Hilarious and trenchant, Reliable Essays collects the most memorable works of criticism and travel writing from well-loved author and broadcaster, Clive James. With an introduction by Julian Barnes. '[An] intellectual as well as a joker, a wise man as well as a wit' – Observer Whether discussing arts, politics or culture, Clive James opens up new avenues for thought whilst never being less than wonderfully entertaining. From his 'Postcard from Rome' to his observations on Margaret Thatcher, and his insights into Heaney, Larkin and Orwell, Clive is equally at home discussing the nature of celebrity and considering serious political matters. With brilliantly funny examinations of characters like Barry Humphries, Germaine Greer and Marilyn Monroe, this is a thoughtful, analytical and thoroughly enjoyable selection of Clive at his best. '[I]immensely enjoyable' – Telegraph Clive James (1939–2019) was a broadcaster, critic, poet, memoirist and novelist. His much-loved, influential and hilarious television criticism is collected in Clive James On Television. His encyclopaedic study of culture and politics in the twentieth century, Cultural Amnesia, remains perhaps the definitive embodiment of his wide-ranging talents as a critic. Praise for Clive James: 'The perfect critic' – A.O. Scott, New York Times 'There can't be many writers of my generation who haven't been heavily influenced by Clive James' – Charlie Brooker 'A wonderfully witty and intelligent writer' – Verity Lambert
“[A] collection of Clive James’s essays on a variety of literary topics . . . This is sanity, humor and acuity in the face of death” (The Wall Street Journal). In 2010, Clive James was diagnosed with terminal leukemia. Deciding that “if you don’t know the exact moment when the lights will go out, you might as well read until they do,” James moved his library to his Cambridge house, where he would “live, read, and perhaps even write.” James is the award-winning author of dozens of works of literary criticism, poetry, and history, and this volume contains his reflections on what may well be his last reading list. A look at some of James’s old favorites as well as some of his recent discoveries, this book also offers a revealing look at the author himself, sharing his evocative musings on literature and family, and on living and dying. As thoughtful and erudite as the works of Alberto Manguel, and as moving and inspiring as Randy Pausch’s The Last Lecture and Will Schwalbe’s The End of Your Life Book Club, this valediction to James’s lifelong engagement with the written word is a captivating valentine from one of the great literary minds of our time. “These essays and poems are death-haunted but radiant with the felt experience of what it means to be alive, even when mortally sick, especially when mortally sick.” —Financial Times “Latest Readings is a plain demonstration that Mr. James remains as learned and as funny as any critic on earth.” —The New York Times
A hilarious journey through the life and television of the 1970s and 80s, this nostalgic time capsule collects the treasured columns of Clive James. 'The funniest writer in Britain' – Sunday Times Clive James is the man who created TV criticism as a genre, bringing to it all the breadth of reference, intelligence and delight that he brought to more conventionally highbrow art forms. At a time when there were only three TV channels in the UK, and a primetime show might gather a simultaneous audience of 20 million people, he was commenting on the hitherto overlooked major cultural phenomenon of the era. From the Olympics to the fall of Richard Nixon, from the Eurovision Song Contest to the rise of Thatcher, from endless Star Trek reruns to the election of Reagan, and from Charlie's Angels to Michael Foot's Labour Party, Clive James's inimitable commentary brought sense and humour to his huge audience. In Clive James On Television are collected all three volumes of the brilliant, uniquely Jamesian humour that saw hundreds of thousands of devoted fans turn to his column each Sunday morning. It is together a hilarious, insightful portrait of the time – whether or not you were there the first time around. 'His contribution to the art and enjoyment of TV criticism over the past ten years has been immense. His work is deeply perceptive, often outrageously funny and always compulsively readable' – British Press Awards, on Clive James (Winner, Critic of the Year 1981) This book combines the three volumes of Clive's collected columns: Visions Before Midnight, The Crystal Bucket and Glued To The Box. Clive James (1939–2019) was a broadcaster, critic, poet, memoirist and novelist. His much loved, influential and hilarious television criticism is available both in three individual volumes and collected in Clive James On Television. Praise for Clive James: 'The perfect critic' – A.O. Scott, New York Times 'There can't be many writers of my generation who haven't been heavily influenced by Clive James' – Charlie Brooker 'A wonderfully witty and intelligent writer' – Verity Lambert
