Longlisted for the 2016 OCM Bocas Prize for Poetry "The Caribbean policeman is a character both foreign and familiar at the center of this intimate debut poetry collection. Combining Jamaican patois and American English, it tells the story of violence, loss, and recovery in the wake of colonialism." --O, the Oprah Magazine One of LargeUp's Ten Great Books by Caribbean Authors in 2015 "Jamaican-born Channer draws on the rich cultural heritage of the Caribbean and his own unique experience for this energetic, linguistically inventive first collection of poetry....Channer's lyrics pop and reel in sheer musicality....A dextrous, ambitious collection that delivers enough acoustic acrobatics to keep readers transfixed 'till the starlings sing out.'" --Booklist "Channer...skillfully examines the brutality that permeates Jamaica's history in this moving debut poetry collection....Channer's poems rise to present the reader with a panoramic view of a place 'built on old foundations of violence,' of 'geographies where genocide and massacre/hang like smoke from coal fires.'" --Publishers Weekly "[Channer's] technique and foresight bring the underlying story of the collection, and the history he expounds, into full daylight and the collection succeeds in revealing a life and history as an essay might, but with the beauty of lyric added to narrative in an exercise that is cohesive in its ability to maintain its trajectory. It is a notable accomplishment." --New York Journal of Books "Jamaica's Colin Channer has been mixing patois in his romantic tales since his 1998 debut novel, Waiting In Vain. In 2015, he blessed us with Providential (Akashic), a poetry collection that touches on the full range of Jamaican languages and dreams." --LargeUp "Fear stalks everyone, police and pursued, and Channer’s poems arrest us to that truth in syncopated, shocking fevers." --Caribbean Beat Magazine "[Channer's] strongest offering yet....Providential perfectly clothes the written word with matching tone and atmosphere. Welcome to the hallowed halls of Fine Poetry!" --Kaieteur News (Guyana) "Channer has written a fine set of poems that, like classical myth, start with the search for the lost father and end with the found son, the poet in the process replacing the lost father with a found self." --Russell Banks, author of The Sweet Hereafter "The voices and irrepressible human dance of the clan pulsing at this book's center leave me breathless and I realize how close the voices are to my own, how much I crave this dance." --Patricia Smith, author of Shoulda Been Jimi Savannah Channer's debut poetry collection achieves an intimate and lyric meditation on family, policing, loss, and violence, but the work is enlivened by humor, tenderness, and the rich possibilities that come from honest reflection. Combined with a capacity to offer physical landscapes with painterly sensitivity and care, a graceful mining of the nuances of Jamaican patwa and American English, and a judicious use of metaphor and similie, Providential is a work of "heartical" insight and vulnerability. Not since Claude McKay's Constab Ballads of 1912 has a writer attempted to tackle the unlikely literary figure of the Jamaican policeman. Now, over a century later, Channer draws on his own knowledge of Jamaican culture, on his complex relationship with his father (a Jamaican policeman), and frames these poems within the constantly humane principles of Rasta and reggae. The poems within Providential manage to turn the intricate relationships between a man and his father, a man and his mother, and man and his country, and a man and his children into something akin to grace.
From the national bestselling author of Waiting in Vain and Satisfy My Soul comes a sexy, witty collection of connected stories set on San Carlos, a tiny island with an old volcano in the Caribbean Sea. Spanning the early 1900s up to modern times, the stories trace the intersecting lives of travelers, expatriates, and local folks in ways that shock, illuminate, and reveal. From the American photographer who finds her world disturbed by new forms of love and lust, to a charismatic priest confronted by the earthly perks of fame and stardom, the diverse mix of characters are united by the universal search for love and understanding—a challenge on an island simmering with issues of politics, power, and race. Written with poetic grace and titillating candor, each story shines against its own tableau—World War II, the rise of Fidel Castro, Mt. Pelée devastating Martinique, import-export trading, Bob Marley in the days before his music echoed all around the world. As men and women fall in love, marry and remarry, face moral conflicts and new identities, the volcano sees it all. From plantation days to the roots of revolution, it is a silent witness to the turbulent century that engulfs this tiny island of eternal humor, passion, and allure.
