Joyride" is a heartwarming memoir of how a young man reconnects with his journalist mother both before and after her death through the archives of her weekly newspaper columns. Author Craig Forrest's life in print began when he was only five years old. His mother, Libby, wrote a humor column in the local newspaper in America's oldest seashore resort town, Cape May, New Jersey. Craig and his brother, Keith, became frequent subjects of their mother's Erma Bombeck-like writings. Their mother's other topics came from the news she gathered while riding around the shore on her three-wheeled bicycle. Her column, appropriately titled "Joyride," featured useful insights, humorous encounters, and the wit and wisdom that comes from living each day and raising a family. As he grew up, Craig learned more about his mother by rereading her work. When he returned home to care for Libby in the final ravages of Lou Gehrig's disease, Craig spent the evenings reliving his childhood through her columns. Thewritings comforted him as he watched his mother waste away, and gave him the strength he needed to come to grips with the possibility of his own death from Hodgkin's disease. "Joyride" is an inspirational memoir and a loving tribute by a son to his mother--a poignant story reminiscent of "Tuesdays with Morrie" and "The Color of Water.
Joyride" is a heartwarming memoir of how a young man reconnects with his journalist mother both before and after her death through the archives of her weekly newspaper columns. Author Craig Forrest's life in print began when he was only five years old. His mother, Libby, wrote a humor column in the local newspaper in America's oldest seashore resort town, Cape May, New Jersey. Craig and his brother, Keith, became frequent subjects of their mother's Erma Bombeck-like writings. Their mother's other topics came from the news she gathered while riding around the shore on her three-wheeled bicycle. Her column, appropriately titled 'Joyride," featured useful insights, humorous encounters, and the wit and wisdom that comes from living each day and raising a family. As he grew up, Craig learned more about his mother by rereading her work. When he returned home to care for Libby in the final ravages of Lou Gehrig's disease, Craig spent the evenings reliving his childhood through her columns. The writings comforted him as he watched his mother waste away, and gave him the strength he needed to come to grips with the possibility of his own death from Hodgkin's disease. "Joyride" is an inspirational memoir and a loving tribute by a son to his mother-a poignant story reminiscent of "Tuesdays with Morrie" and "The Color of Water.
Joyride is a heartwarming memoir of how a young man reconnects with his journalist mother both before and after her death through the archives of her weekly newspaper columns. Author Craig Forrest's life in print began when he was only five years old. His mother, Libby, wrote a humor column in the local newspaper in America's oldest seashore resort town, Cape May, New Jersey. Craig and his brother, Keith, became frequent subjects of their mother's Erma Bombeck-like writings. Their mother's other topics came from the news she gathered while riding around the shore on her three-wheeled bicycle. Her column, appropriately titled "Joyride", featured useful insights, humorous encounters, and the wit and wisdom that comes from living each day and raising a family. As he grew up, Craig learned more about his mother by rereading her work. When he returned home to care for Libby in the final ravages of Lou Gehrig's disease, Craig spent the evenings reliving his childhood through her columns. The writings comforted him as he watched his mother waste away, and gave him the strength he needed to come to grips with the possibility of his own death from Hodgkin's disease. Joyride is an inspirational memoir and a loving tribute by a son to his mother--a poignant story reminiscent of Tuesdays with Morrie and The Color of Water.
This book explores the understanding of freedom developed in the later novels of celebrated Canadian author, David Adams Richards. Many reviewers highlight two interconnected features in Richards novels: a seemingly rigid determinism of setting and sociodemographics, and a resulting hopelessness. In contrast, Richards describes the quest of human life and the purpose of his novels as a search for freedom. This book explores the account of freedom that is developed through the course of four of Richards’s works: The Friends of Meager Fortune, Mercy Among the Children, The Lost Highway, and Crimes Against My Brother. Following the Augustinian thread that informs Richards’s writing, we argue that rather than presenting an understanding of human life that is bleak or hopeless, Richards instead reveals an argument wherein one’s happiness and freedom is found in the midst of love.
