When Colin Barron and Vivien Thompson first met, it was love at first sight. Both were forty-two, had attended Glasgow University, and shared many interests. In 2002, the couple married. Colin had a dream job as a self-employed hypnotherapist while Vivien worked as a learning-support teacher. They had a blissful marriage based on mutual respect and intellectual parity. Then in May 2011, Vivien collapsed at home with a massive stroke caused by a heart tumour that the NHS had failed to diagnose. Though her life was saved by a brilliant cardiac surgeon, Vivien was left with severe disabilities, little speech, and partial blindness. Her husband realized that the tragedy had been caused by inadequate investigation and helped Vivien claim compensation. Just after the case was settled in 2015, Colin himself had a massive heart attack and nearly died three times. Miraculously, he survived. A Life by Misadventure is a story of two peoples struggle against impossible odds. It is also a great love story, a tale of a love between two people, which would not die. Instead of dying, the love actually got stronger.
When Colin Barron and Vivien Thompson first met, it was love at first sight. Both were forty-two, had attended Glasgow University, and shared many interests. In 2002, the couple married. Colin had a dream job as a self-employed hypnotherapist while Vivien worked as a learning-support teacher. They had a blissful marriage based on mutual respect and intellectual parity. Then in May 2011, Vivien collapsed at home with a massive stroke caused by a heart tumour that the NHS had failed to diagnose. Though her life was saved by a brilliant cardiac surgeon, Vivien was left with severe disabilities, little speech, and partial blindness. Her husband realized that the tragedy had been caused by inadequate investigation and helped Vivien claim compensation. Just after the case was settled in 2015, Colin himself had a massive heart attack and nearly died three times. Miraculously, he survived. A Life by Misadventure is a story of two peoples struggle against impossible odds. It is also a great love story, a tale of a love between two people, which would not die. Instead of dying, the love actually got stronger.
This illustrated survey examines what it was actually like to live with plague and the threat of plague in late-medieval and early modern England.; Colin Platt's books include "The English Medieval Town", "Medieval England: A Social History and Archaeology from the Conquest to 1600" and "The Architecture of Medieval Britain: A Social History" which won the Wolfson Prize for 1990. This book is intended for undergraduate/6th form courses on medieval England, option courses on demography, medicine, family and social focus. The "black death" and population decline is central to A-level syllabuses on this period.
As its compiler Thomas Bentley writes, The Monument of Matrones (1582) is a 'domesticall librarie plentifullie stored and replenished'. This 1500-page book is one of a long line of books of secular prayer reaching from the Middle Ages through the sixteenth-century English compilations of prayer and meditations that grew out of the English Reformation. It is unique because it is addressed specifically to women and contains prayers and meditations written by women as well as for them. The Monument helped define women's roles in the Anglican Church and is intertwined with the whole nature of the Protestant Reformation and the place of women in it. The work is divided into seven numbered parts which Bentley titles 'Lamps'. This structural theme is based on a fusion of the imagery of the wise and foolish virgins and their lamps in Matthew 25:1-13 with the vision of the seven lampstands (or seven-branched candlestick) in Rev.1:20-2:1. In this facsimile edition Volume 1 contains Lamps 1-3, Volume 2 contains Lamp 4, and Volume 3 contains Lamps 5-7. The Introductory Note that appears in each of the three volumes provides an overview of the contents of The Monument which will help the reader to appreciate the riches of this immense book. It is also significant in identifying, for the first time, the compiler Thomas Bentley as the churchwarden of St Andrew Holborn, City of London. The copy reproduced in this edition is the British Library copy; where necessary, pages from The Huntington Library copy have been substituted.
As its compiler Thomas Bentley writes, The Monument of Matrones (1582) is a 'domesticall librarie plentifullie stored and replenished'. This 1500-page book is one of a long line of books of secular prayer reaching from the Middle Ages through the sixteenth-century English compilations of prayer and meditations that grew out of the English Reformation. It is unique because it is addressed specifically to women and contains prayers and meditations written by women as well as for them. The Monument helped define women's roles in the Anglican Church and is intertwined with the whole nature of the Protestant Reformation and the place of women in it. The work is divided into seven numbered parts which Bentley titles 'Lamps'. This structural theme is based on a fusion of the imagery of the wise and foolish virgins and their lamps in Matthew 25:1-13 with the vision of the seven lampstands (or seven-branched candlestick) in Rev.1:20-2:1. In this facsimile edition Volume 1 contains Lamps 1-3, Volume 2 contains Lamp 4, and Volume 3 contains Lamps 5-7. The Introductory Note that appears in each of the three volumes provides an overview of the contents of The Monument which will help the reader to appreciate the riches of this immense book. It is also significant in identifying, for the first time, the compiler Thomas Bentley as the churchwarden of St Andrew Holborn, City of London. The copy reproduced in this edition is the British Library copy; where necessary, pages from The Huntington Library copy have been substituted.
As its compiler Thomas Bentley writes, The Monument of Matrones (1582) is a 'domesticall librarie plentifullie stored and replenished'. This 1500-page book is one of a long line of books of secular prayer reaching from the Middle Ages through the sixteenth-century English compilations of prayer and meditations that grew out of the English Reformation. It is unique because it is addressed specifically to women and contains prayers and meditations written by women as well as for them. The Monument helped define women's roles in the Anglican Church and is intertwined with the whole nature of the Protestant Reformation and the place of women in it. The work is divided into seven numbered parts which Bentley titles 'Lamps'. This structural theme is based on a fusion of the imagery of the wise and foolish virgins and their lamps in Matthew 25:1-13 with the vision of the seven lampstands (or seven-branched candlestick) in Rev.1:20-2:1. In this facsimile edition Volume 1 contains Lamps 1-3, Volume 2 contains Lamp 4, and Volume 3 contains Lamps 5-7. The Introductory Note that appears in each of the three volumes provides an overview of the contents of The Monument which will help the reader to appreciate the riches of this immense book. It is also significant in identifying, for the first time, the compiler Thomas Bentley as the churchwarden of St Andrew Holborn, City of London. The copy reproduced in this edition is the British Library copy; where necessary, pages from The Huntington Library copy have been substituted.
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