“A loving and breezy set of essays” on today’s most addictive TV shows from “an incisive and hilarious critic” (Slate). Television is not what it once was. Award-winning author and critic Clive James spent decades covering the medium, and witnessed a radical change in content, format, and programming, and in the very manner in which TV is watched. Here he examines this unique cultural revolution, providing a brilliant, eminently entertaining analysis of many of television’s most notable twenty-first-century accomplishments and their not always subtle impact on modern society—including such acclaimed serial dramas as Breaking Bad, The West Wing, Mad Men, and The Sopranos and the comedy 30 Rock. With intelligence and wit, James explores a television landscape expanded by cable and broadband and profoundly altered by the advent of Netflix, Amazon, and other cord-cutting platforms that have helped to usher in a golden age of unabashed binge-watching. “James loves television, he loves the winding stories it tells and that we share them together. Play All is a late love letter to the medium of our lives.”—Sunday Times “Large-brained and largehearted, and written with astonishing energy.”—The New York Times Book Review “Witty and insightful musing on popular and critically acclaimed series of the past two decades.”—Publishers Weekly
From Fleet Street to the television, North Face of Soho is the fascinating and hilarious fourth volume of memoir from much-loved author, poet and broadcaster Clive James. '[James] delivers his gags with honed elegance' – Sunday Times It is 1968. Newly married, dressed in the style of the times ('a frenzy of bad judgement'), Clive James is leaving the cloistered world of Cambridge academia and setting his sights once again on the lights of literary London. Luckily for him and us, this crack at the big city would go rather better than last time. Still writing songs, directing sketch shows and trying to break into the movie business, with very mixed success, Clive eventually lands a weekly TV column at the Observer, finds his metier and rapidly becomes a household name. Credited with inventing a genre, Clive turns his attention to the previously critically disregarded medium of television to comment on the entire culture. Through the Seventies and early Eighties, from Fleet Street to Hollywood, from Russian department stores to Paris fashion shows, this is the hilarious, entertaining and honest story of a life lived to the full. North Face of Soho is the fourth book of memoir from Clive James. Continue his story with The Blaze of Obscurity.
There is an inevitable sadness to this moving collection. This being James, there are also moments of zinging energy and a sense of fun…James will remain in the present tense as those Japanese Maple's leaves continue to turn to flame." —Rebecca K. Morrison, Independent In this new collection of "technically and emotionally heart-stopping poems" (Spectator)—including "Japanese Maple," which was published in The New Yorker to great acclaim—Clive James looks back over an extraordinarily rich life with a clear-eyed and unflinching honesty. There are regrets but no trace of self-pity in these verses, which—for all their grappling with death and his current illness—are primarily a celebration of what is treasurable and memorable in our time here. Again and again, James reminds us that he is not only a poet of effortless wit and lyric accomplishment but also an immensely wise one, who delights in using poetic form to bring a razor-sharp focus to his thought. Miraculously, these poems see James writing with his insight and energy not only undiminished but positively charged by his situation. The poems of Sentenced to Life represents a career high point from one of the greatest literary intellects of our age.
For many people, Clive James will always be a TV presenter first and foremost, and a writer second - this despite the fact that his adventures with the written word took place before, during and after his time on the small screen. Nevertheless, for those who remember clips of Japanese endurance gameshows and Egyptian soap operas, Clive James reinventing the news or interviewing Hefner and Hepburn, Polanski and Pavarotti, his Postcards from Kenya, Shanghai and Dallas, or Clive James Racing Driver, his rightful place does seem to be right there - on the box, in our homes, and almost one of the family. However you think of him, though, and whatever you remember him for, The Blaze of Obscurity is perhaps his most brilliant book yet. Part Clive James on TV and part Clive James on TV, it tells the inside story of his years in television, shows Clive James on top form both then and now, and proves - once and for all - that he has a way with words... whatever the medium.
