The first book in its series, Define the Great Line's SUMMIT introduces both characters at high speed through their youth and glimpses of the future that awaits them. This duality of negative and positive influences that is born between them becomes a foundation for inseparable experience.Courtney sits on the sultry, simmering beaches of Hawaii as a junior in her third year of college at University of Hawaii at Hilo, while Vanessa shakes in the dirty, cold streets of Millfield awaiting her boyfriend's return from a drug deal. Courtney's attempts to rekindle her distant and dysfunctional relationships between friends and family is the reason for her return back home, only finding the path to destruction has been paved in her absence. She ventures into her last year of college while Vanessa walks along the borders of war with her boyfriend, police, gangsters, family, friends, and herself.
How did Ichabod Crane and other characters from children’s literature shape the ideal of American citizenship? 2015 Honor Book Award, Children's Literature Association From the colonial period to the end of the Civil War, children’s books taught young Americans how to be good citizens and gave them the freedom, autonomy, and possibility to imagine themselves as such, despite the actual limitations of the law concerning child citizenship. Imaginary Citizens argues that the origin and evolution of the concept of citizenship in the United States centrally involved struggles over the meaning and boundaries of childhood. Children were thought of as more than witnesses to American history and governance—they were representatives of “the people” in general. Early on, the parent-child relationship was used as an analogy for the relationship between England and America, and later, the president was equated to a father and the people to his children. There was a backlash, however. In order to contest the patriarchal idea that all individuals owed childlike submission to their rulers, Americans looked to new theories of human development that limited political responsibility to those with a mature ability to reason. Yet Americans also based their concept of citizenship on the idea that all people are free and accountable at every age. Courtney Weikle-Mills discusses such characters as Goody Two-Shoes, Ichabod Crane, and Tom Sawyer in terms of how they reflect these conflicting ideals.
By drawing upon recent scholarship, original manuscript materials, and previously unpublished sources, this new biography presents an analytical narrative of King James VI & I’s life from his birth in 1566 to his accession to the throne of England and Ireland in 1603. The only son of Mary Stuart and heir (apparent but not uncontested) to Elizabeth I, James VI of Scotland was, from the moment of his birth, a focal point of countervailing hopes and fears for the confessional and dynastic future of the kingdoms of the British Isles. This study examines material from across the UK and beyond, as well as the newly deciphered letters of Mary, Queen of Scots, to reveal James as a highly capable, resourceful, deeply provocative and ruthless political actor. Analysis of James’s own writings is integrated within the narrative, providing fresh insights into the king’s inventive tactical engagement in the politics of publicity. Through a chronological approach, the events of his life are linked to wider issues associated with the early modern court, government, religion, and political and ideological conflict. James VI, Britannic Prince is of interest to all scholars of Scottish and British history in the late sixteenth and early seventeenth centuries.
The figure of the Virgin Mary comes loaded with baggage and preconceptions. She is usually depicted as the perfect, obedient, and highly esteemed woman, much like the Victorian notion of the "angel in the house." For many black women, nothing could be more inaccessible. This book considers the relationship between African American women and Mary of Nazareth. After examining the history of black American motherhood during slavery and beyond, this book then gives an overview of the existing views of Mary in both the church and the academy. Lee then brings African American women and Mary together, creating a womanist Mariology by using womanist biblical and theological interpretation, as well as considering black motherhood during the age of "Black Lives Matter.
The true story behind the film starring Academy Award winner Forest Whitaker and Garrett Hedlund; written and directed by Andrew Heckler; produced by Academy Award nominee Robbie Brenner (Dallas Buyers Club) A powerful, timely story about an African American reverend whose faith compelled him to help a KKK member leave a life of hate “Honest, empowering, incredibly enjoyable, and unforgettable.”—Bret Witter, bestselling co-author of The Monuments Men, Dewey, and Stronger In 1996, the town of Laurens, South Carolina, was thrust into the spotlight when a white supremacist named Michael Burden opened a museum celebrating the Ku Klux Klan in the community’s main square. Journalists and protestors flooded the town, and hate groups rallied to the establishment’s defense, dredging up the long history of racism and injustice. What came next is the subject of the film Burden, which won the 2018 Sundance Film Festival Audience Award. Shortly after his museum opened, Burden abruptly left the Klan in search of a better life. Broke and homeless, he was taken in by Reverend David Kennedy, an African American leader in the Laurens community, who plunged his church, friends, and family into an inspiring quest to save their former enemy. In this spellbinding Southern epic, journalist Courtney Hargrave further uncovers the complex events behind the story told in Andrew Heckler’s film. Hargrave explores the choices that led to Kennedy and Burden’s friendship, the social factors that drive young men to join hate groups, and the difference one person can make in confronting America’s oldest sin.
