A history that extends from the 1750s to the present, In Pursuit of Privilege recounts upper-class New Yorkers' struggle to create a distinct world guarded against outsiders, even as economic growth and democratic opportunity enabled aspirants to gain entrance. Despite their efforts, New York City's upper class has been drawn into the larger story of the city both through class conflict and through their role in building New York's cultural and economic foundations. In Pursuit of Privilege describes the famous and infamous characters and events at the center of this extraordinary history, from the elite families and wealthy tycoons of the eighteenth and nineteenth centuries to the Wall Street executives of today. From the start, upper-class New Yorkers have been open and aggressive in their behavior, keen on attaining prestige, power, and wealth. Clifton Hood sharpens this characterization by merging a history of the New York economy in the eighteenth century with the story of Wall Street's emergence as an international financial center in the late nineteenth and early twentieth centuries, as well as the dominance of New York's financial and service sectors in the 1980s. Bringing together several decades of upheaval and change, he shows that New York's upper class did not rise exclusively from the Gilded Age but rather from a relentless pursuit of privilege, affecting not just the urban elite but the city's entire cultural, economic, and political fabric.
When it first opened on October 27, 1904, the New York City subway ran twenty-two miles from City Hall to 145th Street and Lenox Avenue—the longest stretch ever built at one time. From that initial route through the completion of the IND or Independent Subway line in the 1940s, the subway grew to cover 722 miles—long enough to reach from New York to Chicago. In this definitive history, Clifton Hood traces the complex and fascinating story of the New York City subway system, one of the urban engineering marvels of the twentieth century. For the subway's centennial the author supplies a new foreward explaining that now, after a century, "we can see more clearly than ever that this rapid transit system is among the twentieth century's greatest urban achievements.
Mississippi. The 1950s and ’60s. Two friends, one white and the other black. Sue Ann spends her pre-adolescent years protecting her best friend, Liz Bess, from prejudice and mistreatment, but she can’t protect her from the untimely death of her mother and their resulting separation as Liz Bess is sent north to school. As a young adult, Sue Ann falls in love with Tate Douglas, a civil rights worker from the North, during the violent summer of 1964. Liz Bess, now Elizabeth, returns to Mississippi to become a freedom fighter for her people and comes face to face with racist violence and death. Through the turmoil, Sue Ann is reminded of the words of Elizabeth’s grandmother: “Love ain’t black, and love ain’t white; it jes’ is.”
The girl trying to talk to him the whole night was the only one saying, "No, I said rob him not kill him" But, she couldn't stop them. He tried to fight them off but they were too strong. He felt his body being lifted up and he saw the window coming at him. He was bleeding badly from the stab wound and all he could think about was his mother telling him that she thought going out tonight was a bad idea. God told her to warn him to stay home tonight. He told his mother he didn't want to hear anymore of that Jesus shit and he was going out. He was young and he wanted to have some fun. He could see his mother's face clearly as they opened the window and he began to hear and feel the swooshing sound of the wind as he was dropped head first towards the pavement below. He looked up towards the sky, saw his mother's face and he could hear her voice saying, "A hard head makes a sore ass son" And as his head crashed into the cement his consciousness exploded into a thunderous exhibit of white lights.
When reality and dreams are difficult to perceive, it's important to pay attention. The only difference between is the being conscious in one state while in another, you are subconsciously interacting with the universe. When your higher you becomes woke, you ask yourself - if you remember the details- which is which. Have you ever felt you've lived a moment that's presenting itself again? When you realize, do you pause to prevent what happened in the dream or prevent what may not have been? It's an asked question since forever. The question also was asked by James Porter, a historian, scholar, and award-winning author of Falling Asleep with Dreams and Connected at the Roots. James had to inquire because he couldn't believe he was involuntarily forced into one of the vilest, bizarre criminal cases to happen in drought-stricken Bay Area. All because he penned life into stories swept underneath the lumpy rug of American history. He paired with Kwabena Farmer, a detective from the Oakland Police Department Missing Person Unit, who was forced to acknowledge his demons in order to help James. Together, they used clues strategically left by the wicked offender, clues taken from history and pages pulled directly from Connected at the Roots. To work the case, Farmer needs to catch up on James' work all while using the historian as an ally and a direct source. They go down a spiraling path that awakens truth and exposes America's hypocrisy from its founding creed, the story of Recy Taylor, even the Union's bargaining agreement with the South using the 14th amendment. While discovering this, they discover more about themselves, and when they do, they learn not everything is what is seems, but everything is presented purposely to hide the truth. Join them while they determine what's real, and what's a dream all while solving an American nightmare. Learn the difference between reality and Deja True.
Mississippi. The 1950s and ’60s. Two friends, one white and the other black. Sue Ann spends her pre-adolescent years protecting her best friend, Liz Bess, from prejudice and mistreatment, but she can’t protect her from the untimely death of her mother and their resulting separation as Liz Bess is sent north to school. As a young adult, Sue Ann falls in love with Tate Douglas, a civil rights worker from the North, during the violent summer of 1964. Liz Bess, now Elizabeth, returns to Mississippi to become a freedom fighter for her people and comes face to face with racist violence and death. Through the turmoil, Sue Ann is reminded of the words of Elizabeth’s grandmother: “Love ain’t black, and love ain’t white; it jes’ is.”
