The Fifth Edition of the Handbook of Research on Teachingis an essential resource for students and scholars dedicated to the study of teaching and learning. This volume offers a vast array of topics ranging from the history of teaching to technological and literacy issues. In each authoritative chapter, the authors summarize the state of the field while providing conceptual overviews of critical topics related to research on teaching. Each of the volume's 23 chapters is a canonical piece that will serve as a reference tool for the field. The Handbook provides readers with an unaparalleled view of the current state of research on teaching across its multiple facets and related fields.
Places Greenville's experience during World War I within the context of the progressive era to better understand the rise of this New South city Greenville, South Carolina has become an attractive destination, frequently included in lists of the "Best Small Cities" in America. While Greenville's twenty-first-century Renaissance has been impressive, in "Our Country First, Then Greenville," Courtney L. Tollison Hartness explores an earlier period, revealing how Greenville's experience during World War I served to generate massive development in the city and the region. It was this moment that catalyzed Greenville's development into a modern city, setting the stage for the continued growth that persists into the present-day. "Our Country First, Then Greenville" explores Greenville's home-front experience of race relations, dramatic population growth (the number of Greenville residents nearly tripled between 1900 and 1930s), the women's suffrage movement, and the contributions of African Americans and women to Greenville's history. This important work features photos of Greenville, found in archival collections throughout the country and dating back over one hundred years.
Hollywood Fantasies of Miscegenation analyzes white fantasies of interracial desire in the history of popular American film. From the first interracial screen kiss of 1903, through the Production Code's nearly thirty-year ban on depictions of "miscegenation," to the contemplation of mixed marriage in Guess Who's Coming to Dinner (1967), this book demonstrates a long, popular, yet underexamined record of cultural fantasy at the movies. With ambitious new readings of well-known films like D.W. Griffith's 1915 epic The Birth of a Nation and of key forgotten films and censorship documents, Susan Courtney argues that dominant fantasies of miscegenation have had a profound impact on the form and content of American cinema. What does it mean, Courtney asks, that the image of the black rapist became a virtual cliché, while the sexual exploitation of black women by white men under slavery was perpetually repressed? What has this popular film legacy invited spectators to remember and forget? How has it shaped our conceptions of, and relationships to, race and gender? Richly illustrated with more than 140 images, Hollywood Fantasies of Miscegenation carefully attends to cinematic detail, revising theories of identity and spectatorship as it expands critical histories of race, sex, and film. Courtney's new research on the Production Code's miscegenation clause also makes an important contribution, inviting us to consider how that clause was routinely interpreted and applied, and with what effects.
Do Conventions Matter? provides a complete overview of national party conventions in Canada, from 1919, when the first convention was held, to 1993, including the selection of Stanfield, Trudeau, Broadbent, Clark, Mulroney, Turner, McLaughlin, Chrétien, Campbell, and Manning. Courtney compares leadership selection practices in Canada with those in the United States, Britain, and Australia, and shows that Canadian conventions remain a distinctive means of choosing party leaders. Focusing on modern developments in the convention process, Courtney highlights changes in representation over the last thirty years, addresses criticisms about costs and delegate selection practices, and examines the role of the media. He concludes with an examination of the future of conventions in the context of Canadian democracy, given sky-rocketing costs, the movement to reform political parties, and the push towards a universal membership vote. He argues convincingly that the objectives of greater representation and greater democracy explain both the emergence of conventions to choose the leaders of federal parties and their possible demise in the near future.
This "provocative and personally searching"memoir follows one mother's story of enrolling her daughter in a local public school (San Francisco Chronicle), and the surprising, necessary lessons she learned with her neighbors. From the time Courtney E. Martin strapped her daughter, Maya, to her chest for long walks, she was curious about Emerson Elementary, a public school down the street from her Oakland home. She learned that White families in their gentrifying neighborhood largely avoided the majority-Black, poorly-rated school. As she began asking why, a journey of a thousand moral miles began. Learning in Public is the story, not just Courtney’s journey, but a whole country’s. Many of us are newly awakened to the continuing racial injustice all around us, but unsure of how to go beyond hashtags and yard signs to be a part of transforming the country. Courtney discovers that her public school, the foundation of our fragile democracy, is a powerful place to dig deeper. Courtney E. Martin examines her own fears, assumptions, and conversations with other moms and dads as they navigate school choice. A vivid portrait of integration’s virtues and complexities, and yes, the palpable joy of trying to live differently in a country re-making itself. Learning in Public might also set your family’s life on a different course forever.