Volume 2. 101 high-quality movie-based illustrations for preachers and speakers, cross-referenced and indexed by Scripture texts and keywords, plus clip location on the video version.
The location of new housing development has become one of the most intractable controversies of modern times. This book provides a powerful critique of the growing tendency to reduce the debate on the development of new housing to a mere choice between greenfield and brownfield locations. It calls for full account to be taken of such factors as the structure and organisation of the housebuilding industry, supply and demand pressures in the housing market, the contested nature of sustainability and the political character of the planning process if a truly effective housing land policy is to be devised. Drawing on theories from economics and political science, this book will provide an important reference point on the institutional context within which residential development takes place and on the concerns of planning authorities, environmentalists, housebuilders, and their customers in relation to the apparent choice between greenfield and brownfield development.
Magic Words: A Dictionary is a oneofakind resource for armchair linguists, popculture enthusiasts, Pagans, Wiccans, magicians, and trivia nuts alike. Brimming with the most intriguing magic words and phrases from around the world and illustrated throughout with magical symbols and icons, Magic Words is a dictionary like no other. More than sevenhundred essay style entries describe the origins of magical words as well as historical and popular variations and fascinating trivia. With sources ranging from ancient Medieval alchemists to modern stage magicians, necromancers, and wizards of legend to miracle workers throughout time, Magic Words is a must have for any scholar of magic, language, history, and culture.
Eschewing the often standard dry and static writing style of traditional textbooks, Discrete Encounters provides a refreshing approach to discrete mathematics. The author blends traditional course topics and applications with historical context, pop culture references, and open problems. This book focuses on the historical development of the subject and provides fascinating details of the people behind the mathematics, along with their motivations, deepening readers’ appreciation of mathematics. This unique book covers many of the same topics found in traditional textbooks, but does so in an alternative, entertaining style that better captures readers’ attention. In addition to standard discrete mathematics material, the author shows the interplay between the discrete and the continuous and includes high-interest topics such as fractals, chaos theory, cellular automata, money-saving financial mathematics, and much more. Not only will readers gain a greater understanding of mathematics and its culture, they will also be encouraged to further explore the subject. Long lists of references at the end of each chapter make this easy. Highlights: Features fascinating historical context to motivate readers Text includes numerous pop culture references throughout to provide a more engaging reading experience Its unique topic structure presents a fresh approach The text’s narrative style is that of a popular book, not a dry textbook Includes the work of many living mathematicians Its multidisciplinary approach makes it ideal for liberal arts mathematics classes, leisure reading, or as a reference for professors looking to supplement traditional courses Contains many open problems Profusely illustrated
The Players: the best poker professionals in the world The Challenger: a wealthy banker from Dallas The Game: the richest poker stakes of all time... In 2001, a rich stranger from Texas descended upon the high-stakes poker room in the opulent Bellagio casino in Las Vegas. A self-made billionaire by the name of Andy Beal, the stranger challenged some of the world's greatest poker players-including Doyle Brunson, Chip Reese, Howard Lederer, and Jennifer Harman-to heads-up matches in the richest poker game ever played This is that story... Beginning the scintillating contest that would shock the world of poker, Andy and each opponent had $1 million, betting $10,000 and $20,000 per round. As the games intensified over the coming months and Andy developed into a great player, he realized how he could take his adversaries out of their comfort zone-he raised the stakes to put everything they had on the line. By the time the battle of wits ended, there was more than $20 million on the table. For the first time ever, here is the detailed, true account of the Big Game that has already achieved legendary status in poker lore. Putting you railside to observe the pulse-pounding action, where you can almost hear the distinct sound of clay chips on felt, Michael Craig takes you inside the iron-nerved mind and pathological psyche of the professional gambler. Filled with vivid characters, sensational tales, and riveting human drama, The Professor, the Banker, and the Suicide King is a unique, suspenseful journey into the world of people who live on the razor's edge of fortune-where incredible wealth, or utter ruin, turns on the flip of a card.
