Dollar William is a satirical comedy set in America about money, greed, and their relationships in the wider context of the media. The narrative of the story weaves in and out of a drama that ties together the lives of a few individuals, who are all destined to become failures or successes within their own trials of this desire to win at all costs. Billy Williams is a financial consultant as well as a hardworking and regular guy, until his life is turned upside down when he meets an Mz Moonbeam Sunshine, who is an undercover television researcher for an independent program called Brotha Hollywood. It is in this event of their chance meeting that Billy loses his job in an unfair dismissal and is forced to take revenge against his former employer, a banking CEO by the name of Mr. Croakus Don Doyle, who, along with his sidekick and senior consultant Alfred Rockbottom, are hatching a plan to acquire more wealth through deceptive means in order to make substantial monetary gains. As the story develops, it turns out that Billys employers, Don Doyle Banking, are attempting to swindle the unsuspecting public by getting them to part with their hard-earned dollars by offering then an incredible, once-in-a-lifetime chance of doubling their savings, which is really a cover for the bank to accumulate more funds and gain an advantage in their bogus plot to get rich off the interest. The story also takes another turn when Billy meets a Mr. Garfield Mamaduke the Third, who is the rightful heir to a long-lasting legacy as being one of the wealthiest families in the financial world of banking, which also presents them with a financial dilemma, as Mr. Garfield enlists the help of Billy to attempt to bring Croakus Don Doyle and Alfred Rockbottom to justice.
Throughout its chequered history, snooker has had more than its fair share of heroes and villains, champions and chumps, rascals and rip-off artists. In the last 20 years, every sleazy scandal imaginable has attached itself to this raffish sport: corruption, match fixing, bribery, sex, recreational drugs, performance-enhancing drugs, ballot rigging, fraud, theft, domestic violence, common-or-garden violence, paranoid politicking, dirty tricks - all against a background of inept petty tsars fixated on the pursuit, retention and abuse of power. In Black Farce and Cue Ball Wizards, Clive Everton recounts the glory and despair, the dreams and disillusion, and the treachery and greed that have characterised the game since it was invented as an innocent diversion by British Army officers in India in the nineteenth century. He tells the true and unexpurgated tale of snooker's transformation into a television success story second only to football and exposes how its potential has been shamefully squandered.
The Century's Midnight is an exploration of the literary and political relationships between a number of ideologically sophisticated American and European writers during a mid-twentieth century dominated by the Second World War. Clive Bush offers an account of an intelligent and diverse community of people of good will, transcending national, ideological and cultural barriers. Although structured around five central figures - the novelist Victor Serge, the editors Dwight Macdonald and Dorothy Norman, the cultural critic Lewis Mumford and the poet Muriel Rukeyser - the book examines a wealth of European and American writers including Hannah Arendt, Simone de Beauvoir, Walter Benjamin, John Dos Passos, André Gide, Henry Miller, Anaïs Nin, George Orwell, Boris Pilniak, Albert Camus, Jean-Paul Sartre, Ignacio Silone and Richard Wright. The book's central theme relates politics and literature to time and narrative. The author argues that knowledge of the writers of this period is of inestimable value in attempting to understand our contemporary world.
A pioneering canine behaviorist draws on cutting-edge research to show that a single, simple trait--the capacity to love--is what makes dogs such perfect companions for humans, and to explain how people can better reciprocate their affection.affection.
Formula One: Made in Britain is one of Formula One's last untold stories. As a centre of technical excellence for over thirty years. Britain is at the sharp end of the worldwide motor sport industry, and playing ever harder to win. Most of the sport's Grand Prix teams are based in the UK and many of them have British managers and designers who act as a showcase for the UK's skill base - past, present and future. The success of Britain's Formula One industry has gone largley unrecognised outside the close-knit world of the racing aficionado. Now, with Formula One: Made in Britain, Clive Couldwell reveals what makes this industry tick and why many of the world's players choose to come here. He explores Motorsport Valley, an area which covers the south and Midlands of the UK, where 75 per cent of the world's single-seater racing cars are designed and built, and talks to many of F1's leading lights. Winning in F1 depends on innovation and performance-critical engineering, and in this fascinating and insightful book, Clive Couldwell show how UK research and development are leading the world.
