While reading transforms texts through memories, associations and re-imaginings, translation allows us to act out our reading experience, inscribe it in a new text, and engage in a dialogic and dynamic relationship with the original. In this highly original new study, Clive Scott reveals the existential and ecological values that literary translation can embody in its perceptual transformation of texts. The transfer of a text from one language into another is merely the platform from which translation launches its larger ambitions, including the existential expansion and re-situation of text towards new expressive futures and ways of inhabiting the world. Recasting language as a living organism and as part of humanity's ongoing duration, this study uncovers its tireless capacity to cross perceptual boundaries, to multiply relations between the human and the non-human and to engage with forms of language which evoke unfamiliar modes of psycho-perception and eco-modelling.
The Spoken Image considers the nature of photography, examining the language used in titles, captions and commentaries, particularly as they relate to documentary photography, photojournalism and fashion photography.
Street photography is perhaps the best-loved and most widely known of all photographic genres, with names like Cartier-Bresson, Brassai and Doisneau familiar even to those with a fleeting knowledge of the medium. Yet, what exactly is street photography? From what viewpoint does it present its subjects, and how does this viewpoint differ from that of documentary photography? Looking closely at the work of Atget, Kertesz, Bovis, Rene-Jacques, Brassai, Doisneau, Cartier- Bresson and more, this elegantly written book, extensively illustrated with both well-known and neglected works, unpicks Parisian street photography's affinity with Impressionist art, as well as its complex relationship with parallel literary trends and authors from Baudelaire to Philippe Soupault. Clive Scott traces street photography's origins, asking what really what happened to photography when it first abandoned the studio, and brings to the fore fascinating questions about the way the street photographer captures or frames those subjects - traders, lovers, entertainers - so beloved of the genre.In doing so, Scott reveals street photography to be a poetic, even 'picturesque' form, looking not to the individual but to the type; not to the 'reality' of the street but to its 'romance'.
Offering an original reconceptualization of literary translation, Clive Scott argues against traditional approaches to the theory and practice of translation. Instead he suggests that translation should attend more to the phenomenology of reading, triggering creative textual thinking in the responsive reader rather than testing the hermeneutic skills of the professional translator. In this new guise, translation enlists the reader as an active participant in the constant re-fashioning of the text's structural, associative, intertextual and intersensory possibilities, so that our larger understanding of ecology, anthropology, comparative literature and aesthetics is fundamentally transformed and our sense of the expressive resources of language radically extended. Literary translation thus assumes an existential value which takes us beyond the text itself to how it situates us in the world, and what part it plays in the geography of human relationships.
Translating Apollinaire delves into Apollinaire’s poetry and poetics through the challenges and invitations it offers to the process of translation. Besides providing a new appraisal of Apollinaire, the most significant French poet of WWI, Translating Apollinaire aims to put the ordinary reader at the centre of the translational project. It proposes that translation’s primary task is to capture the responses of the reader to the poetic text, and to find ways of writing those responses into the act of translation. Every reader is invited to translate, and to translate with a creativity appropriate to the complexity of their own reading experiences. Throughout, Scott himself consistently uses the creative resource of photography, and more particularly photographic fragments, as a cross-media language used to help capture the activity of the reading consciousness.
Isaac Bell may be on the hunt for the greatest monster of all time in this riveting action-adventure novel from #1 New York Times–bestselling author Clive Cussler. The year is 1911. Chief Investigator Isaac Bell of the Van Dorn Detective Agency has had many extraordinary cases before. But none quite like this. Hired to find a young woman named Anna Pape who ran away from home to become an actress, Bell gets a shock when her murdered body turns up instead. Vowing to bring the killer to justice, he begins a manhunt which leads him into increasingly more alarming territory. Anna Pape was not alone in her fate—petite young blond women like Anna are being murdered in cities across America. And the pattern goes beyond the physical resemblance of the victims—there are disturbing familiarities about the killings themselves that send a chill through even a man as experienced with evil as Bell. If he is right about his fears, then he is on the trail of one of the greatest monsters of his time.
In 'Looking Back' Clive Scott tells the story of his life. We see a snapshot of an upper class existence in pre-war Malaya, where Scott's father was a well-respected Lieutenant and bandleader. When the war comes and Penang is invaded, the family escape and make their way to Singapore. Eventually, when victory is declared, they are repatriated to England but they fail to fit into their former lives and they return to Malaya.Clive goes his own way, first as a travelling salesman, then as a sailor on a ship. His pace is hectic as he weaves his way through job changes, different countries and culminating with the accidental discovery of his musical talents, with which he rises to some prominence in Norway.A great story, vividly told and very true to life. Clive Scott cannot help but catch the mood in everything he relates.
