Inside the Crips is the memoir of the author Colton Simpson's life as a Crip--beginning at the tender age of ten in the mid-seventies--and his prison turnaround nearly twenty-five years later. Colton ("C-Loc") Simpson calls himself the only gang member ever allowed to quite the Crips--and one of the few to survive into his thirties. Simpson--son of a ballplayer for the California Angels and a mother who was relentlessly rough with her sons after their fathers left her--became a gang member at ten. Inside The Crips tells the remarkable--and at the same time, all too common--story of gang life in the 1980s in immediate and descriptive prose that makes this book a gripping true-life read. Inside The Crips covers the rush that comes from participating in gang violence and the years-long wars between the Bloods and Crips. Simpson's story also puts the reader in the middle of the struggle between the Crips and corrections officers in Calipatria prison. It covers gang life from the mid-seventies to the mid-nineties, and introduces characters it's impossible not to care about: Simpson's fellow gangbanger Smile; and Gina, the long-suffering friend and mother of two sons who married Simpson in prison.
Inside the Crips is the memoir of the author Colton Simpson's life as a Crip--beginning at the tender age of ten in the mid-seventies--and his prison turnaround nearly twenty-five years later. Colton ("C-Loc") Simpson calls himself the only gang member ever allowed to quite the Crips--and one of the few to survive into his thirties. Simpson--son of a ballplayer for the California Angels and a mother who was relentlessly rough with her sons after their fathers left her--became a gang member at ten. Inside The Crips tells the remarkable--and at the same time, all too common--story of gang life in the 1980s in immediate and descriptive prose that makes this book a gripping true-life read. Inside The Crips covers the rush that comes from participating in gang violence and the years-long wars between the Bloods and Crips. Simpson's story also puts the reader in the middle of the struggle between the Crips and corrections officers in Calipatria prison. It covers gang life from the mid-seventies to the mid-nineties, and introduces characters it's impossible not to care about: Simpson's fellow gangbanger Smile; and Gina, the long-suffering friend and mother of two sons who married Simpson in prison.
Frederick Rennie Emerson (1895-1972) was a dynamic presence in the cultural and intellectual life of Newfoundland and Labrador for much of the twentieth century. A musician, lawyer, educator, and folklore enthusiast, Emerson was a central figure in the preservation and mediation of Newfoundland culture in the tumultuous decades prior to and following Confederation with Canada in 1949. Glenn Colton shows how Emerson fostered greater awareness and understanding of Newfoundland's cultural heritage in local, national, and international contexts. His collaboration with song collector Maud Karpeles in the late 1920s preserved some of the most cherished folk songs in the English language, and a decade later, his lectures at Memorial University College emphasized folk traditions and classical repertoire to inspire cultural discovery for an entire generation. As Newfoundland's representative on the first Canada Council and vice-president of the Canadian Folk Music Society, he played a crucial role in shaping Canadian cultural policy during the transformative years of the mid-twentieth century. Colton also reveals the meaningful creative works Emerson composed in response to the same cultural heritage he documented and preserved: his one-act drama Proud Kate Sullivan (1940) is a pioneering depiction of Newfoundland life, and the folk-inspired Newfoundland Rhapsody (1964) is one of few examples of symphonic music composed by a Newfoundlander of his generation. Newfoundland Rhapsody explores Newfoundland society, Canada's emerging arts scene, and the international folk music community to offer a new lens through which to view the cultural history of twentieth-century Newfoundland and Canada.
IN the Fall of the year when Krakatoa blew its head off in the East Indies, and sent its dust around the world, I fell sick of a fever in the city of Portate, which is on the west coast of South America. Portate had the latest brand of municipal enterprise and the oldest brand of fever. But they call any kind of sickness a fever there, to save trouble, and bury the alien with as little trouble as possible. I started for home, and came as far as Nassau, which is a town in the Bahamas. There, a wasted and dismal shape, I somehow fell into the hands of one Dr. Ulswater, who tended and medicined by back into the world of sunlight and other interesting objects. Nassau runs up the side of a bluff and overlooks a blue and dimpled harbour. Dr. Ulswater at last began to take me with him, to lie on the rocks and watch him search in the harbour shoals for small cuttlefish. He used a three-pronged spear to stir them out of their lairs, and a long knife to put into their vital points with skilful surgery. They waved and slapped their wild blistered arms around his neck and shoulders, while he poked placidly into their vitality. So, being entertained and happy, I recovered from yellow fever. By that time my handsome name, given by parents who recognised my merits, "Christopher Kirby," had come down handily in Dr. Ulswater's usage to "Kit," and we loved each other as two men can who are to each other a perpetual entertainment. Dr. Ulswater was a large, bushy man in the prime of a varied life. Born an American, he had studied in German universities, practised medicine in Italy, and afterward in Ceylon. One of his hobbies was South-American archaeology. He owned a silver mine in Nevada, and kept a sort of residence in New York at this time, and was collecting specimens for a New England museum. So that he was what you might call a distributed man, for he had been in most countries of the globe; yet he was not a "globe-trotter," but rather a floater,—in a manner resembling sea-weed, that drifts from place to place, but, wherever it drifts or clings, is tranquil and accommodating. He seemed to me suitable to the tropics and their seas,—large, easy, and warm of body; his learning like the sea, mysterious and bottomless; his mind luxuriously fertile, but somewhat ungoverned. His idioms were mixed, his conversations opalescent; his criticism of himself was that he had not personality enough. "No, my dear," he said, wrapping a dead cuttlefish up neatly in its own arms, "I am like a cuttlefish whose vital point is loose. You are an ignorant person, with prepossessions beyond belief, and absurd deferences for clothing and cleanliness; but you have personality and entertaining virtues. Therefore I will let you smoke two cigars to-night instead of one, and to-morrow maybe three, for your sickness is becoming an hypocrisy." Then we went over the rocks to our boat and the sulky sleepy negro boatman, the doctor with his flabby bundled cuttlefish, and I with a basket full of coral and conch-shells. The boatman rowed us out over a sea garden with submerged coral grottos; pink and white coral, branching and the "brain" coral, sea-fans and purple sea-feathers, coral shrubs, coral in shelving masses; also sponges, and green hanging moss, and yellow, emerald, and scarlet fish, silver, satin, ringed, fringed, spotted;—all deep beneath in their liquid, deluding atmosphere,—a cold vision, outlandish, brilliant, and grotesque, over which we floated and looked down.
