In Alistair MacLeod: A Literary Companion, Canadian literary scholar Corey Evan Thompson seeks to offer general readers and advanced students of Canadian literature an introductory overview of the life and writings of the Canadian novelist and short story author Alistair MacLeod. While MacLeod's profile was not as prolific as other Canadian authors, such as Margaret Atwood or Alice Munro, his writings have left an indelible impression on readers and critics alike. This book offers an encyclopedic account of all of MacLeod's writings (including publication history and plot synopsis) and vitally important aspects of his life and work.
In early to mid-19th century America, there were growing debates concerning the social acceptability of alcohol and its consumption. Temperance reformers publicly decried the evils of liquor, and America's greatest authors began to write works of temperance fiction, stories that urged Americans to refrain from imbibing. Herman Melville was born in an era when drunkenness was part of daily life for American men but came of age at a time when the temperance movement had gained social and literary momentum. This first full-length analysis of alcohol and intoxication in Melville's novels, short fiction and poetry shows how he entered the debate in the latter half of the 19th century. Throughout his work he cautions readers to avoid alcohol and consistently illustrates negative outcomes of drinking.
This reference work covers both Herman Melville's life and writings. It includes a biography and detailed information on his works, on the important themes contained therein, and on the significant people and places in his life. The appendices include suggestions for further reading of both literary and cultural criticism, an essay on Melville's lasting cultural influence, and information on both the fictional ships in his works and the real-life ones on which he sailed.
Literary critics have aptly noted that death is arguably the most frequent topic, theme, or occurrence in all of American literature. Naturally, the works of such authors as Charles Brockden Brown, Nathaniel Hawthorne, Edgar Allan Poe, Kate Chopin, Shirley Jackson, and Stephen King, among countless others, go to great lengths to support this observation; however, the renowned nineteenth-century American literary giant Herman Melville, most famous as the author of Moby Dick, has been frequently overlooked. In this book, seasoned literary scholar Corey Evan Thompson seeks to remedy this oversight. Death in Herman Melville's Fiction: Melville's "Memento Mori" is the first full-length study to examine the ubiquity and implications of death in Melville's prose fiction. As Thompson shows, death occurs in all of Melville's novels and much of his shorter fiction by various means. Not only is death a frequent occurrence in Melville's fiction, but his characters die regardless of age, health, social status, or moral character. Drawing from his father's death, Melville's fiction provides his readers with the difficult realization that it is the inevitable destination for everyone who is on this journey called life.
This reference work covers both Herman Melville's life and writings. It includes a biography and detailed information on his works, on the important themes contained therein, and on the significant people and places in his life. The appendices include suggestions for further reading of both literary and cultural criticism, an essay on Melville's lasting cultural influence, and information on both the fictional ships in his works and the real-life ones on which he sailed.
This collection of recent scholarship on the thought of Michael Oakeshott includes essays by both distinguished and established authors as well as a fresh crop of younger talent. Together, they address the meanings of Oakeshott's conservatism through the lenses of his ideas on religion, history, and tradition, and explore his relationships to philosophers ranging from Hume to Ryle, Cavell, and others. The collection assigns no single or final meaning to Oakeshott's conservatism, but finds in him a number of possibilities for thinking fruitfully about what conservatism might mean, when it is no longer considered as a doctrine, but as a habit or a turn of mind.
What is the Good Life? Learn from some of the greatest minds in Greek, Jewish, and Christian thought. Comparing their thought reveals a new apex reached in the age-old question concerning the relationship of Jerusalem and Athens, faith and reason. Few have been more influential in Judaism and Christianity than Moses Maimonides and Thomas Aquinas, yet Aristotle influenced them both in significant ways. By adopting and adapting some of Aristotle's best thinking, we can appreciate Maimonides' and Aquinas' search for the Good Life from their respective views, ranging from the fall to human perfectibility. This examines human nature, the human telos, and how each would prescribe the route to the Good Life. For all three, it is ultimately about the knowledge of God. But what does that mean? The comparative approach is more illuminating than if considered in isolation. Comparatively, Aristotle's approach may be characterized as informational, Maimonides' as instructional, and Aquinas' as pneumatic-relational. The role of faith as a virtue in both Maimonides and Aquinas makes a substantive difference over Aristotle's in philosophical and practical ways. It is used to exploit their accounts of the human fall, moral perfection, and ultimate human perfection--the knowledge of God.
This volume brings together a diverse range of perspectives reflecting the international appeal and multi-disciplinary interest that Oakeshott now attracts. The essays offer a variety of approaches to Oakeshott's thought - testament to the abiding depth, originality, suggestiveness and complexity of his writings. The essays include contributions from well-known Oakeshott scholars along with ample representation from a new generation. As a collection these essays challenge Oakeshott's reputation as merely a 'critic of social planning'. Contributors include Josiah Lee Auspitz, Debra Candreva, Wendell John Coats Jr., Douglas DenUyl, George Feaver, Paul Franco, Richard Friedman, Timothy Fuller, Robert Grant, Eric S. Kos, Leslie Marsh, Kenneth Minogue, Terry Nardin, Keith Sutherland, Martyn Thompson and Gerhard Wolmarans.
In early to mid-19th century America, there were growing debates concerning the social acceptability of alcohol and its consumption. Temperance reformers publicly decried the evils of liquor, and America's greatest authors began to write works of temperance fiction, stories that urged Americans to refrain from imbibing. Herman Melville was born in an era when drunkenness was part of daily life for American men but came of age at a time when the temperance movement had gained social and literary momentum. This first full-length analysis of alcohol and intoxication in Melville's novels, short fiction and poetry shows how he entered the debate in the latter half of the 19th century. Throughout his work he cautions readers to avoid alcohol and consistently illustrates negative outcomes of drinking.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.