First published in 1954, THE BISHOP OF BROADWAY chronicles the life of David Belasco (1853-1931), an American theatrical producer, impresario, director and playwright who became the first writer to adapt the short story Madame Butterfly for the stage, thereby launching the theatrical career of many actors, including Mary Pickford, Lenore Ulric and Barbara Stanwyck. David Belasco also pioneered many innovative new forms of stage lighting and special effects in order to create realism and naturalism. Owing to his austere, clericlike dress and personal manner, David Belasco came to be known as the “bishop of Broadway.” Born in San Francisco, California, the son of Sephardic Jewish parents who had moved from London, England during the California Gold Rush, Belasco began his illustrious theatre career with a wide variety of jobs in in a San Francisco theatre, and gaining first experience as a stage manager while on the road. This eventually led to a role as stage manager, and he learned the business inside out. A gifted playwright, David Belasco went to New York City in 1882 to work as stage manager for the Madison Square Theatre, and the old Lyceum Theatre while writing plays. By 1895, the “bishop of Broadway” was so successful that he set himself up as an independent producer. During his long creative career, stretching between 1884 and 1930, David Belasco either wrote, directed, or produced more than 100 Broadway plays including Hearts of Oak, The Heart of Maryland, and Du Barry—making him the most powerful personality on the New York city theater scene. Written by fellow Broadway actor, Craig Timberlake, THE BISHOP OF BROADWAY provides an in-depth glimpse into the life and times of this remarkable Broadway figure of the early twentieth century. Beautifully illustrated throughout with black & white photographs.
“This book will become the definitive work on the political, social, and military climate of the Purchase region during the Civil War.” —Kentucky Libraries During the Civil War, the majority of Kentuckians supported the Union under the leadership of Henry Clay, but one part of the state presented a striking exception. The Jackson Purchase—bounded by the Mississippi River to the west, the Ohio River to the north, and the Tennessee River to the east—fought hard for separation and secession, and produced eight times more Confederates than Union soldiers. Supporting states’ rights and slavery, these eight counties in the westernmost part of the commonwealth were so pro-Confederate that the Purchase was dubbed “the South Carolina of Kentucky.” The first dedicated study of this key region, Kentucky Confederates provides valuable insights into a misunderstood and understudied part of Civil War history. Author Berry Craig draws from an impressive array of primary documents, including newspapers, letters, and diaries, to reveal the regional and national impact this unique territory had on the nation’s greatest conflict. Offering an important new perspective on this rebellious borderland and its failed bid for secession, Kentucky Confederates will serve as the standard text on the subject for years to come. “A masterpiece. Long overdue, it chronicles the history of a region of Kentucky that has received little or no attention by historians heretofore. It is my considered opinion Craig’s book will be the definitive work on his subject for many years.” —Kent Masterson Brown, author of Meade at Gettysburg
New York Times bestselling historian Craig Nelson reveals how FDR confronted an American public disinterested in going to war in Europe, skillfully won their support, and pushed government and American industry to build the greatest war machine in history, “the arsenal of democracy” that won World War II. As Nazi Germany began to conquer Europe, America’s military was unprepared, too small, and poorly supplied. The Nazis were supported by robust German factories that created a seemingly endless flow of arms, trucks, tanks, airplanes, and submarines. The United States, emerging from the Great Depression, was skeptical of American involvement in Europe and not ready to wage war. Hardened isolationists predicted disaster if the country went to war. In this fascinating and deeply researched account, Craig Nelson traces how Franklin D. Roosevelt steadily and sometimes secretively put America on a war footing by convincing America’s top industrialists such as Henry Ford Jr. to retool their factories, by diverting the country’s supplies of raw materials to the war effort, and above all by convincing the American people to endure shortages, to work in wartime factories, and to send their sons into harm’s way. Within a few years, the nation’s workers were producing thousands of airplanes and tanks, hundreds of warships and submarines. Under FDR’s resolute leadership, victory at land and sea and air across the globe began at home in America—a powerful and essential narrative largely overlooked in conventional histories of the war but which, in Nelson’s skilled, authoritative hands, becomes an illuminating and important work destined to become an American history classic.