The second collection by "one of the most significant literary figures in the Caribbean" (The Globe and Mail). Assured but chance-inflected, ever rooted in the local but always world-aware, Console reconsiders languages, geographies, and memories as luminous soundscapes. With lyric dexterity, Colin Channer jolts old notions of New England, cross-fading from the Berkshires to Anguilla, from Connecticut to Senegal. A dissolve to the poet’s childhood in Jamaica occurs after glimpsing an old record player in Providence, leading to the title poem’s meditations on reggae, religion, marriage, justice, and transgressions in the home. With allusive links to photography, music, sea mammals, mistranslation, and the universal ritual of “the walk,” Console reorganizes our sense of time, collapses and rebreaks the remembered and certain, renames the familiar, reaches for settled etymologies, and turns words inside out. Includes 8 black-and-white photographs
After Estrella Thompson approaches a diver that flops up on a Caribbean island, she is banished from the only home she has ever known, and her first goal is to buy a pair of shoes so that she can find a job.
I have called you here to reveal to you a truth that has been calling to you for many years. . . . Since then your soul has been seeking rest. Playwright Carey McCullough is a close guardian of his privacy, haunted by a recurring dream and a damaged past he would like to keep there. But some things he can never forget. And the more he pushes them away, the more uprooted he feels. The women he has loved, lusted after, rejected, and embraced represent a lifetime of trial and error, adventure and compromise. Then, while in Jamaica, he crosses paths with a radiant woman who attracts him like a flame. Then he remembers. The first time Carey saw Frances, she was singing a blues song on a videotape. Of course then she was just a nameless face, a hazy image that he could never quite get out of his mind. Now she has entered his life in the flesh. But this undeniable attraction is much more than chemistry. As Carey soon discovers from a “reader” of the spirit world, he and Frances share a history that has linked their souls for more than four hundred years. Though Carey views past lives with skepticism, he cannot explain knowing the language of an ancient African people—in particular the phrase: “Mulewe anekoso kuduwe bana” (“I will search until I find you”). Yet Frances conceals secrets of her own, with devastating consequences. And while Carey visits his best friend and fellow playwright, Kwabena Small, in South Carolina, a bond that was once thought to be unbreakable will be put to the ultimate test as startling truths at last emerge. . . . In a stunning novel of extraordinary power that involves a mystical journey to Ghana, Colin Channer combines profound questions of faith, the aching search for home, the long reach of history, and the double-edged sword of passion to dazzling effect. Satisfy My Soul will linger in yours long after the final page is turned.
Longlisted for the 2016 OCM Bocas Prize for Poetry "The Caribbean policeman is a character both foreign and familiar at the center of this intimate debut poetry collection. Combining Jamaican patois and American English, it tells the story of violence, loss, and recovery in the wake of colonialism." --O, the Oprah Magazine One of LargeUp's Ten Great Books by Caribbean Authors in 2015 "Jamaican-born Channer draws on the rich cultural heritage of the Caribbean and his own unique experience for this energetic, linguistically inventive first collection of poetry....Channer's lyrics pop and reel in sheer musicality....A dextrous, ambitious collection that delivers enough acoustic acrobatics to keep readers transfixed 'till the starlings sing out.'" --Booklist "Channer...skillfully examines the brutality that permeates Jamaica's history in this moving debut poetry collection....Channer's poems rise to present the reader with a panoramic view of a place 'built on old foundations of violence, ' of 'geographies where genocide and massacre/hang like smoke from coal fires.'" --Publishers Weekly " Channer's] technique and foresight bring the underlying story of the collection, and the history he expounds, into full daylight and the collection succeeds in revealing a life and history as an essay might, but with the beauty of lyric added to narrative in an exercise that is cohesive in its ability to maintain its trajectory. It is a notable accomplishment." --New York Journal of Books "Jamaica's Colin Channer has been mixing patois in his romantic tales since his 1998 debut novel, Waiting In Vain. In 2015, he blessed us with Providential (Akashic), a poetry collection that touches on the full range of Jamaican languages and dreams." --LargeUp "Fear stalks everyone, police and pursued, and Channer's poems arrest us to that truth in syncopated, shocking fevers." --Caribbean Beat Magazine " Channer's] strongest offering yet....Providential perfectly clothes the written word with matching tone and atmosphere. Welcome to the hallowed halls of Fine Poetry " --Kaieteur News (Guyana) "Channer has written a fine set of poems that, like classical myth, start with the search for the lost father and end with the found son, the poet in the process replacing the lost father with a found self." --Russell Banks, author of The Sweet Hereafter "The voices and irrepressible human dance of the clan pulsing at this book's center leave me breathless and I realize how close the voices are to my own, how much I crave this dance." --Patricia Smith, author of Shoulda Been Jimi Savannah Channer's debut poetry collection achieves an intimate and lyric meditation on family, policing, loss, and violence, but the work is enlivened by humor, tenderness, and the rich possibilities that come from honest reflection. Combined with a capacity to offer physical landscapes with painterly sensitivity and care, a graceful mining of the nuances of Jamaican patwa and American English, and a judicious use of metaphor and similie, Providential is a work of "heartical" insight and vulnerability. Not since Claude McKay's Constab Ballads of 1912 has a writer attempted to tackle the unlikely literary figure of the Jamaican policeman. Now, over a century later, Channer draws on his own knowledge of Jamaican culture, on his complex relationship with his father (a Jamaican policeman), and frames these poems within the constantly humane principles of Rasta and reggae. The poems within Providential manage to turn the intricate relationships between a man and his father, a man and his mother, and man and his country, and a man and his children into something akin to grace.
