The O’Shaughnessy brothers’ story takes place between 1860 and 1950 in Illinois, Missouri, New York, and Ireland. They were the children of an impoverished immigrant who fled the famine in Ireland and his Irish-American wife.An Irish-American Odysseyis the tale of this first-generation immigrant family’s struggle to assimilate into American society, highlighting their perseverance and determination to seize opportunities and surmount obstacles, all the while establishing a legacy for their own descendants in American art, advertising, journalism, and public service. TIME magazine called James O’Shaughnessy “the best in the business” of advertising, and he became the first chief executive of the American Association of Advertising Agencies. Earlier, he was a “star” reporter at the Chicago Tribune, and James and Francis were centrally involved in founding and maintaining the Irish Fellowship Club. Francis was also the first graduate of the University of Notre Dame to be invited to deliver its annual commencement address, while Martin was the first captain of Notre Dame’s official basketball team. An attorney, John represented the alleged victim in a notorious “white slavery” case. Thomas (“Gus”) became the leading Gaelic Revival artist in America as well as a promoter of Italian-American heritage, campaigning successfully to have Columbus Day enacted a public holiday. The remarkable rise of the O’Shaughnessy brothers proves the American dream is attainable.
Almost a century after his untimely death in 1922, this lively and insightful new assessment explores the man Michael Collins described as ‘father of us all’ and reclaims Arthur Griffith as the founder of both Sinn Féin and the Irish Free State. Since his death when President of Dáil Éireann, Griffith’s role has often been misrepresented. Too radical for some, he was not militant enough for others. His legacy belongs to no single political party today. Colum Kenny argues that efforts to ‘other’ Griffith as ‘un-Irish’ raise uncomfortable questions about Irish identity. A dedicated activist and intellectual, as well as a skilled editor and balladeer, Griffith knew what it meant to be poor. He encouraged women to get involved in the struggle for Irish independence, and, unusually for his time, distinguished between Oscar Wilde’s private life and his work. Griffith’s complex relationships with Maud Gonne, W.B. Yeats and James Joyce are revealed here in significant new ways. The Enigma of Arthur Griffith brings the ‘father of us all’ into focus for a new generation.
This book demonstrates that silence is eloquent, powerful, beautiful and even dangerous. It surrounds and permeates our daily lives. Drawing on a wide range of cross-cultural, literary and historical sources, the author explores the uses and abuses of silence. He explains how silence is not associated with solitude alone but has a much broader value within society. The main themes of The Power of Silence are positive and negative uses of silence, and the various ways in which silence has been understood culturally, socially and spiritually. The book's objectives are to equip people with a better appreciation of the value of silence and to enable them to explore its benefits and uses more easily for themselves.
The son of a Dublin Fenian, Kevin J. Kenny (1881-1954) managed the business side of Sinn Féin's annual Year book for Arthur Griffith and produced An Macaomh for Patrick Pearse. He founded what became the first full-service advertising agency in Ireland and was the inaugural general secretary of the Knights of Columbanus. A business candidate for Dáil Éireann in 1923, he later served as president of the Dublin Rotary Club despite oppostion from certain Catholic priests. One of those who worked for the economic development of an independent Ireland, his life story encapsulates some of the strains and limitations of an emerging Irish state."--P. [4] of cover.
The O’Shaughnessy brothers’ story takes place between 1860 and 1950 in Illinois, Missouri, New York, and Ireland. They were the children of an impoverished immigrant who fled the famine in Ireland and his Irish-American wife.An Irish-American Odysseyis the tale of this first-generation immigrant family’s struggle to assimilate into American society, highlighting their perseverance and determination to seize opportunities and surmount obstacles, all the while establishing a legacy for their own descendants in American art, advertising, journalism, and public service. TIME magazine called James O’Shaughnessy “the best in the business” of advertising, and he became the first chief executive of the American Association of Advertising Agencies. Earlier, he was a “star” reporter at the Chicago Tribune, and James and Francis were centrally involved in founding and maintaining the Irish Fellowship Club. Francis was also the first graduate of the University of Notre Dame to be invited to deliver its annual commencement address, while Martin was the first captain of Notre Dame’s official basketball team. An attorney, John represented the alleged victim in a notorious “white slavery” case. Thomas (“Gus”) became the leading Gaelic Revival artist in America as well as a promoter of Italian-American heritage, campaigning successfully to have Columbus Day enacted a public holiday. The remarkable rise of the O’Shaughnessy brothers proves the American dream is attainable.
This book demonstrates that silence is eloquent, powerful, beautiful and even dangerous. It surrounds and permeates our daily lives. Drawing on a wide range of cross-cultural, literary and historical sources, the author explores the uses and abuses of silence. He explains how silence is not associated with solitude alone but has a much broader value within society.The main themes of The Power of Silence are positive and negative uses of silence, and the various ways in which silence has been understood culturally, socially and spiritually. The book's objectives are to equip people with a better appreciation of the value of silence and to enable them to explore its benefits and uses more easily for themselves.
Almost a century after his untimely death in 1922, this lively and insightful new assessment explores the man Michael Collins described as ‘father of us all’ and reclaims Arthur Griffith as the founder of both Sinn Féin and the Irish Free State. Since his death when President of Dáil Éireann, Griffith’s role has often been misrepresented. Too radical for some, he was not militant enough for others. His legacy belongs to no single political party today. Colum Kenny argues that efforts to ‘other’ Griffith as ‘un-Irish’ raise uncomfortable questions about Irish identity. A dedicated activist and intellectual, as well as a skilled editor and balladeer, Griffith knew what it meant to be poor. He encouraged women to get involved in the struggle for Irish independence, and, unusually for his time, distinguished between Oscar Wilde’s private life and his work. Griffith’s complex relationships with Maud Gonne, W.B. Yeats and James Joyce are revealed here in significant new ways. The Enigma of Arthur Griffith brings the ‘father of us all’ into focus for a new generation.
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