As issues surrounding sustainability in the fashion industry continue to evolve, the conversation in this collection of essays from leading fashion scholars, thinkers and practitioners has been updated with current concepts and industry practices. This revised edition examines the challenges that designers, product developers, and consumers confront as they create, wear, and recycle clothing and fashion. The introductions to each section have been completely revamped to provide readers with a foundation for the concepts and principles of sustainability covered in detail in the chapter essays. Contributors include experts such as Lucy Dunne writing about how technology is helping create a sustainable fashionable future and Timo Rissanen on his innovative methods for creating fashion with zero fabric waste. New to this edition: - New sidebars focusing on an expansion of Real World Applications -Best Practices sections feature new examples of contemporary industry practices - Discussion questions at the end of each chapter - New chapter on social justice and corporate social responsibility (CSR) emphasizes the conditions of garment workers and human sustainability
In When Hollywood Had a King, the distinguished journalist Connie Bruck tells the sweeping story of MCA and its brilliant leader, a man who transformed the entertainment industry— businessman, politician, tactician, and visionary Lew Wasserman. The Music Corporation of America was founded in Chicago in 1924 by Dr. Jules Stein, an ophthalmologist with a gift for booking bands. Twelve years later, Stein moved his operations west to Beverly Hills and hired Lew Wasserman. From his meager beginnings as a movie-theater usher in Cleveland, Wasserman ultimately ascended to the post of president of MCA, and the company became the most powerful force in Hollywood, regarded with a mixture of fear and awe. In his signature black suit and black knit tie, Was-serman took Hollywood by storm. He shifted the balance of power from the studios—which had seven-year contractual strangleholds on the stars—to the talent, who became profit partners. When an antitrust suit forced MCA’s evolution from talent agency to film- and television-production company, it was Wasserman who parlayed the control of a wide variety of entertainment and media products into a new type of Hollywood power base. There was only Washington left to conquer, and conquer it Wasserman did, quietly brokering alliances with Democratic and Republican administrations alike. That Wasserman’s reach extended from the underworld to the White House only added to his mystique. Among his friends were Teamster boss Jimmy Hoffa, mob lawyer Sidney Korshak, and gangster Moe Dalitz—along with Presidents Johnson, Clinton, and especially Reagan, who enjoyed a particularly close and mutually beneficial relationship with Wasserman. He was equally intimate with Hollywood royalty, from Bette Davis and Jimmy Stewart to Steven Spielberg, who began his career at MCA and once described Wasserman’s eyeglasses as looking like two giant movie screens. The history of MCA is really the history of a revolution. Lew Wasserman ushered in the Hollywood we know today. He is the link between the old-school moguls with their ironclad studio contracts and the new industry defined by multimedia conglomerates, power agents, multimillionaire actors, and profit sharing. In the hands of Connie Bruck, the story of Lew Wasserman’s rise to power takes on an almost Shakespearean scope. When Hollywood Had a King reveals the industry’s greatest untold story: how a stealthy, enterprising power broker became, for a time, Tinseltown’s absolute monarch.
As issues surrounding sustainability in the fashion industry continue to evolve, the conversation in this collection of essays from leading fashion scholars, thinkers and practitioners has been updated with current concepts and industry practices. This revised edition examines the challenges that designers, product developers, and consumers confront as they create, wear, and recycle clothing and fashion. The introductions to each section have been completely revamped to provide readers with a foundation for the concepts and principles of sustainability covered in detail in the chapter essays. Contributors include experts such as Lucy Dunne writing about how technology is helping create a sustainable fashionable future and Timo Rissanen on his innovative methods for creating fashion with zero fabric waste. New to this edition: - New sidebars focusing on an expansion of Real World Applications -Best Practices sections feature new examples of contemporary industry practices - Discussion questions at the end of each chapter - New chapter on social justice and corporate social responsibility (CSR) emphasizes the conditions of garment workers and human sustainability
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