A tragic tale of two young motorcyclists whose close bond, born from a shared passion for high speed, is torn apart when a young woman dies beneath a seaside pier. Twenty years later, a chance meeting enables one to blackmail the other into becoming a courier in the lethal world of drugs. This inevitably leads to a trail of deaths across the country.
Ecology is an historical science in which theories can be as difficult to test as they are to devise. This volume, intended for ecologists and evolutionary biologists, reviews ecological theories, and how they are generated, evaluated, and categorized. Synthesizing a vast and sometimes labyrinthine literature, this book is a useful entry into the scientific philosophy of ecology and natural history. The need for integration of the contributions to theory made by different disciplines is a central theme of this book. The authors demonstrate that only through such integration will advances in ecological theory be possible. Ecologists, evolutionary biologists, and other serious students of natural history will want this book.
Artemia is widely used in both life-sciences research and aquaculture. Although there are over 4000 references regarding Artemia, the literature is widely scattered. Artemia Biology provides a comprehensive, state-of-the-art review of this literature, containing a considerable amount of previously unpublished data. Although all aspects of Artemia biology are covered, the book emphasizes whole-organism approaches. Topics covered include molecular genetics, ontogeny, clonal diversity, mitochondrial DNA-based phylogeny, and comparisons of Artemia and Parartemia (including a taxonomic key to Parartemia species). The book also contains the latest information on Artemia culturing in fertilized ponds and culture tanks, as well as the use of the organism as a food source. Researchers investigating basic biological questions involving molecular genetics, biochemistry, enzymatic and developmental activities, physiology, ecological genetics and adaptation, ecology, and aquaculture production will find this book indispensable.
Saunders Comprehensive Veterinary Dictionary, 5th Edition includes the veterinary technical and scientific words and phrases you might encounter in practice. With well over 60,000 main and subentries including large animals, small animals, and exotics, presented in a user-friendly format, the fifth edition continues its legacy as the most comprehensive dictionary reference in the veterinary field. Completely revised and updated for today's veterinary team, it now includes an all-new companion Evolve site, which hosts an audio glossary of 1,200 common veterinary terms and an image collection featuring high-quality images from the book. The online site also includes printable appendices with essential reference information including conversion charts and blood groups of domestic animals. - More than 60,000 main entries and subentries are included, making this the most comprehensive dictionary covering the whole range of veterinary medicine including large and small animals and exotic pets. - Pronunciation of key terms is indicated by a phonetic respelling that appears in parentheses immediately following main entries. - High-quality, color illustrations aid further understanding of important terminology. - Color design and format help you find key information at a glance. - Extensive appraisal, clarification, and focusing of entries to reflect current practice. - Extensive contributions from internationally acknowledged expert consultants. - UPDATED and NEW! Updated and all-new terminology from the latest research, including updated taxonomy in virology and bacteriology, ensures this invaluable reference is up-to-date. - NEW! Updated images ensure you receive the most current and pertinent illustrations that identify and highlight specific terms. - NEW! An all-new suite of online features including printable appendices with essential veterinary reference information, an image collection with 1,000 high-quality images, and an audio glossary with more than 1,200 common veterinary terms. - NEW! A new co-editor and new expert contributors from around the world provide updates on the latest advances in the field of veterinary science.