Clive Scott Chisholm wryly describes himself as a ?fugitive from the American Dream.? A displaced Canadian and a legally ?registered alien,? Chisholm set out from his home in upstate New York in 1985 to discover the origins of that dream. In Following the Wrong God Home, he recounts his personal odyssey, describing the people he encountered and the unforgettable stories they told. Chisholm?s solo journey on foot from the Missouri River to Salt Lake City retraced the 1,100-mile trek of nineteenth-century Mormon pioneers. In this account, he juxtaposes that Mormon search for the dream of ?community? against the modern search for the American dream of ?individuality,? muses over how much and how little things have changed in the century-and-a-half since 1847, and creates a narrative informed by the American dreamers he came across from Omaha to Salt Lake City.
Offenbar grundlos zerstört der »Saboteur« Züge und Schienenwege der Southern Pacific Railroad Company. Sollte er nicht bis zum Winter gefasst werden, bedeutet dies das Aus für die Eisenbahngesellschaft und damit das Ende der Eroberung des Westens der USA. Isaac Bell von der Van-Dorn-Detektivagentur ist der Einzige, der den Verbrecher noch stoppen kann. Kompromisslos heftet er sich an die Fersen des Saboteurs, doch was Bell während der Jagd herausfindet, erschüttert selbst diesen harten Mann.
This 1980 book is designed to help university students to master the technicalities and techniques of French verse. The author assumes that part of the difficulty encountered by readers derives from the need to approach French verse through English verse; this book undertakes, therefore, a differentiation of the two verse traditions. Dr Scott's concern is to provide the groundwork of a terminology, to discuss the origins and implications of that terminology, and to show how terminological knowledge can be translated into critical speculation about poetry. After three chapters which establish the essential features of the French line of verse and outline the difficulties the student is likely to encounter in trying to describe it and deal with it, the book moves on to consider rhyme, stanzas, verse forms and free verse.
Twentieth century detective Isaac Bell takes on the world of warfare when America’s naval research and development experts begin to die one by one in this #1 New York Times-bestselling historical action adventure. 1908 marks a year of ever-escalating international tension as the world plunges toward war. And with America on the brink, it comes as a devastating blow to learn of the apparent suicide of one of the United States’ most brilliant battleship-gun designers. The death becomes a media sensation, and the man’s grief-stricken daughter turns to the legendary Van Dorn Detective Agency to clear her father’s name. Van Dorn puts his chief investigator on the case, and Isaac Bell soon sees that the clues point not to suicide, but to murder. As Bell notices more suspicious deaths among the nation’s sharpest technological minds, he begins to suspect the work of an elusive spy somehow connected to a top-secret project called Hull 44. But that is just the beginning. As the intrigue deepens, Bell will find himself pitted against German, Japanese, and British spies, in a mission that encompasses dreadnought battleships, Teddy Roosevelt’s Great White Fleet, Chinatown, Hell’s Kitchen, and the Brooklyn Navy Yard. Isaac Bell has certainly faced perilous situations before, but this time it is more than the future of his country that’s at stake—it’s the fate of the world.
Turn-of-the-century detective Isaac Bell goes undercover as a coal miner for his first solo mission in this novel in Clive Cussler's #1 New York Times bestselling series. It is 1902, and a bright, inexperienced young man named Isaac Bell, only two years out of his apprenticeship at the Van Dorn Detective Agency, has an urgent message for his boss. Hired to hunt for radical unionist saboteurs in the coal mines, he is witness to a terrible accident that makes him think something else is going on…that provocateurs are at work and bigger stakes are in play. Little does he know just how big they are. Given exactly one week to prove his case, Bell quickly finds himself pitted against two of the most ruthless opponents he has ever known—men of staggering ambition and cold-bloodedness who are not about to let some wet-behind-the-ears detective stand in their way.
Developing countries lose billions each year through bribery, misappropriation of funds, and other corrupt practices. Much of the proceeds of this corruption find 'safe haven' in the world's financial centers. These criminal flows are a drain on social services and economic development programs, contributing to the impoverishment of the world's poorest countries. Many developing countries have already sought to recover stolen assets. A number of successful high-profile cases with creative international cooperation has demonstrated that asset recovery is possible. However, it is highly complex, involving coordination and collaboration with domestic agencies and ministries in multiple jurisdictions, as well as the capacity to trace and secure assets and pursue various legal options—whether criminal confiscation, non-conviction based confiscation, civil actions, or other alternatives. This process can be overwhelming for even the most experienced practitioners. It is exceptionally difficult for those working in the context of failed states, widespread corruption, or limited resources. With this in mind, the Stolen Asset Recovery (StAR) Initiative has developed and updated this Asset Recovery Handbook: A Guide for Practitioners to assist those grappling with the strategic, organizational, investigative, and legal challenges of recovering stolen assets. A practitioner-led project, the Handbook provides common approaches to recovering stolen assets located in foreign jurisdictions, identifies the challenges that practitioners are likely to encounter, and introduces good practices. It includes examples of tools that can be used by practitioners, such as sample intelligence reports, applications for court orders, and mutual legal assistance requests. StAR—the Stolen Asset Recovery Initiative—is a partnership between the World Bank Group and the United Nations Office on Drugs and Crime that supports international efforts to end safe havens for corrupt funds. StAR works with developing countries and financial centers to prevent the laundering of the proceeds of corruption and to facilitate more systematic and timely return of stolen assets.