What can local histories of interracial conflict and collaboration teach us about the potential for urban equity and social justice in the future? Courtney Elizabeth Knapp chronicles the politics of gentrification and culture-based development in Chattanooga, Tennessee, by tracing the roots of racism, spatial segregation, and mainstream "cosmopolitanism" back to the earliest encounters between the Cherokee, African Americans, and white settlers. For more than three centuries, Chattanooga has been a site for multiracial interaction and community building; yet today public leaders have simultaneously restricted and appropriated many contributions of working-class communities of color within the city, exacerbating inequality and distrust between neighbors and public officials. Knapp suggests that "diasporic placemaking"—defined as the everyday practices through which uprooted people create new communities of security and belonging—is a useful analytical frame for understanding how multiracial interactions drive planning and urban development in diverse cities over time. By weaving together archival, ethnographic, and participatory action research techniques, she reveals the political complexities of a city characterized by centuries of ordinary resistance to racial segregation and uneven geographic development.
A comprehensive guide to carpentry and construction that details each step in home building with over 1,500 photographs and illustrations on foundations, framing, roofing, windows, wiring, plumbing, solar heating, skylights, fences, sewage systems, and more.
The first two Shotgun Westerns starring John “Shotgun” Bishop—part man, part killing machine, and all vengeance. Shotgun Dr. John Bishop saw his share of death in the Civil War. Then a gang of outlaws invaded his home, slaughtered his family, and cut off his arm. Vowing revenge, Bishop has a gunsmith attach a special shotgun rig where his left arm used to be. Now the man called Shotgun rides deep into the Colorado winter to find and kill the men who murdered everything he once held dear—a journey that will force him to confront the violent legacy of his own outlaw brother—Devlin, a crazy-mean cuss who’d steal the horns off the devil himself. The Bleeding Edge This time, Dev’s got his cold black heart set on taking over John Chisum’s land, destroying the cattle king’s dream of building a new town and laying down tracks for the railroad. So Chisum hires Shotgun to protect his investment. But when the Bishop family feud turns into an all-out turf war, Shotgun ends up on the wrong side of the law—stuck in the middle between the devil he knows and two deadly new players. Their names are Billy the Kid and Pat Garrett. And this time, there will be blood. . .
He lost his arm to outlaws. Replaced it with a double-barreled boom stick. Now Civil War veteran Dr. John Bishop is armed for justice--and extremely dangerous. They call him. . . Shotgun The Bleeding Ground John"Shotgun" Bishop has tangled with plenty of lowlifes in his time--and he's got the missing limb to prove it. But few sink as low as his own brother Devlin, a crazy-mean cuss who'd steal the horns off the devil himself. This time, Dev's got his cold black heart set on taking over John Chisum's land, destroying the cattle king's dream of building a new town and laying down tracks for the railroad. So Chisum hires Shotgun and his Cheyenne partner, White Fox, to protect his investment. But when the Bishop family feud turns into an all-out turf war, Shotgun ends up on the wrong side of the law--stuck in the middle between the devil he knows and two deadly new players. Their names are Billy the Kid and Pat Garrett. And this time, there will be blood. . .
Outlaws left him with one arm, which he replaced with a specially rigged .12 gauge shotgun. Now Dr. John Bishop has the ultimate cure for evil—one barrel at a time. Even in the darkest days of the Civil War, Dr. John “Shotgun” Bishop never saw anything like the deadly plague sweeping through the Cheyenne nation. Diseased corpses dumped in the wells of the Great Plains. Women and children bombarded with infected blood during midnight raids. This is the new scourge of germ warfare, and it’s threatening to wipe out thousands of innocent lives. The culprits are a gang of renegades led by Shotgun’s one-time protégé, a doctor driven insane by the war, and now hell-bent on spreading pestilence across the land “to witness the cleansing of the West.” When the psychopath frames Shotgun for the plague-murders, he’s forced into a bloody chase, with posses of lawmen, bounty hunters, and a Cheyenne war party on his trail. Dr. John Bishop has only one choice to stop the plague, and clear his name: load up—and start shooting.
