The achievement of our humanity comes about only through immersion in concrete, visceral, embodied relational experience, yet for many human beings, that achievement is stamped by the struggle against oppression in history, society, and religion. In this incisive and important work, distinguished theologian M. Shawn Copeland demonstrates with rare insight and conviction how Black women's historical experience and oppression cast a completely different light on our theological ideas about being human. Copeland argues that race, embodiment, and relations of power reframe not only theological anthropology but also our notions of discipleship, church, Eucharist, and Christ. Enfleshing Freedom is a work of deep moral seriousness, rigorous speculative skill, and sharp theological reasoning. This new edition incorporates recent theological, philosophical, historical, political, and sociological scholarship; engages with current social movements like #BlackLivesMatter and #MeToo; and presents a new chapter on the body.
Henriette Delille was born into a nineteenth-century American society that condoned the attitude that women of color existed for white male use whether they were enslaved or free. Repudiating prevailing societal norms and customs, Delille founded a religious congregation, the Sisters of the Holy Family, for free women of color, and thereby asserted black women as fully capable of chastity and of possessing, choosing, and disposing of themselves and their own bodies. Delille's vision challenged commonly held readings of those bodies; contravened slavery's vicious stereotypes of black women as impious, promiscuous, and lewd; and constructed an alternative to Louisiana's system of plaçage, or concubinage between a white man and a free black woman. Drawing on her own research as well as a range of historical and theological resources, Shawn Copeland paints a compelling portrait of an intrepid woman who is being considered for elevation to sainthood in the Catholic Church"--
The achievement of our humanity comes about only through immersion in concrete, visceral, embodied relational experience, yet for many human beings, that achievement is stamped by the struggle against oppression in history, society, and religion. In this incisive and important work, distinguished theologian M. Shawn Copeland demonstrates with rare insight and conviction how Black women's historical experience and oppression cast a completely different light on our theological ideas about being human. Copeland argues that race, embodiment, and relations of power reframe not only theological anthropology but also our notions of discipleship, church, Eucharist, and Christ. Enfleshing Freedom is a work of deep moral seriousness, rigorous speculative skill, and sharp theological reasoning. This new edition incorporates recent theological, philosophical, historical, political, and sociological scholarship; engages with current social movements like #BlackLivesMatter and #MeToo; and presents a new chapter on the body.
This comprehensive guide describes the 582 species of wild orchids that occur in NSW and the ACT. This region covers the richest area for wild orchids in Australia and includes over 500 species of seasonal ground orchids and 62 species of evergreen tree and rock orchids. Orchids found in this region include the tallest, heaviest, smallest flowered, most numerous flowered and most bizarre orchids in Australia, including elusive underground species. Guide to Native Orchids of NSW and ACT describes each species, enabling their identification in the field, and includes over 600 photographs of wild orchids in their natural habitat and distribution maps for almost all species. Featuring orchids with a dazzling array of colour and form, this is the essential guide for all orchid enthusiasts.
How would you describe your walk with God? Fresh and passionate? Vibrant and full of life? Stagnant? Nonexistent? No matter where you are on your walk, that's exactly where God promises to meet you--even if it's messy. Sharing his own story of spiritual drifting, popular online pastor Rashawn Copeland encourages you to accept yourself as a glorious work in progress, a beloved child in whom God delights, a person on the brink of revival. Anchoring everything in Scripture, he shows you how to start your walk with God now, even in the midst of your mess. Even in the midst of addiction, doubt, depression, fear, and years spent running from God, he shows it is possible to - find God's love and acceptance - develop strong character - choose to rejoice - move out of your mess - see life through God's eyes - be a loving person in a hateful world - never settle for less than God's best - and more The change you long to see in the world starts in your own heart. Thankfully, that's exactly where God is waiting for you.
When she delves into the glamorous world of the recording business to manage and promote a talented all-girl group, Nina Beaubien Ross discovers the true nature of the music world when drugs, money, corruption, and betrayal enter the picture.
At the close of the twentieth century, black artists began to figure prominently in the mainstream American art world for the first time. Thanks to the social advances of the civil rights movement and the rise of multiculturalism, African American artists in the late 1980s and early ’90s enjoyed unprecedented access to established institutions of publicity and display. Yet in this moment of ostensible freedom, black cultural practitioners found themselves turning to the history of slavery. Bound to Appear focuses on four of these artists—Renée Green, Glenn Ligon, Lorna Simpson, and Fred Wilson—who have dominated and shaped the field of American art over the past two decades through large-scale installations that radically departed from prior conventions for representing the enslaved. Huey Copeland shows that their projects draw on strategies associated with minimalism, conceptualism, and institutional critique to position the slave as a vexed figure—both subject and object, property and person. They also engage the visual logic of race in modernity and the challenges negotiated by black subjects in the present. As such, Copeland argues, their work reframes strategies of representation and rethinks how blackness might be imagined and felt long after the end of the “peculiar institution.” The first book to examine in depth these artists’ engagements with slavery, Bound to Appear will leave an indelible mark on modern and contemporary art.
