Poet, short story writer, critic and novelist, Conrad Aiken (1889-1973) has been called the most metaphysical, the most learned, and the most modern of poets. With writing that reflects an intense interest in psychological, philosophical, and scientific issues, Aiken remains a unique influence upon modern writers and critics today. In his lifetime, Aiken received many awards including the Pulitzer Prize for Poetry in 1930 and the National Book Award for Poetry in 1954. He served as the Consultant in Poetry at the Library of Congress from 1950-1952. Selected Poems contains Aiken's own choice of the best and most representative of his poems, spanning more than forty years of his work. Harold Bloom has contributed a new Foreword to reintroduce Aiken to a new generation of readers. The inclusion of several pivotal poems from previous editions broadens the scope of the work to represent Aiken's legacy.
A profound examination of the mysteries of memory and perception from one of the twentieth century’s most admired literary artists The train races from New York to Boston. For Andrew Cather, it is much too fast. He will return home three days early, and he is both terrified and intrigued by what he may find there. He pictures himself unlocking the door to his quiet Cambridge house, padding silently through its darkened halls, and finally discovering the thing he both fears and yearns to see: his wife in the arms of another man. Cather knows that what he finds in Cambridge may destroy his life, yet finally set him free. A masterful portrait of an average man at the edge of a shocking precipice, Great Circle is a triumph of psychological realism. One of Sigmund Freud’s favorite novels, it is a probing exploration of the secrets of consciousness.
This indispensable volume, which includes the classic stories “Silent Snow, Secret Snow” and “Mr. Arcularis,” is a testament to the dazzling artistry of one of the twentieth century’s most influential writers A young woman passes through the countryside to visit her dying grandmother for a final time. A cabbie, exhausted from a long day’s work, fights to get an intoxicated woman out of his taxi. A man on his way to a bachelor party tries to come to grips with the brutishness that lies within every gentleman—and finds that Bacardi cocktails do nothing to help. A master craftsman whose poetry and prose offer profound insight into the riddle of consciousness, Conrad Aiken thrills, disturbs, and inspires in all forty-one of these astute and eloquent tales.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A painter torn between his domestic arrangements and his artistic pursuits makes a fateful choice in this brilliant and provocative novel from a winner of the National Book Award and the Pulitzer Prize Timothy Kane brought his wife and young daughter to Cape Cod in order to find the peace and quiet necessary to paint. But the mood inside their small cottage is far from tranquil—a past affair weighs on Timothy’s conscience, and the strain of running a household by herself is causing Enid to resent her husband. To make matters worse, Timothy’s friend Jim Connor has decided to move to the Cape and bring a gaggle of their Greenwich Village acquaintances with him. A committed anarchist, Jim does more than just preach the redistribution of wealth: He accomplishes it himself by shoplifting from department stores and giving the loot to struggling poets and painters. Jim and his rabble-rousing, art-obsessed crew stir up trouble wherever they go, and Timothy’s association with the group soon becomes a major point of contention between him and Enid. She expects him to sacrifice his friendship for the sake of his family’s security—a demand that runs counter to Timothy’s nature and his sense of what it means to be an artist. With the pressure mounting, he must find a way to balance his marriage and his work, or risk devastating consequences to both. An exquisitely crafted story about the hard truths of the creative life, Conversation has been lauded by the New York Times as a testament to “the brilliance of [Conrad Aiken’s] mind and the understanding of his heart.”
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Inspired by the infamous case of Leopold and Loeb, King Coffin is a chilling glimpse into the mind of a twisted genius The sun is setting over Harvard, and Jasper Ammen is not impressed. A brilliant student who loathes all that the world has put before him, he gazes with contempt at the beauty of the campus, the intellectual pretensions of his fellow students, and the gaudiness of the sunset, for none of these approaches the majesty of Jasper’s mind. A reader of Nietzsche and Stirner, he is convinced of his own superiority, and has decided to prove it in the most irrefutable manner: with the perfect murder. Ammen will choose his victim at random and commit the unsolvable crime before a host of witnesses who will see what happens but not be able to understand it. Only his closest friends will realize that he has gotten away with murder, and they won’t be able to stop him or see him punished for the ghastly deed. An intense and disturbing portrait of rationalism taken to a dangerous extreme, King Coffin ranks alongside the works of Henry James and Fyodor Dostoevsky as a masterpiece of psychological realism.
An unrequited love, a passionless marriage, and an exotic adventure all play a role in this “engrossing” novel by a National Book Award–winning author (The New York Times Book Review). Blomberg has loved Noni for what seems like his whole life. He loves her like he loves the sunset, like he loves the air he breathes. But beautiful, strange, impulsive Noni—who has spent years in a passionless marriage to one of Boston’s most notorious swindlers—has only a few months to live; her heart is about to give out. Before she dies, Noni begs Blom to finance a trip to Mexico, where she can obtain a quick divorce and marry the man she loves. That man is not Blom, however, but Gil—an upstanding young gentleman who is to know nothing of Noni’s condition. With his own heart aching, Blom arranges the money, and the trio heads south on a journey that will bring them face to face with the mysteries of life and death. Featuring a character based on the author’s friend and protégé Malcolm Lowry, this is a deeply personal and psychologically astute novel by a versatile writer who was the recipient of the Pulitzer and Bollingen Prizes for his poetry, among other literary honors.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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