Birthing the Nation analyses two intertwined narratives that shaped eighteenth-century British life: the development of the modern British state, and the emergence of the man-midwife as the pre-eminent authority over sex and childbirth. By exploring peculiar episodes in the history of the reproductive body and the body politic, from stories of pregnant men to rumours that a midwife had foisted a 'suppositious' child on the nation as the Prince of Wales, this original andprovocative work proposes how national, religious, ethnic, and gendered identities were experienced through and symbolized by birth and midwifery.
From the legendary author of the west Zane Grey, writing with Helen Cody Wetmore: two complete novels in one low-priced edition The Last of the Plainsmen Zane Grey, chronicler of the greatest adventures of the West, and Buffalo Jones, last of the plainsmen, that tough breed who followed their dreams west, into the empty spaces of the untamed heart of the country. The land draws these men. The unsettled West is fast-disappearing, along with the wild creatures who call it home. This historical novel chronicles the last mission of the last of the plainsmen, the adventure that brought the West to vivid life for Zane Grey: track buffalo, mustang, and cougar, and bring them back, not as trophies, but alive and kicking! The Last of the Great Scouts The life story of Colonel William F. Cody, "Buffalo Bill," as told by his sister, Helen, and Zane Grey. This biographical novel begins with Bill's boyhood in Iowa and his first encounter with an Indian. We see him as a pony express rider, then near Fort Sumter as Chief of the Scouts, and later engaged in the most dangerous Indian campaigns. There is also an account of the travels of Cody's famous Wild West Show. Few other characters in public life make a stronger appeal to the imagination of America than Buffalo Bill, whose daring and bravery made him famous. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Five Super Bowl titles, fifteen Hall of Famers, and a litany of legendary players, characters, and games later, the Dallas Cowboys franchise has cemented itself among the most successful in all of sports and, with a fan base that extends all over the world, among the most well known. Legends of the Dallas Cowboys takes an in-depth look at some of the legends who have shaped the Cowboys’ identity, beginning with Tom Landry, the man who was hired before Murchison had been awarded a team and who is still the franchise’s enduring image. Also included is Tex Schramm, under whom the Cowboys had twentystraight winning seasons and who is considered the most forward-thinking NFL executive ever, as well as Randy White, Ed “Too Tall” Jones, Bob Lilly, Lee Roy Jordan, Mel Renfro, and more. Also included are innovators such as Bob Hayes, who forced the creation of the zone defense, and Michael Irvin and Thomas “Hollywood” Henderson, who forced the creation of behavioral clauses in contracts. Each of the legends played his own unique role in shaping the lore of one of sports’ greatest franchises, a franchise that began humbly on a winter day in Miami and is now a model of success.
A lie, a long-ago affair, a dark desire—everyone has secrets they take to the grave. No one knows that better than FBI special agent Smoky Barrett. But what secret was a very private young woman keeping that led to her very public murder? That’s the question Smoky and her handpicked team of experienced manhunters are summoned to answer by the FBI director himself. As a mother, Smoky knows the pain of losing a child. As a cop with her own twisted past, she takes every murder personally. Brilliant, merciless, righteous, the killer Smoky is hunting this time is on his own personal mission. For in his eyes no one is innocent; everyone harbors a secret sin. Soon Smoky will have to face the secret she’s carefully hidden even from her own team—and confront a relentless killer who knows her flaws with murderous intimacy.
In Shadow Man, Cody McFadyen took the suspense thriller where other writers have feared to tread. He introduced readers to a heroine every bit as dark and edgy as the serial killers she hunts: Special Agent Smoky Barrett. Now, in his latest novel, McFadyen brings Agent Barrett back to track down a killer who breaks all the rules. “I want to talk to Smoky Barrett or I’ll kill myself.” The girl is sixteen, at the scene of a grisly triple homicide, and has a gun to her head. She claims “The Stranger” killed her adoptive family, that he’s been following her all her life, killing everyone she ever loved, and that no one believes her. No one has. Until now. Special Agent Smoky Barrett is head of the violent crimes unit in Los Angeles, the part of the FBI reserved for tracking down the worst of the worst. Her team has been handpicked from among the nation’s elite law enforcement specialists and they are as obsessed and relentless as the psychos they hunt; they’ll have to be to deal with this case. For another vicious double homicide reveals a killer embarked on a dark crusade of trauma and death: an “artist” who’s molding sixteen-year-old Sarah into the perfect victim—and the ultimate weapon. But Smoky Barrett has another, more personal reason for catching The Stranger—an adopted daughter and a new life that are worth protecting at any cost. This time Smoky is going to have to put it all on the line. Because The Stranger is all too real, all too close, and all too relentless. And when he finally shows his face, if she’s not ready to confront her worst fear, Smoky won’ t have time to do anything but die.