On the evening of February 2, 1864, Confederate Commander John Taylor Wood led 250 sailors in two launches and twelve boats to capture the USS Underwriter, a side-wheel steam gunboat anchored on the Neuse River near New Bern, North Carolina. During the ensuing fifteen-minute battle, nine Union crewmen lost their lives, twenty were wounded, and twenty-six fell into enemy hands. Six Confederates were captured and several wounded as they stripped the vessel, set it ablaze, and blew it up while under fire from Union-held Fort Anderson. The thrilling story of USS Underwriter is one of many involving the numerous shipwrecks that occupy the waters of Civil War history. Many years in the making, W. Craig Gaines's Encyclopedia of Civil War Shipwrecks is the definitive account of more than 2,000 of these American Civil War--period sunken ships. From Alabama's USS Althea, a Union steam tug lost while removing a Confederate torpedo in the Blakely River, to Wisconsin's Berlin City, a Union side-wheel steamer stranded in Oshkosh, Gaines provides detailed information about each vessel, including its final location, type, dimensions, tonnage, crew size, armament, origin, registry (Union, Confederate, United States, or other country), casualties, circumstances of loss, salvage operations, and the sources of his findings. Organized alphabetically by geographical location (state, country, or body of water), the book also includes a number of maps providing the approximate locations of many of the wrecks -- ranging from the Americas to Europe, the Arctic Ocean, and the Indian Ocean. Also noted are more than forty shipwrecks whose locations are in question. Since the 1960s, the underwater access afforded by SCUBA gear has allowed divers, historians, treasure hunters, and archaeologists to discover and explore many of the American Civil War-related shipwrecks. In a remarkable feat of historical detective work, Gaines scoured countless sources -- from government and official records to sports diver and treasure-hunting magazines -- and cross-indexes his compilation by each vessel's various names and nicknames throughout its career. An essential reference work for Civil War scholars and buffs, archaeologists, divers, and aficionados of naval history, Encyclopedia of Civil War Shipwrecks revives and preserves for posterity the little-known stories of these intriguing historical artifacts.
America in the 1950s was a cauldron of contradictions. Advances in technology chafed against a grimly conservative political landscape; the military-industrial complex ceaselessly promoted the "Communist menace"; young marrieds fled crumbling cities for artificial communities known as suburbs; and the corporate cipher known as "The Organization Man" was created, along with stifling images of women. The decade, huddled under the fear of nuclear holocaust, was also dedicated to all things futuristic. Science fiction was in its salad days, in magazines and novels and in motion pictures, trying every trick in the book to lure customers back from television, including reliance on monster movies. All of these forces collided in 1957, when an astounding 57 movies of the science fiction, horror and fantasy variety were shown in the United States--a record unmatched to this day. Reflecting some of the socio-political topics of the day, several are exceptional examples of their genres. This book critically discusses each of the films.
Psychologist/historian Wyn Craig Wade traces the Ku Klux Klan from its beginnings after the Civil War to its present day activities, aligning with various neo-fascist and right-wing groups in the American West. THE FIERY CROSS provides an exhaustive analysis and long overdue perspective on this dark shadow of American society. Photos.