In Taking on Practical Theology, Courtney T. Goto explores the regnant paradigm that shapes knowledge production and that preserves power, privilege, and historic communal injury even as scholars intend to enlighten and transform communities. Approaching “context” as a case study, Goto illumines how this commonly used, taken-for-granted concept is “idolized.” Though practical theologians are sensitive to context, researchers often fail to consider how their own assumptive world dictates and influences their practices of research, teaching, and engaging in scholarly conversations. These practices unwittingly validate scholars who enjoy the most social capital while inflicting harm on both communities they research and on colleagues and students who do not fit (or fit less well) the norms of the majority.
Thomas King is the first Native writer to generate widespread interest in both Canada and the United States. He has been nominated twice for Governor General's Awards, and his first novel, Medicine River, has been transformed into a CBC movie. His books have been reviewed in publications such as The New York Times Book Review, The Globe and Mail, and People magazine. King is also the author of the serialized radio series The Dead Dog Café and is an accomplished photographer. Border Crossings is the first full-length study to explore King's art. Davidson, Walton, and Andrews employ a framework of postcolonial and border studies theory to examine the concepts of nation, race, and sexuality in King's work. They examine how King's art routinely explores cross-cultural dynamics, including Native rights and race relations, American and Canadian cultural interaction, and the artistic traditions of Europe and North America. The authors argue that, by situating these concepts within a comic framework, King avoids the polemics that often surface in cultural critiques. His writing engages, entertains, and educates. This provocative analysis of King's art reads across cultures and between borders, and makes an important contribution to the study of Native writing, Canadian and American literature, border studies, and humour studies.
In the World Library of Educationalists series, international scholars themselves compile career-long collections of what they judge to be their finest pieces—extracts from books, key articles, salient research findings, major theoretical and/or practical contributions—so the world can read them in a single manageable volume. Readers thus are able to follow the themes and strands of their work and see their contribution to the development of a field, as well as the development of the field itself. Contributors to the series include: Michael Apple, James A. Banks, Joel Spring, William F. Pinar, Stephen J. Ball, Elliot Eisner, Howard Gardner, John Gilbert, Ivor F. Goodson, and Peter Jarvis. In this volume, Courtney B. Cazden, renowned educational sociolinguist, brings together a selection of her seminal work, organized around three themes: development of individual communicative competence in both oral and written language and discourse; classroom interaction in learning and teaching; and social justice/educational equity issues in wider contexts beyond the classroom. Since the 1970s, Cazden has been a key figure in the ethnography of schooling, focusing on children’s linguistic development (both oral and written) and the functions of language in formal education, primarily but not exclusively in the United States. Combining her experiences as a former primary schoolteacher with the insight and methodological rigor of a trained ethnographer and linguist, Cazden helped to establish ethnography and discourse analysis as central methodologies for analyzing classroom interaction. This capstone volume highlights her major contributions to the field.
In Eco-Performance, Art, and Spatial Justice in the US, Courtney B. Ryan traces how urban artists in the US from the 1970s until today contend with environmental domestication and spatial injustice through performance. In theater, art, film, and digital media, the artists featured in this book perform everyday, spatialized micro-acts to contest the mutual containment of urbanites and nonhuman nature. Whether it is plant artist Vaughn Bell going for a city stroll in her personal biosphere, photographer Naima Green photographing Black urbanites in lush New York City parks, guerrilla gardeners launching seed bombs into abandoned city lots, or a satirical tweeter parodying BP’s response to the 2010 Deepwater Horizon oil spill, the subjects in this book challenge deeply engrained Western directives to domesticate nonhuman nature. In examining how urban eco-artists perform alternate ecologies that celebrate the interconnectedness of marginalized human, vegetal, and aquatic life, Ryan suggests that small environmental performances can expose spatial injustice and increase spatial mobility. Bringing a performance perspective to the environmental humanities, this interdisciplinary text offers readers stymied by the global climate crisis a way forward. It will appeal to a wide range of students and academics in performance, media studies, urban geography, and environmental studies.
