When Colin Barron and Vivien Thompson first met, it was love at first sight. Both were forty-two, had attended Glasgow University, and shared many interests. In 2002, the couple married. Colin had a dream job as a self-employed hypnotherapist while Vivien worked as a learning-support teacher. They had a blissful marriage based on mutual respect and intellectual parity. Then in May 2011, Vivien collapsed at home with a massive stroke caused by a heart tumour that the NHS had failed to diagnose. Though her life was saved by a brilliant cardiac surgeon, Vivien was left with severe disabilities, little speech, and partial blindness. Her husband realized that the tragedy had been caused by inadequate investigation and helped Vivien claim compensation. Just after the case was settled in 2015, Colin himself had a massive heart attack and nearly died three times. Miraculously, he survived. A Life by Misadventure is a story of two peoples struggle against impossible odds. It is also a great love story, a tale of a love between two people, which would not die. Instead of dying, the love actually got stronger.
Knowledge and Discourse presents an ecological approach to the study of discourse in social, academic and professional practices. It brings together distinguished scholars from diverse cultures - India, China, Australia, Canada among others - and disciplines - linguistics, anthropology, sociology, philosophy. The chapters collectively illustrate the ecological approach by exploring how language makes connections between subjective experiences as people construct meaning and action. This book offers the reader a holistic, interdisciplinary approach to the study of language as discourse, questioning traditional views of disciplinary knowledge and the role of discourse in the pursuit, construction and compartmentalisation of such knowledge. Through the variety of disciplines, experiences and approaches, the contributors show how the world and word are contingent on each other. The notions of connectivity, contingency and change are themes that run through the book, and in the interweaving of these themes readers will find persuasive illustrations of an ecological approach to applied linguistics.
A lively and entertaining survey of 1980s action cinema, discussing some of the most iconic movies of the decade. Exploring the reasons behind their commercial success and assessing the extent of their enduring acclaim amongst audiences which continues into the present day, this book considers many of the most unforgettable action films ever made.
To understand climate change today, we first need to know how Earth’s climate changed over the past 450 million years. Finding answers depends upon contributions from a wide range of sciences, not just the rock record uncovered by geologists. In Earth’s Climate Evolution, Colin Summerhayes analyzes reports and records of past climate change dating back to the late 18th century to uncover key patterns in the climate system. The book will transform debate and set the agenda for the next generation of thought about future climate change. The book takes a unique approach to the subject providing a description of the greenhouse and icehouse worlds of the past 450 million years since land plants emerged, ignoring major earlier glaciations like that of Snowball Earth, which occurred around 600 million years ago in a world free of land plants. It describes the evolution of thinking in palaeoclimatology and introduces the main players in the field and how their ideas were received and, in many cases, subsequently modified. It records the arguments and discussions about the merits of different ideas along the way. It also includes several notes made from the author’s own personal involvement in palaeoclimatological and palaeoceanographic studies, and from his experience of working alongside several of the major players in these fields in recent years. This book will be an invaluable reference for both undergraduate and postgraduate students taking courses in related fields and will also be of interest to historians of science and/or geology, climatology and oceanography. It should also be of interest to the wider scientific and engineering community, high school science students, policy makers, and environmental NGOs. Reviews: "Outstanding in its presentation of the facts and a good read in the way that it intersperses the climate story with the author's own experiences. [This book] puts the climate story into a compelling geological history." -Dr. James Baker "The book is written in very clear and concise prose, [and takes] original, enlightening, and engaging approach to talking about 'ideas' from the perspective of the scientists who promoted them." -Professor Christopher R. Scotese "A thrilling ride through continental drift and its consequences." - Professor Gerald R. North "Written in a style and language which can be easily understood by laymen as well as scientists." - Professor Dr Jörn Thiede "What makes this book particularly distinctive is how well it builds in the narrative of change in ideas over time." - Holocene book reviews, May 2016 "This is a fascinating book and the author’s biographical approach gives it great human appeal." - E Adlard
Eighteen men set out on the mission. Only three survived! Captain Peter Lee of the Royal Army Medical Corps had no idea what would happen when he took part in a dangerous mission to get a captured German Enigma machine out of Tobruk in June 1942. It was to be one of the most hazardous and vital operations of the war and one which had life - changing consequences for Lee. From the writer of the highly - acclaimed Operation Archer comes this action - packed high adventure tale set against the background of the scorching North African desert.
For a year, the murder of Mrs. Yvonne Harrison at her home in Oxfordshire had baffled the Thames Valley CID. The manner of her death--her naked handcuffed body left lying in bed--matched her reputation as a women of adventuresome sexual tastes. The case seemed perfect for Inspector Morse. So why has he refused to become involved--even after anonymous hints of new evidence, even after a fresh murder? Sgt. Lewis's loyalty to his infuriating boss slowly turns to deep distress as his own investigations suggest that Mrs. Harrison was no stranger to Morse. Far from it. Never has Morse performed more brilliantly than in this final adventure, whose masterly twists and turns through the shadowy byways of passion grip us to the death. . . .