On June 6, 1944, 160,000 Allied troops landed along 50 miles of French coastline to battle German forces on the beaches of Normandy. D-Day, as it would come to be known, would eventually lead to the liberation of Western Europe, and was a critical step in the road to victory in World War II. Yet the story begins long before the Higgins landing craft opened their doors and men spilled out onto the beaches to face a storm of German bullets. The invasion, and the victories that followed, would not have been possible without the massive naval operation that led up to it: NEPTUNE. From the moment British forces evacuated the beaches of Dunkirk in 1940, Allied planners began to consider how, when, and where they would re-enter the European continent. Once in the war, the Americans, led by George Marshall, wanted to invade in a year's time. The British were convinced this would be a tragic mistake. Allied forces would be decimated by the Wehrmacht. When Operation Overlord - the name given to the cross-Channel invasion of Northern France - was finally planned, it was done so only in concert with the seaborne assault that would bring the men and equipment to the Normandy coast. Symonds traces the central thread of this Olympian event - involving over five thousand ships and nearly half a million personnel - from the first talks between British and American officials in the winter of 1941 to the storming of the beaches in the late spring of 1944. He considers Neptune's various components, including the strategic unity, industrial productivity, organizational execution, and cross-cultural exchange on which the Allies depended. Portraits of key American and British figures, from Franklin Roosevelt, Winston Churchill, and Eisenhower to Admiral Ernest J. King and his British counterpart, Admiral Sir Bertram Ramsay, combine with an intimate look at men up and down the chain of command. Neptune was the pinnacle of Allied organization and cooperation. From the suppressing of the U-boat menace in the Battle of the Atlantic, to the establishing of camps and training facilities near the English coast, to the gearing up of the American industrial machine to produce the ships, tanks, and tools of war that would make an invasion possible, Symonds' riveting narrative uncovers the means by which Neptune was brought to fruition, and presents the first comprehensive account of the greatest naval operation in history.
Designing Systems and Processes for Managing Disputes features a hands-on, interdisciplinary approach with wide-ranging practical applications. Seven real-life case studies and numerous examples have students designing and implementing a process for resolving and preventing disputes where traditional processes have failed. This is a must-read for students and practitioners alike. New to the Second Edition: A chapter-long focus on facilitation skills for designers The addition of a seventh central case study related to processes following the Trayvon Martin shooting in Sanford, Florida A new appendix with an overview of mediation for students who have not taken a prior course in mediation An interesting new story by a Brazilian judge who used Designing Systems and Processes for Managing Disputes to create new processes to resolve multiple cases, some pending over 20 years, arising from lands taken to create a new national park A new question focusing on the issues related to designing court-connected mediation programs Updates throughout all chapters and the appendix Professors and students will benefit from: Focus on skills development for dispute systems designers A multidisciplinary approach Biographies of designers, providing students with a sense of how to get into dispute systems design work An appendix assisting students who have no background in dispute resolution, with brief overviews of negotiation, mediation, and arbitration Problems and exercises to help students apply their learning Examples of complex disputes Featured disputes including eBay, a child abuse claims tribunals, court-related mediation, intra-institutional disputes, and community and post-violence conflicts
Francis Palmer Smith was the principal designer of Atlanta-based Pringle and Smith, one of the leading firms of the early twentieth-century South. Smith was an academic eclectic who created traditional, history-based architecture grounded in the teachings of the cole des Beaux-Arts. As The Architecture of Francis Palmer Smith shows, Smith was central to the establishment of the Beaux-Arts perspective in the South through his academic and professional career. After studying with Paul Philippe Cret at the University of Pennsylvania, Smith moved to Atlanta in 1909 to head the new architecture program at the Georgia Institute of Technology. He would go on to train some of the South's most significant architects, including Philip Trammell Shutze, Flippen Burge, Preston Stevens, Ed Ivey, and Lewis E. Crook Jr. In 1922 Smith formed a partnership with Robert S. Pringle. In Atlanta, Savannah, Chattanooga, Jacksonville, Sarasota, Miami, and elsewhere, Smith built office buildings, hotels, and Art Deco skyscrapers; buildings at Georgia Tech, the Baylor School in Chattanooga, and the Darlington School in Rome, Georgia; Gothic Revival churches; standardized bottling plants for Coca-Cola; and houses in a range of traditional "period" styles in the suburbs. Smith's love of medieval architecture culminated with his 1962 masterwork, the Cathedral of St. Philip in Atlanta. As his career drew to a close, Modernism was establishing itself in America. Smith's own modern aesthetic was evidenced in the more populist modern of Art Deco, but he never embraced the abstract machine aesthetic of high Modern. Robert M. Craig details the role of history in design for Smith and his generation, who believed that architecture is an art and that ornament, cultural reference, symbolism, and tradition communicate to clients and observers and enrich the lives of both. This book was supported, in part, by generous grants from the Graham Foundation for Advanced Studies in the Fine Arts and the Georgia Tech Foundation, Inc.