Britain's villages are world famous for their loveliness and idiosyncratic charm. Each village is different; travel across the country and you will unearth a joyous variety, from straggly Leintwardine in Herefordshire to BBC-film-perfect Askrigg in Yorkshire to higgledy-piggledy tourist hub Polperro in Cornwall to Miserden in Gloucestershire, with its staggeringly beautiful gardens, to Pittenweemin Fife, still eking a living from fishing, to the warring villages of Donhead St. Mary and Donhead St. Andrew in Wiltshire. History and architecture account for some differences-the memorials in churches, the details of door frames and chimney stacks-but there are also differences of spirit, and in how life is lived there today. What are the thriving local businesses? What are they selling in the shops-or are there shops at all? What are the traditions, old or invented? Who are the people who make these communities work? In this captivating volume, Clive Aslet draws on thirty years of travel in the countryside working for Britain's Country Life magazine to give us a living, personal, and opinionated history of five hundred of Britain's most beautiful and vibrant villages. Meticulously researched and drawing from conversations with local residents, publicans, and vicars, this book is both an indispensable gazetteer for anyone planning to tour the countryside and a portrait of rural Britain in a time of change.
Malcolm Cowley Hart Crane's life was notoriously turbulent, persistently nonconformist, and tragically short. This new biography presents for the first time a full, frank portrait of the real Hart Crane, a poet attractive both for his flamboyance and passion for life, and for the magnificent sonorities of his work. 18 illustrations.
First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.
The Newnes Know It All Series takes the best of what our authors have written to create hard-working desk references that will be an engineer's first port of call for key information, design techniques and rules of thumb. Guaranteed not to gather dust on a shelf! Electrical engineers need to master a wide area of topics to excel. The Electrical Engineering Know It All covers every angle including Real-World Signals and Systems, Electromagnetics, and Power systems. - A 360-degree view from our best-selling authors - Topics include digital, analog, and power electronics, and electric circuits - The ultimate hard-working desk reference; all the essential information, techniques and tricks of the trade in one volume
While the history of the uniformed police has prompted considerable research, the historical study of police detectives has been largely neglected; confined for the most part to a chapter or a brief mention in books dealing with the development of the police in general. The collection redresses this imbalance. Investigating themes central to the history of detection, such as the inchoate distinction between criminals and detectives, the professionalisation of detective work and the establishment of colonial police forces, the book provides a the first detailed examination of detectives as an occupational group, with a distinct occupational culture. Essays discuss the complex relationship between official and private law enforcers and examine the ways in which the FBI in the U.S.A. and the Gestapo in Nazi Germany operated as instruments of state power. The dynamic interaction between the fictional and the real life image of the detective is also explored. Expanding on themes and approaches introduced in recent academic research of police history, the comparative studies included in this collection provide new insights into the development of both plain-clothes policing and law enforcement in general, illuminating the historical importance of bureaucratic and administrative changes that occurred within the state system.
There was a buzz all around camp; a new piece of equipment had arrived. We all wanted to get at it and play. I had had a rough run of late, which may be why I was picked as team leader that was to be first trained on the new toy. It was a can, with a long barrel, we guessed it was a new water cannon. The old ones looked similar and were effective, they were 96 Clive Andrews just a high pressure hose that sprayed water over a rioting crowd, it cooled them down and you could knock them down sometimes but that was about it. This new toy was fantastic, it fired water, but in single shots, each shot released a gallon of water at about 30 miles an hour. On the target range, we smashed every target with one shot on each. So long as they hit the target. I couldnt wait to use this little baby out on the streets. I didnt have to wait long, the orange men marched regularly during the summer season. We were sent out to aid crowd control, I hoped it started going tits up. As expected, it did. I had two sections covering me, armed with rubber bullets and some real ones too. My driver swung in to range and I had a perfect view from the flank. The only down side was to operate in comfort with maximum accuracy, you had to be standing up in the turret, so was open to be fired at. I couldnt care less, I just wanted to use this huge water pistol. I took aim and fired, just a single shot, fuck me, I thought. The paddy it hit, took off. I got him square in the chest, and he landed about six feet away, on his back then curled up in a ball to protect himself. He never knew what hit him. The snatch squad went forward and grabbed him. They dragged him behind our cover, cuffed him then threw him into the back of a police van. Me, I just opened up on the brick-throwing crowd. It was effective if I hit the front ones and lifted them into those behind, this was better than ten-pin bowling. I had a hundred gallon water tank on board and was determined to go back empty. I hit one after the other, sending them