For nearly a century, it has been a commonplace of Central European history that there were no Jews in medieval Prussia—the result, supposedly, of the ruling Teutonic Order’s attempts to create a purely Christian crusader’s state. In this groundbreaking historical investigation, however, medievalist Cordelia Hess demonstrates the very weak foundations upon which that assumption rests. In exacting detail, she traces this narrative to the work of a single, minor Nazi-era historian, revealing it to be ideologically compromised work that badly mishandles its evidence. By combining new medieval scholarship with a biographical and historiographical exploration grounded in the 20th century, The Absent Jews spans remote eras while offering a fascinating account of the construction of historical knowledge.
For nearly a century, it has been a commonplace of Central European history that there were no Jews in medieval Prussia—the result, supposedly, of the ruling Teutonic Order’s attempts to create a purely Christian crusader’s state. In this groundbreaking historical investigation, however, medievalist Cordelia Hess demonstrates the very weak foundations upon which that assumption rests. In exacting detail, she traces this narrative to the work of a single, minor Nazi-era historian, revealing it to be ideologically compromised work that badly mishandles its evidence. By combining new medieval scholarship with a biographical and historiographical exploration grounded in the 20th century, The Absent Jews spans remote eras while offering a fascinating account of the construction of historical knowledge.
Social imagery during the Late Middle Ages was typically considered to be dominated by the three orders oratores, bellatores, laboratores as the most common way of describing social order, along with body metaphors and comprehensive lists of professions as known from the Danse macabre tradition. None of these actually dominates within the vast genre of lay didactical literature. This book comprises the first systematic investigation of social imagery from a specific late medieval linguistic context. It methodically catalogues images of the social that were used in a particular cultural/literary sphere, and it separates late medieval efforts at catechization in print from the social and religious ruptures that are conventionally thought to have occurred after 1517. The investigation thus compliments recent scholarship on late medieval vernacular literature in Germany, most of which has concentrated on southern urban centres of production. The author fills a major lacuna in this field by concentrating for the first time on the entire extant corpus of vernacular print production in the northern region dominated by the Hanseatic cities and the Middle Low German dialect.
THE BRILLIANT AND HUGELY INFLUENTIAL BOOK BY THE WINNER OF THE 2017 ROYAL SOCIETY INSIGHT INVESTMENT SCIENCE BOOKS PRIZE 'Fun, droll yet deeply serious.' New Scientist 'A brilliant feminist critic of the neurosciences ... Read her, enjoy and learn.' Hilary Rose, THES 'A witty and meticulously researched exposé of the sloppy studies that pass for scientific evidence in so many of today's bestselling books on sex differences.' Carol Tavris, TLS Gender inequalities are increasingly defended by citing hard-wired differences between the male and female brain. That's why, we're told, there are so few women in science, so few men in the laundry room – different brains are just suited to different things. With sparkling wit and humour, Cordelia Fine attacks this 'neurosexism', revealing the mind's remarkable plasticity, the substantial influence of culture on identity, and the malleability of what we consider to be 'hardwired' difference. This modern classic shows the surprising extent to which boys and girls, men and women are made – not born.
The EUROSTUDENT 8 - Synopsis of Indicators is the central publication of the EUROSTUDENT project and the result of the collaboration of a European-wide network including researchers, data collectors, representatives of national ministries, and other stakeholders. It comprises data from student surveys conducted in 25 countries in the European Higher Education Area during the eighth round of the EUROSTUDENT project. Adopting a broad, comparative perspective, the EUROSTUDENT 8 - Synopsis of Indicators provides information on students' socio-economic and study-related backgrounds, their study conditions and experiences, including international mobility, and their living conditions. It aims to inspire policy debates on the topic of the social dimension and lay the ground for further research. Die EUROSTUDENT 8 ist die zentrale Veröffentlichung des EUROSTUDENT-Projekts und das Ergebnis der Zusammenarbeit eines europaweiten Netzwerks aus Forschern, Datenerhebern, Vertretern nationaler Ministerien und anderen Beteiligten. Sie enthält Daten aus Studierendenbefragungen, die in 25 Ländern des Europäischen Hochschulraums während der achten Runde des EUROSTUDENT-Projekts durchgeführt wurden. Die Publikation nimmt eine breite, vergleichende Perspektive ein und liefert Informationen über den sozioökonomischen und studienbezogenen Hintergrund der Studierenden, ihre Studienbedingungen und -erfahrungen, einschließlich internationaler Mobilität, sowie ihre Lebensbedingungen. Sie soll politische Debatten zum Thema der sozialen Dimension anregen und die Grundlage für weitere Forschung schaffen.
Social imagery during the Late Middle Ages was typically considered to be dominated by the three orders oratores, bellatores, laboratores as the most common way of describing social order, along with body metaphors and comprehensive lists of professions as known from the Danse macabre tradition. None of these actually dominates within the vast genre of lay didactical literature. This book comprises the first systematic investigation of social imagery from a specific late medieval linguistic context. It methodically catalogues images of the social that were used in a particular cultural/literary sphere, and it separates late medieval efforts at catechization in print from the social and religious ruptures that are conventionally thought to have occurred after 1517. The investigation thus compliments recent scholarship on late medieval vernacular literature in Germany, most of which has concentrated on southern urban centres of production. The author fills a major lacuna in this field by concentrating for the first time on the entire extant corpus of vernacular print production in the northern region dominated by the Hanseatic cities and the Middle Low German dialect.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.