Some colleges will do anything to improve their national ranking. That can be bad for their students—and for higher education. Since U.S. News & World Report first published a college ranking in 1983, the rankings industry has become a self-appointed judge, declaring winners and losers among America's colleges and universities. In this revealing account, Colin Diver shows how popular rankings have induced college applicants to focus solely on pedigree and prestige, while tempting educators to sacrifice academic integrity for short-term competitive advantage. By forcing colleges into standardized "best-college" hierarchies, he argues, rankings have threatened the institutional diversity, intellectual rigor, and social mobility that is the genius of American higher education. As a former university administrator who refused to play the game, Diver leads his readers on an engaging journey through the mysteries of college rankings, admissions, financial aid, spending policies, and academic practices. He explains how most dominant college rankings perpetuate views of higher education as a purely consumer good susceptible to unidimensional measures of brand value and prestige. Many rankings, he asserts, also undermine the moral authority of higher education by encouraging various forms of distorted behavior, misrepresentation, and outright cheating by ranked institutions. The recent Varsity Blues admissions scandal, for example, happened in part because affluent parents wanted to get their children into elite schools by any means necessary. Explaining what is most useful and important in evaluating colleges, Diver offers both college applicants and educators a guide to pursuing their highest academic goals, freed from the siren song of the "best-college" illusion. Ultimately, he reveals how to break ranks with a rankings industry that misleads its consumers, undermines academic values, and perpetuates social inequality.
Written as an introductory text from a crossdisciplinary perspective, this book covers individual and societal concepts in minority and majority languages.
Michael Moorcock edited and produced the magazine New Worlds from 1964 to 1973. Within its pages he encouraged the development of new kinds of popular writing out of the genre of science fiction, energetically reworking traditional themes, images and styles as a radical response to the crisis of modern fiction. The essential paradox of the new writing lay in its fascination with 'entropy' - the universal and irreversible decline of energy into disorder. Entropy provides the key both to the anarchic vitality of the magazine and to its neglect by critics and academics, as well as its intimate connection with other cultural experiments of the 1960s. The fiction of the New Worlds writers, who included Brian Aldiss, J. G. Ballard and Moorcock himself, was not concerned with the far future and outer space, but with the ambiguous and unstable conditions of the modern world. As Ballard put it: 'The only truly alien planet is Earth.' The Entropy Exhibition is the first critical assessment of the literary movement known as 'New Wave' science fiction. It examines the history of the magazine and its background in the popular imagination of the 1960s, traces the strange history of sex in science fiction and analyses development in stylistic theory and practice. Detailed attention is given to each of the three principal contributors to New Worlds - Aldiss, Ballard and Moorcock. Moorcock himself is most commonly judged by his commercial fantasy novels instead of by the magazine he supported with them, but here the balance is at last redressed: New Worlds emerges as nothing less than a focus and a metaphor for many of the transformations of English and American literature in the past two decades.
In this book, well-known scholars describe new and exciting approaches to aesthetics, creativity and psychology of the arts, approaching these topics from a point of view that is biological or related to biology and answering new questions with new methods and theories. All known societies produce and enjoy arts such as literature, music and visual decoration or depiction. Judging from prehistoric archaeological evidence, this arose very early in human development. Furthermore, Darwin was explicit in attributing aesthetic sensitivity to lower animals. These considerations lead us to wonder whether the arts might not be evolutionarily based. Although such an evolutionary basis is not obvious on the face of it, the idea has recently elicited considerable attention. The book begins with a consideration of ten theories on the evolutionary function of specific arts such as music and literature. The theory of evolution was first drawn up in biology, but evolution is not confined to biology: genuinely evolutionary theories of sociocultural change can be formulated. That they need to be formulated is shown in several chapters that discuss regular trends in literature and scientific writings. Psychologists have recently rediscovered the obvious fact that thought and perception occur in the brain, so cognitive science moves ever closer to neuroscience. Several chapters give overviews of neurocognitive and neural network approaches to creativity and aesthetic appreciation. The book concludes with two exciting describing brain-scan research on what happens in the brain during creativity and presenting a close examination of the relationship between genetically transmitted mental disorder and creativity.
In this, the first book on English fantasy, Colin Manlove shows that for all its immense diversity, English fantasy can best be understood in terms of its strong national character, rather than as an international genre. Showing its development from Beowulf to Blake, the author describes English fantasy's modern growth through secondary world, metaphysical, emotive, comic, subversive, and children's fantasy. In them all England has led the world, with authors as different as Chaucer, Lewis Carroll, J. R. R. Tolkien, and Salman Rushdie.
In this accessible guide to bilingualism in the family and the classroom, Colin Baker delivers a realistic picture of the joys and difficulties of raising bilingual children. This revised edition includes more information on bilingualism in the digital age, and incorporates the latest research in areas such as neonatal language experience, multilingualism and language mixing.
On 29 October 1914 the hospital ship Rohilla left Queensferry with 229 persons on board; the vessel was bound for Dunkirk on an errand of mercy, under wartime restrictions and in deteriorating weather. Just after 4 a.m. there was a tremendous impact as the ship ran on to rocks at Saltwick Nab, a mile south of Whitby. Rohilla was mortally wounded 600 yards from shore, ‘so close to land yet so far from safety’. Over the ensuing days the heartrending loss of 92 lives in terrible circumstances would prove to be Whitby’s greatest maritime disaster, still regarded as one of the worst amongst the annals of the RNLI. This book reveals the heroic actions of the public who waded out into icy turbulent waters to reach those who made the swim to shore and the gallant efforts of lifeboatmen forced to manhandle lifeboats over piers, rocks, overland and down a 200ft cliff.
Collecting Two-Fisted Tales issues #36-#41, this volume features--in fully remastered digital color--the work of comic book greats Jack Davis, Colin Dawkins, John Putnam, Jerry DeFuccio, George Evans, Reed Crandall, and John Severin! Foreword by Colleen Coover! Before Two-Fisted Tales burst onto the scene in 1950, war comics were largely unsophisticated, focusing only on action and adventure--wartime propaganda, essentially. But under the editorial direction of Harvey Kurtzman--who also penned the majority of the stories therein--Two-Fisted Tales dared to examine all the horror and madness to be found on the battlefield.
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