Exploring the domestic wildlife tourism market in Germany - an analysis of the country's wildlife tourism potential and its link to wildlife conservation
Exploring the domestic wildlife tourism market in Germany - an analysis of the country's wildlife tourism potential and its link to wildlife conservation
Bachelor Thesis from the year 2011 in the subject Tourism, grade: 1,0, NHTV Breda University of Applied Sciences, language: English, abstract: Domestic tourism is growing rapidly in many European countries and due to the diversification and individualisation of western society (FUR, n.d.) tourism niche markets are gaining in importance (Petermann, Revermann & Scherz, 2006). Wildlife tourism is such a niche market and is worldwide one of the fastest-growing ones (Mintel International Group LTD, 2008a). Western Europeans in specific have “developed an unprecedented affinity for daytrips or holidays in natural areas” (Van Egmond, 2008, p. 85) and wildlife watching is one of the key reasons why people visit natural areas (Mintel International Group LTD, 2008a). Several European countries have already established an impressive range of wildlife-based tours. Wolf howling tours in Italy and bear tracking tours in the Carpathian Mountains are steadily gaining popularity among tourists (Hofrichter & Berger, 2004) and the Canary Islands record over one million whale watching participants per year (Hoyt, 2000). Interestingly Germany is one of the biggest markets for outbound wildlife tourism (Mintel International Group LTD, 2008a) and for 35 percent of all Germans the possibility to watch animals is an important criterion in deciding on the holiday destination (Wilfing et al, 2008). However, no attempt has been made to analyse the situation and potential of wildlife tourism in Germany. This document assesses the background, situation, importance and potential of domestic wildlife tourism in Germany and explores its link to wildlife conservation. Moreover, it provides information on how to establish wildlife tourism in Germany that benefits both tourism and conservation actors. As this topic has not been discussed earlier this thesis can be regarded as a cornerstone in the analysis of the domestic wildlife tourism market in Germany and the author has made extensive efforts to obtain in-depth information. Two online surveys were conducted to gain insights into the wants, needs, motivation and particularities of current and potential German wildlife tourists and their interest in wildlife conservation. Participant observation and face-to-face interviews with tour participants and tour guides during three wildlife-based tours and interviews with tourism, wildlife and conservation experts permitted valuable insights into the possibilities and limitations of domestic wildlife tourism in Germany. Intensive desk research completed the picture.
Edited and with an introduction by Robert Phelps The hundred short stories collected here include such masterpieces as 'Bella- Vista', 'The Tender Shoot' and 'Le K- pi', Colette's subtle and ruthless rendering of a woman's belated sexual awakening. Shot through with the colours and flavours of the Parisian world and fertile French countryside, these short stories reverberate with the fine- spun desire, wit and psychological acuity that made Colette unique.
In My Mother's House and Sido, Colette plays fictional variations on the themes of childhood, family, and, above all, her mother. Vividly alive, fond of cities, music, theater, and books, Sido devoted herself to her village, Saint-Saveur; to her garden, with its inhabitants and its animals; and, especially, to her children, particularly her youngest, whom she called Minet-Chéri. Unlike Gigi and Chéri, which focus largely on sexual love and its repercussions, My Mother's House and Sido center on the compelling figure of a powerful, nurturing woman in late-nineteenth-century rural France, conveying the impact she had on her community and on her daughter—who grew up to be a great writer.
Sidonie Gabrielle Colette (1873-1954), dite Colette, nee a Saint-Sauveur-en-Puisaye, Yonne, est une romanciere francaise. Willy, le mari de Colette, l engage a ecrire ses souvenirs d ecole, qu il signe sans vergogne de son seul nom. Ce sera Claudine a l Ecole (1901), bient t suivi d une serie de Claudine (La Maison de Claudine, Claudine a Paris (1902), Claudine en Menage (1902), etc. ), dont les romans seront publies sous le nom du seul Willy. Apres son divorce avec Willy en 1906, elle publie des ouvrages evoquant une liberation morale comme: La Vagabonde (1910), L Envers du Music- Hall, En Tournee, etc. En 1945, Colette est elue a l unanimite a l Academie Goncourt, dont elle devient presidente en 1949. En 1953, elle est elevee a la dignite de grand officier de la Legion d honneur.
A collection of Colettes best writings that have never before appeared in English. The French writer Colette (18731954) is best known in the United States for such classic novels as Gigi and Cheri, which were made into popular movies, but she was a prolific author. This meticulously translated collection offers some of her best fiction, personal essays, articles, and talks, all appearing in English for the first time. The pieces showcase Colettes gifts as a writer: her deep wisdom about every age of human life, her skill as a storyteller, her wry humor, her persuasive powers, and her foresight as a social critic of issues such as gender roles. The translators combed through journals and past editions of Colettes work to cull these gems, which cover an enormous array of topicsfrom French wines and perfumes to her friendships with Marcel Proust and Maurice Chevalier to uncanny insight into the curious habits of cats and dogs. Selections from an advice column that Colette wrote for the French womens magazine Marie Claire are also included, and her savvy suggestions for the lovelorn stand the test of time. Moving articles written during the two world wars, along with her memories of being an actor and playwright, reveal facets of her writing that are less often celebrated. The first new work by Colette to appear in English in half a century, it will delight devoted fans and new readers alike. Clearly the translators have poetic gifts themselves, a necessary quality to render Colettes airy, evocative, protean shifts in tone and voice, from the flippant to the heartrending in the turn of a phrase. This book reveals in a single volume many luminous facets of Colette as a woman, a French woman, and a writer. Lynn Hoggard, translator of Marie dAgoults Nelida Little gems indeedthis garland of hitherto untranslated short texts by Colette is expertly rendered into idiomatic English by Zack Rogow and Renée Morel, who succeed in retaining the flavor, piquancy, sensuousness, wit, and whimsy of the authors poetic and chiseled prose. Colette, foremost French woman writer of the first half of the twentieth century, is here represented by a range of sketches, mini-essays, reminiscences, portraits, personal confessions, and journalistic pieces including some war articles. The selections, preceded by helpful notes, provide rapid insights into Colettes sense of the human comedy, her love of nature and animals, and her enticing exuberance. Victor Brombert, author of Musings on Mortality: From Tolstoy to Primo Levi
By the French writer Colette who published around fifty novels in total, many with autobiographical elements. Her themes can be roughly divided into idyllic natural tales or dark struggles in relationships and love. All her novels were marked by clever observation and dialogue with an intimate, explicit style.
Claudine’s House,the first of Colette’s best-selling Claudine novels, is a tender and heartfelt portrayal of childhood and memory. On its first publication, its popularity was such that the Claudine series gave rise to a musical stage play and an entire range of related merchandise. In an idyllic setting of countryside and woods, Colette spent her childhood surrounded by a warm and loving family. Years later, her memories and experiences inspired her to create a series of snapshots of the innocence of provincial life. At once poignant and vividly alive, her recollections portray a magical world, filled with the beauty and the warmth of human relationships—and, above all, the lasting impressions made by her wonderful mother. French novelist Colette is most famous for her portraits of childhood in the Claudine books and forGigi.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Newly divorced Rene+a7e Ne+a7re+a7, supporting herself as a music-hall entertainer, meets wealthy, idle Maxime and struggles to reconcile her need for love with her need for a life of her own. Reprint.
Colette Gauthier Myles is a French expatriate who was born in Paris in 1935. This first volume of the memoirs include family histories beginning with a letter from 1811, and through both World Wars until 1953, with much of it set in Paris and environs during World War II. Illustrated with family photographs, maps and mementos, and featuring popular songs quoted in both English and French.
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