Louise Archer boards a westbound train in St. Louis to find the Kansas homesteader who wooed and proposed to her by correspondence, then jilted her by telegram – Don't come, I can't marry you. Giving a false name to hide her humiliation, her lie backfires when a marshal interferes and offers her his seat. Marshal Everett McCloud intends to verify the woman coming to marry his homesteading friend is suitable. At the St. Louis train station, his plan detours when he offers his seat to a captivating woman whose name thankfully isn't Louise Archer. Everett's plans thwart hers, until he begins to resemble the man she came west to find, and she the woman meant to marry his friend.
Cate is a runner. She prefers to help her fiancé run his New York senate race, but she finds herself running instead to fix what’s broken between her grandparents before he finds out—her grandmother has moved out of the family home, and her grandfather is accused of a pre-WWII relationship with a woman in Germany. Dietrich is a German journalist with a spotless reputation. He prefers facts, but he finds himself lost in a world of fiction instead to prove his novelist grandmother couldn’t possibly have been the lover of a US runner in Berlin’s 1936 Olympics—especially when that runner’s granddaughter is Cate, a stubborn obstacle he should but can’t ignore. Cate runs hard to cover up what Dietrich uncovers, until he shows her how it could have been—and how it could be again—that one can indeed love an enemy.
From the New York Times bestselling author of It Ends With Us, Colleen Hoover’s bestselling Slammed series comes to its gripping conclusion. There are two sides to every love story. Now hear Will’s. Layken and Will’s love has managed to withstand the toughest of circumstances, and the young lovers, now married, are beginning to feel safe and secure in their union. As much as Layken relishes their new life together, she finds herself wanting to know everything there is to know about her husband, even though Will makes it clear he prefers to keep the painful memories of the past where they belong. Still, he can’t resist his wife’s pleas, and so he begins to untangle his side of the story, revealing for the first time his most intimate feelings and thoughts, retelling both the good and bad moments, and sharing a few shocking confessions of his own from the time when they first met. In This Girl, Will tells the story of their complicated relationship from his point of view. Their future rests on how well they deal with the past in this final instalment of the beloved Slammed series.
The nearly sixty year old pamphlet Rachel found contained everything her best friend, Lane, longed to know about the obscure history of his deceased great-grandfather. It touted the pianist's musical prowess, his success as a college music professor, and his uncanny knack for bringing out the best in his piano students. Rachel couldn't wait to show Lane her find, but the penciled-in comment at the bottom of the first page stopped her cold. “Justifiably shot in the back by his wife one morning as he was dressing, because of another woman.”Set on a course of unraveling the truth about the 1930s life and murder of Lane's great-grandfather, Rachel discovers parallel truths about herself and Lane as she opens the story of his great-grandparents and the woman who was his great-grandfather's supposed lover.
The long-awaited finale to the New York Times bestselling Maybe Someday series returns with all the characters you fell in love with. What is more important? Friendship, loyalty, or love? Ridge and Sydney are thrilled to finally be together guilt-free. But as the two of them navigate this freedom, Warren and Bridgette's relationship is as tumultuous as ever, and Maggie grapples with her illness. When she comes across an old list of things she wanted to do "maybe one of these days," Maggie decides to live life to the fullest and accomplish these dreams. Maggie keeps Ridge updated on her adventures, but he can't help but worry, even as Sydney grows more and more suspicious about their friendship. But if she's going to move past this jealousy, she'll need to reconcile how she and Ridge came together with the fact that Maggie will always be in their lives somehow...or end up walking away from the man she loves so much. Featuring new songs by Griffin Peterson, this emotive and satisfying finale proves that maybe someday might be right now.
Cate is a runner. She prefers to help her fiancé run his New York senate race, but she finds herself running instead to fix what’s broken between her grandparents before he finds out—her grandmother has moved out of the family home, and her grandfather is accused of a pre-WWII relationship with a woman in Germany. Dietrich is a German journalist with a spotless reputation. He prefers facts, but he finds himself lost in a world of fiction instead to prove his novelist grandmother couldn’t possibly have been the lover of a US runner in Berlin’s 1936 Olympics—especially when that runner’s granddaughter is Cate, a stubborn obstacle he should but can’t ignore. Cate runs hard to cover up what Dietrich uncovers, until he shows her how it could have been—and how it could be again—that one can indeed love an enemy.
Katie Walsh expects to write a love story someday. The hero resembles her father, and the heroine the deceased mother she never knew but imagines from the longing on her father’s face. Katie doesn’t expect her father to be murdered, or his will to leave their farm to Guy Knowles, the man she hoped to marry, and order her to another state. Betrayed by the men she trusted, what should have become a love like no other withers and dies. Until Ted Howard, who doesn’t fit the hole Guy left in her heart. Instead, he fits himself into what she needs—someone who will stay, protect her, and break his own heart for her if needed.
The moment Martha noticed Raymond on the train, everything her mother warned against erupted – romantic notions, palpitating heart, the desire to write it all in a novel and tell the world. Martha lived and wrote that love story until the day Raymond handed her a sketch. “Want to see a picture of the girl I plan to marry?” The penciled profile resembled Martha… But when Raymond went away, she knew. She wasn’t the girl he planned to marry. David was her father’s apprentice, everything Martha’s mother said made a good husband - hardworking, no romantic tendencies, no tolerance for writing about it. Martha added a fictional happy ending to her and Raymond’s story and published it. Cleansed herself of romantic love, ready to marry David. Until a copy of her book appeared. Full of sketches, Raymond’s version of their love story, drawings that enticed her heart to beat once again.
Neither Rex nor Regina wants a spouse, but they do have needs. Ranger Rex Duncan needs a false identity—just long enough to uncover a ring of Kansas ranch thieves. Answering Regina’s ad for a temporary husband, he leaves his beloved red dirt of Oklahoma to assume that disguise. But the most obstinate woman he’s ever known confounds his assignment, and with hair the red color that has always made his heart beat a little faster. Regina Howard needs a new Mrs. in front of her name—just long enough to reclaim her deceased husband’s ranch, since Kansas law won’t allow women to own property. When Rex answers her ad for a husband who can take orders as part of a brief business arrangement, she finds this stubborn man ignores her every command. Yet a good man is far more than just a name…
Cletus asked for Lana when she was barely more than a child. He told her grandmother he wanted a wife, not a bride, someone to keep his house the way he wanted it and to give him sons. He got more daughters than sons, and he also got James: “That boy,” the one Cletus claimed wasn’t his. Jim Dillon wanted Lana — he always had. He just hadn’t expected her to be taken away and married to someone else so soon. Glen Morgan recognized the beauty underlying Lana’s worn features, and he stepped in where Cletus hadn’t, offering help to her and her children. Lana grew up under Cletus’ demands, fulfilling what was expected of her — until his accusations that she’d done the unexpected and been unfaithful. Lana no longer looked at what might have been or what could be. She discovered what was most important, and she found it inside of herself.
Louise Archer boards a westbound train in St. Louis to find the Kansas homesteader who wooed and proposed to her by correspondence, then jilted her by telegram – Don't come, I can't marry you. Giving a false name to hide her humiliation, her lie backfires when a marshal interferes and offers her his seat. Marshal Everett McCloud intends to verify the woman coming to marry his homesteading friend is suitable. At the St. Louis train station, his plan detours when he offers his seat to a captivating woman whose name thankfully isn't Louise Archer. Everett's plans thwart hers, until he begins to resemble the man she came west to find, and she the woman meant to marry his friend.
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