Bringing together moral philosophy and literary analysis in a way that offers new insights for both, McGinn examines the relations between morality, art and beauty. He shows the value of literary texts as sources of moral illumination.
This book brings together a selection of Colin McGinn's philosophical essays from the 1970s to the 1990s, whose unifying theme is the relation between the mind and the world. The essays range over a set of prominent topics in contemporary philosophy, including the analysis of knowledge, the a priori, necessity, possible worlds, realism, mental representation, appearance and reality, and color.
Shakespeare’s plays are usually studied by literary scholars and historians and the books about him from those perspectives are legion. It is most unusual for a trained philosopher to give us his insight, as Colin McGinn does here, into six of Shakespeare’s greatest plays–A Midsummer Night’s Dream, Hamlet, Othello, Macbeth, King Lear, and The Tempest. In his brilliant commentary, McGinn explores Shakespeare’s philosophy of life and illustrates how he was influenced, for example, by the essays of Montaigne that were translated into English while Shakespeare was writing. In addition to chapters on the great plays, there are also essays on Shakespeare and gender and his plays from the aspects of psychology, ethics, and tragedy. As McGinn says about Shakespeare, “There is not a sentimental bone in his body. He has the curiosity of a scientist, the judgment of a philosopher, and the soul of a poet.” McGinn relates the ideas in the plays to the later philosophers such as David Hume and the modern commentaries of critics such as Harold Bloom. The book is an exhilarating reading experience, especially for students who are discovering the greatest writer in English.
Whether it's conkers in the schoolyard, kicking a football in the park, or playing tennis on Wimbledon Centre Court, sport impacts all of our lives. But what is sport and why do we do it? Colin McGinn, renowned philosopher (and kiteboarder), reflects on our love of sport and explores the value it has for us and the part it plays in a life lived well. Written in the form of a memoir, McGinn discusses many of the sports he has engaged in - from pole-vaulting and gymnastics to windsurfing and tennis - and describes the athletic experience from the inside, as a participant, articulating what is uniquely valuable about sport as an activity. Sport, argues McGinn, takes us to our fullest potential as human beings, it's what we fling at mortality to keep it at bay, a holiday from the Unbearable Heaviness of Being. "Sport" expresses our nature, it bears upon our self-realization. If a happy life consists in one that expresses fully our natural faculties, then sports must play an essential role in our lifes. Mind-body unity, the nature of practical knowledge and physical skill, success and failure, the ethics of competition, peak experiences, the spectacle of professional sport, aesthetics and death, McGinn discusses these and many other issues while telling of his own sporting mishaps and adventures. To use the vernacular of philosophy, "Sport" captures the phenomenology of sport - what it's like to do it - and in doing so shows how sport is a way of expressing and understanding who and what we are, way beyond whether we are a good sportsman, a bad loser or a team-player. For anyone who has ever thought that there must be less humiliating ways to enjoy yourself than being thrashed on the tennis court, "Sport" will reassure you that it's time not wasted.
An argument that nativism is true and important but mysterious, examining the particular case of ideas of sensible qualities. In this book, Colin McGinn presents a concise, clear, and compelling argument that the origins of knowledge are innate—that nativism, not empiricism, is correct in its theory of how concepts are acquired. McGinn considers the particular case of sensible qualities—ideas of color, shape, taste, and so on. He argues that these, which he once regarded as the strongest case for the empiricist position, are in fact not well explained by the empiricist account that they derive from interactions with external objects. Rather, he contends, ideas of sensible qualities offer the strongest case for the nativist position—that a large range of our knowledge is inborn, not acquired through the senses. Yet, McGinn cautions, how this can be is deeply problematic; we have no good theories about how innate knowledge is possible. Innate knowledge is a mystery, though a fact. McGinn describes the traditional debate between empiricism and nativism; offers an array of arguments against empiricism; constructs an argument in favor of nativism; and considers the philosophical consequences of adopting the nativist position, discussing perception, the mind–body problem, the unconscious, metaphysics, and epistemology.
Aimed at philsophy graduates this book investigates mental content in a systematic way and advances a number of claims about how mental content states are related to the body and the world. Internalism is the thesis that they are; externalism is the theory that they are not.
This advanced introductory text offers a synoptic view of philosophical inquiry, discussing such topics as consciousness, the self, meaning, free will, the a priori, and knowledge. The emphasis is on the fundamental intractability of these questions, and a theory is proposed as to why the human mind has so much difficulty in resolving them. This theory turns upon a naturalistic picture of the scope and limits of human intelligence.
“McGinn is an ingenious philosopher who thinks like a laser and writes like a dream” — Stephen Pinker “If Wittgenstein had written an autobiography it might have resembled this...brilliantly written, devastatingly honest, often very funny” — -- Oliver Sacks, M.D.