To Defend this Sunrise examines how black women on the Caribbean coast of Nicaragua engage in regional, national, and transnational modes of activism to remap the nation’s racial order under conditions of increasing economic precarity and autocracy. The book considers how, since the 19th century, black women activists have resisted historical and contemporary patterns of racialized state violence, economic exclusion, territorial dispossession, and political repression. Specifically, it explores how the new Sandinista state under Daniel Ortega and Rosario Murillo has utilized multicultural rhetoric as a mode of political, economic, and territorial dispossession. In the face of the Sandinista state’s co-optation of multicultural discourse and growing authoritarianism, black communities have had to recalibrate their activist strategies and modes of critique to resist these new forms of “multicultural dispossession.” This concept describes the ways that state actors and institutions drain multiculturalism of its radical, transformative potential by espousing the rhetoric of democratic recognition while simultaneously supporting illiberal practices and policies that undermine black political demands and weaken the legal frameworks that provide the basis for the claims of these activists against the state.
Places Greenville's experience during World War I within the context of the progressive era to better understand the rise of this New South city Greenville, South Carolina has become an attractive destination, frequently included in lists of the "Best Small Cities" in America. While Greenville's twenty-first-century Renaissance has been impressive, in "Our Country First, Then Greenville," Courtney L. Tollison Hartness explores an earlier period, revealing how Greenville's experience during World War I served to generate massive development in the city and the region. It was this moment that catalyzed Greenville's development into a modern city, setting the stage for the continued growth that persists into the present-day. "Our Country First, Then Greenville" explores Greenville's home-front experience of race relations, dramatic population growth (the number of Greenville residents nearly tripled between 1900 and 1930s), the women's suffrage movement, and the contributions of African Americans and women to Greenville's history. This important work features photos of Greenville, found in archival collections throughout the country and dating back over one hundred years.
How do you define rockabilly? Who were the original "outlaws" of Country music? Where can you go to hear great music in Austin, Texas? My Country Roots answers all these questions and hundreds more! It is a resource that will help you fill your mp3 player with the essential Country songs, while impressing your friends with your knowledge of the ultimate outsider art. Containing 100 recommended playlists for downloading, this book is the best and most unique way to explore the Country music genre in a modern easy, convenient way. Each playlist walks you through the history, culture, and relevance of Country music, revealing the authenticity and raw truth that represents Country. Whether you are a long-time lover of Country music or just discovering the genre, this book will help you not only organize your music, but explore, evaluate, and critique the music while learning about the basics of Country?what we sound like, what we believe in, where we've come from, and where we're goin'. This guide also provides a behind the scenes look at some of the cities that have spawned the greatest music of the genre and films that have contributed to the mystique which defines Country. For all you music lovers, mp3 users, or folks who are interested in discovering or rediscovering your country roots, this is a book you can't live without!
Thomas King is the first Native writer to generate widespread interest in both Canada and the United States. He has been nominated twice for Governor General's Awards, and his first novel, Medicine River, has been transformed into a CBC movie. His books have been reviewed in publications such as The New York Times Book Review, The Globe and Mail, and People magazine. King is also the author of the serialized radio series The Dead Dog Café and is an accomplished photographer. Border Crossings is the first full-length study to explore King's art. Davidson, Walton, and Andrews employ a framework of postcolonial and border studies theory to examine the concepts of nation, race, and sexuality in King's work. They examine how King's art routinely explores cross-cultural dynamics, including Native rights and race relations, American and Canadian cultural interaction, and the artistic traditions of Europe and North America. The authors argue that, by situating these concepts within a comic framework, King avoids the polemics that often surface in cultural critiques. His writing engages, entertains, and educates. This provocative analysis of King's art reads across cultures and between borders, and makes an important contribution to the study of Native writing, Canadian and American literature, border studies, and humour studies.
