This textbook provides an in-depth introduction to the theoretical perspectives and methods of doing conversation analysis, an approach to the study of talk in interaction which grew out of the work of Garfinkel, Sacks, Schegloff, and Jefferson. This book is unique in that it provides comprehensive instruction in both interaction in ordinary conversations in everyday life as well as talk in institutional settings and a wide range of workplace and business interactions, while teaching both major research findings and how to conduct conversation analytic research. The book is designed to be useful for students of linguistics, sociology, and communication studies, and is written in clear and accessible prose. The Companion Website provides additional resources for instructors, such as questions and data excerpts for tests and in class exercises, audio and video clips for transcription practice, and guides for instructors on a range of topics covered in the course.
The 1870 Ghost Dance was a significant but too often disregarded transformative historical movement with particular impact on the Native peoples of northern California. The spiritual energies of this ?great wave,? as Peter Nabokov has called it, have passed down to the present day among Native Californians, some of whose contemporary individual and communal lives can be understood only in light of the dance and the complex religious developments inspired by it. Cora Du Bois's historical study, The 1870 Ghost Dance, has remained an essential contribution to the ethnographic record of Native Californian cultures for seven decades yet is only now readily available for the first time. Du Bois produced this pioneering work in the field of ethnohistory while still under the tutelage of anthropologist Alfred Louis Kroeber. Her monograph informs our understanding of Kroeber's larger, grand and crucial salvage-ethnographic project in California, its approach and style, and also its limitations. The 1870 Ghost Dance adds rich detail to our understanding of anthropology in California before World War II
Once, Anjali Patel and Mikhail Grikov were soldiers on opposing sides of an intergalactic war. They met, fell in love and decided to go on the run together. Now Anjali and Mikhail are trying to eke out a living on the independent worlds of the galactic rim, while attempting to stay under the radar of those pursuing them. When they are hired to retrieve a weapons prototype from an abandoned planet, it seems like a routine job. But it quickly turns out that the planet is not as empty as they had thought. And soon, Anjali and Mikhail find themselves caught in a deadly chase across a radioactive wasteland. This is a novella of 27500 words or approx. 95 print pages in the "In Love and War" series, but may be read as a standalone.
In Victoriana, leading feminist cultural critic Cora Kaplan reflects on our modern obsession with Victorian culture. She considers evocations of the nineteenth century in literature (The French Lieutenants' Woman by John Fowles, Possession by A. S. Byatt, Nice Work by David Lodge, The Master by Colm Tóibín, Fingersmith by Sarah Waters, The Line of Beauty by Alan Hollinghurst), film (Jane Campion's The Piano), and biography (Peter Ackroyd's Dickens). Why, she asks, does Jane Eyre still evoke tears and rage from its readers, and why has Henry James become fiction's favorite late-Victorian author? Within Victoriana, Kaplan argues, lies a modern history of its own that reflects the shifting social and cultural concerns of the last few decades. Distance has lent a sense of antique charm and exoticism to even the worst abuses of the period, but it has also allowed innovative writers and filmmakers to use Victorian settings and language to develop a new and challenging aesthetic. Issues of class, gender, empire, and race are explored as well as the pleasures and dangers of imitating or referencing narrative forms, individual histories, and belief systems. As Kaplan makes clear, Victoriana can be seen as a striking example of historical imagination on the move, restless and unsettled.
