought into the Morgantown General Hospital emergency room, a young doctor's life is changed irrevocably. For Dr. Adrian Lancaster, the arrival of "John Doe" is only the first of a bizarre and bloody series of events that will force him to relive his violent past and put him on the run. On the road and underground, accused and accuser, Lancaster's only hope for survival lies in facing the terrifying truth.
Drive like An Action Hero tells the story from the moment Craig passed his permit test to the life-changing accident and citation that forever altered his attitude toward driving. His tales of male bravado behind the wheel show the one area in his life he thought he was better than the law. After years of creative adventures and over-the-top driving escapades, he was forced to re-examine himself and re-evaluate the way he treated his car, other people, and the law.
Is love a choice, or is it fate? Jo-Jo Middlebury is done with love. Linus Travers wants one more shot at it. Mr. Blue Sky, their 1970s-loving guardian angel, offers perspective on both when he's not busy diving into reruns of "Happy Days" and "Barney Miller." Linus can save Jo-Jo's business, but Jo-Jo makes it clear that she needs no one to rescue her, least of all him. Add to that an ex-fiancé with a change of heart, a single mom who wants a good time, and a married couple who've blurred the boundaries of their respective friendships with Linus and Jo-Jo. All the while, Mr. Blue Sky observes, explains, and ever-so-gently interacts. Written by wife-husband novelists Elisa Lorello and Craig Lancaster, You, Me & Mr. Blue Sky is a warm-hearted, humorous dive into the depths of love and the mysteries of how two people find their way to each other. PRAISE FOR YOU, ME & MR. BLUE SKY "Authors Elisa Lorello and Craig Lancaster have crafted a charming update on the classic romantic comedy with You, Me & Mr. Blue Sky. Honest, heartwarming, and wickedly funny, this is one love story you won't want to miss."--Karen McQuestion, author of HELLO, LOVE "A romance that proceeds as a wonderful argument between two people who need some divine intervention to knock sense into their heads. A fun read from two terrific authors."--Molly D. Campbell, two-time Erma Bombeck Prize winner and author of KEEP THE ENDS LOOSE and CROSSING THE STREET
One of the best books in years of an artist’s writings: elegant, pithy and full of insights' — Sir Nicholas Serota, Director, Tate Celebrated artist and influential teacher Michael Craig-Martin’s first book is a lively mix of reminiscence, personal manifesto, anecdote and advice for the aspiring artist. Craig-Martin's life has been as colourful and varied as his distinctive work. From an early childhood that took him from wartime Dublin to postwar Washington D.C. and Bogotà, and student life in New York and at Yale University, he has gone on to enjoy a successful international career, feted around the world with major exhibitions, high-profile commissions and numerous honours. In On Being An Artist, Craig-Martin reflects with both wit and candour on the many people, ideas and events that have shaped his professional life. In a series of short and entertaining episodes, he recounts his time studying under the influence of legendary artist Josef Albers at Yale University School of Art alongside Chuck Close, Richard Serra and other soon-to-be-famous radicals; his memories of meeting personal heroes such as Andy Warhol, Jasper Johns and John Cage for the time; his efforts to explain his art to a bewildered astrophysicist at high table at King's College, Cambridge; his astonishment at seeing the house and art collection of Charles Saatchi for the first time; and his surreal experience of staking out Christine Keeler at the height of the Profumo scandal. He recalls, too, his first tentative steps as a practising artist and emergence as a key figure of early conceptual art in Britain. He also looks back on his achievements as a teacher at Goldsmiths, where he nurtured two generations of students, among them Damien Hirst and Sarah Lucas, earning himself the sobriquet 'the godfather of the YBAs'. As he considers the development of his own career and the evolution of the art world over the last half century, he offers the benefit of insights gained from his professional highs and lows, revealing the essential attributes and knowledge that one needs as an artist today. He also tackles controversial issues such as the fashionability of contemporary art, the enduring status of painting, the relevance of life drawing and practical skills, the qualities of art schools, the role of commercial dealers, the importance of speaking clearly about art, and the judgment of what is good and bad in art. More than the life of one of the most creative minds of our age, On Being An Artist provides lesson after valuable lesson to anyone wishing to know what it means and what it takes to be an artist today.