Written in conjunction with the documentary Rebirth, a full decade in the making, an uplifting look at the lives of nine individuals whose lives were forever changed by the largest tragedy our nation has ever faced. The images of the burning towers, the heartbroken friends building memorials, the minute-by-minute accounts of the horrors of that day-all are indelibly etched on our collective consciousness. But what of those left behind after 9/11? What have they, and we, learned from the gift of time? In Project Rebirth, a psychologist and a journalist examine the lives of nine people who were directly affected by the events of September 11, 2001. Written concurrently with the filming of a forthcoming documentary, it is uniquely positioned to tackle the questions raised about how people react in the face of crippling grief, how you maintain hope for a future when your life as you knew it is destroyed, and the amazing ability of humans to focus on the positive aspects of day-to-day living in the face of tragedy. The project follows people dedicated to rebuilding, both physically and emotionally. Spirituality, resilience, and hope are at the center of their stories. Brian, who lost his firefighter brother, spent two years working at Ground Zero and then helped to rebuild the PATH train station. Tanya, who lost her fiancée on 9/11, finds new love, new life, and joy as a mother in the years following, all doors she thought closed to her forever. Not a book that recounts the events of that day, and not a book about grief, Project Rebirth is a book about resilience and finding inner peace.
Born to an immensely rich Victorian industrial family, Colin Tennant used his wealth to live an eccentric lifestyle of self-indulgence from the 1940s to his death in 2010. He bought the private island of Mustique in the West Indies and made it one of the most exclusive destinations for the famous—royalty, film and pop stars, international businessmen and jet-setters flocked there. His parties were legendary. He was an original member of the Princess Margaret set (even suggested as a possible husband) and her visits to the island were always newsworthy. As Tennant's literary executer, Nicholas Courtney personally knew his subject and had access to unseen family papers and photographs. He tells the inside story of Tennant's remarkable and often tragic life which continues to cause ripples even after his death.
Moving beyond the preoccupation of honour and its associations with violence and sexual reputation, Courtney Thomas offers an intriguing investigation of honour’s social meanings amongst early modern elites in sixteenth- and seventeenth-century England. If I Lose Mine Honour I Lose Myself reveals honour’s complex role as a representational strategy amongst the aristocracy. Thomas’ erudite and detailed investigation of multi-generational family papers as well as legal records and prescriptive sources develops a fuller picture of how the concept of honour was employed, often in contradictory ways in daily life. Whether considering economic matters, marriage arrangements, supervision of servants, household management, mediation, or political engagement, Thomas argues that while honour was invoked as a structuring principle of social life its meanings were diffuse and varied. Paradoxically, it is the malleability of honour that made it such an enduring social value with very real meaning for early modern men and women.
Since young male players were the norm during the English Renaissance, were all cross-dressed performances of female characters played with the same degree of seriousness? Probably not. Spectrums of Representation in Shakespearean Crossdressing examines these varied types of female characters in English Renaissance drama, drawing from a range of play texts themselves in order to investigate if evidence exists for varying performance practices for male-to-female crossdressing. This book argues for a reading of the representation of female characters on the English Renaissance stage that not only suggests categorizing crossdressing along a spectrum of theatrical artifice, but also explores how this range of artifice enriches our understanding of the plays. The scholarship surrounding cross-dressing rarely makes this distinction, since in our study of early modern plays we tend to accept as a matter of course that all crossdressing was essentially the same. The basis of Spectrums of Representation in Shakespearean Crossdressing is that it was not.
The founder of Seaside Shadows Haunted History Tours sheds light on the supernatural stories of the Constitution State. Bloody battlefields and raucous taverns in Connecticut served as the backdrop for pivotal figures and bold actions vital to the American Revolution. Nathan Hale is said to still conduct lessons in New London and East Haddam, and many suspect that George Washington occasionally visits the Shaw Mansion and Fairfield's Sun Tavern. The presence of notorious traitor Benedict Arnold is often felt in the Leffingwell Inn and at Ye Antientist Burial Ground in New London, where he commanded troops numbering 1,600 as a newly turned Loyalist. Picnickers claim to see apparitions of wounded soldiers seated among them at Fort Griswold in Groton. Step foot into a time when the Sons of Liberty, Tories and Patriots changed the course of history as author Courtney McInvale uncovers the Revolutionary haunts of Connecticut.
