No Viable Option is at once an unusual literary mystery with a noirish evocation of the inner city and a political satire of activist groups whose ideals are undermined by in-fighting. On a summer evening in 1992, two young residents of a homeless shelter break into the house of legal aid lawyer, Will Burgess. He is murdered during the act and certain items are stolen. With the stolen articles in hand, one of the perpetrators, a Native youth named Sam Weir, desperately flees from both his cronies and the police (who are convinced that Sam acted alone). Simultaneously we meet Eric Speers, an aspiring writer and worker at the charity which owns the shelter and other endeavors. It was an organization in its death throes. Eric is, as well, a mess: suffering insomnia, increasingly neurotic, confused about his course in life and broke. Together with Sandy, a niece of the murdered man, they begin to investigate the stolen items after Sandy receives a threatening phone call and the police appear uninterested. The pair are drawn into a labyrinth of secrets and crimes, and finding their way through it may be the only hope that Sam Weir has for staying alive. Set during the severe recession of the early 90's, No Viable Option is an impassioned indictment of the failure of political groups to live up to the principles they espouse. Always entertaining with striking characters, it is an ingenious pastiche. The story is told using multiple points of view, lists, narrative, dreams, journal entries, song lyrics, newspaper columns and sex as a political metaphor. Craig Grimes is a Canadian novelist. His works are built around stories of personal conflict which focus on ethical and political concerns. They are set in Canada and there is a strong sense of place. They are also characterized by shifting points of view and narrative form, and the inclusion of other sorts of writing to advance the action (poems, journal entries, lists, quotes, songs, etc.).
New York Times–Bestselling Author: A hijacking at a London airport leads to a manhunt for an arms dealer as the clock ticks down to disaster . . . Engine troubles start just as the jet is approaching Heathrow. Then, after a harrowing landing, just as everyone breathes a sigh of relief, the hijackers rise up . . . Their demand: the release of arms smuggler Shafiq Nasoud from a British prison. Authorities decide to transport him to London in case the situation turns desperate—but things go very wrong. Nasoud escapes. Negotiations continue to fail. The hijackers’ leader, an American, appears to be strung out on drugs—and the FBI gets in touch to share some deeply concerning information about another terrorist. Before it all ends, blood will be spilled—but whose? Praise for Craig Thomas’s novels “Will have you sweating bullets . . . Tension is sustained from first page to last.” —The New York Times Book Review “Lively, straightforward action.” —Kirkus Reviews (starred review) “The last word in espionage thrillers.” —The Pittsburgh Press
Taylor Rawls, a top-notch defense attorney and Paul Rice’s ex-lover, walks into his office after three years of no contact. Since Rice is so good at finding people, besides dealing with the paranormal, she wants to hire him to find her ex-husband who has disappeared after their two-month marriage. She feels guilty about the way she treated him and wants to make sure he’s all right. Rice says no at first, suspecting she has another reason for finding him, but relents and decides to help her. Clearly Rice and Rawls still have feelings for each other and have loved each other since high school, which is a bone of contention between them as to who was to blame for the breakup. They deal with their feelings as they try to find her ex, an investigative reporter who has stumbled on a big story about a navy experiment that the navy did in 1943 and hushed up, and which someone in the government still wants to keep buried, even killing to do it.
From the author of Why Travel Matters, the tools you need to bridge cultures and countries. Adjusting to a new culture and getting along with the local people challenge everyone who lives and works abroad. Whether in business, diplomacy, education, or as a long-term visitor abroad, anyone can be blind-sided by a lack of international knowledge and experience and be caught at a disadvantage. In this completely revised and expanded edition of the classic The Art of Crossing Cultures, Craig Storti shows what it takes to encounter a new culture head-on and succeed. This one-of-a-kind guidebook to bridging the cultural divide - with more than 50,000 copies sold worldwide - incorporates a stellar sampling of the writings of some of the world's greatest writers, poets and observers of the human condition. Through the vivid perceptions and words of such literary legends as Noel Coward, Graham Greene, Rudyard Kipling, E. M. Forster, Mark Twain, Evelyn Waugh, and others, Storti paints an intimate portrait of the personal challenges of adjusting to another culture: anticipating differences, managing the temptation to withdraw, and gradually adjusting expectations of behaviour to fit reality. This timely new edition focuses special attention on how to deal with country and culture shock and includes many new examples of cross-cultural misunderstandings - particularly in business. Storti breaks new ground with his easy-to-understand model of cultural adjustment and tips on how to master the process and develop adaptive strategies - the heart of the cross-cultural experience.
