This is real, difficult, essential history delivered in the most eloquent and accessible way. Her case, that rural Britain has been shaped by imperialism, is unanswerable, and she makes her arguments beautifully. An important book' Sathnam Sanghera 'A detailed and thoughtful exploration of historical connections that for too long have been obscured. A powerful book that brings the history of the Empire home – literally' David Olusoga The countryside is cherished by many Britons. There is a depth of feeling about rural places, the moors and lochs, valleys and mountains, cottages and country houses. Yet the British countryside, so integral to our national identity, is rarely seen as having anything to do with British colonialism. Where the countryside is celebrated, histories of empire are forgotten. In Our Island Stories, historian Corinne Fowler brings rural life and colonial rule together with transformative results. Through ten country walks, roaming the island with varied companions, Fowler combines local and global history, connecting the Cotswolds to Calcutta, Dolgellau to Virginia, and Grasmere to Canton. Empire transformed rural lives for better and for worse: whether in Welsh sheep farms or Cornish copper mines, it offered both opportunity and exploitation. Fowler shows how the booming profits of overseas colonial activities, and the select few who benefited, directly contributed to enclosure, land clearances and dispossession. These histories, usually considered separately, continue to shape lives across Britain today. To give an honest account, to offer both affection and criticism, is a matter of respect: we should not knowingly tell half a history. This new knowledge of our island stories, once gained, can only deepen Britons' relationship with their beloved landscape.
Green Unpleasant Land explores the countryside's repressed colonial past and demonstrates its importance as a source of ideas about Englishness. The book presents historical evidence to show that rural England was a place of conflict and global expansion. It also examines four centuries of literary response to explore how race, class and gender have both created and deconstructed England's pastoral mythologies. In particular, the book argues that Black and British Asian writers have challenged narrow, nostalgic views of rural England but also expressed attachment to English landscapes and the natural world.
Ten walks through idyllic scenery reveal the countryside’s forgotten links to transatlantic slavery and colonialism—a work of accessible history that will transform our understanding of British landscapes and heritage. The green fields, rugged highlands, and rolling hills of England, Scotland, and Wales are commonly associated with adventure, romance, and seclusion as well as literary figures like Jane Austen and William Wordsworth. But in reality, many of these rural places—with their country houses, lakes, and shorelines—were profoundly changed by British colonial activity. Even hamlets and villages were affected by distant colonial events. Taking ten country walks, author Corinne Fowler explores the unique colonial dimensions of British agriculture, copper-mining, landownership, wool-making, coastal trade, and factory work in cotton mills. One route shows the links between English country houses and Indian colonization. Another explores banking history in Southern England and its link to slavery on Louisianan plantations. Other walks uncover the historical impact of sugar profits on the Scottish isles and 18th-century tobacco imports on an English coastal port. The history of these countryside locations—and the people who lived and worked in them—is closely bound up with colonial rule in far-away continents. Accompanying the author on her walks are a fascinating group of people—artists, musicians, and writers—with strong attachments to the landscapes featured in this book and family links to former British colonies like Barbados and Senegal. These companions illuminate the meaning of colonial history in local settings. Crucially, this is not just a history book but a compassionate reflection on the way we respond to sensitive, shared histories which link people across cultures, generations, and political divides.
Green Unpleasant Land explores the countryside's repressed colonial past and demonstrates its importance as a source of ideas about Englishness. The book presents historical evidence to show that rural England was a place of conflict and global expansion. It also examines four centuries of literary response to explore how race, class and gender have both created and deconstructed England's pastoral mythologies. In particular, the book argues that Black and British Asian writers have challenged narrow, nostalgic views of rural England but also expressed attachment to English landscapes and the natural world. The book questions the countryside's reputation as a retreat from urban life. It interrogates the idea that country houses are models for civilised living or that moorlands are places of freedom. It presents new perspectives on the "English" flora and fauna that feature in literature, parks, allotments and suburban gardens. The book reconsiders a range of rural locations through the lens of British colonial involvement, including East India Company activity and the slavery business. The book connects England's outward-reaching histories to what was happening in the countryside: the enclosure of common land, the beginnings of industrial mass farming and the reshaping of landownership through imperial profits. In bringing together histories usually separated by the Atlantic, Green Unpleasant Land makes connections, for instance, between the rebellion of enslaved people for their freedom in Jamaica in 1831, and the struggles of English agricultural workers in the Captain Swing uprising of the same year. But Green Unpleasant Land is more than an academic study--accessibly written as it is--because it contains a section of Corinne Fowler's own stories and poems written in response to the research she has undertaken and the material objects she has encountered. It is a personal story, too, of her own family relationship to transatlantic enslavement. Green Unpleasant Land should make uncomfortable reading for anyone who wants to uphold nostalgic views of rural England. The heatedness of the recent media response to such work shows just what is at stake: a selective vision of nation that underplays the impact of four colonial centuries, or a vision that embraces, as Paul Gilroy expresses it, a post-imperial 'convivial culture'.