flying. The snatch squad ran out of places to put those they arrested, so gave up. They just watched, jealously. As I fired at the crowd. I caught sight of a group of four or five youths, huddled together. This did not look good, as I had stopped firing for a few seconds the troops around me knew something was not right so everyone was looking to try and see what was about to happen. A soldier who was up on top of my mobile water pistol, screamed, Petrol bombs. That was all it took for hell to open up on them. I fired three shots in quick succession at the group, with two of the snatch squads firing two rubber bullets all pretty much all at the same time. The result was brilliant. The whole group took off and went through the shop window they were standing in front off. We drove forward at them to disperse the crowd, it made snatching them easier. The fuel OMG 97 they were about to throw at us, split and ignited, There was a big fireball that blew out the remaining sheet of glass in the shop front. One of our potential attackers fell to the ground and not through the window, he was now covered with broken glass and blood was running from a cut on his face. From where I was sitting I couldnt see what damage had been done and didnt really care either. The remaining four lads were now engulfed in the fireball inside the shop. I did think about letting the fuckers burn, but then the smell of burning flesh was nasty whether it was friend or foe, so I fired several more shots into the shop. As the snatch squad raced in to cuff and arrest the fire bombers they turned the lad on the floor over. He was a mess, a shared of glass had gone into his right eye, another had gone into his throat. He was not going to make it. We tried but he was dead before the ambulance could get through the stone throwing crowd. I suppose it was justice, their own man dead because of their actions. The remaining four
The chief creative officer of Sony Music presents a candid assessment of his life and the past half-century of popular music from an insider's perspective, tracing his work with a wide array of stars and personalities.
In this book Clive Robertson examines the subject of arts administration through the three major topics of 'artist-run culture as movement and apparatus', 'custody battles with/at the Canada Council' and Carings for art and culture'. Includes interviews with Paule Leduc, Roch Carrier, Edythe Goodriche, and Bruce Russell." -- From Art Metropole website (viewed 23 May 2018).
This is a wide-ranging, up-to-date introduction to modern business communication, which integrates communication theory and practice and challenges many orthodox views of the communication process. As well as developing their own practical skills, readers will be able to understand and apply principles of modern business communication. Among the subjects covered are: interpersonal communication, including the use and analysis of nonverbal communication group communication, including practical techniques to support discussion and meetings written presentation, including the full range of paper and electronic documents oral presentation, including the use of electronic media corporate communication, including strategies and media. The book also offers guidelines on how communication must respond to important organizational issues, including the impact of information technology, changes in organizational structures and cultures, and the diverse, multicultural composition of modern organizations. This is an ideal text for undergraduates and postgraduates studying business communication, and through its direct style and practical relevance it will also satisfy professional readers wishing to develop their understanding and skills.
This book comprises a selection of interdisciplinary essays in American literature and culture written by Clive Bush over some forty years. They fall into four sections: Classic American Literature; Literary and Cultural Modernism; Literature and Politics; and American Cultural Studies. The topics range from literature to architecture, from the history of linguistics to analyses of the commodity culture, from poetry to film. The essays themselves extend from American linguistics to Beat literature. There is, however, an identifiable series of common themes and perspectives throughout. The first is the question of the relation of discourse itself to the practices of power: personal, social and political. The second is the attention paid to the particular and general historical context in which both texts and quasi-texts are situated. The third is that a European perspective, making use of comparative texts, has been used throughout. The author demonstrates a commitment both to close reading and to the value judgement in the reading of texts.
This book covers a crucial period for the development of state education in Britain; the advent of the comprehensive debate before and during the Second World War; the War years themselves and the 1944 Education Act; the post-War Labour Government; and Churchill's last government in a time of education expansion. From the 1960s, the focus shifted to questions of social deprivation and educational opportunities, secondary school selection, the debate on standards, Robbins and higher education, and the continuing theme of the dominance of public schools. The book is divided into four sections, which are then divided into chapters. Each chapter takes as its main reference point a key issue within the chronological framework of the book, e.g. resistance to secondary education for all, politics and textbooks, multilateral and technical schools, pressure groups and the 1944 Education Act, Churchill and the Conservatives. Much new light is thrown on the topics by the author's use of new material and he has made a valuable contribution to the politics of education.