NAVY SEALS WANTED to join planned eco-community. Must be knowledgeable about sustainability, committed to the goals of our organization, comfortable with being filmed for a reality television show documenting our progress—and willing to marry within the year. Wives provided for those lacking them. When Navy SEAL sniper Harris "Hawk" Wentworth stumbles on the ad calling for participants in a new sustainable community and TV show, he can’t wait to join Base Camp in Chance Creek, Montana, and get started building a new future. After a lifetime of living on the fringes, always on the lookout for danger, he’s ready to hang up his rifle and finally relax. And if someone else is willing to find him a bride, he’s all for it. He’s always been more at home behind enemy lines than talking to women. He can’t wait to meet his wife to be. But it’s not his turn yet. BACKUP BRIDE NEEDED: Are you female, single, between twenty-five and thirty-five years of age? Looking for a husband? Think you’ve got what it takes to join Base Camp? Follow the link below to apply now. Samantha Smith is willing to do anything to escape her long-time job driving the tour bus for the band her parents and sister play for. She’s ready for marriage, a settled home—and motherhood. And she wants them all right now. She knows she could be happy at Base Camp, so when an episode of the reality television series ends with a call for a backup bride for one of the participants, Sam applies for the position—no questions asked. She’s ready for whatever adventure awaits her. When Harris picks her up at the airport instead of Curtis Lloyd, the man she was told she was meant to marry, Sam assumes Harris is Curtis’s replacement—and if she’s honest, she’s relieved. The quiet, sexy sniper always caught her eye when he appeared on the show, and in person he’s everything Sam’s ever wished for in a husband. Harris has to make a choice, fast. Correct the mistake Sam’s made about why he’s picking her up at the airport—or elope with Curtis’s bride. What’s a Navy SEAL to do? The Navy SEALs of Chance Creek: BOOK 1: A SEAL's Oath BOOK 2: A SEAL's Vow BOOK 3: A SEAL's Pledge BOOK 4: A SEAL's Consent BOOK 5: A SEAL's Purpose BOOK 6: A SEAL's Resolve BOOK 7: A SEAL's Devotion BOOK 8: A SEAL's Desire BOOK 9: A SEAL's Struggle BOOK 10: A SEAL's Triumph
Navy SEAL Clay Pickett needs a wife, fast, or he’ll lose the model sustainable community he and his friends came home to Chance Creek to build. He’s got just the woman for the job in mind: sexy, sensitive Nora Ridgeway. Too bad she’s not interested in rushing to the altar. When Nora leaves her job as a school teacher to open a Jane Austen Bed and Breakfast with her friends—and finally get a chance to write her novel—she’s relieved to escape the escalating threats of violence from an unknown student stalker, and more than a little interested in the Navy SEAL who’s after her heart. But when trouble starts stalking her at Chance Creek, Nora begins to wonder if she’s left her past behind after all. Can Clay and Nora find a way to be together when everything is trying to tear them apart? The Navy SEALs of Chance Creek: BOOK 1: A SEAL's Oath BOOK 2: A SEAL's Vow BOOK 3: A SEAL's Pledge BOOK 4: A SEAL's Consent BOOK 5: A SEAL's Purpose BOOK 6: A SEAL's Resolve BOOK 7: A SEAL's Devotion BOOK 8: A SEAL's Desire BOOK 9: A SEAL's Struggle BOOK 10: A SEAL's Triumph
The realistic spirit, a nonmetaphysical approach to philosophical thought concerned with the character of philosophy itself, informs all of the discussions in these essays by philosopher Cora Diamond. Diamond explains Wittgenstein's notoriously elusive later writings, explores the background to his thought in the work of Frege, and discusses ethics in a way that reflects his influence. Diamond's new reading of Wittgenstein challenges currently accepted interpretations and shows what it means to look without mythology at the coherence, commitments, and connections that are distinctive of the mind. Representation and Mind series
The narrative of Uriah Barber is full of one cliff hanger after another as Barber, veteran of the Revolutionary War, and his younger step-brother Isaac Bonser lead five families across the new nation from Northumberland County in Pennsylvania to the Ohio River Valley. Dashing Uriah, his wife Barbara, blond, intelligent and pregnant, head south with their six children and nanny, lovely Rachael Baird. Heading down the Susquehanna River with Isaac, wife Abigail their four children, the Wards, Beattys and McAdams, who were newlyweds. Two keelboats were constructed to float them down the long and twisting Susquehanna to Paxtang, present day Harrisburg, where they exchanged their boats for Conestoga wagons and horses. Needing another man to pole the second boat, dark handsome Shawnee scout Jacob Early was hired in Sunbury. When they reached Paxtang he returned home taking with him the heart of Rachael Baird. Crossing the breadth of Pennsylvania on what is now Pennsylvania Turnpike, they encounter everything from broken axles, tornadoes, critically ill children, another pregnancy and a wagon tumbling over the mountainside taking everything. They finish their journey aboard an amazing three-story high majestic keelboat named the Floating Palace. Just when they need him most Early shows up to help them finish their journey on the Monongahela, then the Ohio where they encounter sandbars, underwater trees and river pirates. The rest of the story tells how Major Barber settled in southern Ohio and carved his name forever in the history of Scioto County. The tale is full of passion, love, hope, humor and tragedy enough for a Shakespearean play.