For FBI Special Agent Smoky Barrett, her colleague’s wedding is cause for celebration. Until a woman staggers down the aisle—incoherent, wearing only a white nightgown. A fingerprint check determines that she’s been missing for nearly eight years. Her coldly efficient captor toyed with her mind and body, imprisoning her, depriving her of any contact with the outside world. As Smoky fits together the pieces of what remains of the victim’s fractured life, a chilling picture emerges of a cerebral psychopath who doesn’t take murder personally, never makes a mistake, follows his own sinister logic, and has set the perfect trap.
Building in China is about striking an architectural balance between the pull of monumental tradition and the push of technological novelty. Centering on the dynamic period of post-imperial and pre-Communist China, the book focuses on the building and city planning initiatives of Henry Murphy, a little-known American architect who initially ventured to China in 1914 to design a campus for the Yale-in-China programme, but who then found himself captivated by a professional and cultural challenge that lasted two decades: how to preserve China's rich architectural traditions while also designing new buildings using up-to-date Western technologies. Murphy's buildings were compromises — " wine in old bottles" as he once called them — and the book uses those "tles" as lenses through which to understand not only Murphy's quest to find a middle ground for his architecture in China, but also to gaze at a tumultuous society facing an uncertain future. Murphy's buildings were more than vessels for either aesthetic visions or technical expertise; inadvertently they became political emblems, as Chinese rulers such as Chiang Kai-shek and Sun Yat-sen's son called on Murphy for city planning advice to complement their hopes for urban reconstruction. There are few serious studies of Western architects in the twentieth century who practiced in non-Western contexts, and those scant studies that have been published concentrate largely on British, French or Dutch examples in colonial settings. Hence, the book makes significant contributions to the fields of both American and Chinese architectural history.
In 1964, in the midst of the volatile times surrounding the Civil Rights Movement, Sergeants C. Lee Cody, Jr. and Donald R. Coleman, Sr., solved one of our nation's worst hate crimes and paid for it with their careers. In the years since, Cody has collected and catalogued a mountain of documents providing irrefutable evidence that exposes blatant racism prevalent in high places--in both federal and state offices--and he has created a horrifying tale of coverups and corruption resulting in flagrant violations of the 14th Amendment and a disregard for the Civil Rights guaranteed citizens under our nation's Constitution for equal protection under the laws. As told in part on Oprah, the History Channel, Court TV, and Dateline, this is the tragic story of the premeditated murder of Johnnie Mae Chappell, a thirty-five-year-old law-abiding black mother of ten and after her murder, the decades long criminal obstruction of justice. It is a story of racism and public corruption at its ugliest. In addition to the racism, Cody's expose also reveals the persecution of the Duval County detectives who solved the Chappell homicide and their attempts to bring the guilty to justice. Cody details the massive conspiracy on the part of law enforcement and government officials and prosecutors orchestrated by both state and federal officials--including even members of the FBI, who were determined to cover up for those responsible for the Criminal obstruction of justice in Johnnie Mae Chappell's murder"--Cover, p. 4.