Even after his death in April 2007, Boris Yeltsin remains the most controversial figure in recent Russian history. Although Mikhail Gorbachev presided over the decline of the Communist party and the withdrawal of Soviet control over eastern Europe, it was Yeltsin-Russia's first elected president-who buried the Soviet Union itself. Upon taking office, Yeltsin quickly embarked on a sweeping makeover of newly democratic Russia, beginning with a program of excruciatingly painful market reforms that earned him wide acclaim in the West and deep recrimination from many Russian citizens. In this, the first biography of Yeltsin's entire life, Soviet scholar Timothy Colton traces Yeltsin's development from a peasant boy in the Urals to a Communist party apparatchik, and then ultimately to a nemesis of the Soviet order. Based on unprecedented interviews with Yeltsin himself as well as scores of other Soviet officials, journalists, and businessmen, Colton explains how and why Yeltsin broke with single-party rule and launched his drive to replace it with democracy. Yeltsin's colossal attempt to bring democracy to Russia remains one of the great, unfinished stories of our time. As anti-Western policies and rhetoric resurface in Putin's increasingly bellicose Russia, Yeltsin offers essential insights into the past, present, and future of this vast and troubled nation.
Thoroughly revised for the revamped SAT, Up Your Score: SAT is the only test-prep guide written for students by students—all of whom achieved perfect or near-perfect scores and went on to the colleges of their choice. A complement and reality check to the mainstream SAT study guides, it’s the book that kids recommend to one another, because it’s as entertaining as it is effective, showing students how to: • Think like the SAT • Ramp up their “mental math” powers • Remember the 12 most important grammar rules • Hone speed and timing • Understand key vocabulary words in context • Be a better guesser (and why it’s always better to guess) • Vanquish anxiety and improve concentration • Best fill in the answer circles, saving nearly six minutes • Unwind with SAT Yoga
More college-bound seniors than ever are taking the SAT—in 2012, 1.66 million of them. Up Your Score: SAT is the only guide written for students, by students. Filled with expert advice and proven strategies, it injects a feisty attitude into the dry business of test prep, fending off test anxiety with humor. Its four authors and guest editor achieved perfect or near-perfect scores and attended the colleges of their choice, and the book shows readers how they can do the same. Discover the eight core ways the test approaches math. Learn 600 key vocabulary words with proven tricks to make definitions memorable. Master the 13 most important grammar rules, and find out how to prepare your essay in advance. Plus, Up Your Score shows how to “psych out” the test. How to think like the SAT. The best ways to fill in answer circles and other strategies to save precious minutes. Tips for maintaining concentration. Why it’s always better to guess than to leave a question unanswered. And a recipe for energy-boosting Sweet & Tasty 800 Bars. Up Your Score is the inexpensive complement—and reality check—to the institutional tomes by Princeton Review and Kaplan. It’s the guerrilla guide that students recommend to each other—the only one kids actually want to use. But don’t take our word for it—check out these posts from Up Your Score’s Facebook page: “OMG, with this book, my second SAT score went up 220 points from my first score . . . thanks for the awesome tips. everyone should buy this book!:)” “Just bought the book for my SAT test . . . I’m already laughing and it’s making studying a little less terrible “I got a 1900 partly because of you guys, thank you SO much!”
John Colton is a meticulous researcher and a fine craftsman. In his political biography of Leon Blum, these two qualities are beautiully blended; none of the available evidence appears to have been over looked, and the enormous mass of variegated material has been transmuted in a polished, richly tapestried, and absorbing narrative.