Drawn from the renowned reference Clark's Positioning in Radiography, this bestselling pocket handbook provides clear and practical advice to help radiographers in their day-to-day work. Designed and structured for rapid reference, it covers how to position the patient and image receptor as well as the direction and location of the beam, describes the essential image characteristics, and illustrates each radiographic projection with a positioning photograph and corresponding radiographic image. This third edition has been updated to include new positioning photographs reflecting the dominance of direct digital radiography detectors (DDRs), helpful information on the importance of optimisation, exposure factors and geometry in image production, evaluating exposure in digital imaging and aspects of bariatric imaging.
This pocket-sized guide, drawn from the twelfth edition of Clark's Positioning in Radiography, provides clear and practical advice to help radiographers in their day-to-day work. The authors considered that it is important for radiographers and students to have access to an additional text available in a "pocket" format which is easily transportable and convenient to use during everyday radiographic practice. Designed for rapid reference, it covers how to position the patient and the central ray, describes the essential image characteristics, and illustrates each radiographic projection with a positioning photograph and a radiograph. The authors have included a range of additional information new to this text. This includes a protocol for evaluating images (the "10-point plan") and a range of general advice for undertaking procedures in a professional and efficient manner. The book also includes basic information in relation to some non-imaging diagnostic tests, common medical terminology, and abbreviations. This is designed to help readers gain a better understanding of the diagnostic requirements and role of particular imaging procedures from the information presented in X-ray requests. In addition, the book discusses image evaluation, medical abbreviations, relevant normal blood values, and radiation protection. Together with key points, this information helps the radiographer achieve the ideal image result.
The Royal Air Force had placed a great deal of faith in its force of bombers, Bomber Command, in the event of a future war. The belief in the ability of formations of bombers flying in daylight and unescorted, protecting themselves from enemy fighter attack, informed early tactics but led to bloody losses. Hampered by government restrictions on targets, by late 1941 Bomber Command was in crisis. As a result, and coupled the growing dire war situation, a new and forceful commander, Sir Arthur Harris, was appointed and new strategies allowed Bomber Command to broaden its attacks despite some opposition. The result was the area bombing strategy which focussed attacks upon enemy held towns and cities. This Main Offensive period lasted throughout 1943-1944 and saw both victories and defeats. It was also the period that saw a limited number of precision attacks; on Augsburg, Peenemunde and, most famously, the Ruhr dams. Bomber Command also aided in tactical and strategic support for the invasion of Europe and the subsequent fight to push inland. New technological developments allowed Bomber Command to hit V-Weapons sites and to focus more on precision bombing, but Harris remained determined to hit German towns and cities whenever possible, while the Command's growing power allowed it to rain devastation upon its targets, culminating at Dresden. Much has been written about Bomber Command, but this book focusses largely on those who took part in the raids and on public attitudes towards the campaign in Britain. Using accounts from national and local archives, newspapers and existing historiography, the book seeks to shed light on untold stories from Bomber Command’s war.
In one of the most unique and powerfully realized debut novels of the decade, Craig Holden creates a page-turning drama that is both emotionally shattering and harrowingly plausible. When a fatally burned victim is brought into the Morgantown General Hospital emergency room, a young doctor's life is changed irrevocably. For Dr. Adrian Lancaster, the arrival of "John Doe" is only the first of a bizarre and bloody series of events that will force him to relive his violent past and put him on the run. On the road and underground, accused and accuser, Lancaster's only hope for survival lies in facing the terrifying truth.