When was the last time you said everything on your mind without holding back? In this no-holds-barred discussion of America’s top hot-button issues, a journalist and a cultural anthropologist express opinions that are widely held in private—but rarely heard in public. Everyone edits what they say. It’s a part of growing up. But what if we applied tell-it-like-it-is honesty to grown-up issues? In Impolite Conversations, two respected thinkers and writers openly discuss five “third-rail” topics—from multi-racial identities to celebrity worship to hyper-masculinity among black boys—and open the stage for honest discussions about important and timely concerns. Organized around five subjects—Race, Politics, Sex, Money, Religion—the dialogue between Cora Daniels and John L. Jackson Jr. may surprise, provoke, affirm, or challenge you. In alternating essays, the writers use reporting, interviews, facts, and figures to back up their arguments, always staying firmly rooted in the real world. Sometimes they agree, sometimes they don’t, but they always reach their conclusions with respect for the different backgrounds they come from and the reasons they disagree. Whether you oppose or sympathize with these two impassioned voices, you’ll end up knowing more than you did before and appreciating the candid, savvy, and often humorous ways in which they each take a stand.
Based on rare oral data from women participants in the "Mau Mau" rebellion, this book chronicles changes in women's domestic reproduction, legal status, and gender roles that took place under colonial rule. The book links labour activism, cultural nationalism, and the more overtly political issues of land alienation, judicial control, and character
Shedding new light on the American campaign to democratize Western Germany after World War II, Capturing the German Eye uncovers the importance of cultural policy and visual propaganda to the U.S. occupation. Cora Sol Goldstein skillfully evokes Germany’s political climate between 1945 and 1949, adding an unexpected dimension to the confrontation between the United States and the USSR. During this period, the American occupiers actively vied with their Soviet counterparts for control of Germany’s visual culture, deploying film, photography, and the fine arts while censoring images that contradicted their political messages. Goldstein reveals how this U.S. cultural policy in Germany was shaped by three major factors: competition with the USSR, fear of alienating German citizens, and American domestic politics. Explaining how the Americans used images to discredit the Nazis and, later, the Communists, she illuminates the instrumental role of visual culture in the struggle to capture German hearts and minds at the advent of the cold war.
A new model of Indigenous identity formation in Canadian postsecondary institutions What role does postsecondary education play in the formation of Indigenous identity? Some argue that this impact must be negative, not only because postsecondary education draws students away from their communities, but also because of the Eurocentric worldviews that dominate most institutions. However, according to a ground-breaking study by Barbara Barnes and Cora Voyageur, the truth is much more nuanced and surprising. During their research, Professors Barnes and Voyageur followed 60 Indigenous students from a variety of backgrounds at six postsecondary institutions in western Canada, and they present their finding here. They explore how the students’ experiences fit with conventional and Indigenous identity-formation theories, and they consider the impacts of colonization and the Indian Act. Based on the experiences of the students, Barnes and Voyageur build an entirely new model of Indigenous identity formation in Canadian postsecondary institutions.
This book provides a descriptive account of Mischa Cotlar's work along with a complete bibliography of his mathematical books and papers. It examines the harmonic analysis and operator theory in relation with the theory of partial differential equations.