Wide-ranging, hilarious and enlightening, The Revolt of the Pendulum collects the best of Clive James on art, culture and politics from 2005–2008, showing the author, broadcaster and poet at his dazzling and versatile best. From the rules of grammar to the fundamentals of religion, from the culture of fandom to the cult of the critic, it's all there in this collection of essays – steeped in Clive's vast learning, his sane intelligence, and his wit. Whether discussing Kingsley Amis, Camille Paglia, Leni Riefenstahl or Formula 1, Clive is able to focus on the finer points and the bigger picture simultaneously – generating insight across a huge range of subject matter. 'There's only one Clive James' – Sam Leith, Spectator Clive James (1939–2019) was a broadcaster, critic, poet, memoirist and novelist. His much-loved, influential and hilarious television criticism is available both in individual volumes and collected in Clive James On Television. His encyclopaedic study of culture and politics in the twentieth century, Cultural Amnesia, remains perhaps the definitive embodiment of his wide-ranging talents as a critic. Praise for Clive James: 'The perfect critic' – A.O. Scott, New York Times 'There can't be many writers of my generation who haven't been heavily influenced by Clive James' – Charlie Brooker 'A wonderfully witty and intelligent writer' – Verity Lambert
Always Unreliable is the collected first three volumes of Clive James's eloquently witty autobiographies, Unreliable Memoirs, Falling Towards England and May Week Was in June. In Unreliable Memoirs we meet the young Clive James – dressed in shorts and growing up in post-war Sydney. With Falling Towards England, we find Clive living in a Swiss Cottage B&B, where he practises the Twist, anticipates poetical masterpieces he’s yet to compose, and worries about his wardrobe. Finally, May Week Was In June sees Clive at Cambridge University, where he enthusiastically involves himself in college life (generally female lives) until May Week – not only in June but also a fortnight long – when he gets married. The rest, of course, is history . . .
When London began to swing in the early sixties Clive James was there. He was also broke. Arriving in London from Sydney, he resolved to engage himself in low-paid menial work by day and compose poetical masterpieces by night.
The Complete Unreliable Memoirs features all five volumes of Clive James's memoirs in one ebook omnibus. Including Unreliable Memoirs, Falling Towards England, May Week was in June, North Face of Soho and The Blaze of Obscurity. Unreliable Memoirs: In the first instalment of Clive James’s memoirs, we meet the young Clive, dressed in short trousers, and wrestling with the demands of school, various relatives and the occasional snake, in the suburbs of post-war Sydney. His adventures are hilarious, his recounting of them even more so, in this – the book that started it all . . . Falling Towards England: When we last met our hero in Unreliable Memoirs, he had set sail from Sydney Harbour bound for London, fame and fortune. Having arrived, he finds fame and fortune initially difficult to achieve. May Week was in June: Clive details his time at Cambridge, including film reviewing, writing poetry, falling in love (often), and marrying (once) during May Week – which was not only in June but also two weeks long . . . North Face of Soho: Taking us from Fleet Street to Clive James on TV, from Russian department stores to Paris fashion shows – via fatherhood, some killer bees, and a satire starring Anne Robinson as Mrs Thatcher – North Face of Soho is the larger-than-life story of a life lived to the full. The Blaze of Obscurity: the inside story of his years in television, it shows Clive James on top form.
21st century Britain: a point of view from our fiercest and funniest critic The BBC Radio 4 series A Point of View has been on the air since 2007. Clive James was one of the most popular presenters, and now, for the first time, his original pieces âe" sixty in total âe" and all-new postscripts are collected together in one volume. Read along with Clive James as he offers his informative, thought-provoking and entertaining insights into everything from wheelie bins to plastic surgery, Elizabeth Hurley to the Olympics, Britainâe(tm)s Got Talent to Damien Hirst, Harry Potter to giving up smoking âe" and plenty more besides.
In his insightful collection of poems Clive James looks back over an extraordinarily rich life with a clear-eyed and unflinching honesty. There are regrets, but no trace of self-pity in these verses, which - for all their open dealings with death and illness - are primarily a celebration of what is treasurable and memorable in our time here. Again and again, James reminds us that he is not only a poet of effortless wit and lyric accomplishment: he is also an immensely wise one, who delights in using poetic form to bring a razor-sharp focus to his thought. Miraculously, these poems see James writing with his insight and energy not only undiminished but positively charged by his situation: Sentenced to Life represents a career high point from one of the greatest literary intelligences of the age.