One of the best books in years of an artist’s writings: elegant, pithy and full of insights' — Sir Nicholas Serota, Director, Tate Celebrated artist and influential teacher Michael Craig-Martin’s first book is a lively mix of reminiscence, personal manifesto, anecdote and advice for the aspiring artist. Craig-Martin's life has been as colourful and varied as his distinctive work. From an early childhood that took him from wartime Dublin to postwar Washington D.C. and Bogotà, and student life in New York and at Yale University, he has gone on to enjoy a successful international career, feted around the world with major exhibitions, high-profile commissions and numerous honours. In On Being An Artist, Craig-Martin reflects with both wit and candour on the many people, ideas and events that have shaped his professional life. In a series of short and entertaining episodes, he recounts his time studying under the influence of legendary artist Josef Albers at Yale University School of Art alongside Chuck Close, Richard Serra and other soon-to-be-famous radicals; his memories of meeting personal heroes such as Andy Warhol, Jasper Johns and John Cage for the time; his efforts to explain his art to a bewildered astrophysicist at high table at King's College, Cambridge; his astonishment at seeing the house and art collection of Charles Saatchi for the first time; and his surreal experience of staking out Christine Keeler at the height of the Profumo scandal. He recalls, too, his first tentative steps as a practising artist and emergence as a key figure of early conceptual art in Britain. He also looks back on his achievements as a teacher at Goldsmiths, where he nurtured two generations of students, among them Damien Hirst and Sarah Lucas, earning himself the sobriquet 'the godfather of the YBAs'. As he considers the development of his own career and the evolution of the art world over the last half century, he offers the benefit of insights gained from his professional highs and lows, revealing the essential attributes and knowledge that one needs as an artist today. He also tackles controversial issues such as the fashionability of contemporary art, the enduring status of painting, the relevance of life drawing and practical skills, the qualities of art schools, the role of commercial dealers, the importance of speaking clearly about art, and the judgment of what is good and bad in art. More than the life of one of the most creative minds of our age, On Being An Artist provides lesson after valuable lesson to anyone wishing to know what it means and what it takes to be an artist today.
On the evening of February 2, 1864, Confederate Commander John Taylor Wood led 250 sailors in two launches and twelve boats to capture the USS Underwriter, a side-wheel steam gunboat anchored on the Neuse River near New Bern, North Carolina. During the ensuing fifteen-minute battle, nine Union crewmen lost their lives, twenty were wounded, and twenty-six fell into enemy hands. Six Confederates were captured and several wounded as they stripped the vessel, set it ablaze, and blew it up while under fire from Union-held Fort Anderson. The thrilling story of USS Underwriter is one of many involving the numerous shipwrecks that occupy the waters of Civil War history. Many years in the making, W. Craig Gaines's Encyclopedia of Civil War Shipwrecks is the definitive account of more than 2,000 of these American Civil War--period sunken ships. From Alabama's USS Althea, a Union steam tug lost while removing a Confederate torpedo in the Blakely River, to Wisconsin's Berlin City, a Union side-wheel steamer stranded in Oshkosh, Gaines provides detailed information about each vessel, including its final location, type, dimensions, tonnage, crew size, armament, origin, registry (Union, Confederate, United States, or other country), casualties, circumstances of loss, salvage operations, and the sources of his findings. Organized alphabetically by geographical location (state, country, or body of water), the book also includes a number of maps providing the approximate locations of many of the wrecks -- ranging from the Americas to Europe, the Arctic Ocean, and the Indian Ocean. Also noted are more than forty shipwrecks whose locations are in question. Since the 1960s, the underwater access afforded by SCUBA gear has allowed divers, historians, treasure hunters, and archaeologists to discover and explore many of the American Civil War-related shipwrecks. In a remarkable feat of historical detective work, Gaines scoured countless sources -- from government and official records to sports diver and treasure-hunting magazines -- and cross-indexes his compilation by each vessel's various names and nicknames throughout its career. An essential reference work for Civil War scholars and buffs, archaeologists, divers, and aficionados of naval history, Encyclopedia of Civil War Shipwrecks revives and preserves for posterity the little-known stories of these intriguing historical artifacts.
Skyscrapers. Sports. NASCAR. Nature. Culinary delights.A world-class, can-do city. A crown jewel of the New South. • A personal, practical perspective for travelers and residents alike • Comprehensive listings of attractions, restaurants, and accommodations • How to live & thrive in the area—from recreation to relocation • Countless details on shopping, arts & entertainment, and children’s activities Our insider, Craig Distl, a native of North Carolina and a longtime Charlottean, has been a journalist for the Charlotte Observer, and his articles have also appeared in Charlotte Magazine, Southern Sports Journal, and Golfweek. His writing has received awards from such organizations as the North Carolina Press Association.
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