In this project, Courtney Brannon Donoghue follows female-driven film projects ("starring, written, produced, and/or directed by women") and the women creating them from pitch to premiere, looking at all the unique challenges they face along the way. She focuses on the ways that industry lore (e.g., "female-led movies don't make money" or "female directors don't have the experience (or desire) to direct big-budget action blockbusters") and established business practices serve to limit women's options or co-opt their stories, using a wide range of research, from conducting extensive interviews and participant observation to engaging with marketing materials, trade publications, and industry studies. She began her research in 2016, shortly before the #MeToo movement dramatically changed the public conversation, which has allowed her to give readers a front-row seat to this hopefully transformative moment in the industry. Throughout, she aims "to connect larger conversations about the industry's historic gendered division of labor and changing notions of 'women's work' to the lived experiences of film professionals negotiating larger structural barriers alongside changing institutional cultures.""--
In the historical narrative/memoir Child of Many, the author traces the lives of her paternal great-great-grandparents, Winifred and Captain Moses Davis, during the American Civil War, and her maternal Eastman lineage starting with the arrivals of the Mayflower and Confidence, bringing both lines to the present day. History buffs will identify with some of the events and famous relatives mentioned. The merging of the Davis and Eastman lines not only presents a fascinating view of the past, but also shows how connected we are through time and space. Readers may even be encouraged to discover their own heritage. Child of Many merges two family lineages through the founding of this country amid battles, conflict, and hardship, while weaving the intricacies of DNA-related traits, gifts, and characteristics inherited through the author’s ancestry. Her ancestors, named and unnamed, served their country well in the military, law, medicine, education, government positions, science and industry, and more. In researching those who came before, the author better understands her own presence in today’s world as she continues her healing from grief and fear.
Hollywood Fantasies of Miscegenation analyzes white fantasies of interracial desire in the history of popular American film. From the first interracial screen kiss of 1903, through the Production Code's nearly thirty-year ban on depictions of "miscegenation," to the contemplation of mixed marriage in Guess Who's Coming to Dinner (1967), this book demonstrates a long, popular, yet underexamined record of cultural fantasy at the movies. With ambitious new readings of well-known films like D.W. Griffith's 1915 epic The Birth of a Nation and of key forgotten films and censorship documents, Susan Courtney argues that dominant fantasies of miscegenation have had a profound impact on the form and content of American cinema. What does it mean, Courtney asks, that the image of the black rapist became a virtual cliché, while the sexual exploitation of black women by white men under slavery was perpetually repressed? What has this popular film legacy invited spectators to remember and forget? How has it shaped our conceptions of, and relationships to, race and gender? Richly illustrated with more than 140 images, Hollywood Fantasies of Miscegenation carefully attends to cinematic detail, revising theories of identity and spectatorship as it expands critical histories of race, sex, and film. Courtney's new research on the Production Code's miscegenation clause also makes an important contribution, inviting us to consider how that clause was routinely interpreted and applied, and with what effects.
Freedom Faith is the first full-length critical study of Rev. Dr. Prathia Laura Ann Hall (1940-2002), an undersung leader in both the civil rights movement and African American theology. Freedom faith was the central concept of Hall's theology: the belief that God created humans to be free and assists and equips those who work for freedom. Hall rooted her work simultaneously in social justice, Christian practice, and womanist thought. Courtney Pace examines Hall's life and philosophy, particularly through the lens of her civil rights activism, her teaching career, and her ministry as a womanist preacher. Moving along the trajectory of Hall's life and civic service, Freedom Faith focuses on her intellectual and theological development and her radiating influence on such figures as Dr. Martin Luther King Jr., Marian Wright Edelman, and the early generations of womanist scholars. Hall was one of the first women ordained in the American Baptist Churches, USA, was the pastor of Mt. Sharon Baptist Church in Philadelphia, and in later life joined the faculty at the Boston University School of Theology as the Martin Luther King Chair in Social Ethics. In activism and ministry, Hall was a pioneer, fusing womanist thought with Christian ethics and visions of social justice.
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