Designed to serve as a basic text for an introductory course in Public Administration, this innovative work provides students with an understanding of the basic management functions that are covered in all standard textbooks with two important differences. First, it is written to address the needs of both the experienced practitioner and the entry-level public servant. Case examples bridge the content-rich environment of practitioners with the basic principles of public administration sought by pre-service students. Second, the discussion of basic management practices is grounded in the political and ethical tensions inherent in the American constitutional form of governance. This reflects the authors' belief that public administration operates as an integral part of the country's political traditions, and thereby helps define the political culture. The book provides a framework for understanding American political traditions and how they inform public administration as a political practice. Key Changes in the Second Edition include: A new introductory chapter that explains what the authors mean by a constitutional approach and why that is important. An expanded discussion of the role of civil society in promoting the common good. A new section in chapter 5 on New Public Governance. Updated exhibits that incorporate up-to-date census data and revenue figures (chapter 10). A new section in chapter 14 that recognises the importance of maintaining accountability in contract and networked systems of governance. Significantly rewritten chapters to add emphasis on the relevance of the chapter material to nonprofit organisations. A significantly revised bibliography which incorporates new bodies of research that have appeared since the first edition.
A final sequence highlights the centrality of black music to African American writing, arguing that recognizing blues, gospel, and jazz as theoretically suggestive cultural practices rather than specific musical forms points to what is most distinctive in twentieth-century African American writing: its ability to subvert attempts to limit its engagement with psychological, historical, political, or aesthetic realities.
India is widely recognised as a new global powerhouse. It has become one of the world's emerging powers, rivalling China in terms of global influence. Yet people still know relatively little about the economic, social, political, and cultural changes unfolding in India today. To what extent are people benefiting from the economic boom? Does caste still exist in India? How is India's culture industry responding to technological change? And what of India's rapidly changing role internationally? This Very Short Introduction looks at the exciting world of change in contemporary India. Craig Jeffrey provides a compelling account of the recent history of the nation, investigating the contradictions that are plaguing modern India and the manner in which people, especially young people, are actively remaking the country in the twenty first century. One thing is clear: India is a country that is going to become increasingly important for the world over the next decades. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
From the philosophy of Aristotle and Confucius, to Thomas Aquinas' Summa Theologiae, to the paintings of Raphael, Botticelli and many more, fascination with the virtues has endured and evolved to fit a wide range of cultural, religious, and philosophical contexts through the centuries. This Very Short Introduction introduces readers to the various virtues: the moral virtues, the intellectual virtues, and the theological virtues, as well as the capital vices. It explores the role of the virtues in moral life, their cultivation, and how they offer ways of thinking and acting that are alternatives to mere rule-following. It also considers the relationship of the virtues to our own emotions, desires, and rational capacities. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