Rob Matheson's a fighter. Flattening enemies with his fists or with his legendary practical jokes, he's a tough enemy, and a troublesome friend. But Rob doesn't know how much longer he can keep up the act. As his buddies get married one by one, he's left with his lonely life - and the sinking feeling he lost more than his dreams when he traded them for a thick skin. Now Rob's father has issued a challenge - he'll give 200 acres of prime Montana ranchland to the first of his four sons to wed. No conditions, no meddling. Could this be a chance to become the man he really wants to be? Morgan Tate's worked for years to climb the ladder to a top job at Cassidy Wineries, but Duncan Cassidy, the boss' son, always stands in her way. Now he's issued an ultimatum; marry him or he'll make sure she never works in the wine industry again. Morgan wants marriage--and a family--but not with Duncan. A certain cowboy in Chance Creek, Montana, has stolen her heart. When Rob offers Morgan a proposition--marry him and split the land - they both find themselves with an ethical dilemma. They don't know each other well enough to wed, but they can't lie about their intentions to their families, either. Now they've got sixty days to fall in love, and a passel of family and friends determined to keep them apart. The victims of Rob's previous jokes are lining up to get their revenge, and Morgan's half-sister, Claire, is stirring up their mother's past. Will it take the biggest practical joke of all to convince the world--and themselves--that they're truly meant to be man and wife? Cowboys of Chance Creek: BOOK 0: The Cowboy Inherits a Bride BOOK 1: The Cowboy's E-Mail Order Bride BOOK 2: The Cowboy Wins a Bride BOOK 3: The Cowboy Imports a Bride BOOK 4: The Cowgirl Ropes a Billionaire BOOK 5: The Sheriff Catches a Bride BOOK 6: The Cowboy Lassos a Bride BOOK 7: The Cowboy Rescues a Bride BOOK 8: The Cowboy Earns a Bride BOOK 9: The Cowboy's Christmas Bride
Two full-length Navy SEAL novels in one box set! A SEAL’s Oath – Book 1 in the SEALs of Chance Creek series Navy SEAL Boone Rudman has six months to find a wife and get her pregnant or he’ll lose his chance to win 1500 acres of prime Montana ranch land. So when he discovers Riley Eaton living on his new ranch, all grown up from the tomboy she used to be, he decides she’ll do for his bride—whether or not she’s got other plans. A SEAL’s Vow – Book 2 in the SEALs of Chance Creek series Navy SEAL Clay Pickett needs a wife, fast, or he’ll lose the model sustainable community he and his friends came home to Chance Creek to build. He’s got just the woman for the job in mind—sexy, sensitive Nora Ridgeway. But Nora has a stalker whose stealthy tactics have everyone at Base Camp guessing what he’ll do next. Can Clay convince Nora he’s the man for her before her stalker steals both their futures? The Navy SEALs of Chance Creek: BOOK 1: A SEAL's Oath BOOK 2: A SEAL's Vow BOOK 3: A SEAL's Pledge BOOK 4: A SEAL's Consent BOOK 5: A SEAL's Purpose BOOK 6: A SEAL's Resolve BOOK 7: A SEAL's Devotion BOOK 8: A SEAL's Desire BOOK 9: A SEAL's Struggle BOOK 10: A SEAL's Triumph
From the Introduction: ghet-to n. (Merriam-Webster dictionary) Italian, from Venetian dialect ghèto island where Jews were forced to live; literally, foundry (located on the island), from ghetàr, to cast; from Latin jactare to throw 1: a quarter of a city in which Jews were formerly required to live 2: a quarter of a city in which members of a minority group live, especially because of social, legal, or economic pressure 3a: an isolated group a geriatric ighetto/i” bb: ghet-to adj. (twenty-first-century everyday parlance) 1a: behavior that makes you want to say “Huh?” b: actions that seem to go against basic home training and common sense 2: used to describe something with inferior status or limited opportunity. Usually used with “so.” That’s so ighetto/i” ; He’s so ighetto/i” brb3: As current and all-consuming as “ghetto” is in these days of gold teeth, weaves (blond and red), Pepsi-filled baby bottles, and babymamas, ghetto has a long history. The original ghetto was in the Jewish quarter of Venice, a Catholic city. Before it became the Jewish quarter, this area contained an iron foundry or ghèto, hence the name. These days, ghetto no longer refers to where you live, but to how you live. It is a mindset, and not limited to a class or a race. Some things