Chasing Tales is the first exclusive study of journalism, travel writing and the history of British ideas about Afghanistan. It offers a timely investigation of the notional Afghanistan(s) that have prevailed in the popular British imagination. Casting its net deep into the nineteenth century, the study investigates the country's mythologisation by scrutinising travel narratives, literary fiction and British news media coverage of the recent conflict in Afghanistan. This highly topical book explores the legacy of nineteenth-century paranoias and prejudices to contemporary travellers and journalists and seeks to explain why Afghans continue to be depicted as medieval, murderous, warlike and unruly. Its title, Chasing Tales, conveys the circulation, and indeed the circularity, of ideas commonly found in British travel writing and journalism. The 'tales' component stresses the pivotal role played by fictionalised sources, especially the writing of Rudyard Kipling, in perpetuating traumatic nineteenth-century memories of Afghan-British encounter. The subject matter is compelling and its foci of interest profoundly relevant both to current political debates and to scholarly enquiry about the ethics of travel.
Postcolonial Manchester offers a radical new perspective on Britain’s devolved literary cultures by focusing on Manchester’s vibrant, multicultural literary scene. Referencing Avtar Brah’s concept of ‘diaspora space’, the authors argue that Manchester is, and always has been, a quintessentially migrant city to which workers of all nationalities and cultures have been drawn since its origins in the cotton trade and the expansion of the British Empire. This colonial legacy – and the inequalities upon which it turns – is a recurrent motif in the texts and poetry performances of the contemporary Mancunian writers featured here, many of them members of the city’s long-established African, African-Caribbean, Asian, Chinese, Irish and Jewish diasporic communities. By turning the spotlight on Manchester’s rich, yet under-represented, literary tradition in this way, Postcolonial Manchester also argues for the devolution of the canon of English Literature and, in particular, recognition for contemporary black and Asian literary culture outside of London.
16 tales, penned by 16 accomplished writers, weave a tapestry of contemporary migration to the UK. As the globe shrinks, modern armed conflict, natural disasters and global economic imbalances have impacted on every nation of the world, including Britain. This anthology weaves a tapestry of these disparate voices, giving fictional and fictionalised voices to UK migrants of both recent times and the more distant past.
Chasing Tales is the first exclusive study of journalism, travel writing and the history of British ideas about Afghanistan. It offers a timely investigation of the notional Afghanistan(s) that have prevailed in the popular British imagination. Casting its net deep into the nineteenth century, the study investigates the country's mythologisation by scrutinising travel narratives, literary fiction and British news media coverage of the recent conflict in Afghanistan. This highly topical book explores the legacy of nineteenth-century paranoias and prejudices to contemporary travellers and journalists and seeks to explain why Afghans continue to be depicted as medieval, murderous, warlike and unruly. Its title, Chasing Tales, conveys the circulation, and indeed the circularity, of ideas commonly found in British travel writing and journalism. The 'tales' component stresses the pivotal role played by fictionalised sources, especially the writing of Rudyard Kipling, in perpetuating traumatic nineteenth-century memories of Afghan-British encounter. The subject matter is compelling and its foci of interest profoundly relevant both to current political debates and to scholarly enquiry about the ethics of travel.