Cattle Plague: A History is divided into five sections, dealing with the nature of the virus, followed by a chronological history of its occurrence in Europe from the Roman Empire to the final 20th century outbreaks; then administrative control measures through legislation, the principal players from the 18th century, followed by an analysis of some effects, political, economic and social. Then follows attempts at cure from earliest times encompassing superstition and witchcraft, largely Roman methods persisting until the 19th century; the search for a cure through inoculation and the final breakthrough in Africa at the end of the 19th century. The last section covers the disease in Asia and Africa. Appendices cover regulations now in force to control the disease as well as historical instructions, decrees and statutes dating from 1745-1878.
Nearly 30 years ago, James wrote a refreshingly candid book that made no claims to be accurate, precise, or entirely truthful, only to entertain. Long unavailable in the U.S., "Unreliable Memoirs" is being made available to American readers.
The belief that crime declines at the beginning of major wars, as young men are drawn into the armed forces, and increases with the restoration of peace, as brutalised veterans are released on to a labour market reorganising for peace, has a long pedigree in Britain. But it has rarely been examined critically and scarcely at all for the period of the two world wars of the twentieth century. This is the first serious investigation of criminal offending by members of the British armed forces both during and immediately after these wars. Its particular focus is the two world wars but, recognising the concerns and the problems voiced in recent years about veterans of the Falklands, the Gulf wars, and the campaign in Afghanistan, Clive Emsley concludes his narrative in the present.
Maxfield, a popular columnist, has collected his articles on design in a new order, grouped by topic, and expanded from the limits of magazine space. These articles have been published in magazines such as "EDN, Electronic Design" and "Electronic Design and Technology".
In Black Boys: The Aesthetics of British Urban Film, Nwonka offers the first dedicated analysis of Black British urban cinematic and televisual representation as a textual encounter with Blackness, masculinity and urban identity where the generic construction of images and narratives of Black urbanity is informed by the (un)knowable allure of Black urban Otherness. Foregrounding the textual Black urban identity as a historical formation, and drawing on a range of theoretical frameworks that allow for an examination of the emergence and continued social, cultural and industrial investment in the fictitious and non-fictitious images of Black urban identities and geographies, Nwonka convenes a dialogue between the disciplines of Film and Television Studies, Philosophy, Cultural Studies, Black Studies, Sociology and Criminology. Here, Nwonka ventures beyond what can be understood as the perennial and simplistic optic of racial stereotype in order to advance a more expansive reading of the Black British urban text as the outcome of a complex conjunctural interaction between social phenomena, cultural policy, political discourse and the continuously shifting politics of Black representation. Through the analysis of a number of texts and political and socio-cultural moments, Nwonka identifies Black urban textuality as conditioned by a bidirectionality rooted in historical and contemporary questions of race, racism and anti-Blackness but equally attentive to the social dynamics that render the screen as a site of Black recognition, authorship and authenticity. Analysed in the context of realism, social and political allegory, urban multiculture, Black corporeality and racial, gender and sexual politics, in integrating such considerations into the fabrics of a thematic reading of the Black urban text and through the writings of Stuart Hall, Paul Gilroy, Judith Butler and Derrida, Black Boys presents a critical rethinking of the contextual and aesthetic factors in the visual constructions of Black urban identity.
