Wars dehumanize. This book humanizes. To those who have been silenced by the trauma of conflict, gagged by fear and conformity, and muted by the world’s indifference, this book gives a voice. And it is an unforgettable voice: powerfully, intimately human, heart-wrenching and heart-warming in equal measure, singing a song of horror and of hope. Packed with eighty riveting interviews from eleven conflict zones around the globe, Speaking Their Peace lets “ordinary” people tell their own extraordinary stories of life during wartime and their efforts to build a better, more peaceful life for themselves, their families, and their societies. This emotionally compelling book puts a human face on the news reports that usually skim the surface of the trauma of violent conflict. Speaking Their Peace will change the way you think about how people cope with war and the transition from war to peace.
Medieval Drama is a textbook, designed to be used by A level and undergraduate students of theatre and drama. It is divided into two major areas, mystery cycles and morality plays, and it examines the plays from a performance perspective. The book makes special reference to those texts contained within selections of plays which can be readily obtained by students, including A.C.Cawley's Everyman and Medieval Miracle Plays (Dent). The staging conventions of pageant waggon performance, place and scaffold playing and the drama of the Hall are explored in relation to the cultural context of the medieval period.
In My Mother's House and Sido, Colette plays fictional variations on the themes of childhood, family, and, above all, her mother. Vividly alive, fond of cities, music, theater, and books, Sido devoted herself to her village, Saint-Saveur; to her garden, with its inhabitants and its animals; and, especially, to her children, particularly her youngest, whom she called Minet-Chéri. Unlike Gigi and Chéri, which focus largely on sexual love and its repercussions, My Mother's House and Sido center on the compelling figure of a powerful, nurturing woman in late-nineteenth-century rural France, conveying the impact she had on her community and on her daughter—who grew up to be a great writer.
A collection of Colettes best writings that have never before appeared in English. The French writer Colette (18731954) is best known in the United States for such classic novels as Gigi and Cheri, which were made into popular movies, but she was a prolific author. This meticulously translated collection offers some of her best fiction, personal essays, articles, and talks, all appearing in English for the first time. The pieces showcase Colettes gifts as a writer: her deep wisdom about every age of human life, her skill as a storyteller, her wry humor, her persuasive powers, and her foresight as a social critic of issues such as gender roles. The translators combed through journals and past editions of Colettes work to cull these gems, which cover an enormous array of topicsfrom French wines and perfumes to her friendships with Marcel Proust and Maurice Chevalier to uncanny insight into the curious habits of cats and dogs. Selections from an advice column that Colette wrote for the French womens magazine Marie Claire are also included, and her savvy suggestions for the lovelorn stand the test of time. Moving articles written during the two world wars, along with her memories of being an actor and playwright, reveal facets of her writing that are less often celebrated. The first new work by Colette to appear in English in half a century, it will delight devoted fans and new readers alike. Clearly the translators have poetic gifts themselves, a necessary quality to render Colettes airy, evocative, protean shifts in tone and voice, from the flippant to the heartrending in the turn of a phrase. This book reveals in a single volume many luminous facets of Colette as a woman, a French woman, and a writer. Lynn Hoggard, translator of Marie dAgoults Nelida Little gems indeedthis garland of hitherto untranslated short texts by Colette is expertly rendered into idiomatic English by Zack Rogow and Renée Morel, who succeed in retaining the flavor, piquancy, sensuousness, wit, and whimsy of the authors poetic and chiseled prose. Colette, foremost French woman writer of the first half of the twentieth century, is here represented by a range of sketches, mini-essays, reminiscences, portraits, personal confessions, and journalistic pieces including some war articles. The selections, preceded by helpful notes, provide rapid insights into Colettes sense of the human comedy, her love of nature and animals, and her enticing exuberance. Victor Brombert, author of Musings on Mortality: From Tolstoy to Primo Levi
The number of armed conflicts reached a post-Cold War peak in 2015, exacting a terrible death toll and forcing millions to flee. One key to reaching a sustainable peace is inclusivity, which can knit together a frayed social fabric and give all groups a stake in transforming their country. Conflicts have many levels, and peacebuilders need to create paths between them, creating opportunities for involvement and linking issues and groups. Various peacebuilding strands of issues or activities--such as building trust and consulting with affected groups--can be woven together to strengthen a peace process. Enabling marginalized groups to influence the content of a peace process increases the chances of a sustainable peace. Peacebuilders are sharpening their understanding of how to achieve inclusivity but knowledge gaps remain. Multidisciplinary efforts are required.
The stories that inspired the film Colette, directed by Wash Westmoreland and starring Keira Knightley. Colette, prodded by her first husband, Willy, began her writing career with Claudine at School, which catapulted the young author into instant, sensational success. Among the most autobiographical of Colette's works, these four novels are dominated by the child-woman Claudine, whose strength, humor, and zest for living make her seem almost a symbol for the life force. Janet Flanner described these books as "amazing writing on the almost girlish search for the absolute of happiness in physical love . . . recorded by a literary brain always wide awake on the pillow.
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