A tale of survival, love, hardship, family, heartbreak and triumph. This is the incredible story of 89-year-old Chelsea Pensioner Sergeant Major Colin Thackery who, in 2019, made history by becoming the oldest person to win Britain's Got Talent. The show gave a glimpse into Colin's history, but the truth of his unique and eventful life is far more gripping and surprising than viewers could have imagined. Enthralling, poignant and inspiring, this book tells Colin's story, from being a child helping Air Raid Wardens during The Blitz, through fighting in the Korean War, touring the world with the army, becoming a widower after 66 years of marriage, life as a Chelsea Pensioner and touching the nation's hearts with his show-winning singing in honour of his late wife, Joan. Ultimately, Colin's story is a tale of triumph: of resilience in the hardest of times; of hope in the face of despair; and of everlasting love.
A tale of survival, love, hardship, family, heartbreak and triumph. This is the incredible story of 89-year-old Chelsea Pensioner Sergeant Major Colin Thackery who, in 2019, made history by becoming the oldest person to win Britain's Got Talent. The show gave a glimpse into Colin's history, but the truth of his unique and eventful life is far more gripping and surprising than viewers could have imagined. Enthralling, poignant and inspiring, this book tells Colin's story, from being a child helping Air Raid Wardens during The Blitz, through fighting in the Korean War, touring the world with the army, becoming a widower after 66 years of marriage, life as a Chelsea Pensioner and touching the nation's hearts with his show-winning singing in honour of his late wife, Joan. Ultimately, Colin's story is a tale of triumph: of resilience in the hardest of times; of hope in the face of despair; and of everlasting love.
The Virgin Encyclopaedia of the Blues is a complete handbook of information and opinion about the history of the most classically simple, enduring and inspiring genre in the history of popular music. All entries have been created from the massive database of The Encyclopaedia of Popular Music, which has swiftly and firmly established itself as the undisputed champion of contemporary music reference books. Brand new research ensures that the 1000 entries are bang up-to-date and cover everyone - the musicians, bands, songwriters, producers and record labels - who has made a significant impact on the development of the blues. It brings together pioneers like Robert Johnson and Blind Lemon Jefferson, the influence of Muddy Waters and Willie Dixon on the blues boom of the 1960s, and the most recent blues resurgence featuring Keb'Mo, Larry Garner and Jonny Lang. As well as the giants of the blues, this encyclopaedia has the range and depth to include performers who flew the blues flag during fallow periods, the 1980s band Roomful of Blues for example, or acts like Paul Butterfield, Chicken Shack, Stevie Ray Vaughan, who took the music to a wider, whiter, audience. Some blues musicians, including John Lee Hooker and Taj Mahal, seem to last forever. Others simply defined the genre, like Lead Belly, Bessie Smith and Howlin' Wolf. Whomever you remember or want to know more about, each entry gives the essential elements - dates, career facts, discography and album ratings - as well as a sense of context, striking a balance between the extremes of the self-opinionated and the bland.
A look around a typical seaside resort revealing its quirky history and roots. Written to inform, educate and amuse, Secret Worthing reveals the town's lesser-known anecdotes and buildings.
Through the Bottom of a Glass is the continuing story of Donald Jackson, the ex-telephone engineer pretending to be a private eye. There is still no sign of little girls, white rabbits or mad hatters but there is one big girl, a dead dog and a couple of rather annoyed managers.
This title was first published in 2000. London in the nineteenth century saw the founding of the National Gallery, the National Portrait Gallery, the Victoria and Albert Museum and the Whitechapel Art Gallery. Other, less permanent, organisations flourished, among them the British Institution, water-colour societies and the Society of Female Artists. These worked alongside the schools such as the Royal Academy and the Slade School of Art. In this volume, eleven scholars, experts on the individual institutions, analyse their complex histories to investigate such issues as: How did they generate and redesign their publics? What identities did they create? What practice of art making, connoisseurship and spectatorship did they enshrine? These reports elucidate the values associated with the key institutions and describe the responses and adaptation over time to major cultural developments: new movements, political change and the development of the Empire. The volume as a whole offers a fascinating account of the interconnections between these key institutions. Challenging conventional readings of the subject, the Introduction, by Paul Barlow and Colin Trodd, offers a definition of public art during the Victorian period.
Cross & Tapper continues to provide exceptionally clear and detailed coverage of the modern law of evidence, with an element of international comparison. The foremost authority in the area, it is a true classic of legal literature.
Cross and Tapper on Evidence discusses the theory and practice of this field, and provides criticism and comment on the law, drawing on numerous recent cases to illustrate the workings of the law. It has been fully revised and rewritten to take into account the radical and controversial newCriminal Justice Act 2003. Major changes brought about by the new legislation, including those relating to the effect on acquittals, all the rules relating to character, and the hearsay rule in criminal cases, have been fully incorporated into the text.
Colin Campbell is renowned for his lucid earlier work, 'The coming oil crisis'. Eight years on, events have proved his analysis right. Now, he argues that the oil crisis has come. The familiar technical explanation of the crisis is carefully made again : essentially, that there is no more oil to be found. That fact is beginning to manifest itself in heightened competition for the remaining resource ; which is why America invaded Iraq ; why Central Asia is in turmoil ; why oil is persistently priced above $50/barrel (and why Goldman Sachs think $100 a barrel is not too unlikely in the near future). The problem - of an oil-less world - is beyond the grasp of politicians. They can fiddle with ideas about renewables or hydrogen but they, along with most of humanity, have not really grasped that it is the oil economy that enables about a 7 billion world population to be sustained. A wholly new world is imminent. It is not likely to be very pleasant. Dr Campbell outlines our grim future." -- book cover.
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