A hilarious journey through the life and television of the 1970s and 80s, this nostalgic time capsule collects the treasured columns of Clive James. 'The funniest writer in Britain' – Sunday Times Clive James is the man who created TV criticism as a genre, bringing to it all the breadth of reference, intelligence and delight that he brought to more conventionally highbrow art forms. At a time when there were only three TV channels in the UK, and a primetime show might gather a simultaneous audience of 20 million people, he was commenting on the hitherto overlooked major cultural phenomenon of the era. From the Olympics to the fall of Richard Nixon, from the Eurovision Song Contest to the rise of Thatcher, from endless Star Trek reruns to the election of Reagan, and from Charlie's Angels to Michael Foot's Labour Party, Clive James's inimitable commentary brought sense and humour to his huge audience. In Clive James On Television are collected all three volumes of the brilliant, uniquely Jamesian humour that saw hundreds of thousands of devoted fans turn to his column each Sunday morning. It is together a hilarious, insightful portrait of the time – whether or not you were there the first time around. 'His contribution to the art and enjoyment of TV criticism over the past ten years has been immense. His work is deeply perceptive, often outrageously funny and always compulsively readable' – British Press Awards, on Clive James (Winner, Critic of the Year 1981) This book combines the three volumes of Clive's collected columns: Visions Before Midnight, The Crystal Bucket and Glued To The Box. Clive James (1939–2019) was a broadcaster, critic, poet, memoirist and novelist. His much loved, influential and hilarious television criticism is available both in three individual volumes and collected in Clive James On Television. Praise for Clive James: 'The perfect critic' – A.O. Scott, New York Times 'There can't be many writers of my generation who haven't been heavily influenced by Clive James' – Charlie Brooker 'A wonderfully witty and intelligent writer' – Verity Lambert
Brrm! Brrm! by Clive James is the hilarious story of Japanese high-flyer and would-be-diplomat Akira Suzuki who is sent to London for the first time to learn about a more cosmopolitan lifestyle but instead manages to make headlines for all the wrong reasons much to the embarrassment of the Japanese embassy.
Cultural criticism at its best, The Metropolitan Critic sees essayist, critic and poet Clive James mix high and pop culture commentary – from Tom Wolfe to Tom and Jerry, from Seamus Heaney to Oz magazine. In 1974, The Metropolitan Critic started a new trend in cultural comment which has since become an orthodoxy. The young Clive James was the first journalist in London to talk about high culture and pop culture as if they were equally fascinating fields of endeavour, and he did it in an incomparably engaged, fluent, sparkling style. Even at that early stage, the learning behind his literary high-wire act was formidable: a portent of the wide-ranging erudition that in subsequent years was to underpin the further volumes of critical prose and the television column that made him famous. An extra delight of this edition is a set of self-critical footnotes which, combined with a nostalgic introduction, evoke what literary London was like when the author, low on salary but high on hope, was making his spectacular start. Clive James (1939–2019) was a broadcaster, critic, poet, memoirist and novelist. His much-loved, influential and hilarious television criticism is available both in individual volumes and collected in Clive James On Television. His encyclopaedic study of culture and politics in the twentieth century, Cultural Amnesia, remains perhaps the definitive embodiment of his wide-ranging talents as a critic. Praise for Clive James: 'The perfect critic' – A.O. Scott, New York Times 'There can't be many writers of my generation who haven't been heavily influenced by Clive James' – Charlie Brooker 'A wonderfully witty and intelligent writer' – Verity Lambert
Legendary poet and critic Clive James provides an unforgettably eloquent book on how to read and appreciate modern poetry. Since its initial publication, Poetry Notebook has become a must-read for any lover of poetry. Somewhat of an iconoclast, Clive James gets to the heart of truths about poetry not always addressed, “some hard” but always “firmly committed to celebration” (Martin Amis). He presents a distillation of all he’s learned about the art form that matters to him most. James examines the poems and legacies of a panorama of twentieth-century poets, from Hart Crane to Ezra Pound (a “mad old amateur fascist with a panscopic grab bag”), from Ted Hughes to Anne Sexton. Whether demanding that poetry be heard beyond the world of letters or opining on his five favorite poets (Yeats, Frost, Auden, Wilbur, and Larkin), his “generosity of attention, his willingness to trawl through pages of verse in search of the hair-raising line, is his most appealing quality as a critic” (Adam Kirsch, Wall Street Journal).