This fast-paced narrative charts the history of the US Navy from its birth during the American Revolution through to its current superpower status. The story highlights iconic moments of great drama pivotal to the nation's fortunes: John Paul Jones' attacks on the British during the Revolution, the Barbary Wars, and the arduous conquest of Iwo Jima. American Naval History: A Very Short Introduction illuminates the changes--technological, institutional, and functional--of the U.S. Navy from its days as a small frigate navy through the age of steam and steel to the modern era of electronics and missiles. Renowned naval historian Craig L. Symonds captures the evolving culture of the navy and debates between policymakers about what role the institution should play in world affairs. Internal and external challenges dramatically altered the size and character of the navy, with long periods of quiet inertia alternating with periods of crisis that spurred rapid expansion. The history of the navy reflects the history of the nation as a whole, and its many changes derive in large part from the changing role of the United States itself. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
This fast-paced narrative charts the history of the US Navy from its birth during the American Revolution through to its current superpower status. The story highlights iconic moments of great drama pivotal to the nation's fortunes: John Paul Jones' attacks on the British during the Revolution, the Barbary Wars, and the arduous conquest of Iwo Jima. American Naval History: A Very Short Introduction illuminates the changes--technological, institutional, and functional--of the U.S. Navy from its days as a small frigate navy through the age of steam and steel to the modern era of electronics and missiles. Renowned naval historian Craig L. Symonds captures the evolving culture of the navy and debates between policymakers about what role the institution should play in world affairs. Internal and external challenges dramatically altered the size and character of the navy, with long periods of quiet inertia alternating with periods of crisis that spurred rapid expansion. The history of the navy reflects the history of the nation as a whole, and its many changes derive in large part from the changing role of the United States itself. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
In 1953, a man was found dead from cyanide poisoning near the Philadelphia airport with a picture of a Nazi aircraft in his wallet. Taped to his abdomen was an enciphered message. In 1912, a book dealer named Wilfrid Voynich came into possession of an illuminated cipher manuscript once belonging to Emperor Rudolf II, who was obsessed with alchemy and the occult. Wartime codebreakers tried--and failed--to unlock the book's secrets, and it remains an enigma to this day. In this lively and entertaining book, Craig Bauer examines these and other vexing ciphers yet to be cracked. Some may reveal the identity of a spy or serial killer, provide the location of buried treasure, or expose a secret society--while others may be elaborate hoaxes. Unsolved! begins by explaining the basics of cryptology, and then explores the history behind an array of unsolved ciphers. It looks at ancient ciphers, ciphers created by artists and composers, ciphers left by killers and victims, Cold War ciphers, and many others. Some are infamous, like the ciphers in the Zodiac letters, while others were created purely as intellectual challenges by figures such as Nobel Prize-winning physicist Richard P. Feynman. Bauer lays out the evidence surrounding each cipher, describes the efforts of geniuses and eccentrics--in some cases both--to decipher it, and invites readers to try their hand at puzzles that have stymied so many others. Unsolved! takes readers from the ancient world to the digital age, providing an amazing tour of many of history's greatest unsolved ciphers"--
Immediately after Japan's attack on Pearl Harbor, President Franklin D. Roosevelt sought to restore the honor of the United States with a dramatic act of vengeance: a retaliatory bombing raid on Tokyo. On April 18, 1942, eighty brave young men, led by the famous daredevil Jimmy Doolittle, took off from a navy carrier in the mid-Pacific on what everyone regarded as a suicide mission but instead became a resounding American victory and helped turn the tide of the war. The First Heroes is the story of that mission. Meticulously researched and based on interviews with twenty of the surviving Tokyo Raiders, this is a true account that almost defies belief, a tremendous human drama of great personal courage, and a powerful reminder that ordinary people, when faced with extraordinary circumstances, can rise to the challenge of history.
