Originally published in 1982. The Poetics of Jacobean Drama argues for a rediscovered approach to the study of Renaissance drama. Coburn Freer observes that most modern criticism of this drama treats the plays as if they were written in prose, thus overlooking whole areas of dramatic meaning that were understood in the past. Such an understanding, he asserts, was common among writers, actors, audiences, and readers of the Elizabethan and Jacobean eras, and a knowledge of it is essential to a full appreciation of the characterization and dramatic structures in these plays. Freer explores the evolution of the modern reluctance to approach Renaissance drama as one would dramatic poetry—from the standpoint of a listener. Blank verse, the author shows, provided Jacobean dramatists with a poetic form against which they could work the pressures of experience within their characters. The writers' ability to work with and against this form provided infinite resources for delineating character and creating significant coherences in the structure of a play. The Poetics of Jacobean Drama offers insights into what the Renaissance writer, actor, and playgoer would have regarded as the domain of poetry in drama. Topics discussed include the conditions of stage performance and the style of acting, Elizabethan education, the rise of printed texts and collected editions, and the comments of Elizabethan audiences and readers. Freer's commentary and theoretical explanations suggest both why and how we should pay closer attention to the poetry of Renaissance drama.
Originally published in 1972. Music for a King tries to study the affinities in form and matter between the versified translation of the Psalms and George Herbert's lyrics. Coburn Freer reads Herbert's poetry by way of the metrical psalms that precede it, proposing a reading that could be applied to more poems than are discussed here. Rather than multiply examples needlessly, this book stresses a few central poems as models or representatives. This reading of Herbert recognizes the historical dimension of his poems, but the author does not make that dimension the only significant one in the determination of poetic meaning or value.
Once slighted as mere copying from China, the arts of Japan are now seen as a unique alternation of advances and withdrawals. At times the islanders produced Chinese-style works of great beauty, unmatched on the continent. When they chose to be independent, their art differs at every level. Sculpture, and even more painting, are concrete, sensuous, and emotional, speaking directly to all.
War is one of the most lucrative job markets for an increasingly global workforce. Most of the work on American bases, everything from manning guard towers to cleaning the latrines to more technical engineering and accounting jobs, has been outsourced to private firms that then contract out individual jobs, often to the lowest bidder. An "American" base in Afghanistan or Iraq will be staffed with workers from places like Sri Lanka, Bangladesh, the Philippines, Turkey, Bosnia, and Nepal: so-called "third-country nationals." Tens of thousands of these workers are now fixtures on American bases. Yet, in the plethora of records kept by the U.S. government, they are unseen and uncounted—their stories untold. Noah Coburn traces this unseen workforce across seven countries, following the workers' often zigzagging journey to war. He confronts the varied conditions third-country nationals encounter, ranging from near slavery to more mundane forms of exploitation. Visiting a British Imperial training camp in Nepal, U.S. bases in Afghanistan, a café in Tbilisi, offices in Ankara, and human traffickers in Delhi, Coburn seeks out a better understanding of the people who make up this unseen workforce, sharing powerful stories of hope and struggle. Part memoir, part travelogue, and part retelling of the war in Afghanistan through the eyes of workers, Under Contract unspools a complex global web of how modern wars are fought and supported, narrating war stories unlike any other. Coburn's experience forces readers to reckon with the moral questions of a hidden global war-force and the costs being shouldered by foreign nationals in our name.
The first murder seemed senseless. The second death a tragic accident. And the killer...a total mystery to Chief of Police James Morgan. Chief Morgan’s job had been, up to now, a cinch—his principal occupation being to sexually service the dissatisfied wives of the town’s wealthiest citizens. The troubled town is Bensington, a bedroom suburb of Boston, where respectable natives live in old Victorians, rich newcomers in mock mansions, and the poor in wood-heaped frame houses. Just beneath Bensington’s sedate surface are some very off-centered residents whose quirky cravings and guilts tend to be overlooked, or neatly concealed. Then a brutal double murder blows everyone’s deep, dark secrets into the open air, and for once rich and poor alike are caught up in the same net of passion and violence. James Morgan, Bensington born and bred, is a lean and handsome widower whose love for his dead wife spurs an unending series of sexual conquests, and whose warm compassion wars with the icy imperatives of his profession. Although he is expected to solve the mysterious murders and put the town back together, local coffee-shop critics question his competence, even as they relish the rumors of his trysts. The women who sleep with Morgan—for reasons ranging from boredom to desperate loneliness—are included in his investigation, as is a rich man on the brink of ruin, and a policeman nursing a hidden hate, and a degenerate family consisting of a brutal father and two very different sons—one retarded, the other frighteningly gifted. And complicating it all is Morgan’s newest conquest, the daughter of the victims, who herself may be a target. Filled with insight and irony, this electrifying thriller blends roller-coaster action with the sensitive probing of men and women driven by private demons of love and hate, need and desire. Edgar nominee Andrew Coburn masterfully splices psychological suspense with police procedure as he turns his keen eye on small-town America and the secrets it keeps.
Health and Canadian Society provides a comprehensive overview of the relationship between health, health care, and Canadian society. It is a wide-ranging volume that moves from personal and micro concerns to a more macro and institutional focus. It includes chapters of a descriptive nature and others with a more explanatory intent. They have been selected from the major journals or have been expressly written for this book. Ninety-five percent of the contributions are new to this edition. The chapters and the studies reported on are methodologically diverse, ranging from ethnographic studies to statistical analyses of data from large national surveys. Though the chapters are written by anthropologists, economists, historians, political scientists, and physicians, as well as sociologists, they all have a sociological "turn." Recognized as the standard textbook on the sociology of health in Canada, Health and Canadian Society is an essential reference for sociologists, health care providers, health administrators, and policy planners.
Created to help women deal with the emotional issues and practical concerns that accompany diabetes, this revised second edition also encourages women to be educated about the recommendations made by their health-care team to ensure their long-term good health. Women will learn how to develop a support system, confront fears that can make self-care difficult, pay attention to their body's wisdom, and more.
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