The Waner brothers, Paul and Lloyd--also known as "Big Poison" and "Little Poison"--played together for fourteen seasons in the same Pittsburgh outfield in the 1920s and 1930s. More than half a century after retiring, they still rank as the best-hitting brothers in major league history with a combined 5,611 hits--517 more than the three Alou brothers, 758 more than the three DiMaggio brothers, and 1,400 more than the five Delahanty brothers. And both Waners are in the Hall of Fame, the only playing brothers so honored. This work tells the story of the Waner brothers from their early lives in Oklahoma through their playing days, which included a World Series against the legendary 1927 New York Yankees. It is also the story of two American eras: the Roaring Twenties and the Depression years. Both put up impressive numbers individually: Paul amassed 3,152 hits, and his .333 lifetime average ranks among the highest ever in the game. Lloyd, a lifetime .316 hitter, collected 2,459 hits, and had it not been for health problems, he might have cleared the 3,000 hit milestone as well. Together, they were baseball heroes.
For years after graduating from medical school, Dr. Clifton K. Meador assumed that symptoms of the body, when obviously not imaginary, indicate a disease of the body--something to be treated with drugs, surgery, or other traditional means. But, over several decades, as he saw patients with clear symptoms but no discernable disease, he concluded that his own assumptions were too narrow and, indeed, that the underlying basis for much of clinical medicine was severely limited. Recounting a series of fascinating case studies, Meador shows in this book how he came to reject a strict adherence to the prevailing biomolecular model of disease and its separation of mind and body. He studied other theories and approaches--George Engel's biopsychosocial model of disease, Michael Balint's study of physicians as pharmacological agents--and adjusted his practice accordingly to treat what he called "nondisease." He had to retool, learn new and more in-depth interviewing and listening techniques, and undergo what Balint termed a "slight but significant change in personality." In chapters like "The Woman Who Believed She Was a Man" and "The Diarrhea of Agnes," Meador reveals both the considerable harm that can result from wrong diagnoses of nonexistent diseases and the methods he developed to help patients with chronic symptoms not defined by a medical disease. Throughout the book, he recommends subsequent studies to test his observations, and he urges full application of the scientific method to the doctor-patient relationship, pointing out that few objective studies of these all-important interactions have ever been done.
Keep an open mind and an open path, and the Way will find you." This philosophy of Cayce McCallister and Harri Wellington leads the sisters to Bar None, a ghost town high in the Sawtooth Mountains of Idaho. The locale is home to many spirits from the gold rush era and to lingering human relics from the town's early days—all playing havoc on town renovation efforts. The sisters, along with friends both living and dead, hope to uncover the secrets of Bar None's past and send its resident spirits to rest. In the present is the pressing matter of missing young women—all pregnant. Can the sisters solve the mysteries of the past and of the present before time runs out? Or will they find themselves trapped by the "Keeper of the Lambs"?
Maxine Taylor is a fire witch who descends from a long line of fairy tales. She'll encounter Blue Riding Hood who is the opposite of his mother. As she navigates the folk land of Evermore and Evergone- she becomes more determined to save the missing people of Salem, Georgia. Her determination to rescue the missing people will spread like a wildfire. It's a wild adventure, full of romance, heartbreak, and action for Maxine Taylor. Her past and her present shall mesh as she encounters new as well as old faces. Can she tame the fire burning deep inside? Will she be able to survive it all? Can she find her happiness upon her return home? No one has all the answers; not even the fire witch herself…
In Pray Hard & Speak Life, Cliff Powell's story is a crystal-clear picture of the hope and restoration that is only found in Jesus! Every page drips with real life mixed with grace, forgiveness, love, and hope! You will not only be encouraged and challenged but you will also be reminded that life with Jesus is an adventure with a beautiful, expected end!" -Acton Bowen, bestselling author "Beautifully written, Pray Hard & Speak Life will lift your spirits and inspire your soul. It takes you on a journey through the most intimate, heart-wrenching experiences a young man could possibly endure. He was able to overcome a lifetime of trials and tribulations through his trust in God and love of family. His heart's on fire with a burning desire to help others who may be going through their own setbacks in life by helping them learn to pray hard and speak life." -Sharon Schuler Kreps, author of Jokers & Dandies Whether it's a financial struggle, physical ailment, or emotional tragedy, you have the ability to determine if the battle you face will be lost or won. In Pray Hard & Speak Life, the author reflects on some of the most challenging battles he has faced and how one friend who became the love of his life stayed by his side through it all, only to become the victim of a battle that taught him how to pray hard and speak life. This memoir walks the reader down a road covered with scenery that displays the best and the worst of the author's most private moments. He shares how he was able to make the transformation from addiction to sobriety through the love of Jesus and how the real battle had just begun.
Recent American Art Song: A Guide is a reference source devoted to songs with English texts by American composers, written for solo voice and piano. The book focuses exclusively on art song since 1980, a substantial period largely ignored by scholars. This is the first study to examine this repertory in detail, and many of the songs and composers are discussed in print for the first time. Keith E. Clifton has examined approximately 1000 songs by nearly 200 composers. Many songs employ musical idioms well beyond traditional classical styles, including references to jazz, musical theater, rap, and rock & roll, and several songs blur the boundaries between recital and stage works. Organized alphabetically by composer, entries contain complete biographical and bibliographical information, with major works and links to print resources and composer websites when available. In addition, Clifton provides detailed information on the vocal range, musical style, and appropriate voice type for individual songs. The book concludes with a full discography and bibliography, as well as indexes listing the works by poet, song cycle, title, voice type, and level of difficulty.
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