From the perennially young, precocious figure of 'little orphan Annie' to the physical and vocal ageing of the eighteenth-century castrato, interlinked cultural constructions of age and gender are central to the historical and contemporary depiction of creative activity and its audiences. Gender, Age and Musical Creativity takes an interdisciplinary approach to issues of identity and its representation, examining intersections of age and gender in relation to music and musicians across a wide range of periods, places, and genres, including female patronage in Renaissance Italy, the working-class brass band tradition of northern England, twentieth-century jazz and popular music cultures, and the contemporary 'New Music' scene. Drawing together the work of musicologists and practitioners, the collection offers new ways in which to conceptualise the complex links between age and gender in both individual and collective practice and their reception: essays explore juvenilia and 'late' style in composition and performance, the role of public and private institutions in fostering and sustaining creative activity throughout the course of musical careers, and the ways in which genres and scenes themselves age over time.
Journeys of discovery and remembrance fill these pages. From childhood joys to elder observations, the author shares her knack for seeing from a different perspective.
Do you ever wonder what happens after death? Do you believe in life after death? In this candid and straight-talking book, the author shares his own journey into mediumship and his work with various development circles and other groups. We get a unique insight into the challenges of this very unconventional calling, as Tom performs 'spirit rescues' in homes troubled by persistent spirit activity and helps families reconcile with the loss of loved ones. But this book is not just about Tom's journey, or the poignant stories of the clients he has helped. His aim is also to show the reader that, far from there being any special 'gift' required, the ability to connect with the Spirit World is one which each and every one of us can develop and make use of. Filled with compassion, humour and pragmatism, this book opens up the world of mediumship and Spirit to us all.
Thoroughly overhauled for the new SAT, Up Your Score is the only test-prep guide written by students—all of whom achieved perfect or near-perfect scores and went on to the colleges of their choice. A complement and reality check to the mainstream SAT study guides, it’s the book that kids recommend to each other, because it’s as entertaining as it is effective, showing students how to: • Think like the SAT • Master insider math tricks • Remember the 13 most important grammar rules • Hone their speed and timing • Be a better guesser (and why it’s always better to guess) • Vanquish anxiety and improve concentration • Best fill in the answer circles, saving nearly six minutes • Unwind with SAT Yoga Packed with up-to-date information and smart strategies for the redesigned SAT, this new edition of Up Your Score is written with a sharp sense of humor in the irreverent voice of a peer, so it engages kids, rather than puts them to sleep. And, to really keep that energy up, it includes a recipe for Sweet & Tasty 800 Bars.
Science Is Not Great Throughout the COVID-19 pandemic, politicians repeatedly appealed to “the science” to justify tyrannical policies, and much of the population passively complied. Such compliance stemmed from a deep, religious reverence for science in which people see science as an infallible god. But is science really that great, or is it doing more harm than good? In Science Is Not Great, author Colton Martens—a university professor who holds a BS in Biology and a PhD in Molecular, Cellular, and Developmental Biology—explores the political biases that dominate scientific institutions and call academia’s politically charged conclusions into question. He discourages people from blindly putting their faith in science, citing problems with the scientific method, past failures of biomedical science, and past vaccine mistakes. The author also takes a somewhat unique stance against advanced biomedical science and discusses the long-term negative effects this will have for our species’ health. The book shows how science has a surprisingly poor track record and should not be worshiped as the be-all, end-all solution to society’s ills. In fact, the author argues that science is being used to create a highly undesirable dystopian future, and he offers suggestions on how to fix science and once again make it a force for good.
On April 23, 1943, the seventy-man crew of the USS Grenadier scrambled to save their submarine—and themselves—after a Japanese aerial torpedo sent it crashing to the ocean floor. Miraculously, the men were able to bring the sub back to the surface, only to be captured by the Japanese. No Ordinary Joes tells the harrowing story of four of the Grenadier’s crew: Bob Palmer of Medford, Oregon; Chuck Vervalin of Dundee, New York; Tim McCoy of Dallas, Texas; and Gordy Cox of Yakima, Washington. All were enlistees from families that struggled through the Great Depression. The lure of service and duty to country were not their primary motivations—they were more compelled by the promise of a job that provided “three hots and a cot” and a steady paycheck. On the day they were captured, all four were still teenagers. Together, the men faced unimaginable brutality at the hands of their captors in a prisoner of war camp. With no training in how to respond in the face of relentless interrogations and with less than a cup of rice per day for sustenance, each man created his own strategy for survival. When the liberation finally came, all four anticipated a triumphant homecoming to waiting families, loved ones, and wives, but instead were forced to find a new kind of strength as they struggled to resume their lives in a world that had given them up for dead, and with the aftershocks of an experience that haunted and colored the rest of their days. Author Larry Colton brings the lives of these four “ordinary” heroes into brilliant focus. Theirs is a story of tragedy and courage, romance and war, loss and endurance, failure and redemption. With a scope both panoramic and disarmingly intimate, No Ordinary Joes is a powerful look at the atrocities of war, the reality of its aftermath, and the restorative power of love.
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