There may be eight million stories in the Naked City, but there are also nearly three million dwelling places, ranging from Park Avenue palaces to Dickensian garrets and encompassing much in between. The doorways to these residences are tantalizing portals opening onto largely invisible lives. Habitats offers 40 vivid and intimate stories about how New Yorkers really live in their brownstones, their apartments, their mansions, their lofts, and as a whole presents a rich, multi-textured portrait of what it means to make a home in the world’s most varied and powerful city. These essays, expanded versions of a selection of the Habitats column published in the Real Estate section of The New York Times, take readers to both familiar and remote sections of the city—to history-rich townhouses, to low-income housing projects, to out-of-the-way places far from the beaten track, to every corner of the five boroughs—and introduces them to a wide variety of families and individuals who call New York home. These pieces reveal a great deal about the city’s past and its rich store of historic dwellings. Along with exploring the deep and even mystical connections people feel to the place where they live, these pieces, taken as a whole, offer a mosaic of domestic life in one of the world’s most fascinating cities and a vivid portrait of the true meaning of home in the 21st-century metropolis. Constance Rosenblum, most recently the author of the Habitats column published in the Real Estate section of The New York Times, is the longtime editor of the paper’s City section and a former editor of the Times’s Arts and Leisure section. She is the author of Boulevard of Dreams: Heady Times, Heartbreak, and Hope Along the Grand Concourse in the Bronx.
A sparkling biography of the original blonde whom gentlemen preferred, a woman who made a career of marrying millionaires and became the first tabloid celebrity. One of America's most talked about personalities during the Jazz Age, Peggy Hopkins Joyce was the quintessential gold digger, the real-life Lorelei Lee. Married six times, to several millionaires and even a count, Joyce had no discernible talent except self-promotion. A barber's daughter from Norfolk, Virginia, who rose to become a Ziegfeld Girl and, briefly, a movie star, Joyce was the precursor of the modern celebrity-a person famous for being famous. Her scandalous exploits-spending a million dollars in a week, conducting torrid love affairs with the likes of Charlie Chaplin and Walter Chrysler-were irresistible to the new breed of tabloid journalists in search of sensation and to audiences hungry for the possibilities her life seemed to promise. Joyce's march across Broadway, Hollywood, and the nation's front pages was only slowed by the true nemesis of the glamour girl: old age. She died in 1957, alone and forgotten-until now. In prose as vibrant as its subject, Constance Rosenblum's Gold Digger brings to life the woman who singularly epitomized this confident and hedonistic era.
A charmed collection of some of the best essays from the widely-known "City" section of the New York Times “There are eight million stories in the Naked City.” This famous line from the 1948 film The Naked City has become an emblem of New York City itself. One publication cultivating many of New York City's greatest stories is the City section in The New York Times. Each Sunday, this section of The New York Times, distributed only in papers in the five boroughs, captivates readers with tales of people and places that make the city unique. Featuring a cast of stellar writers—Phillip Lopate, Vivian Gornick, Thomas Beller and Laura Shaine Cunningham, among others—New York Stories brings some of the best essays from the City section to readers around the country. New Yorkers can learn something new about their city, while other readers will enjoy the flavor of the Big Apple. New York Stories profiles people like sixteen-year-old Barbara Ott, who surfs the waters off Rockaway in Queens, and Sonny Payne, the beloved panhandler of the F train. Other essays explore memorable places in the city, from the Greenwich Village townhouse blown up by radical activists in the 1970s to a basketball court that serves as the heart of its Downtown neighborhood. The forty essays collected in New York Stories reflect an intimate understanding of the city, one that goes beyond the headlines. The result is a passionate, well-written portrait of a legendary and ever-evolving place.
An enthralling story of the iconic Grand Concourse in the West Bronx Stretching over four miles through the center of the West Bronx, the Grand Boulevard and Concourse, known simply as the Grand Concourse, has gracefully served as silent witness to the changing face of the Bronx, and New York City, for a century. Now, a New York Times editor brings to life the street in all its raucous glory. Designed by a French engineer in the late nineteenth century to echo the elegance and grandeur of the Champs Elysées in Paris, the Concourse was nearly twenty years in the making and celebrates its centennial in November 2009. Over that century it has truly been a boulevard of dreams for various upwardly mobile immigrant and ethnic groups, yet it has also seen the darker side of the American dream. Constance Rosenblum unearths the colorful history of this grand street and its interlinked neighborhoods. With a seasoned journalist’s eye for detail, she paints an evocative portrait of the Concourse through compelling life stories and historical vignettes. The story of the creation and transformation of the Grand Concourse is the story of New York—and America—writ large, and Rosenblum examines the Grand Concourse from its earliest days to the blighted 1960s and 1970s right up to the current period of renewal. Beautifully illustrated with a treasure trove of historical photographs, the vivid world of the Grand Concourse comes alive—from Yankee Stadium to the unparalleled collection of Art Deco apartments to the palatial Loew’s Paradise movie theater. An enthralling story of the creation of an iconic street, an examination of the forces that transformed it, and a moving portrait of those who called it home, Boulevard of Dreams is a must read for anyone interested in the rich history of New York and the twentieth-century American city.