Master of the Midcentury: The Architecture of William F. Cody is the first, long-overdue book on this key Palm Springs architect, abundantly illustrated and detailed. Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as "Desert Modern." While his architecture was disciplined and technically innovative, Cody did not practice an austere modernism; he imbued in his projects a love for social spaces, rich with patterns, texture, color, and art. Though the majority of Cody's built work was concentrated in California and Arizona, he had commissions in other western states, Hawaii, Mexico, Honduras, and Cuba. From icons like the Del Marcos Hotel (1946), to inventive country clubs like the Eldorado (1957), to houses for celebrities (Frank Sinatra, Bing Crosby, Walt Disney), Cody's projects defined the emerging West Coast lifestyle that combined luxury, leisure, and experimental design. Cody also pushed the boundaries of engineering, with beams and roof slabs so thin that his buildings seemed to defy gravity. Master of the Midcentury is the first monograph devoted to Cody, authored by the team that curated the acclaimed exhibition Fast Forward: The Architecture of William F. Cody at the Architecture and Design Museum in Los Angeles: his daughter, Cathy Cody, design historian Jo Lauria, and architectural historian Don Choi. Replete with photographs of extant and now-lost structures, as well as masterful color renderings and drawings for architectural commissions and plans for vanguard building systems, Master of the Midcentury is the authoritative resource on Cody.
The idea of Jesus initiating a second humanity and new creation by His incarnation, death, and resurrection is an important but often undervalued emphasis in the New Testament and in patristic theology. In A Second Adam, Cody Cook presents this doctrine, called Recapitulation, as a biblical, ancient, and ecumenical model of the atonement which is simultaneously more balanced than the more popular models while also getting us to their most important insights. Christus Victor, satisfaction, penal substitution, liberation, and theosis models of salvation are shown to be imbalanced when taken as central, but can all be held in harmony when starting from Recapitulation. Recapitulation is also shown to have great promise for future ecumenical dialogue and apologetics concerns.
The boy who became "Buffalo Bill" got his first job as a mule-driver on the bleak Kansas plains, then became a a Pony Express rider, a cavalry scout, an Indian fighter, a buffalo hunter for the railroads, and a world-famous "Wild West Show" celebrity along with his friend, Wild Bill Hickok. Buffalo Bill Cody lived to become a legend of the Old West, they symbol of America's wild frontier. Here is the true story of his adventures, told by his sister, with the help of America's greatest western author--Zane Grey. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Buffalo Bill: Last of the Great Scouts is the entertaining and fascinating story of William F. Cody, known to millions for over a century as the legendary Buffalo Bill. Born in a log cabin in Iowa, he was a buffalo hunter, stagecoach driver, Pony Express rider, Civil War soldier, and a scout for the U.S. army before beginning his career as the star of Buffalo Bill?s Wild West, which electrified audiences around the world from 1883 to 1917. ø Bill?s sister, Helen Cody Wetmore, has written an affectionate biography that recalls fully both the man and the legend, his colorful personality and ironic wit, as well as his celebrated international status. Some of her anecdotes read like the dime novels they were probably based on, but others provide fascinating glimpses of frontier life. Before becoming a showman, Cody tried his luck as a land speculator, a hotelkeeper, and a justice of the peace. These pages also show the author herself growing up on the wild frontier. Humorous and informative, Buffalo Bill introduces us to an unforgettable and controversial figure in American frontier history. ø This commemorative edition includes the full text of the original 1899 edition, a foreword and afterword by novelist Zane Grey, illustrations by Frederic Remington, E. W. Deming, and Rosa Bonheur from a rare 1903 edition, and an introduction by scholar Joy S. Kasson.
An excellent resource for graduate nursing students in master's and doctoral programs! Philosophical and Theoretical Perspectives for Advanced Nursing Practice focuses on the theoretical and philosophical perspectives necessary to guide advanced nursing practice. The expertly written chapters are diverse in content and emphasize evidence-based practice, values, person-centered care and global perspectives, and explores the interrelationships between theory, practice, and research.
Clinical Prediction Rules: A Physical Therapy Reference Manual, is intended to be used for multiple musculoskeletal courses. It includes musculoskeletal clinical prediction rules organized by region, thus allowing for its repeated use during the upper and lower quarter as well as in the students spine coursework. Additionally this manual includes multiple medical screening prediction rules, making it appropriate for differential diagnosis and diagnostic imaging coursework. Perfect for entry-level physical therapy programs, this text is also suitable for post-professional physical therapy programs, especially those that include an orthopaedic residency or manual therapy fellowship program, and as a reference manual for students going out on their clinical rotations.
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