are worth repeating: ghetto is not limited to a class or a race. Ghetto is found in the heart of the nation’s inner cities as well as the heart of the nation’s most cherished suburbs; among those too young to understand (we hope) and those old enough to know better; in little white houses, and all the way to the White House; in corporate corridors, Ivy League havens, and, of course, Hollywood. More devastating, ghetto is also packaged in the form of music, TV, books, and movies, and then sold around the world. Bottom line: ghetto is contagious, and no one is immune, no matter how much we like to suck our teeth and shake our heads at what we think is only happening someplace else… From an award-winning journalist and cultural commentator comes a provocative examination of the impact of “ghetto” mores, attitudes, and lifestyles on urban communities and American culture in general. Cora Daniels takes on one of the most explosive issues in our country today in this thoughtful critique of America’s embrace of a ghetto persona that demeans women, devalues education, celebrates the worst African American stereotypes, and contributes to the destruction of civil peace. Her investigation exposes the central role of corporate America in exploiting the idea of ghetto-ness as a hip cultural idiom, despite its disturbing ramifications, as a means of making money. She showcases Black rappers raised in privileged families who have taken on the ghetto persona and sold millions of albums, and non-Black celebrities, such as Paris Hilton, who have adopted ghetto attitudes and styles in pursuit of attention and notoriety. She explores, as well, her own relationship to the ghetto and the ways in which she is both part of and outside the Ghettonation. Infused with humor and entertaining asides—including lists of events and people that the author nominates for the Ghetto Hall of Fame, and a short section written entirely in ghetto slang—Ghettonation is a timely and engrossing report on a controversial social phenomenon. Like Bill Cosby’s infamous, much-discussed comments about the problems within the Black community today, it is sure to trigger widespread interest and heated debate.
When an exhibition featuring London's top engineers results in sudden, violent death, Victorian writer-sleuths Wilkie Collins and Charles Dickens investigate. "Victorian whodunits don’t get much better than this" - Publishers Weekly Starred Review March, 1859. After the 'Great Stink' of the previous summer when Parliament was overwhelmed by the stench of sewage from the River Thames, and with cholera running rife throughout the city, Charles Dickens has a new enthusiasm. Having formed a firm friendship with Joseph Bazalgette, he is assisting the ambitious young engineer in his efforts to find a solution to London's pollution problem. Dickens' friend and fellow writer Wilkie Collins meanwhile is distracted by thoughts of his pretty new housekeeper and her charming daughter. But what does he really know of his new employee's past - and just who - or what - is making her so frightened? During an exhibition to showcase London's top engineers' plans to solve the sewage issue, proceedings are disrupted by a high-pitched, agonised scream - and the discovery of a blood-soaked body; the result - it would appear - of a terrible accident. Dickens however is convinced of foul play, and once again he and Wilkie Collins set about uncovering the shocking truth.
He’s bound to the past. She believes in the future Lieutenant Walker Norton might be cynical, but he isn’t a broken man—yet. Raised to understand the looming catastrophe of climate change, promised to a woman he doesn’t love, he long ago decided to live a life of service to his country, family and friends. It’s enough—until he meets Avery Lightfoot and realizes he wants so much more. Love means everything to Avery. Witness to her parents’ wonderful marriage, she’s long waited to meet her soulmate, act in romantic movies and start a family. Now it’s all in reach. But Walker can’t marry her until he’s released from his vow—and when Elizabeth Blaine arrives at Base Camp, it’s clear she’s ready to claim Walker for herself. Elizabeth doesn’t love him and doesn’t want him—so why is she determined to ruin his life? Walker has forty days to find an answer before he’ll have to choose between honoring the past or seizing the future he craves.
