Columbia County was formed in 1813 and named for the mythic goddess Columbia, who represented the distinctively American qualities of the new nation in opposition to Britannia. In an area of beautiful, fertile creek and river valleys nestled among high ridges, the county represents the best of rural America with its productive farms, idyllic small towns, and a variety of small-scale industries. Settled at first by Quakers, the villages and towns were later strengthened by Scotch-Irish, German, Italian, and eastern European immigrants. Agriculture was the principal pursuit at first and continues so, but the county developed many industries ranging from timbering in the north to production of canal boats, textiles, and railroad cars in towns along the Susquehanna River to mining of anthracite coal at the county's southern edge. The photographs in Early Columbia County, selected from the historical society's large collection, evoke the people and life of the towns in their heyday from 1870 to 1920, when each locality attained a distinctive character.
Columbia, South Carolina, is very much a tale of two cities. Founded as a political compromise, forged by an economy shackled by slavery, and physically vanquished by fire, the Palmetto State's second capital became a proving ground for a new society less than a century after its establishment. During the course of the next 100 years, Columbians--new and old, black and white, rich and poor--would physically transform their city in ways that reflected their needs, aspirations, fears, and wherewithal. Remembering Columbia is a visual road map that merges images with accounts of people, sites, and events pulled from historical newspapers, diaries, and ephemera. Building upon the efforts of previous generations, this account explores South Carolina's capital city from its early years through the mid-20th century in ways previously underdeveloped or altogether unrepresented. The result is an intriguing detective story that will be enriching, surprising, and compelling to life-long residents, newcomers, and visitors alike.
Nestled in the crossroads of Connecticut's eastern highlands, Columbia was home to Eleazar Wheelock's Moor's Indian Charity School, founded in 1754. This Puritan parish was transformed by the early-19th-century Industrial Revolution and was later changed into an exurb of Hartford by the 20th-century automobile. Beginning in 1720, Columbia residents harnessed waterpower for all manner of mills, including grist, cider, sorghum, carding, fulling, saw, shingle, and wood turning. Hop River Village was the site of the first large-scale industrial cotton mill in Connecticut in 1837. Today, the mills are long gone. The Ten Mile River, Hop River, dramatic Columbia Lake Ravine, Utley Hill Preserve, and pristine Columbia Lake hold clues to a once bustling commercial center. Post-World War II Columbia grew into a vital residential, recreational community with small industries and an agricultural heritage.
This volume is part of a two-volume set that contains over 1,000 local and national articles, from historical newspapers and other publications, relating to the pioneer history of the area of northeastern Kentucky known as the "Buffalo Trace," including the counties of Mason, Bracken, Fleming, Robertson and Lewis, and the adjacent Ohio counties of Adams and Brown.
Diminutive marvels of artistry and fine craftsmanship, portrait miniatures reveal a wealth of information within their small frames. They can tell tales of cultural history and biography, of people and their passions, of evolving tastes in jewelry, fashion, hairstyles, and the decorative arts. Unlike many other genres, miniatures have a tradition in which amateurs and professionals have operated in parallel and women artists have flourished as professionals. This richly illustrated book presents approximately 180 portrait miniatures selected from the holdings of the Cincinnati Art Museum, the largest and most diverse collection of its kind in North America. The book stresses the continuity of stylistic tradition across Europe and America as well as the vitality of the portrait miniature format through more than four centuries. A detailed catalogue entry, as well as a concise artist biography, appears for each object. Essays examine various aspects of miniature painting, of the depiction of costume in miniatures, and of the allied art of hair work.
Columbia County was formed in 1813 and named for the mythic goddess Columbia, who represented the distinctively American qualities of the new nation in opposition to Britannia. In an area of beautiful, fertile creek and river valleys nestled among high ridges, the county represents the best of rural America with its productive farms, idyllic small towns, and a variety of small-scale industries. Settled at first by Quakers, the villages and towns were later strengthened by Scotch-Irish, German, Italian, and eastern European immigrants. Agriculture was the principal pursuit at first and continues so, but the county developed many industries ranging from timbering in the north to production of canal boats, textiles, and railroad cars in towns along the Susquehanna River to mining of anthracite coal at the county's southern edge. The photographs in Early Columbia County, selected from the historical society's large collection, evoke the people and life of the towns in their heyday from 1870 to 1920, when each locality attained a distinctive character.
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