Over the course of the last 15 years, Constantine Sandis has advanced our understanding of the role that action plays in shaping our moral thought. In this collection of his best essays in the philosophy of action, Sandis brings together updated versions of his writings, accompanied by a new introduction. Read collectively they demonstrate the breadth of his interests and ability to relate to broader issues within the culture, connecting debates in philosophical psychology about motivation, negligence, and moral responsibility with Greek tragedy, social psychology and literature. Along this path from action to ethics, Sandis engages with Hegel, Wittgenstein, Anscombe, Ricoeur, Davidson, and Dretske, together with contemporary authors such as Jennifer Hornsby and Jonathan Dancy. As he responds to each thinker and theme, he develops his own philosophical position, the key thesis of which is that philosophy of action without ethics is empty, ethics without philosophy of action is blind.
In the first ever book-length treatment of David Hume’s philosophy of action, Constantine Sandis brings together seemingly disparate aspects of Hume’s work to present an understanding of human action that is much richer than previously assumed. Sandis showcases Hume’s interconnected views on action and its causes by situating them within a wider vision of our human understanding of personal identity, causation, freedom, historical explanation, and morality. In so doing, he also relates key aspects of the emerging picture to contemporary concerns within the philosophy of action and moral psychology, including debates between Humeans and anti-Humeans about both 'motivating' and 'normative' reasons. Character and Causation takes the form of a series of essays which collectively argue that Hume’s overall project proceeds by way of a soft conceptual revisionism that emerges from his Copy Principle. This involves re-calibrating our philosophical ideas of all that agency involves to fit a scheme that more readily matches the range of impressions that human beings actually have. On such a reading, once we rid ourselves of a certain kind of metaphysical ambition we are left with a perfectly adequate account of how it is that people can act in character, freely, and for good reasons. The resulting picture is one that both unifies Hume's practical and theoretical philosophy and radically transforms contemporary philosophy of action for the better.
2021 marks Dylan's 80th birthday and his 60th year in the music world. It invites us to look back on his career and the multitudes that it contains. Is he a song and dance man? A political hero? A protest singer? A self-portrait artist who has yet to paint his masterpiece? Is he Shakespeare in the alley? The greatest living exponent of American music? An ironsmith? Internet radio DJ? Poet (who knows it)? Is he a spiritual and religious parking meter? Judas? The voice of a generation or a false prophet, jokerman, and thief? Dylan is all these and none. The essays in this book explore the Nobel laureate’s masks, collectively reflecting upon their meaning through time, change, movement, and age. They are written by wonderful and diverse set of contributors, all here for his 80th birthday bash: celebrated Dylanologists like Michael Gray and Laura Tenschert; recording artists such as Robyn Hitchcock, Barb Jungr, Amy Rigby, and Emma Swift; and 'the professors’ who all like his looks: David Boucher, Anne Margaret Daniel, Ray Monk, Galen Strawson, and more. Read it on your toaster!
In the first ever book-length treatment of David Hume’s philosophy of action, Constantine Sandis brings together seemingly disparate aspects of Hume’s work to present an understanding of human action that is much richer than previously assumed. Sandis showcases Hume’s interconnected views on action and its causes by situating them within a wider vision of our human understanding of personal identity, causation, freedom, historical explanation, and morality. In so doing, he also relates key aspects of the emerging picture to contemporary concerns within the philosophy of action and moral psychology, including debates between Humeans and anti-Humeans about both 'motivating' and 'normative' reasons. Character and Causation takes the form of a series of essays which collectively argue that Hume’s overall project proceeds by way of a soft conceptual revisionism that emerges from his Copy Principle. This involves re-calibrating our philosophical ideas of all that agency involves to fit a scheme that more readily matches the range of impressions that human beings actually have. On such a reading, once we rid ourselves of a certain kind of metaphysical ambition we are left with a perfectly adequate account of how it is that people can act in character, freely, and for good reasons. The resulting picture is one that both unifies Hume's practical and theoretical philosophy and radically transforms contemporary philosophy of action for the better.
Societies around the world are struggling to think clearly about trans realities and understand trans identities. Real Gender is the first book to present a cis defence of what it means to be transgender. Moyal-Sharrock and Sandis delve into the various factors which make many trans people’s experience of their gender (or lack thereof) as natural and unquestionable as that of cis people. While recognising the undeniably social aspects of gender, they find that gender cannot be completely divorced from our biological underpinnings. Contrary to popular opinion, gender self-identification does not require the denial of either biology or sex. What is needed is a more liberal understanding of our gender concepts, which would prevent us from confusing diversity with pathology. Steeped in published and personal trans testimonials, Real Gender does not seek to provoke or attack, but to unequivocally defend trans realities. A powerful exploration of a divisive topic, this book will be of interest to a wide audience of readers.