This book analyses US and UK efforts to shut down Pakistan’s nuclear programme in the 1970s, between the catalytic Indian nuclear test of May 1974 and the decline of sustained non-proliferation activity from mid-1979 onwards. It is a tale of cooperation between Washington and London, but also a story of divisions and disputes. The brutal economic realities of the decade, globalisation, and wider geopolitical challenges all complicated this relationship. Policy and action were also affected by changes elsewhere in the world. Iran’s 1979 revolution brought a new form of political Islamic radicalism to prominence. The fears engendered by the Ayatollah and his followers, coupled to the blustering rhetoric of Pakistani leaders, gave rise to the ‘Islamic bomb’, a nuclear weapon supposedly created by Pakistan to be shared amongst the Muslim ummah. This study thus combines cultural, diplomatic, economic, and political history to offer a rigorous, deeply researched account of a critical moment in nuclear history.
In this first book of interviews with visual artists from across Texas, more than sixty artists reflect on topics from formative influences and inspirations to their common engagement with found materials. Beyond the art itself, no source is more primary to understanding art and artist than the artist’s own words. After all, who can speak with more authority about the artist’s influences, motivations, methods, philosophies, and creations? Since 2010, Robert Craig Bunch has interviewed sixty-four of Texas’ finest artists, who have responded with honesty, clarity, and—naturally—great insight into their own work. None of these interviews has been previously published, even in part. Incorporating a striking, full-color illustration of each artist’s work, these absorbing self-examinations will stand collectively as a reference of lasting value.
To some, Jean-Paul Sartre's philosophy signaled the end of modernity. Michael Foucault's theories on the generation of the self helped to usher in the post-modern era. Kevin Boileau's work, Genuine Reciprocity and Group Authenticity argues that Sartre's insight into the positive reciprocal relationships of individuals can be understood through the Foucauldian concept of power and discourse. The book explores authenticity on individual and group levels, breaking new ground in the study of Sartre and Foucault. It is a beneficial tool for philosophers studying modern or post-modern thought.
When General E. A. Paine assumed command of the U.S. Army's District of Western Kentucky at Paducah in the summer of 1864, he faced a defiant populace, a thriving black market and undisciplined troops plagued by low morale. Guerrillas pillaged towns and murdered the vocal few that supported the Union. Paine's task was to enforce discipline and mollify the secessionist majority in a 2,300-square-mile district. In less than two months, he succeeded where others had failed. For secessionists, his tenure was a "reign of terror"--for the Unionist minority, a "happy and jubilant" time. An abolitionist, Paine encouraged the enlistment of black troops and fair wages for former slaves. Yet his principled views led to his downfall. Critics and enemies falsified reports, leading to his removal from command and a court-martial. He was exonerated on all but one minor charge yet historians have perpetuated the Paine-the-monster myth. This book tells the complete story.
Relying on the author’s established expertise in rhetoric and political communication, this book re-contextualizes Romantic rhetorical theory from the late 18th and early 19th centuries to provide a foundation for a Neo-Romantic rhetorical theory for our own time. In the process, it uses a unique methodology to correct misconceptions about the rhetorical theories of many writers. Using a dialectical approach, the early chapters trace Romanticism through its opposition to the industrial revolution and the Enlightenment, back through Humanism and its opposition to Scholasticism, to its roots in St. Augustine’s writing. These chapters include a revisionist analysis of the church’s treatment of Galileo in the course of showing how difficult it was for scientific study to be accepted in Scholastic circles. The study goes on to argue that Jean-Jacques Rousseau, David Hume, and Edmund Burke were bridge figures to the Romantic Era. This move throws new light on exemplary painters, composers, writers and orators of the Romantic Era, who are examined in chapters eight and nine. Chapter ten focuses on Percy Bysshe Shelley and his development of the rhetorical poem, and thereby provides a new genre in the Romantic catalogue. Chapter Eleven turns to the Romantic rhetorical theories of Hugh Blair and Thomas De Quincey to empower those seeking to save the environment. The concluding chapter then synthesizes their theories with relevant contemporary rhetorical theories thereby constructing a Neo-Romantic theory for our own time. In the process, the book links the Romantics’ love of nature to the current environmental crisis.
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