Meet Fire--Jamaican-born, charming, poetic, and talented--a man who's vowed to never play "love-is-blind" games again. Then he meets Sylvia, a beautiful magazine editor who keeps her passions under lock and key. Together they must choose between the love in their lives and the love of their lives. From the galleries of Soho to the brownstones of Brooklyn, from the nightclubs of London to the streets of Kingston, Jamaica, Channer takes us on a wild, soul-searching ride as Fire and Sylvia try to connect, disconnect, and reconnect amid conflicting desires and wounds from the past. But through intricate love triangles, skewed priorities, and crushing personal tragedies, Fire, Sylvia, and their friends must learn that some things in life are worth fighting for. If not, you're simply waiting in vain.
After Estrella Thompson approaches a diver that flops up on a Caribbean island, she is banished from the only home she has ever known, and her first goal is to buy a pair of shoes so that she can find a job.
CIMA Exam Practice Kits consolidate learning by providing an extensive bank of practice questions. Each solution provides an in depth analysis of the correct answer and highlights why the alternatives are incorrect. CIMA Exam Practice Kits are ideal for students studying independently or attending a tutored revision course. It supplements the Official CIMA Learning Systems and CIMA Revision Cards with a wealth of additional questions and material focused purely on applying what has been learnt to passing the exam. CIMA Exam Practice Kits help students prepare with confidence for exam day, and to pass first time. * Helps CIMA students to prepare and pass the new syllabus first time * The only Exam Practice material recommended by CIMA* Provides worked answers to fully explain the correct answer, and analysis of incorrect answers - helping CIMA students avoid common pitfalls
From the national bestselling author of Waiting in Vain and Satisfy My Soul comes a sexy, witty collection of connected stories set on San Carlos, a tiny island with an old volcano in the Caribbean Sea. Spanning the early 1900s up to modern times, the stories trace the intersecting lives of travelers, expatriates, and local folks in ways that shock, illuminate, and reveal. From the American photographer who finds her world disturbed by new forms of love and lust, to a charismatic priest confronted by the earthly perks of fame and stardom, the diverse mix of characters are united by the universal search for love and understanding—a challenge on an island simmering with issues of politics, power, and race. Written with poetic grace and titillating candor, each story shines against its own tableau—World War II, the rise of Fidel Castro, Mt. Pelée devastating Martinique, import-export trading, Bob Marley in the days before his music echoed all around the world. As men and women fall in love, marry and remarry, face moral conflicts and new identities, the volcano sees it all. From plantation days to the roots of revolution, it is a silent witness to the turbulent century that engulfs this tiny island of eternal humor, passion, and allure.