With essays taking the reader from London to Bali, theatre to library and from election campaigns to television, The Meaning of Recognition collects the best of Clive James on art, culture and politics from 2001–2005. Whether analysing Bing Crosby, Bruno Schulz or Shakespeare, celebrating The Sopranos and The West Wing, or lamenting the decline of Formula One, Clive James writes with style and substance, offering food for thought across a huge variety of subjects. On Pushkin, Philip Roth, or the nature of celebrity, he is always sane, engaged and unmistakably himself. This collection shows Clive at his witty, learned and heartfelt best. ‘Clive James, the most glorious prose stylist of his generation, refuses to stop learning ever more about the world’ — New Statesman '[Clive] can both get to the heart of a subject and raise a laugh' – Sunday Times Clive James (1939–2019) was a broadcaster, critic, poet, memoirist and novelist. His much-loved, influential and hilarious television criticism is available both in individual volumes and collected in Clive James On Television. His encyclopaedic study of culture and politics in the twentieth century, Cultural Amnesia, remains perhaps the definitive embodiment of his wide-ranging talents as a critic. Praise for Clive James: 'The perfect critic' – A.O. Scott, New York Times 'There can't be many writers of my generation who haven't been heavily influenced by Clive James' – Charlie Brooker 'A wonderfully witty and intelligent writer' – Verity Lambert
The “technically and emotionally heart-stopping poems” (Spectator) of Clive James are collected in this decades-spanning volume. The poetry of Clive James has been delighting readers and winning awards for decades. His recent poems looking back over his extraordinarily rich life have brought him an even wider readership; some, such as “Japanese Maple” (first published in The New Yorker), became global news events upon their publication. In this first collected volume of poetry, James makes his own selection from over fifty years’ work in verse: from his early satires to his late poems of valediction, he proves himself to be as well-suited to the intense demands of the short lyric as to those of the comic excursion. Collected Poems places James’s effortless fluency, his breath-taking thematic range, and his emotional power on full display—and will burnish his reputation as one of the most accomplished of our contemporary poets.
In "As of This Writing" James has assembled his most ambitious and expansive collection to date, a book that features 49 essays on poetry, film, culture, and fiction written between 1967 and 2001.
Clive James sharp, brilliant and outrageously funny memoirs together in one volume. In Unreliable Memoirs we meet a very young Clive James. One dressed in shorts. His hilarious adventures growing up in post-war Sydney are deliciously recounted in this, the first volume of his memoirs. Next our hero sets sail for London where he hopes to find Success without compromising his Ideals. Falling Towards England tells how, having happily failed to land a suitable job, Clive moves into a little bed and breakfast in Swiss Cottage where he thoughtfully practises the Twist, anticipates the poetical masterpieces yet to be composed, and worries a little about his wardrobe. May Week Was in June sees Clive at Cambridge University, where he enthusiastically involves himself in a wide variety of pursuits (so long as they aren't on the syllabus and happen to be female). Then during May week - not only in June but also two weeks long - he marries... and the rest is history.
A true insider's story of the Backpacker Murders from the detective who led the team that arrested Ivan Milat. Milat - the serial killer who preyed on young hitchhikers. The backpackers - the innocent victims of a brutal murderer. Belanglo - a place that became synonymous with pure evil. It was the biggest and most complex manhunt in Australian history, an investigation that gripped a nation. Behind the many false leads and dead ends, precious clues emerged that pointed to one man. This is the story of how Ivan Milat was caught. Clive Small takes us inside the operation he led as his team painstakingly pieced together the evidence that put Milat behind bars. But questions remain. Did he act alone? Were there other victims? How much did his family know? And what of his great-nephew, who brutally killed a young man in 2010? Chilling, forensic, compassionate - this is the definitive story that could only be told by someone at the centre of the police operation. It is also a powerful argument for the investigation of more than a hundred unsolved murders.
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