It is the summer of 1972, and writer Rianne Tavener returns to the seaside village of Port Carlyle, Nova Scotia, her childhood home. Owen Sweeney, an eccentric museum curator and guardian of the local burying ground, hires Rianne to oversee projects for the villages upcoming bicentennial celebrations. He shows her the damaged Victorian-era journal of the young woman who is buried beneath the graveyards most distinctive headstone. Alyda Teasdale was seventeen and unmarried in 1897, the year she and her newborn baby died under mystifying circumstances. Intrigued by the journal, Rianne carefully reconstructs its entries. She traces Alydas history as the young woman grieves the loss of her sea captain father, struggles against the dictates of her authoritarian stepfather, and experiences the euphoria of forbidden love. Owen Sweeney, citing a secret source, provides important details that are missing in the journal, but insists on controlling the project. Rianne turns to Ben Allenby, a childhood friend, for further help in piecing together Alydas tragic tale. He complicates Riannes task, however, by awakening feelings in her that have long been buried. Overwhelmed, Rianne begins seeing visions of a young Victorian-era woman. Has Alyda returned to help her in her quest, she wonders, or are the images creations of her own imagination? In this compelling mystery tale, as Rianne uncovers the fate of a nineteenth-century woman and her baby, she discovers that even in heartbreak, life offers two constants: love and hope.
When Terry Hill and his family move to Zagreb, communism is history. Croatia is independent and hoping for better days. All might have gone well, had General Pantolic and other members of the new "aristocracy" not plundered the nation's wealth. Soon, Croatia's promising, democratic future looks as disheartening as the past. Applying for EU membership simply makes matters worse. Luka Tadic copes by exploiting the system. His brother seeks revenge. The British ex-pats fight culture shock and Jana Filipovic succumbs to threats. Loosely based on fact, Dust and Diamonds gives Croatian transition a truly human face.
Social imagery during the Late Middle Ages was typically considered to be dominated by the three orders oratores, bellatores, laboratores as the most common way of describing social order, along with body metaphors and comprehensive lists of professions as known from the Danse macabre tradition. None of these actually dominates within the vast genre of lay didactical literature. This book comprises the first systematic investigation of social imagery from a specific late medieval linguistic context. It methodically catalogues images of the social that were used in a particular cultural/literary sphere, and it separates late medieval efforts at catechization in print from the social and religious ruptures that are conventionally thought to have occurred after 1517. The investigation thus compliments recent scholarship on late medieval vernacular literature in Germany, most of which has concentrated on southern urban centres of production. The author fills a major lacuna in this field by concentrating for the first time on the entire extant corpus of vernacular print production in the northern region dominated by the Hanseatic cities and the Middle Low German dialect.
A nineteenth-century Philadelphia heiress must rescue a friend from a criminal underworld in a series that “wonderfully evokes the color and culture of the time” (Publishers Weekly). Becky Grey Taitt is not the sort of woman who would typically infiltrate a gang of counterfeiters, but she is desperate for a powerful judge’s help in preventing her abusive husband from taking custody of her child—and that’ss the price the judge set in exchange for his aid. But the plan goes awry, and now Becky is trapped among criminals and killers. Her only hope is her friend Martha Beale, who, along with her beau, Thomas Kelman, will do everything possible to rescue Becky, in this tale of political machinations, revenge, and murder. “Fresh and believable. Biddle knows her manner and her city, and shows both to great advantage.” —The Plain Dealer “An intricately orchestrated narrative that implicates the Brahmin class and the corruption that comes with their absolute power.” —Publishers Weekly Praise for the Martha Beale Mysteries “The setting is unfolded as vividly as the characters, from the ‘commoners’ working the textile mills to the unseemly criminal types of the upper-crust elite. . . . A fine mix of history and mystery.” —Booklist “A first-rate mystery.” —Julia Spencer-Fleming, New York Times–bestselling author of Hid from Our Eyes “A good read . . . skillfully evokes the elegant society salons and grubby streets of 1842 Philadelphia.” —Philadelphia Magazine
It is the summer of 1972, and writer Rianne Tavener returns to the seaside village of Port Carlyle, Nova Scotia, her childhood home. Owen Sweeney, an eccentric museum curator and guardian of the local burying ground, hires Rianne to oversee projects for the villages upcoming bicentennial celebrations. He shows her the damaged Victorian-era journal of the young woman who is buried beneath the graveyards most distinctive headstone. Alyda Teasdale was seventeen and unmarried in 1897, the year she and her newborn baby died under mystifying circumstances. Intrigued by the journal, Rianne carefully reconstructs its entries. She traces Alydas history as the young woman grieves the loss of her sea captain father, struggles against the dictates of her authoritarian stepfather, and experiences the euphoria of forbidden love. Owen Sweeney, citing a secret source, provides important details that are missing in the journal, but insists on controlling the project. Rianne turns to Ben Allenby, a childhood friend, for further help in piecing together Alydas tragic tale. He complicates Riannes task, however, by awakening feelings in her that have long been buried. Overwhelmed, Rianne begins seeing visions of a young Victorian-era woman. Has Alyda returned to help her in her quest, she wonders, or are the images creations of her own imagination? In this compelling mystery tale, as Rianne uncovers the fate of a nineteenth-century woman and her baby, she discovers that even in heartbreak, life offers two constants: love and hope.
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