In Basic Structures of Reality, Colin McGinn deals with questions of metaphysics, epistemology, and philosophy of mind from the vantage point of physics. Combining general philosophy with physics, he covers such topics as the definition of matter, the nature of space, motion, gravity, electromagnetic fields, the character of physical knowledge, and consciousness and meaning. Throughout, McGinn maintains an historical perspective and seeks to determine how much we really know of the world described by physics. He defends a version of "structuralism": the thesis that our knowledge is partial and merely abstract, leaving a large epistemological gap at the center of physics. McGinn then connects this element of mystery to parallel mysteries in relation to the mind. Consciousness emerges as just one more mystery of physics. A theory of matter and space is developed, according to which the impenetrability of matter is explained as the deletion of volumes of space. McGinn proposes a philosophy of science that distinguishes physics from both psychology and biology, explores the ontology of energy, and considers the relevance of physics to seemingly remote fields such as the theory of meaning. In the form of a series of aphorisms, the author presents a metaphysical system that takes laws of nature as fundamental. With its broad scope and deep study of the fundamental questions at the heart of philosophy of physics, this book is not intended primarily for specialists, but for the general philosophical reader interested in how physics and philosophy intersect.
The concepts of identity, existence, predication, necessity, and truth are at the centre of philosophy and have rightly received sustained attention. Yet Colin McGinn believes that orthodox views of these topics are misguided in important ways. Philosophers and logicians have often distorted the nature of these concepts in an attempt to define them according to preconceived ideas. Logical Properties aims to respect the ordinary ways we talk and think when we employ these concepts, while at the same time showing that they are far more interesting and peculiar than some have supposed. There are real properties corresponding to these concepts - logical properties - that challenge naturalistic metaphysical views. These are not pseudo-properties or mere pieces of syntax. Logical Properties is written with the minimum of formal apparatus and deals with logico-linguistic issues as well as ontological ones. The focus is on trying to get to the essence of what the concept concerned stands for, and not merely finding some established notation for providing formal paraphrases.
In praise of the hand: A philosopher considers the crucial role of the hand in human evolution, particularly with respect to language. “McGinn is an ingenious philosopher who thinks like a laser and writes like a dream.” —Steven Pinker This book is a hymn to the hand. In Prehension, Colin McGinn links questions from science to philosophical concerns to consider something that we take for granted: the importance of the hand in everything we do. Drawing on evolutionary biology, anatomy, archaeology, linguistics, psychology, and philosophy, among other disciplines, McGinn examines the role of the hand in shaping human evolution. He finds that the development of our capacity to grasp, to grip, to take hold (also known as prehension) is crucial in the emergence of Homo sapiens. The human species possesses language, rational thought, culture, and a specific affective capacity; but there was a time when our ancestors had none of these. How did we become what we so distinctively are, given our early origins? McGinn, following Darwin and others, calls the hand the source of our biological success. When our remote ancestors descended from trees, they adopted a bipedal gait that left the hands free for other work; they began to make tools, which led to social cooperation and increased brain capacity. But McGinn goes further than others in arguing for the importance of the hand; he speculates that the hand played a major role in the development of language, and presents a theory of primitive reference as an outgrowth of prehension. McGinn sings the praises of the hand, and evolution, in a philosophical key. He mixes biology, anthropology, analytical philosophy, existential philosophy, sheer speculation, and utter amazement to celebrate humans' achievement of humanity.
How is watching a movie similar to dreaming? What goes on in our minds when we become absorbed in a movie? How does looking “into” a movie screen allow us to experience the thoughts and feelings of a movie’s characters? These and related questions are at the heart of The Power of Movies, a thoughtful, invigorating, and remarkably accessible book about a phenomenon seemingly beyond reach of our understanding. Colin McGinn–“an ingenious philosopher who thinks like a laser and writes like a dream,” according to Steven Pinker–enhances our understanding of both movies and ourselves in this book of rare and refreshing insight.
Pithy, direct, and bold: essays that propose new ways to think about old problems, spanning a range of philosophical topics. In Philosophical Provocations, Colin McGinn offers a series of short, sharp essays that take on philosophical problems ranging from the concept of mind to paradox, altruism, and the relation between God and the Devil. Avoiding the usual scholarly apparatus and embracing a blunt pithiness, McGinn aims to achieve as much as possible in as short a space as possible while covering as many topics as possible. Much academic philosophical writing today is long, leaden, citation heavy, dense with qualifications, and painful to read. The essays in Philosophical Provocations are short, direct, and engaging, often challenging philosophical orthodoxy as they consider issues in mind, language, knowledge, metaphysics, biology, ethics, and religion. McGinn is looking for new ways to think about old problems. Thus he writes, about consciousness, “I think we have been all wrong,” and goes on to suggest that both consciousness and the unconscious are mysteries. Summing up his proposal on altruism, he remarks, “My suggestion can now be stated, somewhat brutally, as follows: human altruism is the result of parasitic manipulation.” He takes a moment to reflect: “I really don't know why it is good to be alive, though I am convinced that the standard suggestions don't work.” McGinn gets straight to the point and states his position with maximum clarity. These essays offer provocative invitations to think again.