In these vignettes of life along the Grand Concourse in the Bronx, the New York Times’s Constance Rosenblum examines the place of art in this community— its installation, its reception by local residents, and the debates that often surround it. From the growing popularity of European-style Art Deco in the 1930s and '40s, to the opinion of some Bronx residents that these modern additions were “ugly as hell,” and from public art criticized for controversial content to buildings revered for their innovative design, the reception of art and architecture along the Concourse serves as a way to explore the role, function, and place of art in urban spaces.
There may be eight million stories in the Naked City, but there are also nearly three million dwelling places, ranging from Park Avenue palaces to Dickensian garrets and encompassing much in between. The doorways to these residences are tantalizing portals opening onto largely invisible lives. Habitats offers 40 vivid and intimate stories about how New Yorkers really live in their brownstones, their apartments, their mansions, their lofts, and as a whole presents a rich, multi-textured portrait of what it means to make a home in the world’s most varied and powerful city. These essays, expanded versions of a selection of the Habitats column published in the Real Estate section of The New York Times, take readers to both familiar and remote sections of the city—to history-rich townhouses, to low-income housing projects, to out-of-the-way places far from the beaten track, to every corner of the five boroughs—and introduces them to a wide variety of families and individuals who call New York home. These pieces reveal a great deal about the city’s past and its rich store of historic dwellings. Along with exploring the deep and even mystical connections people feel to the place where they live, these pieces, taken as a whole, offer a mosaic of domestic life in one of the world’s most fascinating cities and a vivid portrait of the true meaning of home in the 21st-century metropolis. Constance Rosenblum, most recently the author of the Habitats column published in the Real Estate section of The New York Times, is the longtime editor of the paper’s City section and a former editor of the Times’s Arts and Leisure section. She is the author of Boulevard of Dreams: Heady Times, Heartbreak, and Hope Along the Grand Concourse in the Bronx.
An enthralling story of the iconic Grand Concourse in the West Bronx Stretching over four miles through the center of the West Bronx, the Grand Boulevard and Concourse, known simply as the Grand Concourse, has gracefully served as silent witness to the changing face of the Bronx, and New York City, for a century. Now, a New York Times editor brings to life the street in all its raucous glory. Designed by a French engineer in the late nineteenth century to echo the elegance and grandeur of the Champs Elysées in Paris, the Concourse was nearly twenty years in the making and celebrates its centennial in November 2009. Over that century it has truly been a boulevard of dreams for various upwardly mobile immigrant and ethnic groups, yet it has also seen the darker side of the American dream. Constance Rosenblum unearths the colorful history of this grand street and its interlinked neighborhoods. With a seasoned journalist’s eye for detail, she paints an evocative portrait of the Concourse through compelling life stories and historical vignettes. The story of the creation and transformation of the Grand Concourse is the story of New York—and America—writ large, and Rosenblum examines the Grand Concourse from its earliest days to the blighted 1960s and 1970s right up to the current period of renewal. Beautifully illustrated with a treasure trove of historical photographs, the vivid world of the Grand Concourse comes alive—from Yankee Stadium to the unparalleled collection of Art Deco apartments to the palatial Loew’s Paradise movie theater. An enthralling story of the creation of an iconic street, an examination of the forces that transformed it, and a moving portrait of those who called it home, Boulevard of Dreams is a must read for anyone interested in the rich history of New York and the twentieth-century American city.
A sparkling biography of the original blonde whom gentlemen preferred, a woman who made a career of marrying millionaires and became the first tabloid celebrity. One of America's most talked about personalities during the Jazz Age, Peggy Hopkins Joyce was the quintessential gold digger, the real-life Lorelei Lee. Married six times, to several millionaires and even a count, Joyce had no discernible talent except self-promotion. A barber's daughter from Norfolk, Virginia, who rose to become a Ziegfeld Girl and, briefly, a movie star, Joyce was the precursor of the modern celebrity-a person famous for being famous. Her scandalous exploits-spending a million dollars in a week, conducting torrid love affairs with the likes of Charlie Chaplin and Walter Chrysler-were irresistible to the new breed of tabloid journalists in search of sensation and to audiences hungry for the possibilities her life seemed to promise. Joyce's march across Broadway, Hollywood, and the nation's front pages was only slowed by the true nemesis of the glamour girl: old age. She died in 1957, alone and forgotten-until now. In prose as vibrant as its subject, Constance Rosenblum's Gold Digger brings to life the woman who singularly epitomized this confident and hedonistic era.