In the history of black America, the image of the mortal, wounded, and dead black body has long been looked at by others from a safe distance. Courtney Baker questions the relationship between the spectator and victim and urges viewers to move beyond the safety of the "gaze" to cultivate a capacity for humane insight toward representations of human suffering. Utilizing the visual studies concept termed the "look," Baker interrogates how the notion of humanity was articulated and recognized in oft-referenced moments within the African American experience: the graphic brutality of the 1834 Lalaurie affair; the photographic exhibition of lynching, Without Sanctuary ; Emmett Till's murder and funeral; and the devastation caused by Hurricane Katrina. Contemplating these and other episodes, Baker traces how proponents of black freedom and dignity used the visual display of violence against the black body to galvanize action against racial injustice. An innovative cultural study that connects visual theory to African American history, Humane Insight asserts the importance of ethics in our analysis of race and visual culture, and reveals how representations of pain can become the currency of black liberation from injustice.
This edited volume provides an eco-socialist feminist analysis of the current social reproduction debate in South Africa, outlining existing and African alternatives to mainstream liberal feminism.
Jackie Robinson: A Life in American History provides readers with an understanding of the scope of Robinson's life and explores why no Major League Baseball player will ever again wear number 42 as his regular jersey number. This book captures Robinson's lifetime, from 1919 to 1972, while focusing on his connections to the unresolved promise of the Reconstruction Era and to the civil rights movement of the 20th century. In addition to covering Robinson's athletic career with the UCLA Bruins, the Kansas City Monarchs, the Montreal Royals, and the Brooklyn Dodgers, the book explores sociopolitical elements to situate Robinson's story and impact within the broader context of United States history. The book makes deliberate connections among the failure of Reconstruction, the creation of the Negro Leagues, the rise and decline of legalized segregation in the United States, the progress of the civil rights movement, and Robinson's life. Chronological chapters begin with Robinson's life before he played professional baseball, continue with an exploration of the Negro Leagues and Robinson's career with the Brooklyn Dodgers, and conclude with an examination of Robinson's post-retirement life as well as his influence on civil rights. Supplemental materials including document excerpts give readers an opportunity to explore contemporary accounts of Robinson's career and impact.
Winner of the NASSS Outstanding Book Award Hockey and multiculturalism are often noted as defining features of Canadian culture; yet, rarely are we forced to question the relationship and tensions between these two social constructs. This book examines the growing significance of hockey in Canada’s South Asian communities. The Hockey Night in Canada Punjabi broadcast serves as an entry point for a broader consideration of South Asian experiences in hockey culture based on field work and interviews conducted with hockey players, parents, and coaches in the Lower Mainland of British Columbia. This book seeks to inject more “color” into hockey’s historically white dominated narratives and representations by returning hockey culture to its multicultural roots. It encourages alternative and multiple narratives about hockey and cultural citizenship by asking which citizens are able to contribute to the webs of meaning that form the nation’s cultural fabric.
This collection of 137 witty/sassy/sexy/crazy blog posts will convince even the crustiest of souls that Courtney Jane Kendrick delights in daily life. Even when she can't ovulate, and Target is closed, and the pumpkin tarts are sold out at the bakery. Join c jane as she dazzles her way through infertility, pregnancy, and brand-new motherhood with a cast of characters that includes one husband, two parents, five brothers, three sisters, dozens of nieces and nephews, several dogs and celebrities, various disembodied voices, and a nicotine-addicted ghost thrown in just for fun. Because this is her one and only life. And GREAT GRAVY! She's enjoying it.
Freedom Faith is the first full-length critical study of Rev. Dr. Prathia Laura Ann Hall (1940-2002), an undersung leader in both the civil rights movement and African American theology. Freedom faith was the central concept of Hall's theology: the belief that God created humans to be free and assists and equips those who work for freedom. Hall rooted her work simultaneously in social justice, Christian practice, and womanist thought. Courtney Pace examines Hall's life and philosophy, particularly through the lens of her civil rights activism, her teaching career, and her ministry as a womanist preacher. Moving along the trajectory of Hall's life and civic service, Freedom Faith focuses on her intellectual and theological development and her radiating influence on such figures as Dr. Martin Luther King Jr., Marian Wright Edelman, and the early generations of womanist scholars. Hall was one of the first women ordained in the American Baptist Churches, USA, was the pastor of Mt. Sharon Baptist Church in Philadelphia, and in later life joined the faculty at the Boston University School of Theology as the Martin Luther King Chair in Social Ethics. In activism and ministry, Hall was a pioneer, fusing womanist thought with Christian ethics and visions of social justice.