Merce Cunningham and the Modernizing of Modern Dance is a complete study of the life and work of this seminal choreographer/dancer. More than just a biography, Copeland explores Cunningham's life story against a backdrop of an entire century of developments in American art. Copeland traces his own experience of Cunningham's dances-from the turbulent late '60s through the experimental works of the '80s and '90s-showing how Cunningham moved dance away from the highly emotional, subjective work of Martha Graham to a return to a new kind of classicism. This book places Cunningham in the forefront of an artistic revolution, a revolution that has its parallels in music (John Cage, and the minimalist composers who followed him), painting (Jasper Johns, Robert Rauschenberg), theater (the happenings of the '60s), and dance itself (the Judson School of dancers). An iconclastic and highly readable analysis, this book will be enjoyed by all those interested in the development of the American arts in the 20th century.
Adam Copeland on Edge is what the author describes as “a mental picture.” It's also a dream—“one of many”—that he decided to realize while at home convalescing from potential career-ending neck surgery. And it's a journey that explores not only his life but also his innermost thoughts. In the small town of Orangeville, Ontario, Copeland was raised by a loving mother who, while working multiple jobs just to pay the rent, nurtured her son's passion for Spider-Man comics and KISS albums. When a family tragedy created a void in Copeland's life, that void was soon filled by the wrestling legend Hulk Hogan, who “made me feel like I could accomplish anything.” For Copeland, “anything” meant becoming a wrestler, an ambition shared by his friend Jason Reso, who would eventually form the indie tag team Suicide Blondes with Copeland, then join him in WWE as Edge's “brother,” Christian. Winning a newspaper essay contest earned Copeland free wrestling training from independent veterans Sweet Daddy Siki and Ron Hutchinson. The author shares his vivid, often outrageous memories of wrestling throughout Canada and the midwestern United States and befriending future WWE Superstars like Terry Richards (Rhyno), Sean Morley (Val Venis), and Chris Jericho. Hard work and persistence brought Copeland to World Wrestling Entertainment. But his “inauspicious” Raw debut—during which he accidentally knocked out his opponent—supports his claim that “I had no idea” how to make the transformation to Edge. Copeland retraces the steps he took to “Edgeucate” himself, from his goth days with the Brood's Christian and Gangrel to ushering in the “E&C Dynasty,” which in turn revitalized WWE's Tag Team division (with the aid of the Hardy Boyz, the Dudley Boyz, and countless tables, ladders, and chairs). With vivid detail and sincerity, Copeland offers his thoughts about not only fulfilling his goals but also building upon them. He shares his actual surprise over winning the Intercontinental title for the first time; the anxiety he felt while splitting up with Christian; his eventual determination “to grab the damn ball out of someone's hands and take off”; the distress of almost losing his long blond hair to Kurt Angle; his wonder over enjoying a brief Tag Team title reign with the icon who first inspired him; the simultaneous pain of a broken marriage and two ruptured discs in his neck; and the nervous energy of returning to Raw in March 2004 and setting his sights on the WWE World Heavyweight Championship. You think you know Edge? Then read on....
An engaging study of black catholics, their contributions to the Catholic church, and the challenges they face. These essays describe the experience of black Catholics in this country since their arrival in North america in the sixteenth century ujtil the present day. The essays highlight the difficulties black Catholics faced in their early attempts to join churches and enter religious communities, their participation in the civil rights struggle, and the challenges they face today as they seek full inclusion in the church, whether in terms of liturgical practice or pastoral ministry.
Henriette Delille was born into a nineteenth-century American society that condoned the attitude that women of color existed for white male use whether they were enslaved or free. Repudiating prevailing societal norms and customs, Delille founded a religious congregation, the Sisters of the Holy Family, for free women of color, and thereby asserted black women as fully capable of chastity and of possessing, choosing, and disposing of themselves and their own bodies. Delille's vision challenged commonly held readings of those bodies; contravened slavery's vicious stereotypes of black women as impious, promiscuous, and lewd; and constructed an alternative to Louisiana's system of plaçage, or concubinage between a white man and a free black woman. Drawing on her own research as well as a range of historical and theological resources, Shawn Copeland paints a compelling portrait of an intrepid woman who is being considered for elevation to sainthood in the Catholic Church"--
The essays in this volume interrogate the problem of modern/colonial definitions of the human person and take up the struggle to decolonize such descriptions. Contributions engage work from various fields, including ethnic studies, religious studies, theology, queer theory, philosophy, and literary studies.
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