In a series of inspirational profiles, Cora Voyageur celebrates 100 remarkable Indigenous Albertans whose achievements have enriched their communities, the province, and the world. As a child, Cora rarely saw Indigenous individuals represented in her history textbooks or in pop culture. Willie Nelson sang “My Heroes Have Always Been Cowboys,” but Cora wondered, where were the heroes who looked like her? She chose the title of her book in response, to help reflect her reality. In fact, you don’t have to look very hard to find Indigenous Albertans excelling in every field, from the arts to business and everything in between. Cora wrote this book to ensure these heroes receive their proper due. Some of the individuals in this collection need no introduction, while others are less well known. From past and present and from all walks of life, these 100 Indigenous heroes share talent, passion, and legacies that made a lasting impact. Read about: - Douglas Cardinal, the architect whose iconic, flowing designs grace cities across Alberta, across Canada, and in Washington, DC, - Nellie Carlson, a dedicated activist whose work advanced the cause of Indigenous women and the education of Indigenous children, - Alex Janvier, whose pioneering work has firmly established him as one of Canada’s greatest artists, - Moostoos, “The Buffalo,” the spokesperson for the Cree in Treaty 8 talks who fought tirelessly to defend his People’s rights, - And many more.
Penelope Rider has transformed her uncle’s utilitarian beach house in Seahaven into a beautiful venue for intimate weddings, but she’s struggling to promote her new venture and her money is running out. When she offers a steep discount to a social media celebrity, who books the house for her ceremony, reception and the week leading up to her big day, Penelope hopes she’s finally gotten the break she needs—until a handsome stranger shows up claiming he booked the house over a year ago for a fishing vacation that same week. It’s been a rough year for Westin Abbott the fourth, Wes to his friends. Just when he’s ready to start his own fishing charter business, his parents boot his sister from the family telecommunications business and demand Wes step in as CEO—right now. He’s agreed to take on the job, but not until after one last fishing trip with his favorite guide. He’s come back to Seahaven every year for a decade, but when he arrives this time he finds Fisherman’s Point is now EdgeCliff Manor, and a stranger is running the show. A very pretty stranger. She’s filled his quiet getaway with a raucous wedding party, and she claims she knows nothing of his longstanding booking. Penelope can’t believe there’s an outstanding reservation left from her uncle’s fishing charter days. She’s got only one room left to offer Wes—the spare bedroom in her attic apartment. When he asks if there’s any way she can take him fishing on her uncle’s old boat, it’s hard to say no when one bad review could tank her business. Now she’s fishing in the morning and dealing with a bridezilla and her entourage the rest of the day. Can she possibly pull this off? Or will she lose the beach house she loves so much?
THE ROMAN MYSTERIES meets Sherlock Holmes! Alfie and his gang are on a dangerous mission. Spying on a Russian secret agent, they must be quick, clever and totally invisible. It's a thrilling game, until the Russian is found murdered, and Alfie faces the greatest threat of his life . . . The sixth exciting adventure in the LONDON MURDER MYSTERIES series
It's 1992. In a small town in Fife, a girl is busting to get out into the world and see what's on offer. And an ad in the local paper declares: Band Seeks Singer. Grunge has just gone global, scruffy indie kids are inheriting the earth, and a schoolgirl from Glenrothes is catapulted to a rock star lifestyle as the singer in a hot new indie band. Touring with Radiohead, partying with Blur, she was living the dream. Until she wasn't. What Girls Are Made Of is the true story of Bissett's teenage years, based on her meticulously detailed, pull-no-punches diaries, which she found after the death of her father. It's a rollercoaster journey from the girl she was to the woman she wanted to be: rocketed into teenage stardom, suddenly dropped by their manager, and then the following of years of becoming an actor, writer and director. Described by Miro Magazine as "a glorious mixture of harrowing and life-affirming messages", the script also includes a play list of female-led soundtracks, that were played in the production.
The harvest is plenty but the gatherers are few. A Filipino-American couple proved that a few could yield fruitful result through their unique way of modern day witnessing that is dramatic and practical. Their scintillating account in reaching out to compatriots kababayans is gleaned in their descriptive narration and inspiring messages of love that encapsulates their cultural background, contemporary events and vision. This inspirational-historical book provides a pragmatic model of discipleship in reaching ethnic constituencies in America.
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