Wonderful Crochet Bags is a compilation of 10 vintage patterns. All of the patterns feature extraordinarily beautiful bags. The bags are also unique from one another, so you'll have a very diverse collection of bags.
In the Belly of a Laughing God examines how eight contemporary Native women poets in Canada and the United States employ humour and irony to address the intricacies of race, gender, and nationality.
The fourth edition of the leading company law textbook, provides the most authoritative and comprehensive commentary on Irish company law following the commencement of the Companies Act 2014. The Companies Act 2014 makes the most far-reaching and fundamental changes to Irish company law in two generations, putting forward a radically different approach whereby the private company limited by shares will become the new model company. The structure of the fourth edition of this highly regarded title mirrors this new Act. The Act comprises over 1,448 Parts and represents the modern statement of the law applicable to the formation of companies, administration and management to their winding up and dissolution, incorporating the rights and duties of their officers, members and creditors. The Act commences on 1 June 2015 and introduces significant changes for companies operating in Ireland. This work has been expanded and revised to account for these legislative changes and important case law. As chairperson of the Company Law Review Group, whose recommendations greatly informed the new Act and as a leading practitioner of company law, Tom Courtney has a unique insight to the new legislation, its purpose and interpretation.The fourth edition is virtually a complete re-write and at approximately 2,900 pages it is some 400 pages longer than the last edition. Fully updated to take account of the dozens of judgments from the Irish and UK courts that have been delivered since the previous edition as well as the new statutory provisions, the fourth edition of The Law of Companies is a 'must have' for all practitioners, students and users of Irish company law.
Courtney Milan's Carhart series is now available in one boxed set. This set contains two full-length books and a novella. This Wicked Gift: Lavinia Spencer is too poor to be anything but practical. But when her younger brother lands himself in trouble, she has no choice but to do the unthinkable. She accepts the help of the dishonorable man that she's always wanted, even knowing that it might mean her ruination... Proof by Seduction: When Gareth Carhart discovers that his vulnerable young cousin is seeing a fortune teller, he vows to prove her a fraud. But he soon discovers that Jenny Keeble is far more than she appears to be, and before he knows it, he's caught in her spell... Trial by Desire: Lady Kate Carhart has no use for the husband who left her years ago. But when he returns, disrupting her carefully-laid plans, she has no choice but to distract him...any way she can. This is an enhanced ebook. In addition to the text of the book itself, it contains pictures, audio, and author commentary. You can read this enhanced ebook on any device, but the audio content may not be accessible on all ereaders. That content has been made available on the web, so you won't miss anything if your device doesn't support audio.
From the founder of the eponymous party-planning website, a guide to creating exceptional celebrations that will inspire any host. Tablescapes, tips, DIY party crafts, beautiful color photos, and more than 50 never-before-seen recipes, in an easy-to-follow format. Beginner hosts will find tons of tips and how-tos, as they’re walked through practical steps to creating fabulous parties on a realistic budget. The seasoned host will discover unique details and new recipes to enhance their tablescapes all year long. Follow one party to a tee, or mix-and-match elements to create a unique affair all your own. Courtney Dial Whitmore provides instructions for more than a dozen occasions (from simple backyard gatherings to special celebrations), each complemented with full tablescape details; decor tips; and recipes for each party covering appetizers, desserts, and drinks. Ring in the new year with a glitzy New Year's Day Brunch; savor a bit of Parisian culture with a Crêpe Cake and Sparkling Raspberry Cocktails; enjoy Spinach Tea Sandwiches and Lavender Fizz Cocktails at a Jane Austen–inspired Book Club Gathering; celebrate your favorite guy with Bacon and Pecan S'mores and Sriracha and Bourbon Wings; and don your best black-and-white apparel to enjoy Red Velvet Brownie Truffle Cakes and White Chocolate Martinis at a Black and White Masquerade Party. These are just a few of the ideas you'll find in Pizzazzerie: Entertain in Style. “Courtney covers every detail, and breaks them down to make entertaining easy. With so many creative ideas, you’ll want to start celebrating half birthdays, too!” —Kimberly Schlegel Whitman, editor-at-large, Southern Living “Festive, bright, and cheerful…full of ideas and passionate about the details.” —Tara Guerard, owner/creative director, Soiree
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