Many beginning students in philosophy of language find themselves grappling with dense and difficult texts not easily understood by someone new to the field. This book offers an introduction to philosophy of language by explaining ten classic, often anthologized, texts. Accessible and thorough, written with a unique combination of informality and careful formulation, the book addresses sense and reference, proper names, definite descriptions, indexicals, the definition of truth, truth and meaning, and the nature of speaker meaning, as addressed by Frege, Kripke, Russell, Donnellan, Kaplan, Evans, Putnam, Tarski, Davidson, and Grice. The explanations aim to be as simple as possible without sacrificing accuracy; critical assessments are included with the exposition in order to stimulate further thought and discussion. Philosophy of Language will be an essential resource for undergraduates in a typical philosophy of language course or for graduate students with no background in the field. It can be used in conjunction with an anthology of classic texts, sparing the instructor much arduous exegesis. ContentsFrege on Sense and Reference • Kripke on Names • Russell on Definite Descriptions • Donnellan's Distinction • Kaplan on Demonstratives • Evans on Understanding Demonstratives • Putnam on Semantic Externalism • Tarski's Theory of Truth • Davidson's Semantics for Natural Language • Grice's Theory of Speaker Meaning
Colin McGinn presents his latest work on consciousness in ten interlinked essays, four of them previously unpublished. He extends and deepens his controversial solution to the mind-body problem, defending the view that consciousness is both ontologically unproblematic and epistemologically impenetrable. He also investigates the basis of our knowledge that there is a mind-body problem, and the bearing of this on attempted solutions.McGinn goes on to discuss the status of first-person authority, the possibility of atomism with respect to consciousness, extreme dualism, and the role of non-existent objects in constituting intentionality. He argues that traditional claims about our knowledge of our own mind and of the external world can be inverted; that atomism about the conscious mind might turn out to be true; that dualism is more credible the more extreme it is; and that all intentionality involves non-existentobjects. These are all surprising positions, but he contends that what the philosophy of mind needs now is 'methodological radicalism' - a willingness to consider new and seemingly extravagant ideas.
The guiding thread of this book is the distinction McGinn draws a distinction between perception and imagination, showing what the differences are, arguing that imagination is a sui generis mental faculty. His overall claim is that imagination pervades our mental life, obeys its own distinctive principles, and merits much more attention.
The guiding thread of this book is the distinction McGinn draws between perception and imagination. McGinn shows what the differences are, arguing that imagination is a sui generis mental faculty. He goes on to discuss the nature of dreaming and madness and investigates the role of imagination in logical reasoning, belief formation, and the comprehension of meaning. His overall claim is that imagination pervades our mental life, obeys its own distinctive principles, and merits much more attention.
In recent years the nature of consciousness—our immediately known experiences—has taken its place as the most profound problem that science faces. Now in this brilliant and thoroughly accessible new book Colin McGinn takes a provocative position on this perplexing problem. Arguing that we can never truly "know" consciousness—that the human intellect is simply not equipped to unravel this mystery—he demonstrates that accepting this limitation in fact opens up a whole new field of investigation. In elegant prose, McGinn explores the implications of this Mysterian position—such as the new value it gives to the power of dreams and introspection—and challenges the reader with intriguing questions about the very nature of our minds and brains.
A collection of nearly 40 review essays written over the past 20 years for non-specialized publications. The essays cover biography, particularly of Russell and Wittgenstein; the philosophy of mind, especially consciousness; and ethics, with an emphasis on applied ethics.
Colin McGinn presents his work on consciousness in ten interlinked essays, four of them previously unpublished. He extends and deepens his controversial solution to the mind-body problem, defending the view that consciousness is both ontologically unproblematic and epistemologically impenetrable.
Can consciousness be fitted into a naturalistic worldview or is it inherently mysterious? In virtue of what d does a physical organism come to have an inner conscious life? This book argues that we are not equipped to understand the workings of conciousness, despite its objective naturalness. Introspection does not reveal the hiddent structure of consciousness and it is this that joins experience to the material world.
Alan Swift is an insurance man, a family man, and a space man. But he also has two alter egos: a high-flying imaginary self and a low-lying phobic self. These three selves coexist uneasily. Living at home, in Holloway, he succumbs to claustrophobia; traveling abroad he faces agoraphobia. What is he to do? The novel tracks Alan's movements and transformations, as he tries to deal with the conflicting pressures in his psyche. Moving through space, he is dogged by conscience, yet he must also respect his imagination. Should he stay or should he go?
Dave Green arrives in London with nothing. He is an artist, in search of success. Success does not come easy. His sufferings may or may not bring him redemption.
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