As a GI reporter for the 1st Air Cavalry Division in Vietnam, the author--"an enlisted man writing primarily for enlisted men"--chronicled the experiences of combat soldiers in newspaper and magazine articles. His stories gave the Army's version of events, sprinkled with human interest and humor. They include his observations and photographs of jungle missions, life on firebases, struggles in the rear and his own survival as a harried frontline journalist. He also wrote almost daily letters home to his parents--personal dispatches filled with frank commentary and poignant, at times disturbing, anecdotes. His stories and letters are combined here in chronological order, providing a richly detailed narrative of combat in Vietnam.
The period covered by the third volume of a projected eight marks the years when Conrad stood at the height of his powers. It was during this time that he completed Nostromo and The Secret Agent. Yet, it was also a time of great personal unhappiness: his plans for leisurely, contemplative work were constantly interrupted by dangerous illnesses in the family, his own bad health, financial worries, and the pleas of editors desperate for copy. Conrad maintained his correspondence with old friends such as Galsworthy, Wells, and Ford, and developed a number of new friendships. This is also the period when Conrad became absorbed in political fiction, reflected in an intriguing series of letters dealing with Poland, the Congo, Latin America, and censorship. As always, the letters to his agent J.B. Pinker provide a detailed--and largely unpublished--account of the writer's monthly and weekly plans and literary commitments.
Notes on Life and Letters is a collection of twenty-six essays by Joseph Conrad. These essays present a fluctuating outlook of his literary views and concerns about the events of his time such as the Titanic Disaster and the First World War. Engrossing and insightful!In 1894, at age 36, Conrad reluctantly gave up the sea, partly because of poor health and partly because he had decided on a literary career.
As a GI reporter for the 1st Air Cavalry Division in Vietnam, the author--"an enlisted man writing primarily for enlisted men"--chronicled the experiences of combat soldiers in newspaper and magazine articles. His stories gave the Army's version of events, sprinkled with human interest and humor. They include his observations and photographs of jungle missions, life on firebases, struggles in the rear and his own survival as a harried frontline journalist. He also wrote almost daily letters home to his parents--personal dispatches filled with frank commentary and poignant, at times disturbing, anecdotes. His stories and letters are combined here in chronological order, providing a richly detailed narrative of combat in Vietnam.
Joseph Conrad's friendship with R. B. Cunninghame Graham was stimulating, and in many ways paradoxical. These letters to Cunninghame Graham are the most illuminating sequence of letters from Conrad to any of his correspondents. He struggles to define his philosophical and political beliefs in relation to Graham's radical and provocative opinions. The majority of the letters were written between 1897 and 1904, during which time Conrad reached full maturity as a novelist. The letters also provide comments on Conrad's work, and show how Graham helped to sustain him in some of his most strenuous literary struggles. Of the eighty-one letters in Dr Watts' edition, which was originally published in 1969, twenty-five had never been published before, and some of the remainder had appeared in incomplete or inaccurate versions. Conrad's spelling and punctuation are retained and his own alterations indicated. There is a biographical and critical introduction, and explanatory footnotes.
This volume presents the text of the 1921 Heinemann edition of Conrad's classic short novel along with documents that place the work in historical context and critical essays that read Heart of Darkness from several contemporary critical perspectives. The text and essays are complemented by biographical and critical introductions, bibliographies, and a glossary of critical and theoretical terms. In this third edition, the section of cultural documents and illustrations is entirely new, as are two recent exemplary critical essays by Gabrielle McIntire and Tony C. Brown that synthesize a variety of current critical approaches.
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