This study looks at a wide range of medieval Englisih romance texts, including the works of Chaucer and Malory, from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas." --Book Jacket.
This volume covers a much-neglected topic: the avoidance by psychotherapists and psychoanalysts of the topic of their own mortality and that of their patients. All too often, the psychotherapist or psychoanalyst who is ill is unable to confront this reality in the presence of her patient and fails to prepare the patient for the most permanent goodbye, death. This volume includes nine essays which consider why the psychotherapist and psychoanalyst may find illness, mortality, retirement and termination so difficult. This volume is a collection of essays by psychoanalysts covering the denial of death amongst psychotherapists and psychoanalysts and the effect on clinical practice, the effect of early childhood confrontation with mortality on the professional development of psychoanalysts, illness in the analyst, the death of patients, and termination and retirement as symbolic harbingers of death.
The Ones That Are Wanted is a tour de force by virtue of the variety of expertises that Corinne Kratz brings together as photographer, researcher, curator, evaluator, and analyst of the exhibition and its reception. The book sustains its focus on the Okiek, pursues a coherent set of issues in depth, grounds the argument in a rich empirical account, and expands out to theoretical and ethical issues that transcend the immediate case. Kratz's theoretical sophistication pertains not only to the ethnographic study of culture, but also to the politics of representation and the particular nature of photography and exhibition as media."--Barbara Kirshenblatt-Gimblett, author of Destination Culture: Tourism, Museums, and Heritage "Corinne Kratz establishes a new benchmark for visual anthropology, and more generally for the photographic exhibit and the photographic essay forms. She not only brings together extraordinary photography with intimate knowledge of the individuals, rituals, and history of costume changes. She has the Okiek comment, providing an experiential insiders sensibility to the exhibit. And finally, she puts the exhibit into motion, ethnographically observing the exhibit's reception by very different audiences. It becomes a polyvocal communicative performance piece transcending our usual notions of photographic books and exhibits."--Michael M.J. Fischer, co-author of Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences "An exciting and groundbreaking work involving the innovative use of photography in cross-cultural discourse, that brings with it advances in method, theory and interpretation in visual anthropology."--Howard Morphy, Director of the Centre for Cross-Cultural Research, Australian National University, and author of Aboriginal Art (Art & Ideas)
When her family moves to a new town, twelve-year-old Audrey has no trouble making friends. But she finds it harder to gain the same acceptance for her new friend Hope, ostracized because of her strict Pennsylvania Dutch background.
First published in 1965, this work studies the House of Lords and the various proposals for its reform, abolition or limitation of its powers which have been made in the light o f prevailing theories of the nature and characteristics of the English government. The work also contains a history of the theory of mixed government that arose in Tudor England and lasted until well after the Reform Act of 1832. This history both illuminates the position of the House of Lords and also provides perspective for the study of Democracy in the movement for parliamentary reform. One of the book's most original features is an extensive account of Charles I's Answer to the Nineteen Propostions, out of which came the startling new theory of the constitution, known as "mixed monarchy".
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