In the uneasily shared history of Jews and blacks in America, the struggle for civil rights in the South may be the least understood episode. Fight against Fear is the first book to focus on Jews and African Americans in that remarkable place and time. Mindful of both communities' precarious and contradictory standings in the South, Clive Webb tells a complex story of resistance and complicity, conviction and apathy. Webb begins by ranging over the experiences of southern Jews up to the eve of the civil rights movement--from antebellum slaveowners to refugees who fled Hitler's Europe only to arrive in the Jim Crow South. He then shows how the historical burden of ambivalence between Jews and blacks weighed on such issues as school desegregation, the white massive resistance movement, and business boycotts and sit-ins. As many Jews grappled as never before with the ways they had become--and yet never could become--southerners, their empathy with African Americans translated into scattered, individual actions rather than any large-scale, organized alliance between the two groups. The reasons for this are clear, Webb says, once we get past the notion that the choices of the much larger, less conservative, and urban-centered Jewish populations of the North define those of all American Jews. To understand Jews in the South we must look at their particular circumstances: their small numbers and wide distribution, denominational rifts, and well-founded anxiety over defying racial and class customs set by the region's white Protestant majority. For better or worse, we continue to define the history of Jews and blacks in America by its flash points. By setting aside emotions and shallow perceptions, Fight against Fear takes a substantial step toward giving these two communities the more open and evenhanded consideration their shared experiences demand.
A selection of Lewis' work, including essays, letters, poems, and texts of "The Lion, the Witch, and the Wardrobe," "Perelandra" and "Abolition of Man.
Cinema & Sentiment Film's challenge to Theology What do films do to people? What do people do with films? All film-watching happens within a cultural context. Exploring cinema-going as leisure activity and by comparing film-watching with worship, Clive Marsh demonstrates aspects of the religious function of film-watching in Western culture. Through a variety of case-studies, including a look at the films of Robin Williams and the Coen brothers, Marsh's study shows how film-watching as a regular practice contributes to the shaping of human living. Engaging with rapidly changing social and religious behaviour patterns in Western culture, Cinema and Sentiment suggests a need to recover a positive sense of 'sentiment', both in theology and film. Marsh locates his findings within recent studies of theology and film. In his final chapter he offers to church leaders, students of theology and film studies and all those with an interest in contemporary culture some very practical suggestions.
First in the Aces High series—a military reference of the fighter pilots who had five or more confirmed victories while serving in the Royal Air Force. Introduced by the French quite early in World War I, the term “ace” was used to describe a pilot credited with five or more aerial victories. But in the United Kingdom, the term was never officially recognized. Becoming an ace was partly luck, especially considering the campaigns in which they flew and the areas of combat. There are three distinct kinds of aces: the defensive ace, the offensive ace, and the night fighter. This book is a revised collection of the biographies of the highest scoring Allied fighter pilots of World War II—including those with the confirmed claims of shooting down five aircraft and those pilots with lower scores but whose wartime careers prove them worthy of inclusion. All details of their combat are arranged in tabular form. Included are a selection of photographs from hitherto private collections. “There are some authors whose name alone is sufficient reason to but a book, and Christopher Shores is surely one of these . . . By profession a chartered surveyor, he served in the Royal Air Force in the 1950s so his writing bears the stamp of authenticity.” —HistoryNet
An encyclopedic selection of quotes from the complete published works of C. S. Lewis, arranged alphabetically, including never-before-published photos.
This book is about democracy and communication. The media and popular culture are often identified as bearing primary responsibility for the decline of active citizenship and the decay of democratic institutions. Media culture is charged with eroding the capacity of citizens to trust in public institutions and with encouraging widespread civic disengagement. In Culture and Democracy, Clive Barnett critically evaluates the conceptual underpinnings of such widespread judgements. In doing so he provides an innovative and theoretically informed exploration of the interface between culture, political economy, and public life. Through a triangulation of the ideas of Derrida, Foucault, and Habermas, he argues that deconstruction, poststructuralism, and critical theory converge around shared concerns for the possibilities of democratic public life in a globalising age. Drawing on cultural and media studies, human geography, political philosophy and social theory, and research on media policy and politics in the United States, Europe and South Africa, he demonstrates the indispensability of concepts of the public sphere, representation, and spatiality to the analysis of the politics of cultural democratisation. This book combines critical conceptualisation with policy analysis, and connects cultural studies to normative political theory. Clive Barnett demonstrates the importance of developing theoretical arguments in connection with case studies for understanding the contemporary interactions between media, culture and democracy.
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