Ten walks through idyllic scenery reveal the countryside’s forgotten links to transatlantic slavery and colonialism—a work of accessible history that will transform our understanding of British landscapes and heritage. The green fields, rugged highlands, and rolling hills of England, Scotland, and Wales are commonly associated with adventure, romance, and seclusion as well as literary figures like Jane Austen and William Wordsworth. But in reality, many of these rural places—with their country houses, lakes, and shorelines—were profoundly changed by British colonial activity. Even hamlets and villages were affected by distant colonial events. Taking ten country walks, author Corinne Fowler explores the unique colonial dimensions of British agriculture, copper-mining, landownership, wool-making, coastal trade, and factory work in cotton mills. One route shows the links between English country houses and Indian colonization. Another explores banking history in Southern England and its link to slavery on Louisianan plantations. Other walks uncover the historical impact of sugar profits on the Scottish isles and 18th-century tobacco imports on an English coastal port. The history of these countryside locations—and the people who lived and worked in them—is closely bound up with colonial rule in far-away continents. Accompanying the author on her walks are a fascinating group of people—artists, musicians, and writers—with strong attachments to the landscapes featured in this book and family links to former British colonies like Barbados and Senegal. These companions illuminate the meaning of colonial history in local settings. Crucially, this is not just a history book but a compassionate reflection on the way we respond to sensitive, shared histories which link people across cultures, generations, and political divides.
With thousands of brand-new listings, this newly revised and updated edition of the phenomenal bestseller from America's #1 authority on the nutritional content of food is the most up-to-date, comprehensive, pocket-sized food count guide available. Reissue.
This groundbreaking book reveals the findings of the first major study on spiritual reminiscence with people with dementia. The authors present evidence for the efficacy of spiritual reminiscence with this group, and drawing on examples demonstrate its many benefits, as revealed by the study.
Nympholeptic goddesses at the end of the theogony -- Nympholepts in ancient Greece -- Goddesses in love and nympholeptic heroes -- Odysseus nympholeptos -- Kephalos in the city -- Hellenistic nympholeptoi
The elements of infrastructure – roads, transportation, electricity, water, communications, schools, hospitals – are so ingrained in the fabric of daily life that few people give a second thought to who provides them, and how. Yet, they are controlled by an extensive and complex regulatory system. Moreover, the EU’s State aid modernization plan has made infrastructure a crucial aspect of competition law. How did EU State aid law turn into regulation on whether a city can build a new airport, or how it may operate a school? And what do the rules actually mean for infrastructure funding? These are the questions this book, the first comprehensive guide to EU State aid law in this key sector and a major contribution to the debate on the topic, seeks to answer. In its thorough review of the legal literature as well as relevant legislation and case law, this book covers such aspects of the infrastructure-State aid nexus as the following: – role of infrastructure in competition law; – infrastructure funding as aid and its compatibility with the internal market; – impact on land development and other ongoing activities; – sector-specific impact of State aid regulation on the design of infrastructure projects; – risk management; and – newer infrastructure sectors such as sports and cultural and healthcare projects. At many points in the presentation, the case-by-case analysis provides individual appraisals. In addition to focusing on the complex rules and how they have been interpreted in the decisional practice of the Commission and in the EU case law, this book provides deeply informed proposals for reform. This is a key work in a field of EU law that has developed and changed dramatically in recent years. It is sure to be of immeasurable value to practitioners and jurists in State aid law, competition law, and public procurement, as well as market actors (aid beneficiaries and competitors), policymakers, government officials, and business persons in these fields.
As the Nazi war machine ravages Europe, nineteen-year-old Regina Belyeu returns to Warsaw and meets Anton Dziengel, a young Jew chafing at the bit to fight back. They are plunged unwittingly into deep love that could cost them their lives because under the Nazi regime, a Jew and Gentile together is punishable by death. The Jews are terror stricken as daily, new directives are issued, systematically stripping away their rights, then their property, and finally, they are herded into and sealed in the newly built ghetto. Anton and other young people attempt to obtain weapons and rally people to fight back but are met with resistance and disbelief. As the fearsome darkness continues to grow and people are starving and dying, they realize Hitlers plan to annihilate the biological foundation of Jewry. Finally, the Nazis announce a resettlement in the east. Each day, thousands are rounded up and taken by trains to a camp at Treblinka. It is soon discovered that those people are being gassed to death. The roundups halt, but the fighting movement prepare for the Nazis return, ready to fight back when they do. Knowing that in the end they cannot win, they are determined to resist and to live with honor and die with honor.