Engaging youth in civic life has become a central concern to a broad array of researchers in a variety of academic fields as well to policy makers and practitioners globally. This book is both international and multidisciplinary, consisting of three sections that respectively cover conceptual issues, developmental and educational topics, and methodological and measurement issues. Broad in its coverage of topics, this book supports scholars, philanthropists, business leaders, government officials, teachers, parents, and community practitioners in their drive to engage more young people in community and civic actions.
Although the cultural and literary influence of Christina Rossetti has recently been widely acknowledged, the belatedness of this critical attention has left wide gaps in our understanding of her poetic contribution. Often focusing solely on her early work and neglecting her later volumes, many critics minimized her relevance by measuring her stature through either her early poems or her relationships with well-known Victorian literary figures. In Christina Rossetti: The Patience of Style, Constance W. Hassett argues against this diminishment by reopening Rossetti's canon, challenging both critics and readers to trade their silent appreciation of her most familiar verse for a patient and active scrutiny of her body of work, which contains some of the finest lyric poetry of the nineteenth century. Keeping her primary focus on the poems themselves, Hassett traces Rossetti's career through her five poetry collections, Goblin Market and Other Poems (1862), The Prince's Progress and Other Poems (1866), Sing-Song: A Nursery Rhyme Book (1872), A Pageant and Other Poems (1881), and Verses (1893). In a comprehensive account of Rossetti's evolving style and genre, Hassett analyzes the strengths and failures of the poetry, its attention to the resources of rhythm and the shifts of diction, its momentum and reserve, and the rationale for its revision. The book also explores Rossetti's innovative poetry for children, her daring reconfiguration of religion and poetry in a late-life commentary on the Apocalypse, and the influences both of female precursors she admired and outgrew and of the male circle of Pre-Raphaelite poets. For art historians of the Pre-Raphaelites, scholars of women's writing and gender studies, students of children's literature, and researchers in religious studies, not to mention readers in Victorian poetry, Christina Rossetti: The Patience of Style will serve as an indispensable and eye-opening guide.
Belonging in America gives voice to unspoken conventions and silent understandings and asks why our culture draws the lines it does--between home and work, family and friends, humans and animals. Throughout her fascinating book, Constance Perin shows us the systems of meaning through which contemporary American create social order and define their relationships.
The Jewish people are in greater danger than ever before. Given the debacle in Iraq, many Americans who had not taken a serious interest in the Middle East have begun asking themselves, What are we doing wrong? Why do we keep misreading the signals coming from that part of the world? More fundamentally, where will Israel be in two, five, ten years from now? Should Zionism be replaced by a post-Zionist state that welcomes all people, rather than one that privileges only the Jews? Will there even be a Jewish state? These are the questions Constance Hilliard addresses in Does Israel Have a Future?, forgoing polemics and wishful thinking for straight talk and painful truths. In this thoroughly researched book, Hilliard presents an honest assessment of the Jewish state's chances for survival given the forces ranged against it. The discussions about the future of the Jewish state analyzed in this book are some of the most significant to engage Israelis since 1948, dominating the airwaves, newspapers, and café conversations. Distilling these disparate views into a simple, straightforward exploration of one of the most explosive issues of our time--one into which few people outside Israel have delved as deeply as Hilliard has--the author presents a provocative argument that will appeal to scholars and students of international affairs, political science, and the Middle East, as well as general readers concerned about Israel's future.
The biochemistry and cell biology of Matrix Metalloproteinases (MMPs) are not necessarily straightforward, but basic information on the history of these enzymes, their various functions that extend far beyond the cleaving of the extracellular matrix, and the complex mechanisms that control their expression are valuable to both scientists and clinicians. This volume summarizes the salient features and functions of MMPs and applies this information in a practical manner in order to understand how they contribute to normal physiology and pathology of selected diseases. Chapters by noted clinicians Jean-Michel Dayer, MD in rheumatology, Jian Cao, MD in oncology, and Peter Libby, MD in cardiology, represent important practical and clinically-oriented contributions.
Ways of Sensing is a stimulating exploration of the cultural, historical and political dimensions of the world of the senses. The book spans a wide range of settings and makes comparisons between different cultures and epochs, revealing the power and diversity of sensory expressions across time and space. The chapters reflect on topics such as the tactile appeal of medieval art, the healing power of Navajo sand paintings, the aesthetic blight of the modern hospital, the role of the senses in the courtroom, and the branding of sensations in the marketplace. Howes and Classen consider how political issues such as nationalism, gender equality and the treatment of minority groups are shaped by sensory practices and metaphors. They also reveal how the phenomenon of synaesthesia, or mingling of the senses, can be seen as not simply a neurological condition but a vital cultural mode of creating social and cosmic interconnections. Written by leading scholars in the field, Ways of Sensing provides readers with a valuable and engaging introduction to the life of the senses in society.
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