Detective Isaac Bell travels the early-twentieth-century American railways, driven by a sense of justice and a determination to stop a new mastermind reigning terror on a crucial express line in this #1 New York Times-bestselling series. A year of financial panic and labor unrest, 1907 sees train wrecks, fires, and explosions sabotage the Southern Pacific Railroad’s Cascades express line. Desperate for help the railroad hires the fabled Van Dorn Detective Agency. Van Dorn’s best man, Isaac Bell, quickly discovers a mysterious saboteur haunting the hobo jungles of the West. Known only as the Wrecker, he recruits vulnerable accomplices from the down-and-out to attack the railroad, and then kills them afterward. The Wrecker traverses the vast spaces of the American West as if he had wings, striking wherever he pleases, causing untold damage and loss of human life. Who is he? What does he want? Is he a striker? An anarchist? A revolutionary determined to displace the “privileged few”? A criminal mastermind engineering some as yet unexplained scheme? Whoever he is, whatever his motives, the Wrecker knows how to create maximum havoc, and Bell senses that he is far from done—that, in fact, the Wrecker is building up to a grand act unlike anything he has committed before. If Bell doesn’t stop him in time, more than a railroad could be at risk—it could be the future of the entire country.
When a scientist he recently rescued from kidnappers is murdered, private investigator Isaac Bell discovers that a ruthless agent wants the scientist's secret new invention in order to exploit it to seize power for Germany. Available in a tall Premium Edition.
The Race is the fourth turn of the century thriller by Clive Cussler. 1910, and America's first ever cross-country flying race has been sabotaged . . . Newspaper magnate Preston Whiteway is offering a big prize for the first aviator to cross America in under fifty days. He wants Josephine Frost - the country's leading as well as most glamorous pilot - to win. Which is why he's hired Isaac Bell of the Van Dorn Detective Agency. Josephine saw her husband Harry Frost kill a man. Now he wants her dead. And with underworld contacts ready to help in every city en route, he'll do anything, go after anyone who gets in his way - including Whiteway and Bell. Packed with brilliant twists and turns, The Race sees the intrepid Private Investigator locked in a deadly cat-and-mouse game with a killer whose resources are matched only by his willingness to cause mayhem during the race of a lifetime . . . Clive Cussler's The Race is the international bestselling author's follow up to The Spy and The Wrecker, the first two novels in the Isaac Bell series. The Race is a nerve-shredding historical thriller, set at the dawn of flight. Praise for Clive Cussler: 'Frightening and full of suspense . . . unquestionably entertaining' Daily Express 'All-action, narrow escapes and the kind of unrelenting plot tension that has won Cussler hundreds of millions of fans worldwide' Observer
Translation often proceeds as if languages already existed, as if the task of the translator were to make an appropriate selection from available resources. Clive Scott challenges this tacit assumption. If the translator is to do justice to himself/herself as a reader, if the translator is to become the creative writer of his/her reading, then the language of translation must be equal to the translators perceptual experience of, and bodily responses to, source texts. Each renewal of perceptual and physiological contact with a text involves a renewal of the ways we think language and use our expressive faculties (listening, speaking, writing). Phenomenology and particularly the phenomenology of Merleau-Ponty underpins this new approach to translation. The task of the translator is tirelessly to develop new translational languages, ever to move beyond the bilingual into the multilingual, and always to remember that language is as much an active instrument of perception as an object of perception. Clive Scott is Professor Emeritus of European Literature at the University of East Anglia, and a Fellow of the British Academy.
