Based on over a decade of ethnographic fieldwork in the South Indian state of Tamil Nadu, Onscreen/Offscreen is an exploration of the politics and being of filmic images. The book examines contestations inside and outside the Tamil film industry over the question "what is an image?" Answers to this question may be found in the ontological politics that take place on film sets, in theatre halls, and in the social fabric of everyday life in South India, from populist electoral politics and the gendering of social space to caste uplift and domination. Bridging and synthesizing linguistic anthropology, film studies, visual studies, and media anthropology, Onscreen/Offscreen rethinks key issues across a number of fields concerned with the semiotic constitution of social life, from the performativity and ontology of images to questions of spectatorship, realism, and presence. In doing so, it offers both a challenge to any approach that would separate image from social context and a new vision for linguistic anthropology beyond the question of "language.
Doing style -- Brand and brandedness -- Brandedness and the production of surfeit -- Style and the threshold of English -- Bringing the distant voice close -- College heroes and film stars -- Status through the screen -- Media's entanglements.
The 10th-century treatise on the military provinces (the 'themes') of the medieval East Roman (Byzantine) empire is one of the most enigmatic of the works ascribed to the emperor Constantine VII Porphyrogennetos. A mix of historical geography, imperial propaganda, historical information and legend or myth drawn from ancient, Hellenistic as well as Roman and late Roman sources, it was one of the emperor's earliest works, although the extent to which he was its author remains debated. Its purpose, and the emperor's aims in commissioning or writing it, are equally unclear, since it offers neither an accurate historical account of the evolution of the themata nor does it appear to draw on available administrative material that would have been available to its writer. It has remained until now untranslated into English and thus inaccessible to many, in particular to students at all levels both within and outside the field of Byzantine Studies, as well as non-specialist readers. This volume is intended to rectify this situation with a translation into English, accompanying detailed notes, and three introductory chapters providing context and background to the history of the text, Byzantine ideas about geography, and the debate over the themata themselves.
Doing style -- Brand and brandedness -- Brandedness and the production of surfeit -- Style and the threshold of English -- Bringing the distant voice close -- College heroes and film stars -- Status through the screen -- Media's entanglements.
Based on over a decade of ethnographic fieldwork in the South Indian state of Tamil Nadu, Onscreen/Offscreen is an exploration of the politics and being of filmic images. The book examines contestations inside and outside the Tamil film industry over the question "what is an image?" Answers to this question may be found in the ontological politics that take place on film sets, in theatre halls, and in the social fabric of everyday life in South India, from populist electoral politics and the gendering of social space to caste uplift and domination. Bridging and synthesizing linguistic anthropology, film studies, visual studies, and media anthropology, Onscreen/Offscreen rethinks key issues across a number of fields concerned with the semiotic constitution of social life, from the performativity and ontology of images to questions of spectatorship, realism, and presence. In doing so, it offers both a challenge to any approach that would separate image from social context and a new vision for linguistic anthropology beyond the question of "language.
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