Living away from the poverty that surrounds her in the stationmaster's cottage at Partick, Carrie Burgess leads a charmed life. Her only real problem is her mother, who thinks her daughter could do better than Ewen Livingstone, the railway labourer Carrie's grown close to; Matt Campbell, a clerk, seems a much better prospect. When Carrie's father dies suddenly, the women are forced to move out of their cottage, and money is tight. Carrie ignores her true feelings and, turning down Ewen, she marries Matt. But his devoted front conceals a man of violence. When the Second World War starts, everything changes, but Carrie remains sure of one thing: that her heart will always belong to Ewen...
An airliner has been hijacked and the clock is ticking... The riveting first novel from Craig Thomas, father of the technothriller There is relief at Heathrow Airport after a Boeing 707 touches down safely, having experienced engine trouble mid-flight. But when the pilot stops answering the control tower’s radio calls, panic spreads again. During the landing, the plane was hijacked by a group of Americans. Their demands? The release of a known terrorist, Shafiq Nasoud, currently being held at HMP Dartmoor, and a clear flight to Lebanon. The price? The lives of everyone on board. The Home Office quickly mobilises operation ‘Rat Trap’. ‘Ratcatcher’ Hilary Latymer will negotiate with the terrorists, and Nasoud will be brought to London. The exchange will be executed safely and there are to be no casualties. But then the prisoner escapes... Craig Thomas’ first novel, Rat Trap, is a thrill-ride through the sky, perfect for fans of Robert Ludlum, Andy McNab and Brad Thor.
Winner, 2020 Outstanding Book Award, given by the International Communication Association Honorable Mention, 2020 Nancy Baym Book Award, given by the Association of Internet Researchers How the transformation of social media platforms and user-experience have redefined the entertainment industry In a little over a decade, competing social media platforms, including YouTube, Facebook, Twitter, Instagram, and Snapchat, have given rise to a new creative industry: social media entertainment. Operating at the intersection of the entertainment and interactivity, communication and content industries, social media entertainment creators have harnessed these platforms to generate new kinds of content separate from the century-long model of intellectual property control in the traditional entertainment industry. Social media entertainment has expanded rapidly and the traditional entertainment industry has been forced to cede significant power and influence to content creators, their fans, and subscribers. Digital platforms have created a natural market for embedded advertising, changing the worlds of marketing and communication in their wake. Combined, these factors have produced new, radically shifting demands on the entertainment industry, posing new challenges for screen regimes, media scholars, industry professionals, content creators, and audiences alike. Stuart Cunningham and David Craig chronicle the rise of social media entertainment and its impact on media consumption and production. A massive, industry-defining study with insight from over 100 industry insiders, Social Media Entertainment explores the latest transformations in the entertainment industry in this time of digital disruption.
The book is a defense of God's unique status as the creator of all things apart from himself in the face of the challenge of mathematical Platonism. It is based on William Lane Craig's Cadbury Lectures given at the University of Birmingham in March 2015.
The social status of dogs has changed dramatically in the past 75 years. Today, most dog owners and small animal veterinarians consider companion canines to be members of their families and communities. However, the attitudes of some dog owners concerning their responsibilities to their dogs--and many of the laws that regulate dog ownership and veterinary medical practice--largely reflect the human/canine relationship and ethical norms of an earlier era. This incongruity leads to unmet needs for companion canines and high levels of stress for many veterinary clinicians. This book presents arguments for human responsibilities to companion canines, a detailed analysis of what those responsibilities entail, and the professional ethical standards and laws needed to ensure that responsibilities are met. A new moral framework--the Custodial Property Framework--is created for the care and medical treatment of companion canines, and is grounded in a detailed analysis of the responsibilities of care generated by the relationship we have with our "best friends.
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