Over the course of the last 15 years, Constantine Sandis has advanced our understanding of the role that action plays in shaping our moral thought. In this collection of his best essays in the philosophy of action, Sandis brings together updated versions of his writings, accompanied by a new introduction. Read collectively they demonstrate the breadth of his interests and ability to relate to broader issues within the culture, connecting debates in philosophical psychology about motivation, negligence, and moral responsibility with Greek tragedy, social psychology and literature. Along this path from action to ethics, Sandis engages with Hegel, Wittgenstein, Anscombe, Ricoeur, Davidson, and Dretske, together with contemporary authors such as Jennifer Hornsby and Jonathan Dancy. As he responds to each thinker and theme, he develops his own philosophical position, the key thesis of which is that philosophy of action without ethics is empty, ethics without philosophy of action is blind.
The Things We Do and Why We Do Them argues against the common assumption that there is one thing called 'action' which all reason-giving explanations of action are geared towards. Sandis shows why all theories concerned with identifying the nature of our 'real' reasons for action fail from the outset.
Theory without practice is empty, practice without theory is blind, to adapt a phrase from Immanuel Kant. The sentiment could not be truer of cultural heritage ethics. This intra-disciplinary book bridges the gap between theory and practice by bringing together a stellar cast of academics, activists, consultants, journalists, lawyers, and museum practitioners, each contributing their own expertise to the wider debate of what cultural heritage means in the twenty-first century. Cultural Heritage Ethics provides cutting-edge arguments built on case studies of cultural heritage and its management in a range of geographical and cultural contexts. Moreover, the volume feels the pulse of the debate on heritage ethics by discussing timely issues such as access, acquisition, archaeological practice, curatorship, education, ethnology, historiography, integrity, legislation, memory, museum management, ownership, preservation, protection, public trust, restitution, human rights, stewardship, and tourism. This volume is neither a textbook nor a manifesto for any particular approach to heritage ethics, but a snapshot of different positions and approaches that will inspire both thought and action. Cultural Heritage Ethics provides invaluable reading for students and teachers of philosophy of archaeology, history and moral philosophy - and for anyone interested in the theory and practice of cultural preservation."--Publisher's website.
Societies around the world are struggling to think clearly about trans realities and understand trans identities. Real Gender is the first book to present a cis defence of what it means to be transgender. Moyal-Sharrock and Sandis delve into the various factors which make many trans people’s experience of their gender (or lack thereof) as natural and unquestionable as that of cis people. While recognising the undeniably social aspects of gender, they find that gender cannot be completely divorced from our biological underpinnings. Contrary to popular opinion, gender self-identification does not require the denial of either biology or sex. What is needed is a more liberal understanding of our gender concepts, which would prevent us from confusing diversity with pathology. Steeped in published and personal trans testimonials, Real Gender does not seek to provoke or attack, but to unequivocally defend trans realities. A powerful exploration of a divisive topic, this book will be of interest to a wide audience of readers.
This unique collection focuses on Hegel's Philosophy of Action as it relates to current concerns. Including key papers by Taylor, MacIntyre, and McDowell as well as eleven especially commissioned contributions, it aims to readdress the dialogue between Hegel and contemporary philosophy of action.
2021 marks Dylan's 80th birthday and his 60th year in the music world. It invites us to look back on his career and the multitudes that it contains. Is he a song and dance man? A political hero? A protest singer? A self-portrait artist who has yet to paint his masterpiece? Is he Shakespeare in the alley? The greatest living exponent of American music? An ironsmith? Internet radio DJ? Poet (who knows it)? Is he a spiritual and religious parking meter? Judas? The voice of a generation or a false prophet, jokerman, and thief? Dylan is all these and none. The essays in this book explore the Nobel laureate’s masks, collectively reflecting upon their meaning through time, change, movement, and age. They are written by wonderful and diverse set of contributors, all here for his 80th birthday bash: celebrated Dylanologists like Michael Gray and Laura Tenschert; recording artists such as Robyn Hitchcock, Barb Jungr, Amy Rigby, and Emma Swift; and 'the professors’ who all like his looks: David Boucher, Anne Margaret Daniel, Ray Monk, Galen Strawson, and more. Read it on your toaster!
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
The prisoner rose to his full, impressive height. His gaze, which before had struck me as shifty, was now straight and commanding. Impressively he spoke: His name? His name, my father said of me, is Prosper. In full, John Prosper Camilio Paleologus. Never more than one of us wears the surname of Constantine -- and he, not until he succeeds me as head of the house. One name is enough for a king, said the prisoner, motioning to me with his hands. Kneel, boy, my father commanded -- and there in the prison cell I knelt to be made monarch Sir John Constantine, Memoirs of his Adventures at Home and Abroad and Particularly in the Island of Corsica: Beginning with the year 1756, is a historical novel full of adventure and humor edited by Cornish author Sir Arthur Thomas Quiller-Couch, author of The Splendid Spur,
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