A struggling young rock musician and his motley crew of friends start up their own grassroots political party to make a bold run for congress. Although initially designed as a clever CD marketing gimmick, their fiery theatrics and catchy "kill the baby boomers" songs inadvertently ignite a national youth revolution that sets the country ablaze, culminating in a Million Youth March to Washington DC that has frightening results. Intriguing, provacative and downright scary, this prophetic tale about America's future youth revolution will exhilirate younger readers and terrify older ones. Definitely not a book for the faint or old at heart. Visit Cousin Sam for more!
A struggling young rock musician and his motley crew of friends start up their own grassroots political party to make a bold run for congress. Although initially designed as a clever CD marketing gimmick, their fiery theatrics and catchy "kill the baby boomers" songs inadvertently ignite a national youth revolution that sets the country ablaze, culminating in a Million Youth March to Washington DC that has frightening results. Intriguing, provacative and downright scary, this prophetic tale about America's future youth revolution will exhilirate younger readers and terrify older ones. Definitely not a book for the faint or old at heart. Visit Cousin Sam for more!
A remarkable blend of history and drama seen through the eyes of a noted New Orleans bluesman. This extraordinary life history is the result of more than 15 years of recorded conversations, pieced together into a narrative of a uniquely American experience. Joseph's colorful portrayals of the characters who parade through his life document more than 70 years of changing relationships between blacks and whites. In his own words, he describes growing up in Louisiana, working a rice plantation, and how Gospel music put him on a career path. His candid remarks underscore the economic necessity prevalent in a musician's life. Within the tales of gigs, card games, and romantic exploits are intimate glimpses of legendary figures, including Billie Holiday and Muddy Waters. His descriptions of performing in New Orleans, New York, and Europe are especially revealing, filled with life experiences as rich as the rhythm and lyrics of the blues he played.
Gordie Tapp has been making audiences laugh for more than 60 years. Johnny Cash called him "the funniest" and Foster Brooks introduced him to President Ford as "the world's greatest story-teller." Born in London, Ontario, in 1922, he has been married to Helen for 62 years. They have four children. He graduated from Lorne Greene's Radio Arts Academy in Toronto in 1947 and helped launch a radio station in Niagara Falls. A radio pioneer, he switched from playing dance band music to country music - and never looked back. He started country music shows on television in Canada for the CBC in the late 1950s-early60s and then helped launch Hee Haw in the United States - a show that ran for more than 25 years with a weekly audience of more than 50 million - with his Cousin Clem character. Gordie loves to ride horses and Harleys and he was roller-blading until he was 82.
Playing for time explores connections between theatre time, the historical moment and fictional time. Geraldine Cousin persuasively argues that a crucial characteristic of contemporary British theatre is its preoccupation with instability and danger, and traces images of catastrophe and loss in a wide range of recent plays and productions. The diversity of the texts that are examined is a major strength of the book. In addition to plays by contemporary dramatists, Cousin analyses staged adaptations of novels, and productions of plays by Euripides, Strindberg and Priestley. A key focus is Stephen Daldry’s award-winning revival of Priestley’s An Inspector Calls, which is discussed in relation both to other Priestley ‘time’ plays and to Caryl Churchill’s apocalyptic Far Away. Lost children are a recurring motif: Bryony Lavery’s Frozen, for example, is explored in the context of the Soham murders (which took place while the play was in production at the National Theatre), whilst three virtually simultaneous productions of Euripides’ Hecuba are interpreted with regard to the Beslan massacre of schoolchildren.
There are autocratic lions in a workplace. And there are peace-loving elephants, nonchalant chimps, eager beavers, single-tracked eagles, and self-centric snakes too. All protect a crippling status quo until a game changer joins and unleashes greater possibilities. Will you be a game changer at your circus? Written in two parts, Game Changers at the Circus first tells a compelling fable about the transformation of a sluggish circus where animal leaders were stirred into dropping their silo-mentality to orchestrate the greatest performance possible, together as a team. Next, The Game Changers' Leadership Workbook offers straightforward and proven steps leaders and their teams can apply to transform even the most toxic workplace into a positive environment with a culture of Greatness.
A pulsating graphic novel on the epic history of electronic music, from the heyday of disco in the 1970s to the rave culture of the 1990s and beyond. With a foreword from house music legends Daft Punk, The Song of the Machine is a celebration of a musical wave that swept across the world over decades, demographics, and dance styles. Originally published in 2000 in France, and updated through today for this first English edition, the electrifying narrative introduces readers to the harbingers of the genre, such as David Mancuso, Larry Levan, and Frankie Knuckles (known as the "Godfather of House Music"); the prototypes of modern-day nightclubs and dance venues, like The Loft and Studio 54 in New York City, the Palace in Paris, and the Hacienda in Manchester, England, and of course, the technology and machines that first produced and synthesized the records that galvanized a movement. Told through exciting illustrations that evolve with the era they describe, and complete with specially curated playlists for each and every decade, The Song of the Machine recounts the influences and inspirations, the people and epic parties that created and defined this revolutionary music.
Often seen as ethnically monolithic, the African Methodist Episcopal (AME) Church in fact successfully pursued evangelism among diverse communities of indigenous peoples and Black Indians. Christina Dickerson-Cousin tells the little-known story of the AME Church’s work in Indian Territory, where African Methodists engaged with people from the Five Civilized Tribes (Cherokees, Creeks, Choctaws, Chickasaws, and Seminoles) and Black Indians from various ethnic backgrounds. These converts proved receptive to the historically Black church due to its traditions of self-government and resistance to white hegemony, and its strong support of their interests. The ministers, guided by the vision of a racially and ethnically inclusive Methodist institution, believed their denomination the best option for the marginalized people. Dickerson-Cousin also argues that the religious opportunities opened up by the AME Church throughout the West provided another impetus for Black migration. Insightful and richly detailed, Black Indians and Freedmen illuminates how faith and empathy encouraged the unique interactions between two peoples.
With abundant background and enticing images, this work covers more than just the gorgeous harmonies of the unforgettable doo wop groups. The landmark volume traces the development of the music, politics, art, architecture, and popular culture of the 1950s.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.