A 2023 Choice Reviews Outstanding Academic Title In this book, Corinne M. Dalelio analyzes how the rise of interactive media over the last few decades has had enormous impacts on every aspect of American society—the ways in which we organize, produce, consume, engage, entertain, and inform. Yet the vestiges of the one-way, broadcast model of the media industries continue to be primary, prominent, and persuasive in our culture, Dalelio argues. This book offers clarity and insight into the current media landscape by first outlining what it is that makes interactive media distinct from that which came before, and then identifying the harmonies and tensions between media systems—new and old—as they operate in various communicative contexts still in flux. These contexts include art, journalism, activism, marketing, and even the public sphere. Dalelio encourages readers to hone their critical digital literacy skills by supplying them with analytical concepts and theoretical principles that can be applied, regardless of how these tools change or evolve, ultimately enabling more thoughtful and meaningful interactive media usage and consumption. Elucidated throughout with interesting and relevant narrative examples, this book offers an engaging and straightforward presentation of the current scholarly understanding of these tools along with practical tips for navigating the challenges of our complex media ecosystem. Scholars of media studies, communication, sociology, and American studies will find this book particularly useful.
The study then considers the treatment of rape and ravishment in a range of literary genres: in hagiography, female saints are repeatedly threatened with rape; the stories of Lucretia and Helen underpin legendary history; the acts of rape and ravishment challenge and shape chivalric order in romance; otherworldly rapes result in the conception of romance heroes. The final two chapters examine the ways in which Malory and Chaucer write and rewrite rape and ravishment."--BOOK JACKET.
The Ones That Are Wanted is a tour de force by virtue of the variety of expertises that Corinne Kratz brings together as photographer, researcher, curator, evaluator, and analyst of the exhibition and its reception. The book sustains its focus on the Okiek, pursues a coherent set of issues in depth, grounds the argument in a rich empirical account, and expands out to theoretical and ethical issues that transcend the immediate case. Kratz's theoretical sophistication pertains not only to the ethnographic study of culture, but also to the politics of representation and the particular nature of photography and exhibition as media."--Barbara Kirshenblatt-Gimblett, author of Destination Culture: Tourism, Museums, and Heritage "Corinne Kratz establishes a new benchmark for visual anthropology, and more generally for the photographic exhibit and the photographic essay forms. She not only brings together extraordinary photography with intimate knowledge of the individuals, rituals, and history of costume changes. She has the Okiek comment, providing an experiential insiders sensibility to the exhibit. And finally, she puts the exhibit into motion, ethnographically observing the exhibit's reception by very different audiences. It becomes a polyvocal communicative performance piece transcending our usual notions of photographic books and exhibits."--Michael M.J. Fischer, co-author of Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences "An exciting and groundbreaking work involving the innovative use of photography in cross-cultural discourse, that brings with it advances in method, theory and interpretation in visual anthropology."--Howard Morphy, Director of the Centre for Cross-Cultural Research, Australian National University, and author of Aboriginal Art (Art & Ideas)
Winner of the Sociology of Health and Illness Book Prize 2008. Using narrative analysis of a three year interview study of people living with HIV in South Africa and textual analysis of political materials, this book is the first to examine the major impact of HIV on people's everyday lives.
This study looks at a wide range of medieval Englisih romance texts, including the works of Chaucer and Malory, from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas." --Book Jacket.
The Golden Age of American Musical Theatre provides synopses, cast and production credits, song titles, and other pertinent information for over 180 musicals from Oklahoma! to On A Clear Day You Can See Forever. Concentrating on a 22-year span, this book lists both commercial successes and flops of the Golden Age-when the musicals presented on Broadway showcased timeless, memorable tunes, sophisticated comedy, and the genius of creative artists like Richard Rodgers, Oscar Hammerstein, Jerome Robbins, Leonard Bernstein, George Abbott, Moss Hart, Angela Lansbury, Robert Preston, and many others.
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