I have called you here to reveal to you a truth that has been calling to you for many years. . . . Since then your soul has been seeking rest. Playwright Carey McCullough is a close guardian of his privacy, haunted by a recurring dream and a damaged past he would like to keep there. But some things he can never forget. And the more he pushes them away, the more uprooted he feels. The women he has loved, lusted after, rejected, and embraced represent a lifetime of trial and error, adventure and compromise. Then, while in Jamaica, he crosses paths with a radiant woman who attracts him like a flame. Then he remembers. The first time Carey saw Frances, she was singing a blues song on a videotape. Of course then she was just a nameless face, a hazy image that he could never quite get out of his mind. Now she has entered his life in the flesh. But this undeniable attraction is much more than chemistry. As Carey soon discovers from a “reader” of the spirit world, he and Frances share a history that has linked their souls for more than four hundred years. Though Carey views past lives with skepticism, he cannot explain knowing the language of an ancient African people—in particular the phrase: “Mulewe anekoso kuduwe bana” (“I will search until I find you”). Yet Frances conceals secrets of her own, with devastating consequences. And while Carey visits his best friend and fellow playwright, Kwabena Small, in South Carolina, a bond that was once thought to be unbreakable will be put to the ultimate test as startling truths at last emerge. . . . In a stunning novel of extraordinary power that involves a mystical journey to Ghana, Colin Channer combines profound questions of faith, the aching search for home, the long reach of history, and the double-edged sword of passion to dazzling effect. Satisfy My Soul will linger in yours long after the final page is turned.
The second collection by "one of the most significant literary figures in the Caribbean" (The Globe and Mail). Assured but chance-inflected, ever rooted in the local but always world-aware, Console reconsiders languages, geographies, and memories as luminous soundscapes. With lyric dexterity, Colin Channer jolts old notions of New England, cross-fading from the Berkshires to Anguilla, from Connecticut to Senegal. A dissolve to the poet’s childhood in Jamaica occurs after glimpsing an old record player in Providence, leading to the title poem’s meditations on reggae, religion, marriage, justice, and transgressions in the home. With allusive links to photography, music, sea mammals, mistranslation, and the universal ritual of “the walk,” Console reorganizes our sense of time, collapses and rebreaks the remembered and certain, renames the familiar, reaches for settled etymologies, and turns words inside out. Includes 8 black-and-white photographs
And what is truth?"This question appears only in the testimony of John, not in any of the other gospels. According to his report, Jesus and Pilate were alone.If they were alone, only Jesus or Pilate could have reported it later. Roman justice was swift. Within hours Jesus was stripped, was being scourged. He was unlikely to been capable of passing on any such details. But, if it was not Pilate, who was the witness?The Army had taken over a particularly ugly four-story modern tower block for its headquarters. In the long hours of the night there was a need for some distraction in the operations room. Lit by a glaring wall of illuminated maps, in a silence broken by the squawk of radios sending regular reports, and only occasionally more excited chatter, it was my solitary kingdom from late evening until early morning. When the rest of the operations staff arrived, after I had delivered my report of the previous twenty-four to the general, sometimes together with his brigade commanders, I was free to breakfast and sleep.It was rare for the general to ask me what to do next. In fact he never did: missing a valuable opportunity. I was hardly an important cog in his army. In contrast to his soldiers on the street, I was as safe as in a submarine. I was desk-bound, a scribbler. No-one ever shot at me. I was never required to shoot back at anyone. As I left my place, another officer would take over in front of the maps, the radios, the telephones and the tape-recorders. I was bored.Perhaps one of the Army padres left a bible there, intending it to save another soul. Forty decades later, I am now able to realize: this is where it started.Within five miles of my kingdom, Christians were killing Christians. The Catholics, known as and calling themselves Taigs, were killing Protestants. The Protestants, known as Prods, were killing Taigs. All of this was happening in a ferment of hatred not known in for centuries Europe.
CIMA Exam Practice Kits consolidate learning by providing an extensive bank of practice questions. Each solution provides an in depth analysis of the correct answer and highlights why the alternatives are incorrect. CIMA Exam Practice Kits are ideal for students studying independently or attending a tutored revision course. It supplements the Official CIMA Learning Systems and CIMA Revision Cards with a wealth of additional questions and material focused purely on applying what has been learnt to passing the exam. CIMA Exam Practice Kits help students prepare with confidence for exam day, and to pass first time. * Helps CIMA students to prepare and pass the new syllabus first time * The only Exam Practice material recommended by CIMA* Provides worked answers to fully explain the correct answer, and analysis of incorrect answers - helping CIMA students avoid common pitfalls
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