Van Dorn private detective Isaac Bell is investigating John D. Rockefeller's Standard Oil monopoly, when a sniper begins murdering opponents of Standard Oil, and it doesn't stop there. The murders shootings, poisonings, and staged accidents have just begun as Bell tracks his phantom-like criminal adversary across the U.S., to Russia's war-torn Baku oil fields on the Caspian Sea, and back to America for a final, desperate confrontation"--
Turn-of-the-century Detective Isaac Bell takes on the upstart leader of a vicious crime organization in this novel in the #1 New York Times–bestselling series. It is 1906, and in New York City, the Italian crime group known as the Black Hand is on a spree: kidnapping, extortion, arson. They like to take the oldest tricks and add dynamite. When a coalition of the Black Hand’s victims hire out the Van Dorn agency to protect their businesses, their reputations, and their families, Detective Isaac Bell forms a crack squad and begins scouring the city for clues. And then he spots a familiar face. The stakes grow ever-higher, with the Black Hand becoming more ambitious, and their targets more political. If Bell can’t determine the role played by the face from his past, the next life lost could be one of the most powerful men in the nation.
It is 1921, and both Prohibition and bootlegging are in full swing. When Isaac Bell's boss and lifelong friend Joseph Van Dorn is shot and nearly killed leading the high-speed chase of a rum-running vessel, Bell swears to him that he will hunt down the lawbreakers, but he doesn't know what he is getting into. When a witness to Van Dorn's shooting is executed in a ruthlessly efficient manner invented by the Russian secret police, it becomes clear that these are no ordinary criminals. On a trail that leads from the ravages of post WWI Europe to the speakeasies of New York to the lawless streets of Detroit and Florida's lavish beachside resorts, Isaac tracks the footsteps of a criminal enterprise more ingenious and far-reaching than any he has ever known. He is up against a team of Bolshevik assassins and saboteurs, and they are intent on overthrowing the government of the United States. Packed with daring escapades and incredible heroics"--Provided by publisher
Scott's subtle and adventurous analysis breaks new ground in textual understanding, while his translations radically challenge established orthodoxies. As he crosses back and forth between French and English poetry, he has illuminating encounters with a wide range of poets, from Labe and Shakespeare to Auden and Jaccottet. The embodiment of gender in the sonnet; the performance of the dramatic voice; the inflexions of the self in the voice of lyric verse; the 'landscaping' of nature in the line of verse; the interventions of the translator in the peculiar lives of the prose poem and free verse; the tasks of the translator and the comparatist in a new age - these are some of the issues addressed by Clive Scott in a sequence of essays as absorbing as they are original. ""Channel Crossings"" is the recipient of the R. H. Gapper Prize for 2004. The Prize, which is judged by the Society for French Studies, recognises the best publication of its year by any French studies scholar working in the United Kingdom or Ireland. The citation noted: In his book, Clive Scott gives a subtle and adventurous account of how processes of cultural exchange have played an active and enduring role in the development of the language of poetry in French and English over a period of several centuries...Clive Scott's book was one of a number of very impressive works published in 2002. The judges' choice was made in the light of the book's originality and its likely impact on wider critical debate on the language of poetry and on questions of method and approach in comparative literature.
While traversing the treacherous heights of Nepal, Tibet, and China, treasure hunters Sam and Remi Fargo encounter the perils of black-market fossils, an ancient aircraft, a myth-busting skeleton, and an unknown kingdom. But can they find the elusive father of the wealthy oil tycoon who is financing their expedition?
It is 1908, and international tensions are mounting as the world plunges towards war. When a brilliant American battleship gun designer dies in an apparent suicide, the man's grief-stricken daughter turns to the legendary Van Dorn Detective Agency to clear her father's name. Van Dorn puts his chief investigator on the case, and Isaac Bell soon realizes that the clues point not to suicide, but to murder. When more suspicious deaths follow, it becomes clear that someone - an elusive spy - is orchestrating the destruction of America's brightest technological minds . . . and the murders all connect to a top-secret project called Hull 44. As the intrigue deepens, Bell finds himself pitted against German, Japanese, and British spies, in a mission that encompasses dreadnaught battleships, Teddy Roosevelt's Great White Fleet, Chinatown, Hell's Kitchen, and the Brooklyn Navy Yard. Isaac Bell has certainly faced perilous situations before, but this time it is more than the future of his country that's at stake - it's the fate of the world. Visit clivecussler.com.au for more Sign up to the Cussler Down Under e-newsletter
It is 1920, and both Prohibition and bootlegging are in full swing. When Isaac Bell's boss and lifelong friend Joseph Van Dorn is shot and nearly killed leading the high-speed chase of a rum-running vessel, Bell swears to him that he will hunt down the lawbreakers, but he doesn't know what he is getting into. When a witness to Van Dorn's shooting is executed in a ruthlessly efficient manner invented by the Russian secret police, it becomes clear that these are no ordinary criminals. Bell is up against a team of Bolshevik assassins and saboteurs--and they are intent on overthrowing the government of the United States"--
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